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Please do not bug us with these sort of requests. So, how can I donate?Ĭlick here to learn more about donating. You must donate to be able to download from our server. Immerse yourself in massive fleet battles where your dogfighting skills will directly affect the fate of the cosmos. Take control of the Strike Suit a craft with the ability to transform into a hulking suit of space armor - in a bid to save Earth from destruction. The costs are too great to be seeding every game on the site. In the year 2299, an interstellar war rages. When a game is voted on for re-upload, a torrent is not made. Why are there not torrents for every game?Ī torrent will be created when a game is set as NEW or UPDATED. How are download links prevented from expiring?Īll games are available to be voted on for a re-upload 30 days after they were last uploaded to guard against dead links. This is to deter bots from scraping the site and issuing a DMCA takedown on filehosters. Why do I have to complete captcha to view download links? Every installer is checked for authenticity from GOG.com and integrity before uploading. OMG! My antivirus software is reporting I downloaded malware! What gives? No, this would cost even more time and money. Download derats cs map or other Counter-Strike 1.6 levels. If youre looking for a free Office-compatible suite.

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I decided to replace the dough hooks with the beaters and found that yielded better results. I also found that when the bowl was placed so that the dough hooks were in the center, it stopped spinning altogether. I used the Bowl Shift Lever to move the bowl from side to side but no matter what position it was in, the butter and sugar mix kept shifting to the sides of the bowl, out of reach for the dough hooks. Right off the bat, I ran into some issues.

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The instruction manual states that you should use the dough hook attachments for all doughs or thicker substances. The first step of the recipe that occurs in the stand mixer is beating the softened butter, brown and granulated sugar until light and fluffy. Making cookiesįor the cookie dough test, I tried out one of the Delish recipes in the instruction manual: Best-Ever Snickerdoodles. Overall, I was impressed by how vigorously the dough hooks kneaded the bread though but I don’t think the Delish by Dash Stand Mixer could have kept going past the 15-minute mark at full speed. I noticed no unmixed pockets of ingredients. This time it was smooth, and I could easily handle it after dusting my hands with flour. I recorded 91 decibels.Īt the end of the 10 minutes, the ingredients were fully combined but the dough was still sticky so I added more flour and set the Delish by Dash Stand Mixer on speed 5 again for 2 more minutes. Around minute 8, I touched the bowl and the stand mixer base and felt heat emanating off it but it wasn’t hot enough to cause concern. Because of how fast the hooks were spinning, I noticed that the stand mixer was shaking all throughout the 10-minute process. At first, the bowl was not spinning but slowly the ingredients began to mix and the hooks worked their way through the dough. For the next 10 minutes, I stepped away completely from the Delish by Dash Stand Mixer and let it do its thing.

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The 1860 stagecoach master’s house at Mankas Corner remains intact, with a plaque outside describing its history and towering pecan trees nearby that must date back to Manka’s day. Vezer on a recent day demonstrated how his Suisun Valley vision mixes the rustic Suisun Valley of old with some Wine Country elegance. “We saw what the potential was,” Vezer said. He noted the small commercial center of Mankas Corner was nearby. Over time, Vezer wanted to sell the wine that came from the Vezer Family Vineyard. His family intended to move to the Napa Valley in 1989, but took the back roads to Interstate 80, saw Suisun Valley and decided to move there instead. He bought several of the buildings there starting in 2006, including the ones that now house the wine tasting room and steak restaurant. Vezer family helps shape Mankas Cornerįrank Vezer is a Mankas Corner mover-and-shaker. All of this is an embryonic form of what is described in the Suisun Valley Strategic Plan, a step toward realizing a grander vision. The corner at Mankas Corner and Clayton roads has a wine tasting room, steak restaurant, furniture store, antique store and, in a former gas station, the Clay Station art co-op. It can be the “cultural heart” of the rural valley, it said. Mankas Corner can be the “Sonoma Square” of Suisun Valley, according to the county’s 2011 Suisun Valley Strategic Plan. It sees the corner as becoming an outpost on the edge of world-famous Sonoma and Napa Wine Country. Solano County today has plans for Mankas Corner – the possessive apostrophe is missing from the maps – that go far beyond being a pioneer era-flavored meeting place. SUISUN VALLEY - Christley Manka left the gold rush mines to run a general merchandise store in Suisun Valley that became a favorite place for 19th century farmers to come and play cards.

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So join composer and arranger Leo Nicholson now, and start creating beautiful scores the quick and easy way!Ĭourse outline Section 1: Getting started No. The quickest way around Dorico is to learn and use key commands, and this is why Leo covers all the essential ones during the course. You learn the importance of Engraving and Layout options and how they affect notation on the page.

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You learn how to enter dynamics, articulations and slurs, how to add chord symbols, grace notes, ties and input lyrics. Leo demonstrates how quickly and efficiently you can enter notes using different techniques, whether it’s your computer mouse or keyboard, or your MIDI controller. Now I have to wait for my wife to wake up naturally. The lack of any improvements in Expression Maps has been engulfed in a tsunami of new features and capabilities, as well as enhancements to existing features. Leo starts the course with a tour of the user interface, showing Dorico’s templates, its five modes (setup, write, engrave, play and print), and its panels and tools. After watching the list of videos outlining what is new in Dorico 4, I am blown away. Whatever version you’re using (SE, Elements, or Pro), this 101 course is designed to guide you through all the fundamentals, and more. It’s fast, flexible and offers tons of innovative features to cover your music notation needs. With an extremely active and ever-growing online community, Dorico has become a very popular music scoring software amongst musicians, educators, students and composers. Learn all you need to know to get started with Dorico in this course by pianist, arranger, and Steinberg Certified Trainer Leo Nicholson. Instead of the confusion of input methods in other programs, Dorico is streamlined and simple.Dorico is Steinberg’s flagship music notation software. In fact, it’s the only scorewriter you can compose or arrange straight into without needing to make constant corrections.ĭorico has the easiest input of any scoring software. Having even more ways to access Figurenotes is a huge boost to inclusive music education. No adjusting required – Dorico gets it spot on every time. This is available within their notation software, Dorico. Insert, delete or edit notes, bars, clefs, time signatures, etc., and Dorico rewrites the music with exceptional skill. And everyone who writes music will use Dorico.Įffortlessly write music and produce clear, elegant pages that rival the finest traditional music engraving.ĭorico understands notation better than any other program – and even most musicians! As you input music, it uses sophisticated rules of rhythm and pitch to notate it as clearly as possible. Soon, driverless cars will be everywhere.

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And you’ll shake your head at the hours you used to waste fixing rhythms and ties, tweaking engraving, searching manuals and on complex workarounds.įast, streamlined and effortless – Dorico feels so natural, you’ll soon forget you’re using software at all. You’ll wonder how you ever put up with map-reading or changing gear. Just as you won’t have to think about steering, pedals and indicators, Dorico expertly handles notation, engraving, playback and part preparation for you. Music notation gains a new simplicity in Dorico, even in complex pieces. Its artificial intelligence does all the tiresome work for you, leaving you free to sit back and create. The result: a masterpiece of design that musicians will be using for decades to come.ĭorico is like a driverless car. Created by the world experts, Dorico combines the finest engraving of the last millennium with the cutting-edge technology of the next. What is Dorico?ĭorico helps you write, print and play back music notation to the highest professional standards.

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Designed to cater for every nuance of notation, Dorico Pro 2 is perfectly suited to professional composers and arrangers, music directors, film/theatre/television scores, creators and tertiary level music studies. Xylophones, Glockenspiels & Keyboard Percussionĭorico Pro 2 is the newest edition of the gold-standard music notation software that is Dorico.Cabled & Bluetooth/Wireless Controllers.

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A forward-looking, benchmark collection founded solidly in the traditions of the field!” Walt Wolfram, North Carolina State University “Research Methods in Sociolinguistics is a remarkably comprehensive and useful compendium of current methods in the field, ranging from the conception and establishment of a research project to the collection, processing, and presentation of data. The second part focuses on data analysis across a number of languages, subdivided into segments on linguistic and sociocultural techniques. The first of the book’s two sections details the types of data available, and explains collection methods ranging from sociolinguistic interviews to linguistic landscapes.

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A team of 21 leading contributors provides detailed procedural instructions on an array of anthropological and scientific methods that cover the full spectrum of contemporary sociolinguistics, from the study of style and discourse analysis to the study of phonetics. This practical guide to research methods in sociolinguistics equips readers with a full range of techniques to apply in their own academic work. Research Methods in Sociolinguistics A Practical Guide Schilling-Estes, 1999), Identity and Ethnicity in the Rural South: A Sociolinguistic View through Past and Present Be (2000), and An Introduction to Language (Wiley Blackwell, 2015). His publications include Dialect Change and Maintenance on the Outer Banks (with W. Kirk Hazen is Professor of Linguistics and Director of the West Virginia Dialect Project at West Virginia University. Vine, 2011), and An Introduction to Sociolinguistics (4th edition, 2013). Meyerhoff, Wiley Blackwell, 2003), Leadership, Discourse and Ethnicity (with M. Her many publications include The Handbook of Language and Gender (edited with M. She is Director of the Wellington Language in the Workplace (LWP) project and a Fellow of the Royal Society of New Zealand. Her sociolinguistics teaching focuses on workplace discourse, New Zealand English, and language and gender. Janet Holmes holds a personal Chair in Linguistics at Victoria University of Wellington, New Zealand. Tagliamonte, University of TorontoĬomprehensive coverage is combined with useful summaries, seasoned advice and troubleshooting tips, ideas for research projects, and a full directory of supplementary reading for those undertaking research in this specialist field. Whether you want to go to the field or the library, analyze words or interactions, study languages, dialects or sociolects, chart, map or quantify, this is the go-to book for the twenty-first century.” Sali A. *Going to conduct a test on my map, let's hope it doesn't lag.“This volume is like having the wisdom of Sociolinguistics at your fingertips. (7/26/16)Edit: *Added structure block to the list of randomizers. Thank you! If something is not clear, let me know asap. I know this is really not that big of a deal as it seems, but I am sure some of you will understand what I mean. So that we, the mapmakers do not have to make any randomizer contraptions which will only add lag or waste time. Maybe a toggle button at the bottom, between percent and fractions. IN this box we see that, we have a window, and a chance, when a player sets a percentage or maybe even a fraction, then when block is powered, it outputs a signal if it falls within the success rate. TLDR: In each of them Improvement might be needed (personal opinion)Īlright then, maybe there should be a block that actually outputs signal depending on the givens, in this case, chance. Structure block thanks to /u/ReduxRedstone and /u/IceMetalPunk for the suggestion.īut this is alright i guess, betting on the fact that chicken can glitch out in MJ's first design, that dispenser can just not have enough of outputs to make, and + entity is just ENTITY based, which is bad because Entities cause lag and as a mapmaker i don't need that. So far, I have seen multiple + enitity command So my idea comes from a simple randomizer that many map makers use. TLDR: New block might make things easier. So not while ago I posted about command block having a bigger window for editing and got a lot of positive outcome of that, so decided to do it again, because something very annoying just came up that should be taken care of(personal opinion), so now I thought of totally new implementation.

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In-jokes and interruptions were the norm: was that his lap-top shutting down, or just a sample of the same? Somewhere else, a slowed-down voice assured us that Skinning Up Is Permitted, but judging by the horizontal state of some of his faithful, this went without saying. The music, when it came, was not so much underground as underwater, recalling his early experimenta tion on Ambient Works I and II rather than the more frantic assaults for which he is more well known. It made for an interesting variation on the regular gig-going experience, as we wandered about in the semi- darkness, or sat neath exotic palms, wondering, for the first 10 minutes, if the soft babble of conversation we heard on our headphones was simply a treated reproduction of the actual babble of conversation going on around us. Invisible amid the foliage, his stream-of-consciousness meanderings were beamed down to the assembled audience via electronic headsets which we each donned at the door. Jams, he held court in the Barbican conservatory amid rare plants and gurgling fountains. Later that same night, some much needed light relief was provided by Richard James aka Aphex Twin. I wanted to say, so what? If the end result is so mind-numbingly banal as this, so bloody what? As I left, utterly defeated, the clanking sound I heard was, I fantasised, the dustbin of history closing firmly on Stockhausen's early experiments in the banality of sound. Having sat in the darkened auditorium with their eyes closed for the duration, as instructed by Professor Stockhausen, the audience applauded reverently as the composer appeared onstage yet again to introduce another early work painstakingly created by the splicing and sticking together of endless taped interludes. Nothing to catch hold of, nor even surrender to. It was not so much that pieces like 'Studies I and II' and 'Telemusik' contained neither melody nor rhythm - this is experimental music, after all - but that I could detect no discernible musical meaning whatsoever.

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This was sound reduced to geometry, drained of emotion: a series of mathematical sequences, often in the form of rattles, thumps and squirts of sound, that added up to nothing in this listener's head or heart.

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I have, in my time, witnessed German industrialists employ pneumatic drills on sheet metal and pour sand into an amplified cement mixer I have sat through interminable Evan Parker sets in which he tortured his saxophone in the name of free jazz I have listened to Diamanda Galas screech and wail until my ears were literally sore and I have always come away with some kind of emotional response - even if it was the righteous pain of the voluntary martyr. On this hearing, it is not difficult to see why. He is, in short, someone who is constantly referred to, but seldom listened to. In the canon of difficult music, the German composer's work stands tall by reputation alone.