goncharovconfessions
Goncharov Confessions
Welcome to Goncharov Confessions! Disclaimer: The opinions expressed on this blog are in no way a reflection of the blog owner. All confessions and opinions are submitted by fans and anonymously
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i hate when ppl act like the only reason to not like a "sad" ending is because you can't take it or whatever. personally as a tragedy enjoyer, i hate a poorly written ending. i hate an ending that is just kind of a bummer. i hate an ending that feels mean-spirited to the audience. i hate an ending that's redundant. i love a sad ending that is thematically consistent, poignant, and bespoke to the rest of its narrative.
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Reblog if you've ever cried over the death of a fictional character
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reverse gaslighting where i pretend to know exactly what you are talking about
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YOU WERE IN GONCHAROV WITH HARVEY KEITEL????
Oh yes. Blink and you'd miss me.
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GUYS? Martin Scorsese’s daughter Francesca told him about Goncharov and he said he made that film years ago I’m fucking crying.
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anyway i think we all know who the true best character in Goncharov (1973) is
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Goncharov (1973) dir. Martin Scorsese
Clips from rare 1991 Spanish TV cut of Goncharov. Sourced from limited 2001 PAL DVD release.
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underappreciated aspect of goncharov is its utility as a descriptor for any still-parseable fandom content whose source material you're completely unfamiliar with. you know what I'm talking about. meme about characters you've never heard of from a show you've never seen, but you're still nodding like you're so right op they would totally say that. art that goes hard but might as well be a portrait of someone's dentist for all you know. your blorbos twice removed. it's all goncharov, to me.
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fun fact: in the 70s, Sesame Street parodied Goncharov as "Gotcha-Clock", in a segment designed to teach telling time
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Can you hear it? Can you hear the ticking of the clocks, Goncharov?
GONCHAROV (1973) dir. Martin Scorsese
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obsessed with this quote by Norma Larson in Family Ties: Essays on the Mafia in Film, 1993
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The most interesting thing to me thus far about this whole goncharov thing is that Tumblr has collectively constructed some pretty convincing side characters for this movie. Katya leaps off the page as this frustrated woman caged by her lack of autonomy, Sofia coyly plays both sides and acts above it all when really she's desperate for the same freedom Katya is. Ice Pick Joe is a less developed character who nonetheless acts as a stand in for the inescapable nature of cycles of violence. andrey, loyal to a fault, gets pulled deeper and deeper into goncharov's orbit until there's no way for him to make it out alive
and yet with all that I have ZERO sense of who goncharov is supposed to be himself. i've see a lot of stuff suggesting that the film is theoretically about loss, including the loss of one's identity, shown primarily through the way goncharov becomes unrecognizable to himself by the time of his death at the end of the film (seeing himself in a fractured mirror is a common motif). it's very interesting to me that we have a fine time coming up with a group of collective blorbos based on mafia movie tropes, but somehow the main character feels unknowable, to the degree that we had to make that one of the core themes of the film.
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Ok Fuckers
Who tf created Goncharov page on Doesthedogdie?
It’s irresponsible to create such page on the site that people go to for actual reliable trigger warnings for a joke that didn’t even last a fuckin week
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Also here some of my favs below
And my absolyte favorite
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