In what was likely one of the most unexpected surprises in the life of architecture critic Oliver Wainwright, his trip to North Korea revealed a variety of spaces with an eerie resemblance to Wes Anderson’s carefully curated movie sets. The use of primary colours and muted pastels, as well as a heavy emphasis on symmetry and proportion, evoke the trademark aura of the director’s acclaimed interiors.
Read the full story by Oliver Wainwright over at The Guardian.
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