My friend had some comments about delicious in dungeon

missing beth cassidy oh no

“If a society puts half its children into short skirts and warns them not to move in ways that reveal their panties, while putting the other half into jeans and overalls and encouraging them to climb trees, play ball, and participate in other vigorous outdoor games; if later, during adolescence, the children who have been wearing trousers are urged to “eat like growing boys,” while the children in skirts are warned to watch their weight and not get fat; if the half in jeans runs around in sneakers or boots, while the half in skirts totters about on spike heels, then these two groups of people will be biologically as well as socially different. Their muscles will be different, as will their reflexes, posture, arms, legs and feet, hand-eye coordination, and so on. Similarly, people who spend eight hours a day in an office working at a typewriter or a visual display terminal will be biologically different from those who work on construction jobs. There is no way to sort the biological and social components that produce these differences. We cannot sort nature from nurture when we confront group differences in societies in which people from different races, classes, and sexes do not have equal access to resources and power, and therefore live in different environments. Sex-typed generalizations, such as that men are heavier, taller, or stronger than women, obscure the diversity among women and among men and the extensive overlaps between them… Most women and men fall within the same range of heights, weights, and strengths, three variables that depend a great deal on how we have grown up and live. We all know that first-generation Americans, on average, are taller than their immigrant parents and that men who do physical labor, on average, are stronger than male college professors. But we forget to look for the obvious reasons for differences when confronted with assertions like ‘Men are stronger than women.’ We should be asking: ‘Which men?’ and ‘What do they do?’ There may be biologically based average differences between women and men, but these are interwoven with a host of social differences from which we cannot disentangle them.”

— Ruth Hubbard, “The Political Nature of ‘Human Nature’“ (via gothhabiba)

Yes.

The current state of pop girlies is so funny like

Ariana Grande: getting dragged for homewrecking with the guy who played SpongeBob in the SpongeBob musical

Taylor Swift: dropping her worst album in years about how deeply obsessed she is with Matty Healy

Billie Eilish, for some reason:

DEREK MORGAN & PENELOPE GARCIA IN CRIMINAL MINDS | S01E03 "Won't Get Fooled Again"

It's always risky killing off a character but if you have to, you must have them HAUNT the narrative. Let their death and absence be constantly felt at some level.

GTKTM: FAVORITE TV SHOW/FILM PER MEMBER ↳ Theater Camp (2023) — by Priya (@kizzys)

You guys are so talented, so unbelievable. This will break you. This will fully destroy you. Congratulations on being the most talented kids at camp.

THEATER CAMP (2023) dir. Molly Gordon, Nick Lieberman

THEATER CAMP (2023) dir. Molly Gordon, Nick Lieberman

Broadway Divas Tournament: Round 4

Diva, icon, certified GILF Christine Baranski (1952) has a theatre resume a mile long. A two-time Tony winner, Christine has performed on and off-Broadway, regionally, and internationally in shows such as Mame at the Kennedy Center, the pre-Broadway workshop of Sunday in the Park with George, and the infamous flop that was Nick & Nora (1991). She can be seen alongside a slew of other Broadway Divas in HBO's The Gilded Age, and has also participated in at least ten Sondheim shows and concerts over the years.

Newly certified GILF, Donna Murphy (1959) is a two-time Tony-winning legend of the Broadway stage, with five nominations in all, each for Best Leading Actress in a Musical. Her gripping performance as the chronically ill Fosca in Sondheim's Passion (1994) may have disgusted and disturbed audiences, but earned her immense critical acclaim. Two years later, she won her second Tony for The King and I (1996), and the year after that, earned a Daytime Emmy. Additional credits include: Dear World (2023), Hello, Again (1993), LoveMusik (2007), and most recently on Broadway, Bette Midler's alternate in Hello, Dolly! (2017)

NEW PROPAGANDA AND MEDIA UNDER CUT: ALL POLLS HERE

"The high-kicking bitch herself, Christine Baranski. It's a legal requirement that every actress who plays Phyllis must have legs for days, and she delivers."

"There is one singular show above all other I would commit heinous crimes to travel back in time to see. Follies for Encores!, 2007. And now, with the upcoming Follies concert at Carnegie Hall this June, I can live out at least some of my dream. Donna Murphy, my beloved, who looks fucking stunning with no makeup. I am unwell."

rb and tell me what’s your most re watched movie.. and be honest

oh my favorite trope? two people who go through something so unique and agonizing and entirely beyond words that they have no choice but to create a bond that transcends all other types of love, thus acting as the sole point of understanding for the other person in a world that cannot fathom what they’ve been through

antwithabindle.com/careers

I think the most fun part of monsters inc is boo calling sulley “kitty” and mike wazowski by full government name

body paintings by Karen Turner