I am a violin maker learning to tattoo so here is a banana with the decoration from the Hellier Strad violin

love when christians threaten ppl with the rapture. like youre all gonna leave at once? for free? im so downnn

to me, the funniest thing about “that’s rough buddy” isn’t the fact that sokka says something patently insane with zero context seemingly out of nowhere, or the fact that zuko clearly doesn’t know how to respond. it’s the completely incorrect use of the word “buddy.” zuko would obviously like to be friends with sokka, but sokka is not, in fact, his friend. this is the most time they’ve ever spent together, and it’s because zuko invited himself to tag along on sokka’s suicide mission. at this point in the episode, sokka still hates this guy, perhaps less than he did a week ago, but he still hates him enough that he didn’t bother forcing zuko to stay home, which means he still didn’t really care whether or not zuko lives or dies. which, considering that he had tried to kill zuko multiple times in the past, is not all that surprising. this entire episode is essentially just zuko forcing his friendship onto sokka while sokka is legitimately too depressed to care. so when zuko calls sokka “buddy,” there’s a spirit of dogged optimism characterizing that epithet, because in no possible realm would sokka consider zuko his buddy at this point in the episode. and that’s something we miss when noting the iconicness of this exchange, simply because, by the end of this episode, they are buddies, so in our minds looking back on these lines, the implication of friendship doesn’t feel out of place at all. and really, it isn’t out of place, but only because zuko’s tenacity and determination (in this instance, his determination to befriend sokka) has always hugely outweighed his ability to read the room.

Dungeon Meshi Episode 17

Me: I hate gossip

Also me:

what do you meaaaaaaan this is baby sturgeons youre lying to me.... you just Shrunk him

✧ A Mothers Revenge ✧

A kestrel seeks revenge on a European Starling after it kills and eats her chicks. In the U.S, European starlings have a devastating impact on our native ecosystems in the entire United States. This species is known for their aggression towards other cavity nesting birds, outcompeting native species for nesting spots and food sources. They’ve been known to kill many native species from bluebirds, to woodpeckers, to kestrels. They are violent towards competing species, destroying their nests, and pecking holes in eggs laid by other birds. Not to mention, they also destroy crops and devour multitudes of grain each year.

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I wanted to portray something intense to kind of grab people’s attention to this problem. Most people don’t know how horribly invasive they are. While they’re pretty birds, they’re not meant to live in the United States. I wanted to use colors like red (to represent anger, sadness, revenge, betrayal) to portray what native species have to endure every year towards a bird that was never supposed to even come in contact with them. And colors like yellow (to represent wrongfully perceived innocence and guilt).

The spills of blood can be represented as the successful revenge the kestrel has, or, the multitudes of blood spilled from native species by European Starlings.

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Did you know? All the European Starlings in North America descended from 100 birds set loose in New York’s Central Park in the early 1890s. The birds were intentionally released by a group who wanted America to have all the birds that Shakespeare ever mentioned. It took several tries, but eventually the population took off. Today, more than 200 million European Starlings range from Alaska to Mexico.

The current state of pop girlies is so funny like

Ariana Grande: getting dragged for homewrecking with the guy who played SpongeBob in the SpongeBob musical

Taylor Swift: dropping her worst album in years about how deeply obsessed she is with Matty Healy

Billie Eilish, for some reason:

4’ 🟧4 ▮ ◓🟧 (your form changes, and yet, you’re still you, aren’t you?)

mea memorydata

set of 4 monoprints, wood-cut relief on rives bfk

saito style study!

"if you ship this thing it's because you're too naïve to understand that it's toxic and that you wouldn't like a relationship like this" actually it's because I see one of them as a mentos drop and the other as a bottle of coke zero and I want to watch the mess they'll be together

Lmao how is this real, "the ambient sounds of the world were wrong, sir"

It's always difficult to keep personal prejudice out of a thing like this. Wherever you run into it, prejudice always obscures the truth. I don't really know what the truth is, I don't suppose anybody will ever really know, but nine of us now seem to feel that the defendant is innocent. We're just gambling on probabilities; we may be wrong. We may be trying to let a guilty man go free, I don't know. Nobody really can. But we have a reasonable doubt. That's something that's very valuable in our system — no jury can declare a man guilty unless it's sure. We nine can't understand why you three are still so sure. Maybe you can tell us.

12 ANGRY MEN (1957) dir. Sidney Lumet

Felt Bugs and Tutorials // MiniMi

• “La liberté guidant le peuple” by Eugène Delacroix

and

• “13th attempt to break the Gaza blockade by sea”. Photo by Mustafa Hassouna (Andalou Agency for Getty)