@ijoswil @afrobeatsindacity @iwasbornwithstyle @slazenger1-blog @advancedandamplified @oluhdhara @diaryofamumpreneur @conversationsabouther @artistikk @nwachinemere @ireallyshouldstudy 

Ray-Ban Sunglasses

TOM FORD Men’s AW20 look featured in Arena Korea modeled by SuMin Kim Photographed by Kim Tae Kyun and styled by Choi Tae-kyung and Sang Lee.

More Men’s Fashion & Lifestyle At www.pierroshoes.com

10 great new albums you can stream right now.

How Piscine Molitor, Paris’s Most Famous Pool, Became a Glamorous Hotel

PRINCESS DIANA OF WALES

Taj Mahal, 1992

The 10 Best Small Cities in America

(Not so) Everyday New York.

Ignacio Quiles.

Andre Wagner.

The Under-the-Radar Cool of Portugal’s Comporta

QUEEN ELIZABETH II WITH ISA BIN SALMAN AL KHALIFA, KING OF BAHRAIN

Bahrain, 1979

Big Boi disses the Lannisters and defends Khaleesi in his new Game of Thrones mixtape track “Mother of Dragons.”

When Pharrell, visiting Paris, first sang his verse for “Get Lucky,” Daft Punk told him to “sing it again, again, again,” Pharrell recalls. “Then I did four or five more takes, they picked what they liked, then I sang each of those parts over and over. The robots are perfectionists.” Daft Punk hired choirs, string sections, trumpeters and pedal-steel players; they recorded sound effects on the foley stage at Warner Bros. They played parts themselves, then paid session pros who’d worked on Thriller and Off the Wall to play them better. They coaxed vocals from guests like Panda Bear and Julian Casablancas; Chic mastermind Nile Rodgers played guitar on three tracks. They flew to legendary recording studios in New York and Los Angeles, like Electric Lady and Henson, to capture the unique sounds and vibes of the classic rooms. Wherever they went, they kept the mics running, capturing freewheeling jams – “We had Ampex reels everywhere,” says Guy de Homem-Christo – that they edited later using Pro Tools, conjuring songs out of the footage “like we were making a film,” Thomas Bangalter says. “There are songs that span two and a half years and five different studios.”

Click above to read our new cover story, a revealing interview with the secretive duo Daft Punk and how they’re reinventing dance music, again.