How fucking annoying is it when you feel so restless with creative energy but you can’t decide what to do with it and when you finally try to create something it comes out shit so you just give up and sit there being all creatively annoyed and jittery.

me writing the worst paragraph of my life knowing that a sexier, more hydrated version of me will fix it later

Since y’all liked my niche fic meme so much here’s another one

Working on my novel and couldn’t figure out why it felt so empty. I didn’t have any filler. It was all 100% plot. The characters only interacted when necessary. I didn’t prattle on about the scenery or how the birds sounded. I had all my fuller stuff that I loved saved in another file because I “didn’t need it”.

Y’all, I knew this existed in TV shows but it didn’t hit me until this that everything is being whittled down. We are so starving for filler that we snap up anything. I unload all mine on Tumblr or keep it in a massive Google Docs. It SUCKS.

Honestly? Death to plot necessity. Revive filler. Revive unnecessary interactions. Revive just vibing with characters sometimes. I don’t want to just consume the plot and I don’t want to just create the plot either.

controversial writing tip

open a document and start writing

I need everyone’s best character advice. STAT.

Hey hows it going? I was wondering if you have any thoughts on putting characters you've created through misery. Strangely, I was more okay with it last year, but now I feel guilty when I read about misfortunes that are important for the story.

But that's just how a horror/tragedy exists, right? It's a better story when the characters don't escape unscathed. Is it tough for you to write or re-read that sort of thing? Thanks for your thoughts, and your stories.

So, what you have to remember, and I cannot stress this enough, is that the characters your create are not real. That may sound dismissive, but it is something that's worth reminding yourself of occasionally - these characters are not actual people, they are constructs in you mind and the minds of your audience. They cannot suffer or be harmed because they do not exist. So when considering how you write them and what you write happening to them, the only things that matter are the effects those decisions have on you and on your audience.

In terms of suffering, imagining not-real people suffering can have all sorts of effects on you and your audience, depending on how you're writing it, and the key is to make sure you know what effect you're trying to achieve and why. If you don't like writing bad things happening to your characters, then don't do it - write the stories you want - but don't not write stuff out of a sense of guilt about it. Or perhaps go a step further and actually explore those feelings in your writing, because your characters are concepts that allow you to engage with things like this.

cannot recommend more putting secrets and hints in your creative work that you dont expect anyone to figure out

Obsessed with this bit in the preface to the 10th Anniversary edition of Ancillary Justice:

Specifics aside, "I thought this would be fun and relaxing. It was not." is a great summation of what happens with like 80% of creative endeavors.

All throughout childhood, while my peers were socializing and making friends, I studied the blade read so many books that I am now almost legally blind, which left me with vast and deeply instinctual understanding of English grammar - and next to no ability to explain how it actually works. Friends will often ask me to proofread their writing and then get very mad when I say things like, "You need to completely reverse this sentence and cut this clause entirely; no, I'm sorry, i don't know why, I just know that the way it is now ITCHES 😭"

Now, what I want to see is a fantasy story where this plays out with MAGICAL grammar. Someone from a backwater town deeply steeped in folk magic arrives at Wizard Uni where all their fellow students are like "What do you mean, we should add another '𝞯∘⋇𝞿' to the incancation because it 'sounds better'? What do you mean, 'it could just be a regional thing'?? WHAT DO YOU MEAN, 'THIS SPELL JUST FEELS LIKE IT NEEDS A LIVE RAT'????"

The devastating difference between how much time it takes to write something vs how fast people read it lol

The opposite of a mansion murder mystery where everyone present is a bounty hunter who really wants to take credit for the murder and the detective has to find out who really did it

I hope every writer who sees this writes LOADS the next few months. Like freetime opens up, no writers block, the ability to focus, etc etc you're able to write loads & make lots of progress <3

How long does the average couple in your world know each other before getting engaged and then married?

simply cannot ever resist what i call the little mermaid or the tin man or the pinnochio plot, the one about a character who is either inhuman or human but outside in some way, constantly searching for whatever it is that they consider to be the quintessential proof of humanity, preoccupied by it so deeply that they fail to realize the proof is in the act and fact of the search itself

god I fuckign love ocs. my characters. my friend's characters. the characters of mutuals ive never spoken to. the characters of artists ive followed and maybe spoken to a little more. the characters of complete strangers I see in passing and think "aw that's cool". if you have ten fans I am one if you have one fan it is me etc etc. I love you

me in planning stages of writing: this fucks. this is gonna be so fun.

me the minute i sit down to write: language is an unwieldy cudgel we use to beat the human experience to death in an attempt at ever communicating fully with another being. i wish intelligent life had never evolved. i want to go back to the cell stage like in spore