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featmp3 · 13 days
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Pieces of media to watch to educate yourself on Palestine’s long history of suffering from the zionist Israeli occupation :
“Jenin, Jenin” a documentary by Mohammad Bakri (available on Youtube)
“200 meters” a movie by Ameen Nayfeh (available on Netflix)
“Born in Gaza” a documentary by Hernán Zin (available on Netflix)
“Samouni Road” a documentary & animation by Stefano Savona (available on Netflix and Palestine Film Institute’s website)
“Edward Said on Palestine (1988)” a TV documentary style film by Christoper Skyes (available on Youtube)
“To My Father (2008)” a documentary style film by Abdel Salam Shehada (available on Palestine Film Institute’s website)
“Salt of this sea” a movie by Annemarie Jacir (available on Netflix)
“Children of Shatila” a documentary by Mai Masri (available on Netflix & Youtube)
“The Present” a short movie by Farah Nabulsi (available on Netflix)
“Frontiers of Dreams and Fears” a documentary by Mai Masri (available on Netflix & Youtube)
“The Crossing” a short film by Ameen Nayfeh (available on Netflix)
“Tantura” a documentary by Alon Schwartz (available on Youtube)
“3000 nights” a movie by Mai Masri (available on Netflix)
“Farha” a movie by Darin J. Sallam (available on Netflix)
“Arna’s Children” a documentary by Juliano Mer-Khamis (available on Youtube)
“Ma’loul celebrates it’s destruction” a documentary by Michel Khleifi (available on Youtube)
“A World Not Ours” a documentary style movie by Mahdi Fleifel (available on Netflix)
“Like Twenty Impossibles” a movie by Annemarie Jacir (available on Netflix)
“Omar” a movie by Hany Abu Assad (available on Netflix)
“Mars At Sunrise” a movie by Jessica Habie (available on Netflix)
“5 Broken Cameras” a documentary by Emad Burnat & Guy Davidi (available on Youtube)
“Aida Returns” a film by Carol Mansour (look for upcoming screenings through this link)
[this list will constantly be updated with more movies & documentaries that i’m reminded of, or with new pieces that i find and watch… if you have any suggestions please send them my way]
PS ; as this is a personal list coming from a Palestinian person, i will only be adding the movies and documentaries that i feel are MOST important and effective in transferring the message of the Palestinian cause… so all recommendations are highly appreciated yet this is just a personal list and doesn’t include all types of Palestinian (or Palestinian related) visual media 🙏
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featmp3 · 1 month
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featmp3 · 4 months
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Andrea Gibson, from “Time Piece,” You Better Be Lightning  
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featmp3 · 4 months
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this is going to be difficult -> i am capable of doing difficult things -> i have done everything prior to this moment -> this difficulty will soon be proof of capability
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featmp3 · 8 months
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DAHAAD, “The Stakeout” — 1.07
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featmp3 · 8 months
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Solitude had made her secretive—self-manipulated. Years of haunting had dulled her in ways you wouldn't believe and sharpened her in ways you wouldn't believe either.
Toni Morrison, excerpt from Beloved
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featmp3 · 9 months
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Sigh
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featmp3 · 10 months
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Me, myself and I..
Beginners (2010)
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featmp3 · 1 year
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featmp3 · 1 year
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Joaquín Sorolla
Mother, 1895–1900.
Oil on canvas, 125 x 169 cm
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featmp3 · 1 year
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تريد الموت؟ إرم نفسك في البحر وستجد أنك تُصارع لتعيش، انت لا تريد قتل نفسك، انت فقط تريد قتل شيء ما بداخلك
“You want to die? Then throw yourself into the sea and you’ll see yourself fighting to survive. You do not want to kill yourself, rather you want to kill something inside of you.”
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featmp3 · 1 year
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L’Amica Geniale, Those Who Leave And Those Who Stay
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featmp3 · 2 years
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The grapes of Wrath (1940)
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featmp3 · 2 years
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“I’ve never had fear. I still have absolutely no fear when I’m in the car. The day I start to feel fear is the day I will stop racing because I won’t be able to perform at my best if I have fear in the car.”
- Charles Leclerc, Il Predestinato
Thanks to @recidivae for the inspiration. Quotes are from Dune by Frank Herbert.
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featmp3 · 3 years
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Dhobi Ghat (2010)
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featmp3 · 3 years
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Taxi (2015)
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featmp3 · 3 years
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Solaris / Солярис (1972) dir. Andrei Tarkovsky
It may seem that the nature scenes that introduce the film are too lengthy, but the layering of these scenes, which depict a certain farewell to nature on Earth, creates the emotional basis of the story after the main character is sent up to the space station, and tortures the viewer with an incredible nostalgia for Earth’s nature, a feeling akin to being homesick. Without this long introduction, you cannot make the audience experience the actual desperation felt by the people trapped on the Solaris station. 
I saw this film late one night at a screening room in Moscow, but while I was watching it, my heart was aching from an incredible longing to return to Earth. Just where is scientific progress leading mankind? This film manages to capture perfectly the sheer fearfulness. Without it, science fiction becomes mere fancy.
These thoughts were racing through my mind while I was a captive of the screen.
Tarkovsky was sitting in the corner of the screening room watching the film with me, but he got up as soon as the film was over, and looked at me with a shy smile. I said to him, “It’s very good. It’s a frightening movie.” He seemed embarrassed, but smiled happily. Then the two of us went to a film union restaurant and toasted with vodka.
Tarkovsky, who does not usually drink, got completely drunk and cut off the speakers at the restaurant, then began singing the theme of Seven Samurai at the top of his lungs. I joined in, eager to keep up.
At that moment, I was very happy to be on Earth. — Akira Kurosawa 
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