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fangirl-06 · 17 days
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(scribble) MHA 419 - Transfer
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fangirl-06 · 1 month
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Post-war shenanigans. It's all the same to him
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fangirl-06 · 1 month
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Come get your angsty song edit!!! Long ago, I said I'd take DVK 2 and replace the dialogue with angsty lyrics, and I did! What a fantastic layout and typography exercise. Special thanks to @everypanelofkatsuki who provided me with most of these panels! Thanks! Your help was invaluable.
Lyrics are from Boygenius' Bite the Hand. Like many of the songs I listen to when I think of these characters, I think it can apply to a large portion of the cast, but I always think of Kacchan first.
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fangirl-06 · 2 months
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"I got a lot of unwanted attention"
"That's because you are..."
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fangirl-06 · 2 months
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It’s incredibly important to me that the anime decided to include this scene that wasn’t in the manga. In the manga, Maomao does pass out in Jinshi’s lap after saving him from what was obviously an assassination attempt.
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HOWEVER, the manga cuts off at this point, keeping strictly in Maomao’s perspective, and cuts straight to when she regains consciousness in bed after being treated for her injuries. The manga doesn’t show how she got back. They SAY how, and she briefly mentions, “wow that must have been embarrassing; he carried me back,” but we don’t SEE it. We don’t get to feel the true impact of what that means. But the anime DID show us, and holy shit.
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They SHOW us how taboo this is. They show Jinshi carrying her out of the temple, after a public attempt on his life.
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They show us the shock and horror on Lakan’s face as Jinshi silently walks past him. Horror at the state his daughter is in, horror at another man—a man with a status he could never dare to question—staking such a public claim over his child, horror at the fact that he could never have this level of closeness with her (as Maomao would never allow it).
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Everyone hides their gazes, as is their custom when someone of his rank passes by, but the air is different this time. Jinshi is furious, he’s terrified, and he could not give a single shit about how inappropriate it looks to these palace officials.
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The shot that slowly follows her trail of blood—even though it’s a small detail—that in particular leaves such a intense impression of how poignant this is for him.
Maomao talked about this scene in the manga like it was nothing to her. She did what she set out to do: she saved the person who was targeted by the attack. She didn’t even know the target would be someone she knew. But she has no idea that this happened afterwards as a result of her bravery. To her, it likely wasn’t even an act of bravery at all. She acted on impulse; she did what she knew was the right thing to do.
The anime didn’t need to include this, because the manga didn’t show it. But damn, I’m so glad they did.
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fangirl-06 · 3 months
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Until we meet again - Frieren
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fangirl-06 · 3 months
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basically what happened
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fangirl-06 · 3 months
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fangirl-06 · 3 months
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frieren
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fangirl-06 · 3 months
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On my annual Fruits Basket kick 🏵 finally decided to do some fanart of them!
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fangirl-06 · 3 months
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A One-of-a-Kind Affection: Skip to Loafer 53
This chapter revealed a LOT about Shima’s character so let’s break it down because oh my god. OH my god.
As was implied in the last page of the previous chapter, Shima is seriously put off guard by his conversation with Fumi. He can’t get over her comment: “Mitsumi-chan isn’t good at anything besides studying, is she?” She directly contradicts how Shima views Mitsumi, and thus prompts him to reevaluate his feelings.
To him, Mitsumi “has this image of always being right.” Keep in mind, Shima has already seen Mitsumi at her worst— from the very beginning, when she got lost in Tokyo! Shima has been there when Mitsumi failed, struggled, or was embarrassed with herself, and each time he only saw the girl who could pick herself up and run towards her goals, loafers in hand. He not only watched these things happen, but tried to give her a helping hand when she needed it, whether it was to encourage her, or help smooth out an awkward social situation. When Shima says Mitsumi “has this image of always being right” he doesn’t mean she is literally always right, but something with much more depth. Shima thinks Mitsumi, as a person, is fundamentally always right and good. Even when she fails. Even when she struggles. These are all things that make up Mitsumi, and therefore are always good (this guy. i can't).
The thing is, Shima himself is not even aware of just how highly he thinks of Mitsumi. He can acknowledge Mitsumi’s strengths and weaknesses, but unlike, say, Fumi, her closest and longest friend, he can't conceptualize objectively seeing Mitsumi's traits as anything other than positive. He likes her personality to the point it borders on putting her on a pedestal. This discrepancy between his opinion on Mitsumi and another close friend of Mitsumi causes him to question who IS Mitsumi, if not what he's been thinking this whole time?
To verify, he asks his friend Mukai, who basically repeats Fumi's words. Now Shima knows this is not a question of who is Mitsumi as a person, but who is Mitsumi to Shima?
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(Shouout to Mukai for really helping Shima reach this critical break-through!)
When Mukai brings up the possibility of romance, Shima leaps to reject it because he is uncomfortable with romantic attraction itself.
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Besides Mitsumi, romantic attraction always came from people who didn’t really know him and/or didn’t really care to know him. This had the opposite affect, and made Shima feel lonely and unloved. Unlike the most of the people Shima has dated, he actually really likes Mitsumi-chan as a person. There's an emphasis on liking her as a person because these are things he sees as absent or optional in romantic attraction. To describe his feelings for Mitsumi as romance discredits Mitsumi and what she means to him, which is why he asks with a frustrated expression, "Why does it always come back to romance?" Why does "liking someone a lot" have to be romantic?
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Mukai hears this and recognizes that Shima seems to see “liking someone as a person” and “liking someone romantically” as separate things, so he tries to compare notes as to how he views romance vs how Shima views romance. On a scale of liking someone "a lot" to "not really" Shima places romance at the very bottom! Romance doesn't mean shit in comparison to friendship, or whatever it is he feels for Mitsumi. This makes sense because, again, Shima understands romantic attraction at best as a surface-level understanding of a person, and at worst as a detriment to the relationship(see: his parents). So there's no way he can like Mitsumi romantically AND as a person.
Mukai explains to Shima that he sees "liking someone as a person is a baseline," which aligns more closely to the common social perception of relationships. You start with liking the general vibes someone has, and then you becomes friends, and then becoming lovers is like the peak of a relationship's level of intimacy and affection. What's interesting is that both boys are correct about their perception of love. Even though Shima doesn't fully agree with Mukai, talking with him provides a new perspective on romance that Shima didn't consider before. Now he can finally consider that romance can add to a realationship's existing intimacy, not detract from it.
For most of the people in the story, as well as the audience, this might seem obvious, but for Shima this is incredibly novel and important, because it means that
Liking Mitsumi romantically doesn't mean he stops liking her as a person
Romantic attraction is another form of intimacy, not a performance or surface-level interaction.
When Mukai describes Mitsumi's feelings as a "one-of-a-kind" affection, he means it in a conventionally romantic way. Shima, on the other hand, understands Mitsumi is one-of-a-kind because he's never had a relationship or feelings like he does with her. He knows Mitsumi cares about him as a person, but before his conversation with Mukai, he didn't consider how romance can be another way of showing that you care for someone.
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Romance between his parents only showed how much his father didn't care about his mom. Romance with the girls from school only showed how much they didn't really care about him. But Mitsumi fell in love with Shima because she cares about him, not despite of it. This is completely foreign territory for Shima. If romantic love is also a form of intimacy, then how is that any different from regular platonic love, or best friends? What does romantic attraction even look like?
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As Shima recollects all the moments with Mitsumi that are dear to him, he wonders if what he viewed as "caring for someone as a person" were also romantic. Is it romantic to save extra food for someone else to have? Is it romantic to bring someone a souvenir when they go out of town? Is it romantic to teach someone how to hold a crab? These questions don't really have clear cut answers. Only Shima is able to decide what these things mean for him.
I want to bring your attention back to this crab, though. Besides being an adorable little crustacean, Shima's interaction with the crab directly parallels his journey trying to recontextualize romance.
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In this scene, the crab is symbolic for romantic attraction. Shima awkwardly holds the crab Mitsumi gives him and expresses that this is an unfamiliar situation for him, just as receiving romantic affection from Mitsumi is a new and concept for him. Mitsumi is content with being able to share the crab (her feelings) with him and getting an honest answer back. The large panel that zooms in on Mitsumi looking down at the crab in Shima's hands draws attention to how content and happy she is spending time with Shima. It further emphasizes that their relationship, romantic or platonic, is about simply enjoying each other's company.
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Even though Mitsumi tells Shima how to hold a crab, he ends up agitating the crab, which then pinches him and leave. I interpret this as when Shima initially started dating Mitsumi, he ended up treating it haphazardly, which caused Mitsumi to catch-on and break up with him. Finally, when Mukai, the person Shima was recently discussing romance and Mitsumi with, asks him about the crab, Shima responds in a daze, "I don't know," mirroring how currently, Shima doesn't know how he feels about romantic attraction, or how it might apply to him.
Furthermore, through the depiction of Mitsumi in Shima’s perspective, it’s implied the reason the crab pinches him is because he was focused on Mitsumi, and not holding the crab properly. This reflects the critical miscommunication from when they were dating. Shima was so concerned with protecting his prior dynamic with Mitsumi that he didn’t consider what committing to a genuine romantic relationship would require from him. He didn’t, or rather couldn’t, commit to a relationship as much as Mitsumi did. Mitsumi knew that she didn’t deserve that kind of stress, so she asked to remain friends.
Thanks to Mukai, however, Shima can start to understand that romance is a real option for his own feelings about Mitsumi, and it won't detract from their friendship if it is the case. It's this level of self-awareness that allows Shima to get flustered by Mitsumi getting physically close to him as they look at the crab.
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I would even argue that it was the panel I have pictured on the left, with Mitsumi's smile, that is the moment Shima started getting flustered, since that panel is positioned to be in Shima's eye-line point of view, and takes up the majority of its page.
What is Shima thinking in this moment? He has 0 thoughts. Brain empty. Only one-of-a-kind feelings for a girl who he thinks is always amazing<3
I wanna reiterate this is truly such a special moment for Shima because while Mitsumi has always been a special person to him, he now understands that he thinks so because of his PERSONAL feelings. In caring for Mitsumi, Shima is able to care more about his own feelings. It’s a lovely payoff to all of his progress in understanding himself as an individual. He can discuss his personal life with Mukai, a friend who he previously kept at a distance. He can l stand up for himself when he thinks he being mistreated by an old friend. And he can even defend the people he cares about when other’s are inconsiderate to them. This is all part of Shima’s growth into becoming a fully realizing individual, and I’m so glad he’s been given the space to clumsily process all of this while remaining a true friend to Mitsumi.
TL; DR:
Shima truly adores Mitsumi and has only just realized that he likes Mitsumi to a different degree than what would be expected from a friend
Shima has been nonchalant about romance thus far because he didn't think romance was really about genuine intimacy, especially based on his past experiences
The narrative presents Shima's interest in Mitsumi as romantic attraction while taking great care in showing how romance has different meanings for different people and is not always the most important or intimate aspect of a relationship
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fangirl-06 · 3 months
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my thoughts on shima sousuke, a (semi) short character analysis.
so recently, i’ve had the pleasure of catching up on the skip to loafer manga, which is a seinen manga with romance elements (i know better now than to call it shoujo!) but that aside, ever since the beginning when i started reading it a year or so ago, shima sousuke, the male main character, stuck out to me.
more under cut + various major skip to loafer spoilers are included
Keep reading
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fangirl-06 · 3 months
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i’m kinda glad it seems like the show took out annabeth’s crush on luke. i like the emphasis on their sibling like relationship
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fangirl-06 · 3 months
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GROVER FIGHTING FOR HIS LIFE (let him join pitch perfect as their tempo man)
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fangirl-06 · 3 months
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annabeth throwing her dagger at luke in the finale is crazy if you know the history. she’s throwing luke’s promise of family from all those years ago to his face after betraying percy and her. not to mention it’s THE cursed blade in the prophecy
also such wonderful foreshadowing to have annabeth see the fates cut a thread instead of percy
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fangirl-06 · 3 months
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what if i killed myself huh? HUH?
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fangirl-06 · 3 months
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i’m still crazy about this post
that scene in tlo where thalia tells percy he can't start feeling sorry for luke bc luke made his choices. and thalia reveals that the reason they couldn't make it to camp in time for all of them to make it to camp was bc luke kept picking fights. and annabeth never saw this as wrong bc luke was her hero. so thalia had to pick up the pieces. and percy thinking both that luke was put in a cruel position and that luke was putting others in a cruel position. and percy is the only character who understood both sides of luke bc annabeth sees only the best of him and thalia sees only the worst. and that's why percy is the prophecy kid and the one who gives luke the knife. bc annabeth had spent the entire series essentially giving luke the knife when he didn't deserve it. and thalia was never going to give luke the knife. but percy is the only one who can see exactly when luke deserves the knife.
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