one of the greatest adlibs from les mis bway today
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george blagden, too afraid to ask aaron tveit and the director if they can hold hands, ghost-touching aaron’s arm during the final barricade scene is peak stubbornness and I live everyday for it
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there are so many adaptations by this point that i just
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This is the best thing I’ve ever made.
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Don’t cry for me Duolingo
Truth is I never left you
Back in my wild days, my mad existence
I kept my streak up, please keep your distance.
and as for Russian and as for Czech
I never invited them in
although it seemed to Poland it was all I desired
I want them all now
Not the just languages I promised to learn
the answer was you all this time, I love you and hope you love me
—– trying to appease the Owl.
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(x)
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best bit of the new adaption is this axe wielding icon on screen for less than a second… dare I say it…. new lesbian poet?
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terrible young man capable of being charming vs charming young man capable of being terrible
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Reblog if your icon would punch a nazi
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Not just actors are theater kids ♥️ A shout out to the rest of the team!
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NSFW will be tagged as #lemon
sorta NSFW is #Lime
Weird fet shit/ extreme NSFW is #orange
reblog to spread awareness that we’re back on the citrus scale
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THE CHILDREN OF THE BARRICADE DESERVED BETTER
reblog if you agree
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