englishstrawbie
englishstrawbie
Michelle. English. Queer. Fangirl. She/her. "I bang my own drum, some think it's noise, I think it's pretty"
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* ST. LAURENT !
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Here we go again having to try and save another show with wlw representation. Whether you watch the show or not, if you could take a second to sign the petition it would be greatly appreciated. Our voices needed to be heard and they need to know our representation matters and we aren't going anywhere ❤️
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Maya Bishop | Station 19 - 5x04
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This is soul-destroying and shameful, tbh. wlw representation is being stripped away ship by ship. 💔
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It came down to the wire, but NCIS: Hawai’i ultimately didn’t make the cut for next season at CBS. The news comes days before the network is set to announce its fall schedule on May 2 and before the Season 3 finale of Hawai’i is scheduled to air on May 6. According to sources, the episode was not meant to be a series finale and includes a tease for what was to come but fans won’t be left reeling by a major cliffhanger.
The cancellation is not a complete shocker since, as Deadline has been reporting, NCIS: Hawai’i was on the bubble. Still, the outcome is surprising since I hear an effort was made to extend the drama’s run for at least an abbreviated fourth and final season, with producers agreeing to a massive budget cut and open to other concessions in order to keep the show going.
Hawai’i, the first series in the NCIS franchise with a female lead, Vanessa Lachey, is now the first series in the franchise not to get a proper sendoff after a brief run compared to its predecessors NCIS, renewed for a 22nd season, NCIS: Los Angeles (14 seasons) and NCIS: New Orleans (7). It is unclear whether series producer CBS Studios would shop the drama but there are no obvious buyers, with Paramount+ already stocked up with two NCIS original series, Sydney and the Tony and Ziva spinoff.
Attracting sizable viewership on a linear network is quite a challenge, so it is not common these days for a network to let go of the #12 most watched non-sports program on broadcast that averages 7.8 million linear viewers (most current) and 10M in Live+35 multi-platform viewing.
That is what CBS is doing with the cancellation of NCIS: Hawai’i, which added some star power and NCIS continuity this season with NCIS: Los Angeles‘ LL Cool J who has been in every episode.
It comes on the heels of Top 25 series So Help Me Todd and CSI: Vegas getting the axe last Friday. As I noted in the CBS Renewal Status Report earlier this month, the network was going to have to make some painful cancellation decisions, getting rid of shows other networks would’ve been happy to renew.
The series, as well as So Help Me Todd and CSI: Vegas, ultimately became a casualty of a strong schedule, a cost-management drive and overall uncertainty at the parent company Paramount Global, which is in the process of being sold.
Even before CBS’ lineup, delayed by the strikes, launched with the Super Bowl, the network already had committed to five new scripted series for next season, dramas Matlock, Watson and NCIS: Origins and comedies Poppa’s House and a Young Sheldon spinoff, with renewal conversations on NCIS: Sydney also well underway.
Then CBS’ originals returned, exceeding expectations, with the network claiming the top 16 most watched shows of its premiere week and 14 of the top 20 non-sports programs overall this midseason in Nielsen most current linear viewership.
With no obvious weaklings, Blue Bloods getting a final run next season and S.W.A.T. surprisingly uncanceled, the network had to cut deep in purging its slate to make room for the additions.
Just a year ago, a renewal for Hawai’i would’ve been a no-brainer: it’s part of a storied franchise with solid rating and crossover potential with the mothership series that yielded big ratings in January 2023. But now, CBS already has three other NCIS series already locked for next season: the original series, renewed for Season 22, Sydney, returning for a second season, and the upcoming Young Gibbs prequel NCIS: Origins. There is also the Tony & Ziva NCIS spinoff series greenlighted by Paramount+, making for a crowded NCIS field.
With strong multi-platform performance, as NCIS: Hawai’i ranked above several CBS dramas that have been renewed, including FBI: Most Wanted, FBI: International and S.W.A.T., it probably came down to money.
Even with the proposed budget cuts, NCIS: Hawai’i was still going to be expensive. Its long-term prospects were unclear — whether it would become a big global hit and moneymaker like its franchise predecessors. With CBS’ parent company focused on its short-term balance sheet as it prepares to sell, a corporate decision was made not to take a chance and find out.
In NCIS: Hawai’i, Special Agent in Charge of NCIS Pearl Harbor Jane Tennant (Lachey) and her team balance duty to family and country, investigating high-stakes crimes involving military personnel, national security and the mysteries of the island itself.
Alex Tarrant, Noah Mills, Jason Antoon, Yasmine Al-Bustami, Tori Anderson and Kian Talan also star. Matt Bosack, Jan Nash, Christopher Silber and Larry Teng served as executive producers.
In a recent Deadline interview, CBS Studios President David Stapf spoke about how “wholly unique” Hawai’i is while also being part of the franchise as the first NCIS series with a female lead, Lachey, and with its Hawai’i locale. “We were just coming off Hawaii Five-0, a very successful show,” he said of the spinoff’s origins. “People love that setting, it plays well over the globe.”
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Still taking prompts? Carina feeling emotional over Maya learning/knowing Italian.
You got it, dude. Canon-compliant for your reading pleasure.
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Ding!
Carina smiles as she steps through the front door, the smell of dinner on the stove wafting down the hallway to greet her.
They’ve been in their new home all of three weeks and already they’ve fallen into a symbiotic routine – one she finds herself endlessly enamoured by. A warm meal waiting for whoever’s last to arrive home, a load of laundry in the dryer before bed each night, swapping shifts to rise when Liam cries out at 2am to be fed.
There’s balance forming, now that they’re here. Balance and love and support that seemed so far away, so farfetched, just a year ago.
“I’m back!” she calls out as she wanders into the kitchen, heavy grocery bags dangling from her hands. She can’t wait until they renovate this space; can’t wait until there’s more room on the counters and in the pantry for all the things she has to keep slipping out to buy.
Mela, a slightly robotic voice says.
Carina frowns, turning towards the sound, groceries piled half on the counter and half in the sink. She lets them tumble from her grasp, traipsing down the hallway after yet another Ding! echoes from the nursery.
Arancia, the robotic voice says.
“Arancia,” Maya repeats, her voice so whisper soft Carina barely hears it. “That’s an orange.”
Ding!
She’s leaned back in the plush rocking chair they’d settled on for the nursery, Liam curled in her lap with his eyelids fluttering as he tries desperately to pay attention to the phone she holds in front of them.
Elefante, the robotic voice inside the screen says next.
“Elefante,” Maya replicates, lips pressed to the side of Liam’s cap-covered head. “You know elephant.”
Ding! the phone chirps.
“Oh, you know this one, too,” Maya whispers, smiling softly. “Mamma says buona notte every night before we go to sleep.”
“Sì,” Carina murmurs, stumbling into the gravity that’s dragging her across the room towards them. “Buona notte means good night.”
Maya nods, turning just enough for Liam and his heavy eyelids to catch a glimpse of Carina as she leans over the arm of the chair to kiss his cheeks. “And ciao is hello.”
His little face splits into a grin, reaching for his mamma even as he fights a losing battle with sleep. “Ah,” he chirps.
“I got a few lessons ahead of him,” Maya explains, setting her phone aside on the dresser. She tips Liam backwards in her arms, laying his head in the crook of her elbow with a practiced ease. He gazes up at her with a toothless smile, nearly giving in to the weight of his eyelids. “So, we had to go back and review what he missed.”
“Ah,” Liam repeats.
“Sì,” Maya nods, looking down at their baby boy with a ferocity of love that causes a clench of something deep and primal and unquantifiable in Carina’s chest. “Apple is mela. That’s your favourite, I know.”
One of those tiny, perfect fists finds its way into Liam’s mouth and then, finally, he loses the fight. Finally, his eyes close and he tumbles into sleep.
And that feeling in Carina’s chest seems to explode.
She leans forward, reaching for Maya with a desperation she can’t quite explain. Tugging, needy, until their lips connect. Until she can try to convey with her body what she doesn’t have English words for.
Ti amo. Ho bisogno di te. Sono così perdutamente innamorato di te.
Maya won’t understand them all – not yet.
But she will. One day, she will.
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All five Spice Girls dancing ‘Stop’ at Victoria’s Beckham 50th Birthday Party! Iconic! 🤩
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LUCY & KATE | NCIS HAWAI'I 3x04
6 tips to make your (fake) honeymoon extra special by Lucy Tara and Kate Whistler
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Maya Bishop | Station 19 - 3x15
He was... He was overbearing. He was controlling. He was...
If he was controlling, it was only because he loved you.
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Maya and Carina - 7x06 Promo Photos
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for those who don’t know, hulu’s under the bridge is based off of the very real and brutal death of a 14-year-old girl. the story of reena virk is widely known and is still talked about where i grew up. her family has run anti-bullying campaigns across the province for as long as i can remember.
so while i know a lot of people will watch it in the coming days for lily gladstone and riley keough, i hope you also take away the message that i think the show is doing a god job of delivering so far: if bullying and racism go unchecked, the consequences can be dire for those who are the the most vulnerable. if you are silent, you are complicit.
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THIS CHEMISTRY IS OFF THE CHARTS INSANE! 🔥
Based on the non-fiction book by the late Rebecca Godfrey
UNDER THE BRIDGE (2024)
[+] LGBTQ 🏳️🌈
[+] ..more on “Under the Bridge” 🎬
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KATE WHISTLER | NCIS HAWAI'I 3x08
Special Agent Kate Whistler
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Riley Keough and Lily Gladstone as Rebecca and Cam
Under the Bridge (2024)— "Blood Oath"
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