tarde para morir joven (2018) dir. dominga sotomayor

enough intimate house parties could cure everything that’s ever been wrong with me

Wojtek Siudmak, 1972

Eavesdrop, a 1950’s Japanese listening bar in New York

Steffy at home.Barcelona june 2015

Yohji Yamamoto: wool peacoat with silk screened rayon lining, fall/winter 1991-1992.

this scene from aftersun... nothing compares

I made one too

Paris, 1971.

Photo by Richard Kalvar

Lesbian Pulp Fiction novel cover by Peter Basch in the 1950s

Stereo (1969) // dir. David Cronenberg

For M

by Mikko Harvey

​I don’t want you to be nervous. Maybe thinking of a walrus would help. Have you seen the video of the penguin accidentally stepping on a sleeping walrus? It thought it was a rock. The walrus wakes up like what the fuck and the penguin scurries off like oh shit. Sometimes it’s funny watching a surprise happen, and not just funny but kind of amazing—like, you never really know what’s what when it comes to this planet. Then again, when it’s you getting surprised, that’s different. Especially for tender ones like us. What are we supposed to do? It’s bad for our hearts, you know. I hope you won’t need pills like I do. I think I get so scared because I’m greedy— I want to hold onto everything, the world wants to take it away. What the fuck. The number of hours we have together is actually not so large. Please linger near the door uncomfortably instead of just leaving. Please forget your scarf in my life and come back later for it. 

pauline à la plage (1983)

directed by: eric rohmer

aftersun (2022)