By Sarah Blais

By Sarah Blais for Exhibition May 2022

Heliodoma implicata Calvet. Colony from frontal side, inferred to be uppermost in life, showing setiform avicularian mandibles.

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ROCK POP

(”Um Uns Herum_Ø”)

Werner: truly, the Sherlock Holmes of film directors.

Adriana Varejão

Masaki Matsuhima Homme Spring/Summer 1999 Wearable Illusion, photographed by Hiroya Kitai for MR High Fashion February 1999

The media promote the war, the war promotes the media, and advertising competes with the war. Promotion is the most thick-skinned parasite in our culture. It would undoubtedly survive a nuclear conflict. It is our Last Judgement. But it is also like a biological function: it devours our substance, but it also allows us to metabolise what we absorb, like a parasitic plant or intestinal flora, it allows us to turn the world and the violence of the world into a consumable substance. So, war or promotion?

Jean Baudrillard, The Gulf War Did Not Take Place (1991)

"Technology gives birth to posthuman parasites, digital vampires that feed on the remnants of our fragmented identities." - Kenji Siratori

Laura Makabresku

The Climber, Shinichi Sakamoto

Deadman Wonderland (デッドマンワンダーランド), written by Jinsei Kataoka and illustrated by Kazuma Kondō

Anne Freaks by Yua Kotegawa