Ether - liquid mirror 【Sound installation】 from KAITO SAKUMA a.k.a BATIC on Vimeo.
sound installation by Kaito Sakuma a.k.a BATIC
Statement:
There is “something” between you and I.
This mirror is vibrating and sounds itself (like a speaker).Heart beat and water sound are synchronized to the visitors heart rate and feedback each other.The feedback system will rest every 20 min. This program aims to give "Calmness and awakening".
In this covid-19 time, we are loosing trust in air. "Ether" will reminds visitors existence of something invisible between everything by huge compression wave and distorting image synchronized to themselves .
kaitosakuma-batic.com
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Mécaniques Discursives [work in progress] 2 from Yannick Jacquet on Vimeo.
Project of audiovisual installation by Fred Penelle & Legoman [work in progress]
Video taken on March 2012 at the Fred's workshop (Brussels).
penelle.be
legoman.net
Music: Matthieu Safatly and Quattrophage
(quattrophage.fr, matthieusafatly.com/musicien.html)
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Breath (1999) from Eiko and Koma on Vimeo.
This video was filmed in June 1998 at the Whitney Museum of American Art and produced by the New York Public Library for the Performing Arts/Dance Collection. BREATH is a creative archive project of Eiko & Koma’s living installation of the same title commissioned by the Whitney Museum and curated by Matthew Yokobosky. For the living installation BREATH, Eiko or Koma was in the installation during all hours that the museum was open from May 28 to June 21, 1998.
For the media work BREATH, Eiko & Koma created movement more specific to the camera and collaborated with filmmaker Jerry Pantzer in filming and editing. A disagreement between the filmmaker and the choreographers resulted in two differently edited works.
©1999, Dance Collection, New York Public Library, Astor, Lenox and Tilden Foundations. Screened at the Dance on Camera Festival 2001 at Lincoln Center. 15 minutes, color video.
CREDITS: Director/Cinematography/Sound Design: Jerry Pantzer; Environment/Video/Performers/Choreography: Eiko & Koma; Lighting: Eiko & Koma, Scott Poitras; Editors: Jerry Pantzer, Eiko & Koma; Avid Supervising Editor: Francois Bernadi; Production Coordinator: Else Peck; Production Supervisor: Jan Schmidt; Whitney Museum of American Art: Curator, Film and Video: Matthew Yokobosky. Included in the Jerome Robbins Archive of the Recorded Moving Image Dance Collection, The New York Public Library. Underwritten by The Pew Charitable Trusts and administered at the John F. Kennedy Center for the Performing Arts as well as the National Initiative to Preserve America’s Dance. Assisted by the New York State Council on the Arts and the National Endowment for the Arts.
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Emergence - mastered in Dolby Atmos (extended trailer) from Max Cooper on Vimeo.
EMERGENCE is an epic, immersive audio-visual experience, the debut film directed and soundtracked by Max Cooper.
Buy on Blu-ray: ffm.to/emergenceatmos
The story explores the development of the universe, the creation of unexpected and often beautiful outcomes from simple natural systems, and how complexity, like human beings, can spawn from the immaterial by the action of simple laws embedded in the foundations of reality.
More information about the project can be found at emergence.maxcooper.net/
Emergence was initially released in 2016 as a soundtrack to Max’s live show narrative exploring the concept of ‘emergence’. Over time, chapters of the story have been shared online and featured in Cooper’s live shows.
Now with audio remastered in surround sound by Cooper and the engineers at Dolby Atmos, the project is finally available as a monumental 90 min animated film.
The work is a marriage of cosmic awe and wonderment, a meditation on the mystery of our emotional connection to fundamental natural form. Referencing ‘Koyaanisqatsi’ and ‘Samsara’ in approach, but grounded in imagery from science rather than classic cinematography.
Few artists are as qualified as Max to approach as profound an idea as ‘emergence’ through electronic music and video. Max received a Ph.D in computational biology in 2008 with research on the evolution of gene regulatory networks and was a geneticist at UCL before he switched to music. To this end he collaborated with artists Andy Lomas, Nick Cobby and Henning M Lederer plus mathematician Dugan Hammock.
In each chapter of the ‘Emergence’ narrative, the focus is on the beauty of the natural laws and processes in operation, with a mixture of real data visualisation and animated film. It interprets the deep structures and principles that give rise to the familiar physical universe, such as symmetries, the distribution of the primes, waves, spatial dimensionality, and the action of the physical forces on matter. Later chapters tackle the emergence of biological forms, thought and eventually a darker turn into the structures and systems of human civilisation.
Max has synthesised his skill as a producer and his deep interests in science to create a unique experience to explore the sonic limits of home audio.
Director: Max Cooper
Title: Emergence
Format: Blu-ray
Cat #: MESH026B
General release: 18 October 2019
Chapters / tracklist:
1 The Primes
Video: Dugan Hammock
Audio: Max Cooper and Tom Hodge - "Myth"
2 Symmetry
Video: Kevin McGloughlin
Audio: Max Cooper and Tom Hodge - "Symmetry"
3 Waves
Video: Kevin McGloughlin
Audio: Max Cooper - "Waves"
4 Gravity
Video: David Wexler
Audio: Jon Kwan - "Dawn" - Max Cooper Remix
5 Inside the Black Hole
Video: Susi Sie
Video: Murat Sayginer
Audio: Max Cooper - "Distant Light"
6 Tectonics
Video: Morgan Beringer and Cornus Ammonis
Audio: Max Cooper - "Molten Landscapes"
7 Protolife
Video: RabbitHole and BlackBox
Audio: Max Cooper - "Origins"
8 Biochemistry
Video: Nick Cobby
Audio: Max Cooper and Tom Hodge - "Fragments of Self"
9 Cellular Forms
Video: Andy Lomas
Audio: Max Cooper - "Cyclic"
10 Microbiology
Video: Maxime Causeret
Audio: Max Cooper - "Order from Chaos"
11 Waterforms
Video: Vincent Houze
Audio: Max Cooper feat. Kathrin DeBoer - "Seed"
12 Complex Morphologies
Video: Sabine Volkert
Audio: Max Cooper - "Organa"
13 The Human Machine
Video: Henning M. Lederer
Audio: Max Cooper - "Anatomic"
14 Civilisation
Video: Murat Sayginer and Morgan Beringer
Audio: Skew (Max Cooper) and Satirist - "Morphogenesis"
15 The Capitalist Machine
Video: Henning M. Lederer
Audio: Max Cooper feat. Kathrin DeBoer - "Numb"
16 Altruism
Video: R.C. Aksun
Audio: Max Cooper feat. Kathrin DeBoer - "Trust"
17 Future Entities
Video: Paul Bloomfield
Audio: The Rustle of the Stars - "Sleeping Land Part 1" - Max Cooper Remix
18 Unbounded:
Video: Morgan Beringer
Audio: Max Cooper - Unbounded
Credits
Written & Directed by Max Cooper
Post Production by Morgan Beringer, Jennifer Tividad
Dolby Atmos Mix by Max Cooper
Dolby Atmos Mix Engineers - Luke Argilla, Jake Fields, James McNamee
Dolby Atmos Mastering Engineers - Jurgen Scharpf, Luke Argilla
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Studie nr 8 (excerpt) by Oskar Fischinger from CVM on Vimeo.
Excerpt from Studie nr 8 (1931). The entire film is available on the new DVD, centerforvisualmusic.org/Fischinger/newdvd.htm
For more on Fischinger and his work see the Fischinger Research pages at
centerforvisualmusic.org/Fischinger
Please be respectful, don't hack or steal our clips, and we'll continue to put Fischinger and other historical visual music films online. Thank you! Please support CVM and its work preserving the Fischinger legacy.
The Oskar Fischinger films are owned and managed by Center for Visual Music, please contact us for any distribution or licensing requests.
See the trailer for the DVD on CVM's vimeo channel.
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Energie! in HD from Thorsten Fleisch on Vimeo.
From a mere technical point of view the TV/video screen comes alive by a controlled beam of electrons in the cathode ray tube. For ‘Energie!’ an uncontrolled high voltage discharge of 30.000 volts exposes multiple sheets of photographic paper which are then arranged in time to create new visual systems of electron organization.
Music by Jens Thiele.
fleischfilm.com
Awards:
-Best Experimental Film at Fargo Film Festival
-Best Experimental Film at Dotfest
-1. Prize at In Out Festival 2009
-1. Prize at FLEXfest 2009
-Special Jury Mention at Film Anca 2009
-Emerging Experimental Video Artist Award at the Ann Arbor Film Festival
-Jury’s Choice First Prize at Black Maria Film & Video Festival
-Special Award at Optica 2007
-Best Visual Award at Fantoche 2007
-Special Mention at the International Festival of Animated Film Stuttgart 2008
-Best Visual Work at Vallecas Puerta del Cine
-Best Video at International Videofest Bochum
-3rd Price at Movies and Stills
-3rd Prize at Formula Mundi
-Best of Abstract Panorama at the Melbourne Int. Animation Festival
-Honorary Mention at the Milano Film Festival 2007
-Honorary Mention at Abstracta in Rome
-Honorary Mention at 25 FPS in Zagreb
-Honorary Mention at Flensburger Kurzfilmtage Tricky
-Honorary Mention at Visual Music Award Frankfurt
-nominated for Best Experimental Short at San Joaquin Film Festival
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SPIRALS (excerpt) by Oskar Fischinger, c. 1926 from CVM on Vimeo.
Excerpt from Oskar Fischinger's film Spirals, c. 1926 (intentionally silent). One of Fischinger's early film experiments, during the years he was making silent films.
Please be respectful, don't hack or rip our films here, and we'll continue to post more Fischinger and visual music. Thank you! And thanks to Barbara Fischinger.
For more about Fischinger please visit centerforvisualmusic.org/Fischinger
This film was preserved by Center for Visual Music. Many more of Fischinger's films still need to be preserved and digitized, please consider contributing to the Preserving the Legacy project at
centerforvisualmusic.org/Fischinger/FundingNeeds.htm
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Oskar Fischinger, Study no. 7 (excerpt) from CVM on Vimeo.
Teaser from Oskar Fischinger's Studie nr 7. There has been much abuse here on vimeo recently, so we can no longer post longer trailers or full films, and we'll be posting less. All clips will have watermarks throughout now. The actions of a few disrespectful persons (and one university) have ruined this. Moving forward, please don't hack or rip our videos, and don't use our videos elsewhere. NO PERMISSION is given for universities to rip these and put behind passwords!
We'll remove all of the videos here if this continues.
(c) 2019 Center for Visual Music
Requests for the full film, for screenings and exhibitions, or university use, should be made to CVM via email, cvmaccess (at) gmail.com
The full film is also on the Oskar Fischinger: Ten Films DVD, released by Center for Visual Music and on our squarespace store. For more on Oskar Fischinger, please visit centerforvisualmusic.org/Fischinger
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Pixel - extraits from Adrien M & Claire B on Vimeo.
"Pixel"
Dance show
created in 2014
Pixel is a dance show for 11 dancers in a virtual and living visual environement. A work on illusion combining energy and poetry, fiction and technical achievement, hip hop and circus. A show at the crossroads of arts and at the crossroads of Adrien M / Claire B’s and Mourad Merzouki’s universes.
Artistic Direction and Choreography: Mourad Merzouki
Composed by Mourad Merzouki & Adrien M / Claire B
Digital Design: Adrien Mondot & Claire Bardainne
Music: Armand Amar
Produced by CCN de Créteil et du Val-de-Marne / Compagnie Käfig
This video is a cut of extracts from the actual show shot during the last day of creation on November the 14th 2014. Shooting and editing : Adrien M / Claire B.
Premiered at Maison des Arts de Créteil on November the 15th 2014. Duration of the show : 1h10.
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"Pixel"
spectacle - création 2014
11 danseurs évoluant dans un environnement visuel à la frontière du virtuel et du vivant. Un travail sur l'illusion conjuguant
énergie et poésie, fiction et prouesse technique, hip-hop et cirque pour créer un spectacle à la croisée des arts, et des univers de Adrien M / Claire B et Mourad Merzouki.
Direction artistique et chorégraphie : Mourad Merzouki
Concept : Mourad Merzouki & Adrien M / Claire B
Création numérique : Adrien Mondot & Claire Bardainne
Création musicale : Armand Amar
Assistante du chorégraphe : Marjorie Hannoteaux
Interprétation : Rémi Autechaud Dit Rms, Kader Belmoktar, Marc Brillant, Elodie Chan, Aurélien Chareyron, Yvener Guillaume, Amélie Jousseaume, Ludovic Lacroix, Xuan Le, Steven Valade, Médésséganvi Yetongnon Dit Swing
Lumières : Yoann Tivoli, assisté De Nicolas Faucheux
Scénographie : Benjamin Lebreton
Costumes : Pascale Robin, assistée De Marie Grammatico
Production : Centre Chorégraphique National de Créteil
et du Val-de-Marne / Compagnie Käfig
Coproduction : Espace Albert Camus de Bron, MAC de Créteil
Avec le soutien de la compagnie Adrien M / Claire B
Montage d'extraits de la représentation du 14 novembre 2014. Captation et montage : Adrien M / Claire B
Première à la Maison des Arts de Créteil le 15 novembre 2014. Durée totale du spectacle 1h10.
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Diffusion/Booking : CCN de Créteil et du Val-de-Marne / Compagnie Käfig
photo : © Raoul Lemercier
am-cb.net/projets/pixel-cie-kafig/
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"Haze" - Amber Run from Try Hard on Vimeo.
Directed by Alessandra Kurr
Produced by Sorcha Bacon, Try Hard Productions
Director of Photography - Nick Morris
Editor, VFX and Colourist - Daniel Hawkins
A Try Hard Production
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Acqua Alta - teaser from Adrien M & Claire B on Vimeo.
Un projet qui se déploie en plusieurs temps : un spectacle mêlant corps et images ; un livre en pop-up à regarder en réalité augmentée ; une expérience pour casque de réalité virtuelle.
La recherche d’un animisme numérique est encore au coeur de ce projet : entités polymorphes et métamorphoses, altérites radicales, espaces-êtres, présences diffuses, monstres, fantômes, chimères, génies et esprits inclassables. Tout un bestiaire imaginaire et vivant, fabriqué de toute pièce, numériquement, qui font vivre des sensations fabuleuses et improbables. Mais qui en contre-jour dessinent le propre de notre condition humaine, celle d’une oscillation entre l’équilibre et l’accident, la beauté, la grâce et la catastrophe. Avec le rire comme principale issue de secours.
Création janvier 2019
Equipe de création / en cours
Conception
et direction artistique
Claire Bardainne
et Adrien Mondot
Dessin et design papier
Claire Bardainne
Conception informatique et interprétation numérique
Adrien Mondot
Chorégraphie et interprétation
Dimitri Hatton et Satchie Noro
Création sonore
Olivier Mellano
Développement informatique
Rémi Engel
Ingénierie papier
Eric Singelin
Script doctor
Marietta Ren
Régie lumière
Jérémy Chartier, Yan Godat, Benoît Fenayon en alternance
Régie son
Régis Estreich
Construction
Jérémy Chartier, Yan Godat, Arnaud Gonzalez, Claire Gringore, Yannick Moréteau
Impression sérigraphique
Olivier Bral
Régie générale
Romain Sicard
Administration
Marek Vuiton
Direction technique
Alexis Bergeron
Production et diffusion
Joanna Rieussec
Production
Delphine Teypaz, Margaux Fritsch
Production
Adrien M & Claire B
Co-production / en cours
LUX, scène nationale de Valence. La compagnie est associée à LUX en 2018-2019
Hexagone, scène nationale Arts Sciences - Meylan
Maison de la Danse, Lyon / Pôle européen de création – DRAC Auvergne Rhône-Alpes / Ministère de la Culture Chaillot - Théâtre National de la Danse Espace Jéliote, scène conventionnée arts de la marionnette, Communauté de Communes du Haut-Béarn, Oloron-Sainte-Marie
Théâtre Paul Éluard, Scène Conventionnée Bezons
Soutiens / en cours Accueil studio, Les Subsistances, Lyon 2018/19
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Mirages et miracles - trailer from Adrien M & Claire B on Vimeo.
English below.
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Mirages & miracles / Exposition / Création décembre 2017, Les Subsistances, Lyon, France.
Une série d’installations qui abritent un animisme numérique.
Les œuvres, du petit au grand format, offrent toutes une coïncidence finement organisée entre virtuel et matériel : dessins augmentés, dispositifs d’illusions holographiques, casques de réalité virtuelle, projections grande échelle. Elles donnent à vivre un ensemble de scénarios improbables qui tiennent à la fois du mirage et du miracle, qui jouent à la frontière entre le vrai et le faux, l’animé et l’inanimé, l’authentique et l’imposture, la magie, le merveilleux, et l’inouï.
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Mirages & miracles / Live Exhibition / New work December 2017, Les Subsistances, Lyon, France.
Series of installations inhabited by digital animism.
Ranging from small to large-scale work, this corpus of installations offers a delicate coincidence between the virtual and the material using augmented drawings, holographic illusions, virtual-reality headsets, large-scale projections. It offers a unique ensemble of improbable scenarios that takes root in both the mirage and the miracle, and plays with the boundaries between true and false, the animate and the inanimate, the authentic and the deceptive, the magical, the wondrous, and the indescriptible.
Équipe
Conception et direction artistique : Claire Bardainne et Adrien Mondot
Dessin : Claire Bardainne
Conception informatique : Adrien Mondot
Développement informatique : Rémi Engel
Composition et conception sonore : Olivier Mellano
Danse : Bérangère Fournier, Samuel Faccioli, Akiko Kajihara
Régie d'exposition : Laurent Cuzin, Elvire Tapie
Menuiserie : DeFacto / Julien Quartier, Charles Robin — Atelier Gautier
Serrurerie acier : Mathieu Laville, Rémy Mangevaud, Elvis Dagier
Serrurerie aluminium : Teviloj / Ludovic Laffay
Lithographie : URDLA
Sérigraphie : Olivier Bral
Impression : Artprint
Verre soufflé : Nicolas Sartor
Direction technique : Alexis Bergeron
Administration : Marek Vuiton
Production et diffusion : Joanna Rieussec
Production : Margaux Fritsch, Delphine Teypaz
Production
Adrien M & Claire B
Coproduction
2 Pôles cirque en Normandie / La Brèche à Cherbourg – Cirque Théâtre d’Elbeuf
Scène nationale d’Albi
Les Subsistances, Lyon
Lux, scène nationale de Valence
Espace Jean Legendre, Théâtre de Compiègne – Scène nationale de l’Oise en préfiguration
Arenberg Creative Mine – Communauté d’Agglomération de La Porte du Hainaut
Aide
Fonds [SCAN], Région Auvergne-Rhône-Alpes
Soutien
Les Subsistances, Lyon
Villa Médicis, Rome (Italie)
URDLA - centre international estampe & livre, Villeurbanne
UrbanLab, Lyon
La compagnie Adrien M & Claire B est conventionnée par la DRAC Auvergne-Rhône-Alpes,
par la Région Auvergne-Rhône-Alpes et soutenue par la Ville de Lyon.
Photos © Romain Etienne et Adrien M & Claire B
Prochaines présentations :
6 décembre - 22 décembre 2017 aux Subsistances, Lyon (France)
6 janvier - 25 février 2018 à Lux, scène nationale de Valence (France)
9 mars - 8 avril 2018 à L’Athanor, Scène Nationale d’Albi (France)
Printemps 2019 à l’ Espace Jean Legendre, Théâtre de Compiègne – Scène nationale de l’Oise en préfiguration
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Gray Keys from Carlo Vega on Vimeo.
Visual: Carlo Vega - carlovegaart.com/
Audio: Chilly Gonzales - chillygonzales.com/
Special thanks to Tilman Zitzmann - geometrydaily.tumblr.com/
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Virtual Mutations (AR Art Work) from Camila Magrane on Vimeo.
"Virtual Mutations" is an application used to view the augmented reality features of my ongoing AR mixed media collage series. Viewers can download the app on to their phones to experience the three dimensional aspects of each art piece.
These three images are currently on display at the Midway Gallery in San Francisco, CA.
Made with Unity
2018
camilamagrane.com
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KINGDOM OF COLOURS from Thomas Blanchard on Vimeo.
No FX, just shooting with inks & paintings
"KINGDOM OF COLOURS" is an experimental dreamlike video rocking us smoothly through circular moves.
The visual compositions have been created out of paint, oil and soap liquid.
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Music by Velvet Coffee : Facebook : facebook.com/velvetcoffeemusic/?fref=ts
Souncloud : soundcloud.com/velvetcoffee/tracks
Directors: Oilhack
oilhack.org/
Thomas blanchard
thomas-blanchard.com
Co produced by
Ekitaimacro // Thomas Blanchard
Greenlight Films // Paul Mignot and Léa Morel
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-DAILY DOT-
dailydot.com/upstream/this-beautiful-video-of-paint-will-calm-you-down/
-MY MODERN MET-
facebook.com/mymodernmet/videos/10154617305279299/
-NOWNESS-
nowness.com/picks/kingdom-of-colors-thomas-blanchard
-MASHABLE-
mashable.com/2016/11/10/post-election-soothing-art-/
-WE AND THE COLOR-
weandthecolor.com/kingdom-of-colours/79701
-LAUGHING SQUID-
laughingsquid.com/kingdom-of-colour-a-visual-composition-of-swirling-royal-colors-that-evoke-a-noble-sense-of-calm/
-THE CREATORS PROJECT VICE-
thecreatorsproject.vice.com/blog/marbleized-shimmering-liquid-thomas-blanchard
-JUXTAPOZ-
juxtapoz.com/news/film/watch-kingdom-of-colors/
-COSMOPOLITAN-
cosmopolitan.com/lifestyle/a8273805/this-soothing-video-of-sparkly-paint-swirls-is-exactly-what-you-need-right-now/
-BORED PANDA-
facebook.com/BoredPandaArt/videos/588763227977473/
-DESIGN TAXI-
designtaxi.com/news/389679/Watch-This-Oddly-Satisfying-Short-Film-Is-Just-What-We-All-Need-Post-Election/
-THE AWESOMER-
theawesomer.com/kingdom-of-colours/391244/
-FOLLOW THE COLOURS-
followthecolours.com.br/art-attack/kingdom-of-colours/
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Troika 'All Colours White', 2017 from Troika on Vimeo.
‘All Colours White’
Screen fabric, aluminium, LEDs, motor
2016
‘All Colours White’ explores the relationship between what is natural and artificial and the plurality of seemingly indivisible entities and experiences. It consists of a mechanism which projects red, blue and green light onto a canvas sculpture. The projection is a constant loop of 12 minutes. Initially distinct, the colours gradually bleed into each other, creating an intricate spectrum until their collective amalgamation results in pure white light.
In the installation the natural and the digital collide. The specific combination of red, blue and green references the colours that mediate our digital experience, while the composite colour spectrum inherent in white light is intrinsically natural. With a particular interest in temporality, subjective experience and the frameworks through which we perceive the world, ‘All Colours White’ investigates that which coexists but cannot be experienced simultaneously.
troika.uk.com
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Troika, ‘Borrowed Light ’, Barbican, 2018 from Troika on Vimeo.
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