@paletmblr event xxx: period dramas
little women by louisa may alcott
"i've got the key to my castle in the air, but whether i can unlock the door remains to be seen"
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ACOK Sansa II my beloved. In her chambers, sees an unsigned note, goes into panic mode thinking it's a trap, tries to keep herself calm and ignore the note but her need for home, for Winterfell is so strong that she just can't help but go to the godswood.
She has no one to trust, if she gets caught she's probably going to get beaten again, but for even the slim chance of getting to go home she'd rather risk everything against her instincts then stay and lose the chance.
She goes and instead of meeting a gallant knight, someone brave and strong to save her or hell, joffrey's man to trick amd trap her, it's Dontos. A scared, drunken fool, who nearly died a just a while ago. Who is only alive because of Sansa, and the fact that an 11 year old girl was brave enough to try to save him opens his eyes to the truth of his job and his life so much that he's willing to risk his life to bring her to safety. This is, perhaps, the first time Dontos decides to act like a true knight.
Sansa does not understand it yet, but her sincere intentions for people to be safe and happy inspires morally grey characters to protect her to their limited ability. She's frustrated that Dontos is a drunken fool, and she quite literally gets threatened day and night by Sandor, but they are the only ones who make her life just a little bit easier.
We also see that from Ned's death onwards, Sansa is forced to abide the rules, trust no one, and get better at lying. Sandor and Sansa's dialogues are always a delight, the last sentence of Sansa II summarizes King's Landing the best: "Everyone is a liar, and all better than you."
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JACOB ANDERSON as Louis de Pointe du Lac
INTERVIEW WITH THE VAMPIRE (2022)
1.07 - The Thing Lay Still
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MERLIN | 2.08
The Sins of the Father
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