Gearing up for the movie Premiere for "Deacon's Choice"

    LISTEN TO THE FIRST COMMERCIAL:  https://soundcloud.com/kenya-renee/sets/deacons-choice LIKE US ON FACEBOOK:  http://www.facebook.com/deaconschoicemovie FOLLOW US ON TWITTER:  https://twitter.com/Deaconschoice   VISIT OUR WEBSITE:  https://www.deaconschoice.com

First commercial for one of your must see films of 2014 "Deacon's Choice" written by: Kenya Renee and Dan Hoger. Directed by: Parris Reaves. Produced by: Kenya Renee, Parris Reaves, Solomon Murray, Eugene Parker

What would a good movie do without a composer?  Film scores are important for the mood of your movie.  We are proud to have Rob "Diggy" Morrison on our team. 

One of my favorite film scores is from the movie "Requiem for a dream"

Do you have a movie suggestion with a great sound score?

A Dream is reality in the making. ~Producer Kenya R. Reaves

  Happy New  Year everyone.  I wish the best for all in 2014

What can you assume about this Chicago Political family?

Deacon's Choice set - Antique Cars (Set design is everything).

~Note from Kenya the producer

Deacon's Choice 1st movie poster. 

We reap what we sow…good or bad, and sometimes the decisions we make end up affecting and hurting the ones we love.

"On set" with Deacon's Choice

Set experience for Deacon's Choice As a producer of touring stage productions, I thought it would be quite easy producing a feature film. I am constantly developing ideas, planning for releases and marketing everything you can think of, so why would producing a film be any different? Set presence was #1 on my list not only important for the look of Deacon's Choice but also to keep everyone in a fun yet professional place at all times. With my unbeatable cast and crew, I certainly feel that I have exceeded my wildest dreams and after daily reviews of footage, it continues to amaze me. It makes me not want to give up. For nearly 11 years I've been working my tail off developing Deacon's Choice. One year ago I joined forces with my crew, proven committed to bringing my first film to life. And I especially thank my husband, director Parris Reaves and co-writer Dan Hoger. Having the title of Producer appears all glamorous, but it takes a lot more than money. My producers Solomon Murray and Eugene Parker along with Director of photography Chris Adams, 2nd camera and editor Daniel Weese as well as the sound department all share perseverance without a doubt creating exceptional filming days. Rolling out of bed, to make a smart challenging film, makes me forget those 17, 18 or 10 hour shoot days. Putting our dues in developing top visions but I'm the producer, I kept them well fed, I wouldn't have it any other way, and that was the least I could do. To all talent I truly appreciate you. As I reminisce about times on set. We made it happen. Together.......