a concept: me, in my cottage, in front of the wood stove, sipping tea. looking outside, my bees are pollinating my expansive garden. my goats and chickens and cows are happy and safe. i feel content with my choices and my future. i unconditionally and recklessly love myself. the local children believe i am a witch.
a game show where a toddler has to choose between a cheque for a million dollars or a small basket filled with $8.14 worth of dollar store toys and in the corner of the tv you can see their parents in a locked sound proof room watching from a screen and screaming the whole time
Twitter has a 140 character limit, yet I still found a way to tell one of the longest and most obnoxious knock-knock jokes of all time within a single tweet.
I am more proud of this accomplishment than any human right has the right to be.
In many ‘Spaghetti Western’ films, a broad sub-genre of American Western films that emerged during the 1960s in the midst of Sergio Leone’s film-making success, many of the vuglar roles Native Americans were hired to act in forced them into offensive portrayals with little attention paid to authenticity, with emphasis only placed on painting them as “simple savages.” As a result, many American filmmakers paid little attention to actually translating the indigenous languages for what they were saying on screen. As a result, many actors were able to say what they really felt.
Amariyanna “Mari” Copeny is probably the busiest 10-year-old we know.
Mari, also known as Little Miss Flint, partnered with the nonprofit organization Pack Your Back on Sunday for a school supply distribution in her hometown of Flint, Michigan.
This little girl does more for her city than the officials who actually made the city suffer.