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corpseprince · 1 hour
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wish i could call in bitchy to work
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corpseprince · 1 hour
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what is your holy trinity of fruits
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corpseprince · 2 hours
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see the thing that annoys me a lot about so many self-professed dark fiction enjoyers is the like the. implicit belief that because a romance is predatory or meant to be read as horrifying means that all the tender or caring moments are just for manipulation or some shit. like ok fair im one of those annoying "everything is about love" bitches but just because the love is horror doesn't mean like. the people involved aren't capable of genuine tenderness towards each other lol
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corpseprince · 2 hours
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corpseprince · 2 hours
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A word from Bisan to the students of the U.S. in their campus solidarity encampments.
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corpseprince · 2 hours
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in a situationship w God
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corpseprince · 2 hours
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corpseprince · 2 hours
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a video call for help from @haya-orouq19 who is in gaza
[Transcript: Please don't scroll if you want to help a family in Gaza. Hey everyone, this is Haya Orouq, I am 18 years old from Gaza City. Today is the 167th day of the war in Gaza City. And through this war we lost our house, my university was bombed. My whole childhood neighborhood area was completely damaged. We have been displaced to three different places in search of a safer place but unfortunately there's no safer place in Gaza. Everywhere there's bombing, everywhere is dangerous, so we are now displaced in Deir al-Balah. And me and my family lost everything, we have nothing left here in Gaza.
And my mom is very sick also, she is suffering from Lupus and because she has Lupus, she is a kidney failure patient in need of an urgent treatment and care outside of Gaza. The hospitals here is so poor and bad and the quality of her treatment is getting worse and worse because the quality of the hospitals is bad, because of the conditions of the war. So please guys, help my family, we deserve to- we deserve a decent life, we deserve to start a new beginning and deserve a new life.
So, here's the link in the bio and you can help me by sharing the video, repost, comment, like, whatever you can do can help. Every one dollar can make a difference. You can make life-changing difference to my family, you can save my family, you can save my mom. I am also trying to reach out to as many celebrities who are interested in helping people like me by making videos about the family that needs help in Gaza, like me. So I will mention them in the comment and please go to them, ask them to share my videos, and to make a video about my campaign and ask them to share my link. This is so urgent, I need your help guys because my account is prevented from receiving and sending messages so I can't reach out with them. I will mention them so please help me, and help my family.
I can't bear seeing my mom struggling with death because she has a dangerous disease which is Lupus and she is a kidney failure patient and I can't bear seeing my older sister suffering from hunger. So please guys, you can do it and please make #HelpHayasFamily. Share this video, whatever you can do can help. You can share the link as widely as possible, you can share the video. End of transcript.]
you can donate to her campaign here!
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corpseprince · 3 hours
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some quilts by Jonathan Shannon (1938–2016) photographed at the San Jose Museum of Quilts and Textiles
Canciones de Mi Padre, 1989
From My Garden of Earthly Delights, 1992
Amigos Muertos, 1994. Rejected from the American Quilter's Society show due to the inclusion of Shannon's red AIDS ribbon (left skeleton). Shannon had won Best in Show the year before. Shannon organized protest letters as a result and made some impact on the issue of censorship in quilting.
Shadows: Gay Men's Chorus, 1995
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corpseprince · 3 hours
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do you find palestinian voices to be unbiased?
you do understand that everything the settler entity that is israel has done to us and our personal experiences with the occupation is what very much shapes our opinions and views right?
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corpseprince · 3 hours
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Ivan Meštrović, Amor and Psyche 1918
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corpseprince · 5 hours
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MEDIEVAL MAGICAL GIRL WORSTIES <3 <3 <3
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corpseprince · 7 hours
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Realized if I beat around the bush this is gonna take forever so, hi, Im a computer scientist who is a disabled trans woman. I am highly competent but unemployable due to certain disability issues. Currently Im working on PierMesh (https://piermesh.net) and trying to get funding for it. In the short term though Ive been working on learning Proxmox and Im at a point where I feel confident enough with it to be ready to set up experimentation for providing cheap vps hosting. While I could slowly scrape together the tech for this I think the sooner Im less dependent on donations the better. Please consider helping me fund the tech I need to get set up to provide hosting. The goal below will cover this and things that we need around the house (including primarily disability aids)
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ID: Red and white tabby getting pet
Venmo: AGIEF
Cashapp: $cmder
Paypal: https://paypal.me/agieocean
$0/$800 raised
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corpseprince · 7 hours
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Palazzo Farnese (x)
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corpseprince · 7 hours
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Tokyo Story (Yasujiro Ozu, 1953)
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corpseprince · 7 hours
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Unknown, Love Token for Sarah Newlin, with Envelope, 1799
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corpseprince · 7 hours
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Emmy magazine Carol Cutshall interview
“It was such a drastic change going into season two,” says Cutshall of the drama, returning May 12 to AMC and AMC+. “We went from the height of glamour, which we last saw during a Mardi Gras party, to the polar opposite in the premiere. When you look at Louis and Claudia in their shearling coats in Romania and the amount of mud and blood on them, those looks are built for surviving and searching and starting over.”
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But glamour returns to their lives as the pair forge ahead in Paris. In short order, they are welcomed into a theatrical coven of thespians operating out of the Théâtre des Vampires. Seduced by their habit of living loudly and proudly — at least at night — Louis relaxes into his post-Lestat life, taking up photography and exploring his sexuality in subtle ways.
“The look I landed on for him was that of artists and café society, and French workwear with a little bit of a blue-collar look,” Cutshall says. “It’s not the finery that we are used to for Louis, but his fastidiousness in how he wears it — tucked and belted — is still there.”
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There is a visual hierarchy among these old-world vampires. Louis wears the costume of the common man, placing him below the coven’s creative director, Armand (Assad Zaman), the so-called love of his life who was unmasked as an ancient vampire in season one. When they meet, Armand is dressed in warm colors and loosely draped outfits with open collars, fearlessly baring the neck — a vulnerable point for humans and vampires alike.
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“We want to break away from the disguise he had in season one, because he is the mega predator,” Cutshall says. “He’s not threatened by anyone. So, in everything he does and wears, he can be like an animal who is not afraid to lie on their back and bare their belly.”
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Claudia, meanwhile, sees kindred spirits in the coven’s distinctive personalities. She has grown intellectually beyond her eternally teenage shell and now uses vibrant clothes — like the dress she wears for their first theater outing — to grasp at an intangible womanhood. That signature dress and cape were scripted as lavender and white, but Cutshall dyed the fabric an orchid color and added a gray crosshatched cape that glows onscreen; the ensemble stands out against the make-do fashion of a post-war world.
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“For Claudia to have this pristine dress made for her, and because she is seeing who she is for the first time, she needs to be the freshest flower there,” Cutshall says.
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