7 notes
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2 notes
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Essay by Kay Gabriel.
7 notes
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Sadie Barnette, Untitled (Gold Macintosh), 2019
Gold metal flake on vintage Macintosh computer
Monitor: 13.5 x 9.75 x
10.75 inches
Keyboard: 1.75 x 16.5 x
5.5 inches
Mouse (without cord):
1.5 x 2.5 x 3.75 inches
3 notes
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Sadie Barnette, Untitled (Gold Macintosh), 2019
Gold metal flake on vintage Macintosh computer
Monitor: 13.5 x 9.75 x
10.75 inches
Keyboard: 1.75 x 16.5 x
5.5 inches
Mouse (without cord):
1.5 x 2.5 x 3.75 inches
1 note
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Installation view, So What, Company Gallery, New York, 2020
9 notes
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Victoria Colmegna, Electronic Christmas Card, 2020
Video loop
Color, sound
1 note
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Victoria Colmegna, Electronic Christmas Card, 2020
Video loop
Color, sound
0 notes
Installation view, So What, Company Gallery, New York, 2020
0 notes
DeSe Escobar, never been kissed, 2020
Inkjet print, canola oil, epoxy resin on vellum
17h x 14w in
43.18h x 35.56w cm
7 notes
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DeSe Escobar, Eleganzia, 2020
Inkjet print, canola oil, epoxy resin on vellum
17h x 14w in
43.18h x 35.56w cm
51 notes
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DeSe Escobar, Berlin, 2020
Inkjet print, canola oil, epoxy resin on vellum
17h x 14w in
43.18h x 35.56w cm
4 notes
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DeSe Escobar, 6521*, 2020
Inkjet print, canola oil, epoxy resin on vellum
17h x 14w in
43.18h x 35.56w cm
30 notes
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Installation view, So What, Company Gallery, New York, 2020
1 note
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Theresa Chromati, Stepping toward my darkest bits to hear a familiar song. The words have changed but the melody caresses me all the same (woman lead by her intuition supported by scrotum flower), 2020
Acrylic and glitter on canvas
24h x 18w in
60.96h x 45.72w cm
2 notes
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Theresa Chromati, Stepping toward my darkest bits to hear a familiar song. The words have changed but the melody caresses me all the same (woman lead by her intuition supported by scrotum flower), 2020
Acrylic and glitter on canvas
24h x 18w in
60.96h x 45.72w cm
1 note
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View note