The history of corporate propaganda.

'Nobody wants to work' fails to mention the poverty wages and horrible workplaces.

Reframe the narrative: Capitalists refuse to pay thriving wages.

Analogy, 1972.

Illustration for "The Fox and The Crow." Aesop's fables in rhyme. 1924.

Internet Archive

Title: Le Cafe de Paris

Artist: Jean Béraud

Date: 1849 - 1935

Style: Impressionism

Genre: Genre Painting

Janis Joplin at Home in Haight-Ashbury, San Francisco, November 1967. Photo: Baron Wolman. 

Haight Ashbury Tribune, 1967.

THE GRAND BUDAPEST HOTEL (2014) dir. Wes Anderson

Fear and Loathing in Las Vegas

Fear and Loathing in Las Vegas (1998) // Dir. Terry Gilliam

The Byrds during a photoshoot for their album Younger Than Yesterday (1967) 🧡

taken by Frank Bez

Joan Baez’ portrait of David Crosby, 2020.

“In 1965, Bob Dylan and I were discussing the state of the music scene. He said The Byrds, who had made a hit of “Mr. Tambourine Man,” were the only thing happening musically at that point in time. Perhaps an exaggeration, but certainly a tribute to the stellar musicians who formed the budding monster groups of the years to come like The Byrds and CSNY.⁣ 

David Crosby was among the monster group icons who continued a solo career with the kind of success reserved for great musicians. And he could sing the hell out of a harmony.⁣ ⁣ He was also a friend to me. He was always, I repeat, always present for me, to defend my character and politics, and often included over the top (sometimes unwarranted) praise. He was funny, clever, and refreshing to be around. And I was honored that he chose my portrait of him as his last album cover.⁣ ⁣ He will be missed by millions, including myself. Sending my love to Jan and his family.”—Joan Baez

Jefferson Airplane, 1967