Anyways, I have a theory that Keepblr typically thinks that the series is too mature for ages 8-12 because Keepblr is mostly composed of teens, and differences in ages feel more extreme when you're younger. Like adults tend to view ages 12 and 14 as fairly similar in maturity, but if you're 14, you're going to view a 12 year old as a little kid, and yourself as fairly mature. So if you, as a 14 year old, as a teenager, feel like Keeper is a reasonable level of maturity for you, you're probably going to assume that it's too mature for a 12 year old, even if it's not. Same would apply for older teens too.
My one friend group can't stop saying, "See you in hell!" in a cheerful voice instead of, "Talk to you later!" and my other friend group can't stop calling things "penis" instead of "cool" or "good", so I just unironically uttered the phrase, "Sounds penis, see you in hell," as I got off the phone.
something short and simple i did in blender, 'animated' introduction of Carrot,,,,,its tough learning that you belong to a different species
i did some discworld experimental paintings too *throws them at you* !!!!!
kinda sick of all those posts that are like "my ancestors were surviving starvation and the plague meanwhile i get nervous ordering food at restaurants". as if jauffrey the woodworker didn't fumble his conversation with the fine maiden running the fruit stand and then tripped on a pebble as he left in a hurry
"Isn't it weird that [thing humans commonly eat] is poisonous to literally every domesticated animal" I mean, there's a pretty good chance that [thing humans commonly eat] is at least mildly poisonous to humans, too. One of our quirks as a species is that we think our food is bland if it doesn't have enough poison in it.
if your history fave is truly problematic, you've gotta lean into that shit. I think certain stans would be so much more tolerable if they just accepted that this historical figure was deeply flawed, did bad things/harmed others, made poor choices, etc., and that they still find them neat. no need to mitigate or excuse. just own it.
One thing that’s baffled theatre historians for years is early modern prompters’ tendency to pretty meticulously mark actors’ entrances but not their exits, and I find this low-key hilarious? Like I’m gonna help you get onstage at the right time, Thomas, but once you’re there you’re on your own, man. I have a whole procession to organize entering for the next scene so idk when you run out of lines just leave