They are already selling data to midjourney, and it's very likely your work is already being used to train their models because you have to OPT OUT of this, not opt in. Very scummy of them to roll this out unannounced.

I was reading a book (about interjections, oddly enough) yesterday which included the phrase “In these days of political correctness…” talking about no longer making jokes that denigrated people for their culture or for the colour of their skin. And I thought, “That’s not actually anything to do with ‘political correctness’. That’s just treating other people with respect.”

Which made me oddly happy. I started imagining a world in which we replaced the phrase “politically correct” wherever we could with “treating other people with respect”, and it made me smile. 

You should try it. It’s peculiarly enlightening.

I know what you’re thinking now. You’re thinking “Oh my god, that’s treating other people with respect gone mad!”

Happy Valentine’s Day.

Source: Yokohama Kaidashi Kiko / Quiet Country Cafe / ヨコハマ買い出し紀行 

by Hitoshi Ashinano 

"Minicomic Hatsune Miku"

Based on a dream I had like two weeks ago. Ink and pencil on paper, and some digital touches here and there.

<3

reddit is having a glitch where it puts the wrong captions over photos and it’s the only thing i care about right now

Prototype for an officially licensed Kamek plush that was manufactured without the felt circles that would have represented the lenses of his glasses, making him appear to wear sunglasses instead.

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Xena: Warrior Princess Queen of Loving Her Wife The MostTM

Let's Talk About Un-ironicizing Art!

In light of a lot of the conversations i've seen surrounding Death Grips and recent events concerning them, I want to take the time to point out that this is a good time to start thinking about how we engage with art on the whole!

For a long time, the irony poisoned method of consumption went unchecked in all facets of internet culture. As an internet musician in current day, I have noticed a sharp disconnect between artists and enthusiasts/casual listeners when it comes to attitudes surrounding music specifically, though I've witnessed it permeate all forms of art in some way.

I see people who have grown scared to engage on deeper levels, intentionally severing any resonant connections or knowledge learned from a piece of media before it has the chance to take root. In short, dare to be vulnerable! Dare to enjoy something on the basis that you yourself resonate with it, and not for any other nebulous reasoning. When masses of people relegate art to a spectacle, not only do artists become more likely to be disenchanted with the passions that fuel their work, but the consumer base ultimately suffers as well. All art at that point becomes less an extension of ourselves, less a vehicle to explore our identities, and is rendered a meaningless hulking sludge, or worse, the opponent to an already shrinking and narrow worldview.

Be not afraid to be unabashedly in love with the work that inspires you. Be not afraid to have the things you love misunderstood by by some. When you engage with work new and old, make sure to do it for yourself. Making and consuming art is inherently selfish, but being selfish is not inherently misguided. Allow yourself to learn, grow, discover, and repeat that cycle until the day you die.

To speak more candidly about my own experience, throughout the course of my life, there has been art that I've held near and dear to my identity, and own journey of self discovery that I seldom find others who hold the same sentiments to. I've always found this exciting. Exciting to hold something close to my chest as something so personal, and even more exciting when I can ease up on that grip when I find someone who I can share that with. However, I've also been through the throws of how the internet tends to chew up and spit out art that generally isn't understood by the many. I've fallen victim myself to the hive mind mentality that circles some artists and the cult of non-identity around them. This off-color ouroboros of knowing all about an artist's work and simultaneously upholding this facade of vapid complacency. I've come to the conclusion that if being openly supportive and connected to an artist's work or a particular piece of work automatically renders a person uninteresting and unambiguous at the very least, then I will live happily as an uninteresting open book. At the worst times, we see this line of thinking contribute to Death Grips being mocked and belittled en masse by people who are unwilling to engage with their art before they even get that far. It's heartbreaking, to me at least to see people put so much effort, emotion, and passion into transforming culture for the better to be rewarded with a crowd that's plugging their ears.

I realize I run the risk of sounding pretentious, self indulgent, or even patronizing to an extent; I apologize because that isn't my intention, I'm hoping to see gears shift at least on a micro level surrounding attitudes towards art appreciation. Remember to dare to be in love holistically with the art you engage with! Speak of the things you love in a way that makes that clear to others, and consider your peers to do the same! You and the people around you can only be better off for it.

How do you get past the feeling of your work not being good enough to publish? I’m currently working on a one shot comic book with a local publisher and I have imposter syndrome really bad.

You do it anyway and hope to get it right next time.

"Having refused the poor what is necessary, they give the rich what is superfluous."

It is not because of the few thousand francs which would have to be spent to put a roof over the third-class carriages or to upholster the third-class seats that some company or other has open carriages with wooden benches. What the company is trying to do is to prevent the passengers who can pay the second class fare from traveling third class; it hits the poor, not because it wants to hurt them, but to frighten the rich. And it is again for the same reason that the companies, having proved almost cruel to the third-class passengers and mean to the second-class ones, become lavish in dealing with first-class passengers. Having refused the poor what is necessary, they give the rich what is superfluous.

-Jules Dupuis

(h/t Andrew Odlyzko)

Máscara de paz

Graphite and charcoal on paper

🌻

Hermana de la luna

La persigue algo

que no se mueve

.

Pencil, charcoal and marker on paper

.

As always, it seems the image quality returns to normal once you click on the image *sigh*

"To live a life of power, you must have faith that what you believe is right, even if others tell you you're wrong. The first thing you must do to live a life of power is to find courage. You must be ready to reach beyond the boundaries of Time itself. And to do that, all you need is the will to take that first step...."

Happy 30th Anniversary SONIC COMPACT DISC!!!!!!!

Double inktober because I couldn't decide which one to post and the day was ending aaaaaaaa🌻 They have very different vibes, so...yeah!

I don't know what's going on with image quality in here, but the image looks clearer when you touch it!

Day 2: Kamen Rider Faiz (Kamen Rider Faiz)

Lain

Ink and graphite on paper, with a digital blue/purple tint added, 17 x 13 cm

My personal Inktober: to have some fun making fanart of things I really like, the way I like them!

Day 1: Serial Experiments Lain