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josed8877
El Código y Pensamiento del Lobo 🐺🐺....
dajo42
DON'T PANIC
smaqzy
Smaqzy
a-shape-changer-in-winter
a shape changer in winter
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just lou being a sweetheart ally committed to his craft, loving tommy + bucktommy [x]
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cant stop thinking about lfj comparing bucktommy to bill and frank from tlou,, havent even seen the original quote from lou but just the VIBES of it have me feral,, like yes it's the two big tough masc men being soft for each other but it's also the one of them viewing themselves as the protector whose job is to keep the other one's optimism and artistic soul intact and i can so see tommy feeling like that abt doing everything to keep buck's golden retriever nature the way it is,,, living his life in service of that,,,, ok i'm gonna eat dirt bye
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anyone else clock the night nurse’s superior touching her face and the slightest little frown that appeared when the camera panned to niko’s case slip? am i hallucinating? that has to be something right? Right?
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can anyone tell me why edwin was staring so hard at the cow meat cuts sign in ep1? like. did he just Like It? or was there a reason i didn’t catch
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EDWIN AND CHARLES I DEAD BOY DETECTIVES
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reblogging this to say that its bc they’re both dc And doom patrol itself has its own version of the dead boy detectives played by different actors
anyone watching dead boy detectives and getting some major doom patrol energy bc… frankly i am loving it
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oh my fucking god i love niko
the lesbian autistic rep i NEEDED.
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Watching the DBD fandom emerge through the show made me realize once again how male centric fandom attention is. How fandom expects everything a media can offer from men or masculine presenting people.
Romance? They're best comfortable with it in amatonormative forms (but never heteronormative?) so better slap the boyfriends tag on the two mains.
Character analysis? Would you look at that, Edwin's neurodivergency is so boosted that there's only a few posts talking about how blatanly obvious it is that Niko is autistic too!
I'm so fucking furious that most content about her is just linked to Edwin. I'm so furious that Jenny is discussed only alongside toxic yuri tropes. I'm furious that lesbians have to have spaces created for them by scratching nails.
The show offered so many. SO. MANY. good female characters with unique stories. But yeah. You go praise your Edwardian twink i guess.
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look. ngl. the way that edwin reacted to the cat king whispering in his ear? me too man. that feeling of being so repressed and tight to your own body, not daring to touch? but would fold like a lawn chair if he hadn’t of been trapped to townsend?
I Get It. I Get It.
#this isnt even necessarily a ship post abt the cat king and edwin. its just me relating viciously to edwin#dead boy detectives#edwin payne#the cat king
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All of Hell's layout shots from Edwin's journal, in order
Heya! I needed to take some screenshots for reference when writing a fic, so I thought it'd be nice to share :)
(Under the cut I've added everything I could make out in the writtings)
"LAYERS OF HELL" across two pages. These are based on Dante's Inferno, the first part of Divine Comedy, and the nine circles of hell. (Shout out to my friend who helped me with the 10 "rooms" of Fraud <3)
Left page:
- Vestibule (unnumbered, right on top of Limbo, referring to the staircase)
I - Limbo
II - Lust
III - Gluttony
IV - Avarice
V - Wrath
VI - Heresy
VII - Violence
VIII - Fraud
IX - Treachery
- There are 10 "rooms" described between Violence and Fraud, referring to the 10 trenches of the eight circle of hell (Fraud) and numbered as such.
Room I reads: whipped.
Room II reads: covered in excrement.
Room III reads: flipped (?) feet set on fire.
Room IV reads: encased(?) in boiled pitch.
Room V reads: head turned backwards.
Room VI reads: wear lead robes.
Room VII reads: snake(?) pit turn(?) into snake.
Room VIII reads: (?) big flames.
Room IX reads: (?) -> quality is too low to tell; considering the trench of which it is based on, probably along the lines of 'mangled', 'mutilated', 'maimed', etc
Room X reads: leprosy, hungry(?), dark.
Right page:
- Endless staircase
- "UPPER HELL" encompassing layers I to IV.
Beside layers III and IV, read: heavy labour(?), everyone in your way
- "LOWER HELL" encompassing layers V to IX.
Beside layers VI and VII, read: trapped, impaled, submerged in blood. Beside layer VIII, read: snake pit, gain human form by biting other humans. Beside layer IX, read: frozen + stuck + chewed on
Left page:
- LIMBO
Right page:
- "DO NOT RING" is crossed out near a bell. Dashed line points to where the bell is on the room.
Left page:
- Arrow pointing to the claw machine, referencing the passage behind it. Note reads: Back to Doll House. No.
- Circle on the bottom right, just above a door: Wrong way. AVARICE. Everything too heavy.
- GLUTTONY
Right page:
- LUST
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Okay, so, there's one thing that I'm kind of tired of beating around the bush with white fans about, and it's this: if you pretend to "ignore" race in OFMD, you will miss a lot of what the story is trying to tell you.
Now, I do not truly believe that race is something you can ignore in a story. I just don't think it's possible, and when you try, what you wind up with is something like the conservative worldview of "not seeing color." Trying to ignore race will make you sound racist and ignore important racialized themes.
You can't understand Stede's need for character growth at the beginning of the show if you just focus on how he's "cringe" instead. When Stede makes his crew members of color serve them at dinner when the English board, this is gross, and their faces tell us exactly how they feel about it. Stede unlearning his biases here isn't subtle (guy who called him and Pete "fucking racists" I love you forever), and learning to take all of his crew members seriously as fully actualized people, moving away from the sort of Kindergarten-teacher behavior at the start to truly valuing them as people and taking their input and suggestions, it's an important aspect. Stede asking Abshir for intel at the party isn't just funny, it's also proof he's learned to see value in people in positions like Abshir's.
You can't understand the motivations behind Ed's actions, especially the violent ones, if you ignore the racist overtones. Ed is not a randomly violent person - he gets angry at a captain for calling him a "rich donkey," and if you think it's unreasonable for a brown man to want to get revenge on a white man for calling him that? Then fuck I'm glad you can't see the conversations I have with my other black friends, man. Ed's anger and frustration at the party aren't just because he fucked up with some spoons, lol, you can't get it unless you realize he's the only brown guest in that room. Yeah, he's ignoring Stede's advice, but he's immediately under a pressure Stede never has been. Ed's wanted posters in s2, too, rely on heavily caricaturizing Jewish features to make him look grotesque and monstruous. We're supposed to be horrified by that aspect.
And, yeah, when we ignore the racist tones to Izzy's behavior, I think that's undermining an important aspect of who he is as an antagonistic character. Him buying Ed from the English should feel like a gross violation, because it is. When he sits in front of the crew eating and making Fang and Ivan serve him, I think it's a pretty obvious parallel to how the crew members of color were similarly insulted in the pilot. It's impossible to ignore race in the way he dehumanizes Ed and tries to force him back into a caricature of behavior he hates and is horrified by - when he calls Ed a "wild dog" in s2, if that doesn't cause a visceral reaction of disgust in you, I dunno what to tell you. This doesn't mean that Izzy is irredeemable - just as Stede wasn't - but it does mean that racist biases are things Izzy had to unlearn.
OFMD so often takes so much care with how its characters of color are depicted. We get thoughtful, relatable moments (those French boat people getting humiliated and setting their boat on fire after they'd tried to touch Ed's beard is so satisfying, guys) and excellent, supportive friendships between men of color. The characters of color on OFMD are clean, smart, respected, and it's wonderful. And just because these things aren't always relatable to you specifically doesn't mean they're not important parts of the story.
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anyone watching dead boy detectives and getting some major doom patrol energy bc… frankly i am loving it
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I like the new twist on the bury you gays trope
They are still dead, but we unburied them. Their ghosts are now haunting the narrative forever. Yeah they are still being gay and dramatic but they have eternity to figure it out. Literally can not get rid of these gays now. They don't even have bodies to bury. Can't send em to superhell they'll climb right back out.
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NOT THE GOOSE. NOT THE SOUNDS.
THE SOUNDS!!!
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giggling hysterically abt the police statement in ep12
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CACKLING OVER EP 11 OF SHERLOCK & CO AHKFHSKF
i nearly spit my drink everywhere over the audiobook 😭😭😭
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so what you’re saying to me, brennan, is that sandra lynn faeth is a monsterfucker bc look at that man. look at that devil that Is fig’s dad
#dishing with a demon#havoc on the half-pipe#dimension 20#no spoilers its my first watch through#not blaming her or judging#You Go Girl#fantasy high freshmen year#fantasy high#fhfy#d20 fhfy
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