caffeinateddaisybaby
Lauren
A little BIt of everything (haha get it? Bi joke because I’m bi). Dad jokes, coffee, cats and weirdly specific interests that fade quickly because of my ADHD. Ask is always open *does a peace sign*
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Last Seen Blogs
theannieruth
annieruthie
cuntlore
honey, are you coming?
eorin-k
#Day6Trash
quepelioseriever
¿Que película o serie ver?
jedi-luca
I live like a hermit in my own head
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i hate dogs with blue eyes. why is fucking jeff the killer at my back door
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one of the many victims of streaming is the dvd homepage where they included lil games, bloopers, director commentary, and behind the scenes. I miss u gurl
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fucking crazy. mating ritual is just unwashed pussy and balls so potent you can smell it . we are freaks
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“I saw you,” Eddie said. “You were playing the saxophone.”
“Well, it’s actually a trombone,” Mike said. “I play with the Neibolt Church School Band.”
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the best harry stories from this twitter thread

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I need you all to see this actual DeSantis ad that the campaign actually put out
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“I’m a long haul away from home and thank you as always for making me feel like I matter. I love you all.”
-Louis loving on his Melbourne crowd. ❤️
Faith In The Future World Tour: Melbourne. (28 January 2024)
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The original pride flag and the sewing machine it was sewn on
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We need to talk about Oliver and the grave scene. (spoilers)
Barry Keoghan's improvisation in that scene completely changed Oliver's character and the film as a whole. It encapsulates a critical moment of emotional catharsis for Oliver, marking the first and only time in the film where he completely lets down his guard.
Throughout the film, Oliver maintains a distance from Felix, constantly holding back parts of himself, standing in front of the bathroom door but not allowing himself to enter. At first glance, it appears almost masochistic, but it's critical to understand that Oliver's feelings for Felix go beyond love. He's obsessed. It's as if he fears that getting too close to Felix could expose his true, empty self. And deeper than that, Oliver perceives Felix as something ethereal, akin to a living god. How could you even begin to approach such a being?
His confession in one of the last scenes with Felix where he admits that everything he did was to meet Felix's desires, underscores this guarded nature. Even in this moment of apparent honesty, Oliver is totally incapable of being fully vulnerable with Felix, as evidenced by his backup plan involving the drink.
In stark contrast, the grave scene is where Oliver's walls finally come crashing down. His open weeping, undressing, and act of penetration with the grave soil are profoundly powerful symbols of his extreme vulnerability and his unfiltered emotional state, now finally free of all societal pressures. As disturbing as this act may be, it symbolizes his intense longing for a deep, unfulfilled connection with Felix. In death, where Felix can no longer see or judge him, Oliver finally finds the freedom to express his true self and desires.
The act of penetration can be seen as a desperate, symbolic attempt to maintain a bond with Felix, a way to bridge the unbridgeable gap between life and death. It's a poignant and tragic manifestation of his grief, the complex emotions of longing and obsession he silently harbors throughout the film.
The grave scene is a turning point in Oliver's character arc, perfectly complimented by the finality of the grave beneath him.
Oliver loved Felix in the only way Oliver knew how to love Felix.
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