byamshaw2011-blog
BYAM SHAW BA 2011
A PORTFOLIO OF WORK FROM THE LAST STUDENTS TO GRADUATE FROM BYAM SHAW SCHOOL OF ART (1910-2011)
2011 BA | FDA | PG DIP FINE ART DEGREE SHOWS
2 AND 9-15 ELTHORNE ROAD, ARCHWAY, LONDON, N19 4AG.
THURSDAY 16TH - THURSDAY 23RD JUNE 12-5PM (SATURDAY 18: ALUMNI, FRIENDS AND FAMILY, 12-6PM; CLOSED SUNDAY 19TH JUNE)
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EMILY ATTRILL
07881621545
Elthorne Estate Walk 2011
A multi channel video recording of a journey through Elthorne Estate, Archway. An area left undocumented by Google Street View. This walk is an exploration of the architecture of the estate and the ways in which to negotiate it.
Documentation of Elthorne Estate Walk 2011
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JOSEFIN BORÉN
Phone: 07792564569
E-mail: [email protected]
Website: http://web.me.com/josefinboren/josefinboren/Welcome.html
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My practice is concerned with mass produced objects which are usually considered to threaten the authenticity and integrity of craftsmanship. Rather than overlooking these objects which are widely regardes as banal, I try to remove their function and appreciate their artistic and aesthetic value. My work varies from abstract paintings/sculptures which develop into a more representational image where the abstraction still plays an important role in terms of background and texture of the work.
Flat Pack Floor Lamp, Acrylic and Rust on Metal, 200 x 100 cm
(Part of Flat Pack Installation consisting of 4 pieces and props)
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Abstract Chair Sculptures, Altered Paper, (119 x 84 cm) x 3
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Building a Chair Tower, Photographs of Polyprop Chairs and Wooden Cutouts in Room
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Abstract Painting I, Oil on Canvas, 120 x 90 cm
Abstract Painting IV, Oil on Canvas, 90 x 60 cm
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Retro Phone, Oil on Canvas, 90 x 150 cm
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JUSTIN CROW
'Untitled [Baron's Spauldrons]' - 2010
An adjustable sizing set of interlocking soft-furnished spauldrons with D-ring tensioning straps to fit, adorned with ~5000 copper & black nails. Predominantly machined with all finishings hand stitched.
'Untitled [Duct Tape Sphere]' - 2009
A 1:1 replica of the artist’s body executed in white fabric tape suspended within an Icosahedral geodesic sphere, also constructed in white fabric tape, mounted in mid-air by tape-wrapped cord and frame secured to surrounding surfaces.
'Untitled [100 Book-Boxes]' - 2010
100 hand-made books, containing fragments of found and artist-suthored text. Each one is individually numbered & bound with a single strand of the artist’s hair, to which a single fishing hook is tied.
'Untitled [1/3 Scale Dolls]' - 2009
1:3 Scale replicas of the artist's body, made from a variety of materials including rust-stained cotton, old jeans, drugs baggies, & suiting wool, & stuffed with cigarette ash, salt, flour & dust.
'Untitled [Nail Glove]' - 2009
A millimetre-accurate, hand-made glove to fit the artists left hand. Produced over 4 days & entirely hand-stitched, with around 250 steel tacks individually secured with two crossing drop stitches. Minute-accurate logs of the artists activity were kept for the duration of the work.
'Untitled [Duct Tape Body]' - 2008
A 1:1 replica of the artist’s body executed in white fabric tape. Made in four sections by wrapping the artist’s body in a layer of cling film and several layers of tape, which were then reassembled in situ to create a hollow ‘shell’.
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HANNAH DEVEREUX
www.hannahdevereux.co.uk
07837706034
DRAWING 2011
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JEAN-PHILIPPE DORDOLO
www.jeanphilippedordolo.com
SWISS BREAK (2011) / ECHO (2011)
Painted Steel, Acrylic, Styrene, Tape
LANDSCAPE DRAWINGS - Sunset/Sunrise (2011)
Box frames, A4 Xerox, Egg Yolks
UNTITLED GURGLING (2011)
Chipboard, MDF, Acrylic, Styrene, Paint, Gurgling jug, Coconut, Filler
POULTRY (2011)
Pan handle, Styrene, Hay, Egg yolk
INTERVENTION #002 (2011)
C-Print / Fast Food, Bricks, Paint, Acrylic
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LAUREN BIBI DRESCHER
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ANNA LOUISE HALE
[email protected]
http://annalouisehale.wordpress.com/
http://www.flickr.com/photos/annalouisehale/
Prototype.
Working with domestic spaces within the home as an inspiration, I have recorded sound within ‘headbox 1′ kitchen sounds and ‘headbox 2′ bathroom sounds. The sounds have created a loose narrative within each domestic space, but have altered through play into more of experimental music pieces. The question I asked originally was ‘how can I work with space?’ usually opting for a room, I questioned the scale of my work and wondered how if I were to down scale, would this still be as effective? I find it to be in some ways more.
The idea of inserting your head into the unknown reflects the motion of walking through an immersive installation. The question that followed was ‘if senses are so important to experiencing, what will happen if only one sense is focused upon?’; hearing. Within the box it is black, apart from a small amount of light coming from around your neck you cannot see anything and there is little smell to be distracted by. Your body is left outside of the experience. I invite you into my personal domestic thinking spaces; places that not everyone gets to experience.
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CHRISTINA HARDINGE
Film stills from untitled performance on
THE FOUR CURTAIN STAGE,
The Square Theatre,
N19 5SQ.
The performance is discretely recorded and transmitted
via live stream & screened (live) in another theatre
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SITUATION : RESITUATED
Monochrome installation
Duration 24 minutes
Duration scale 1 : 60
Installation scale 1 : 1
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Archway Seating Plan, N19
Colour Digital Print
420mm x 594mm
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BULBOUS ANONYMOUS
Costume design
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SALTY SAM THE MUSSEL MAN
Living percussion instrument, designed and performed by artist
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LILLIE HARMAN
Images from 'Light Series' 2011
20" x 24" Resin coated hand prints
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JACK CONWAY HEMS
COMPOSITION NO.1; 3 MINUTES (2010)
Resin coated hand print
508mm x 610mm
GOLDEN, B.C. (2011)
Lambda C-type print
508mm x 610mm
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CHLOE HOUGH
ADAP-TABLES
aluminium, rubber, painted MDF
CUTTING MAT
cast vinamould rubber
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