butch-something
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21, ze/he/they/she, genderqueer transsexual tme stone butch lesbian. 18+
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The Dyke Project manifesto printed on the back of estradiol and testogel boxes
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Source: butch/femme; Inside Lesbian Gender - editor Sally R. Munt , photo editor Cherry Smyth
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It’s been months and I still can’t stop thinking about pushing her down into the pillows and mounting her from behind… no strap, no gear at all, just her bare ass and my dripping wet cunt, pressing my body flush against her, my tits on her back and my mouth nipping at her neck and jaw… she made the most perfect little noises while I used her. She was so good, drooling and whimpering while I rode her, flexing her ass to give me more friction, her neglected cunt dripping on the sheets—my hands covered hers, our fingers laced together. I came so hard just from grinding on her like that, completely soaking her ass, my wetness dripping down to her holes… I love using her, claiming her, making her mine.
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Dred Gerestant (1971-2019) Haitian-American Drag King & "Gender Illusionist" was one of the most prominent kings to emerge from the drag scene in NYC during the late 1990’s Photos by Efrain Gonzalez (1996-98)
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19th DC Gay Pride Day Festival, Washington DC, June 5th, 1994, by Elvert Barnes Photography
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I want to tie a girl to a chair and use her as a dildo. She won't be able to thrust her hips or grab my waist, she'll only be able to watch as I bounce on her dick until I'm satisfied
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This isn’t the final edit but I thought y’all might like to see what I’m working on for @yellowis4happy 🫶
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filling the ejaculating strap syringe with tgel and cumming on my stomach send post
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Roman Manfredi We/Us
Butches and Studs from working class backgrounds within the British landscape
Co-curated by Ingrid Pollard
Exhibition: 9 March – 3 June 2023 at Space station 65, Kennington, London
Opening hours: 12 – 6PM, Wednesday – Saturdays
Free to visit. Accessible. All welcome.
We/Us is an intergenerational photography and oral history project that celebrates the presence of butches and studs from working-class backgrounds within the British landscape. The project explores the experience of female masculinity through the structures of class and race all over the UK, capturing our diversity as well as our commonality.
When searching for images of butches and studs online, most that come up are from a bygone era, or from the US. Conversations around gender and identity today are often academic and London-centric, sometimes forgetting that our identities are informed by our every day lived experiences.
Our history and our lived experience is our gift to the world.
– Joan Nestle, Restricted Country
Exhibition audio - Participants were interviews about their lives and experiences,
Instagram
Vice uk feature
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Jean Weisinger spent much of the 1990s capturing intimate portraits of revolutionary Black women — Audre Lorde, Alice Walker, Angela Davis, and Assata Shakur among them — and impromptu photographs of people she met in her travels across the United States.
Almost none of the artist’s work made its way into museum collections or gallery exhibitions, but from the tiny Alice Austen House in Staten Island, Executive Director Victoria Munro has spent the past two and a half years developing Weisinger’s unrevealed photographs and meticulously documenting the histories behind each one of them.
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a photomontage from deborah bright’s dream girls series, in which she manually collaged herself into film stills from old hollywood scenes to revisit childhood memories, disrupt heterosexual normativity, and symbolize butch identity. c. 1989-90
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