bre4nne
the fairy squadmother
serving up anime realness since 1996
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In-depth and honest Synapse XT Review site
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feel like i just wandered off too far into the wilderness and found a horrible gory battlefield where people are still fighting the spanish-american war
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Okay, USA followers, you know how we all hate bank fees? I mean, you overdraw your account by $1.23 and you get charged $25.00? That’s evil.
As of Jan 26, 2022, the Biden Administration CFPB (Consumer Financial Protection Bureau) is bringing the hammer down on junk fees. This is more than just bank fees - this is going after the junk fees on things like prepaid cards, loans, bank transfers, credit card late fees, even closing costs on a mortgage.
The CFPB needs public comments, like the opinions of real people who are affected by these fees, to build a case about telling financial organizations that THEY CAN’T CHARGE THEM ANYMORE.
The CFPB says it’s particularly interested in hearing from older and lower-income consumers, students, service members and people of color.
There’s some good detail about the comments in this investopedia article. The easiest way to comment is to send an email to [email protected]. Include Docket No. CFPB-2022-0003 in the subject line of the message.
Note that these are public comments. They will be published online through the CFPB website. Don’t include account numbers, social security numbers, or full names. Tell a story - tell about the time you overdrew your account by $1.23 and the bank took $35. Tell about how you signed up for a credit card and the company charged you a bunch of fees you didn’t even know about. Tell about how you transferred money from your savings account to a checking account and the bank charged you $2.50.
These junk fees are a slap in the face of ordinary people who can’t refuse to pay, and the CFBP is taking aim at the banks that charge them. To read what CFPB director Rohit Chopra had to say about this call to action, click here.
You have until March 31, 2022 to submit comments.
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a moment of silence for the guy in my lit class who responded to my professor saying “trigger warning” by shouting “TRIGGERED! I’M TRIGGERED!” and then said it 2 more times after nobody acknowledged him, each time a little quieter. he walked out of the class okay but there’s no telling what a self-own like that does to a man’s spirit
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First reason why Kirby would make a good top surgeon
(Terfs/transmeds do not interact)
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Simple explanation of the bills that farmers in India are protesting - in TikTok form!
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22 YEARS AGO ON DECEMBER 18, 1998 - DREAMWORKS ANIMATION RELEASED “THE PRINCE OF EGYPT”
Because DreamWorks was concerned about theological accuracy, they decided to call in Biblical scholars, Christian, Jewish, and Muslim theologians, and Arab American leaders to help the film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.
The animation team for The Prince of Egypt included 350 artists from 34 different nations. Careful consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.
Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments. The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.
THE PRINCE OF EGYPT (1998)
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Some very sweet elephant behaviours I read about in Carl Safina’s Beyond Words:
a young elephant kneeling down in front of their car in a playful way and throwing zebra bones at the researchers, trying to get them to play with him
an 8-month-old elephant trying and failing to pick up some grass with her trunk (the author: “it reminds me of someone learning to use chopsticks”) and whose mother then pulled a sheaf of grass and ate it while making sure her daughter was watching the demonstration
baby elephants suck their trunk for comfort (as we all know!!) but also like to swing and whirl it around as they try to figure out what it can do and how to use it, and sometimes accidentally step on their trunk and trip over it
“often, babies reach with their trunks into the mouths of family members, taking a bit of what they’re eating”
all the female elephants in a family rushing over to help when someone’s baby trips and falls, while making comforting vocalisations
an enormous adult male elephant walking up to a family group and making an exaggerated display of nonchalance, with his trunk casually draped over his tusk, to show the other elephants that he’s not scary
researchers messing with an elephant family by collecting a bit of urine when the elephant walking at the back of the group stopped to pee, then driving some distance to leave the urine ahead of them. “When they encountered fresh urine from an elephant they knew was behind them, they seemed truly baffled, as though thinking, “Wait a minute—how’d she pass us? She’s back behind us!”
mothers instructing their babies to switch to the other side of their body and walk in their shade when the day is very hot
an elephant child trying to climb all over a bigger male teenager who was lying down for a nap, receiving a kick in response, and running back to its mother in alarm—then the teenager followed and lay down flat beside them as if to apologise and invite the child to climb onto him again
elephant children throwing tantrums when they are being weaned and their mother blocks them from nursing (“He got so upset, pushing her, poking her and tusking her, […] it was like, ‘Ooh, I hate you!”)
researchers followed a family that included a baby who was born disabled, with twisted forelegs that he couldn’t straighten. The entire elephant family (from the adults to the baby’s 8-year-old sister) nurtured him, patiently helping him up every time he fell over, “slowing their pace to his disabilities, continually turning to watch his progress, waiting as he caught up from behind” until (after a few days) the little one managed to straighten his legs and learn to walk normally
a researcher once saw an elephant pluck up some grass and place it in the mouth of another elephant whose trunk was badly injured. Also adults are sometimes seen carrying sick baby elephants on their tusks
a researcher saw a baby elephant who was wary of going into the water, wrap her trunk around her mother’s tusk as her mother patiently entered the river with her, like a child nervously grabbing her mother’s arm
“little elephants show lots of concentration while working to master such tasks as picking up sticks. A youngster might twirl and twirl its trunk around a single blade of grass, finally grasp it, drop it and have a hard time getting it back, then simply place the grass blade atop its head”
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Appalachian Mountains in North Carolina [OC] [7605 x 5070] - Author: in_frame on reddit
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BIG DISCLAIMER: i was 9 when 9/11 happened, so this might be more about my own crystalizing tastes than anything else. i think it’s a pretty darn good theory tho and other people have validated it.
BIGGER DISCLAIMER: i am not saying that country music prior to 9/11 was free from nationalist, racist, misogynist undertones - i just think that these themes became more the norm!
MY HOT TAKE:
with very few exceptions, including goodbye earl, before he cheats, and daddy Iessons (side note - all women!) 9/11 ruined country music. around 2014 onward we’ve got margo price, sturgill simpson, jason isbell etc., who are making country music great again (wink), but those folks are mostly considered “alternative” country. the mainstream country music for well over a decade now is a glut of trash performative patriotic / working-class-but-not-really lab-crafted budweiser-sponsored nonsense that has managed to sound rebellious (or has convinced its fans that it sounds rebellious) without ever actually questioning any power structure. so much so that artists who ACTUALLY criticized the government were literally blacklisted for nearly a decade (the dixie chicks)
pre-9/11 country music, though not perfect or ideologically pure by any stretch, did not have the raging american flag painted truck boner that comes to mind for a lot of people who say “i like everything except rap and country”
SPECIFICALLY, toby keith’s “courtesy of the red, white, and blue (the angry american)” (2002) literally destroyed country music. it was a direct answer to the 9/11 attacks and war song in support of the invasion of afghanistan. the lyrics read like a disjointed feverish email chain letter forwarded from your great uncle sprinkled with glittering american flag gifs and heavily saturated pictures of bald eagles. the entire song is lifted from an estimated 248 peeling bumper stickers collected from rusted trucks on cinder blocks in overgrown yards, cut up and arranged to fit a catchy, formulaic tune that is almost certainly the background music playing in george w. bush’s head at all times.
“we’ll put a boot in your ass, it’s the american way
and uncle sam put your name at the top of his list
and the statue of liberty started shakin’ her fist
and the eagle will fly, and it’s gonna be hell, when you hear mother freedom start a'ringin’ her bell”
country music and the new country musicians that toby keith paved the way for became so pro establishment and so unquestioningly nationalistic that, again, the dixie chicks who went against this grain were blacklisted by the industry and received death threats from country music fans. hell, there are folks who STILL froth at the mouth at the mere mention of the dixie chicks.
9/11 killed outlaw country - how can you sing the praises of law breakers when your main circuit consists of singing to troops? there are some great classic country songs critiquing the police state - especially from johnny cash and merle haggard - now country music artists hold fundraisers for FOPs. new country music is basically in-law country music.
you don’t have to write a pro-bush patriotic anthem to be part of this post-9/11 ruination. playing meaningless songs about living in the heart of (read: white) america, eschewing the city (read: not white), and cracking open a cold one with the boys for “authentic” country music is also important to the war effort.
there’s a progression of themes here:
post 9/11 top tier: war anthem, vocally patriotic, directly used as pro war propaganda;
which paved the way for: “things used to be so much better” thinly veiled racist laments, good for campaign ads;
which paved the way for meaningless party anthems - attempts to make things “like they used to be” and craft a reality that neither the artist nor listener likely ever experience.
that brings us to what most people think of today when they say they hate country music: the country party anthem - “tiny hot gal in tight jean shorts who can drink beer like the guys, she doesn’t like beyoncé Like Other Girls, oh she’s so into me and my truck, i’m gonna take her fishing after i finish sowing my corn - sung by a guy who’s never touched a tractor” - has overtaken the tragic, done me wrong, despairing country ballads of tammy wynette, george jones, and even up into pre-9/11 contemporaries like reba mcentire and george strait. you didn’t necessarily have to be country to relate to their pain. now you have to perform suburban redneckness to enjoy luke bryan.
when was the last time you heard a sad country song?
after 9/11, cowboys (whether or not they had ever been near a cow) weren’t allowed to be sad anymore (no more done me wrong country), and they certainly weren’t allowed to question authority (no more outlaw country). partying hardy became the most important American Thing and if you don’t sing about that, our Enemies Will Win.
so - understanding that country music has always had bad stuff, and that like any genre it suffers from commercialization, 9/11 DESTROYED COUNTRY MUSIC. and toby keith gleefully helped destroy it.
for some further evidence of the decline of country music, please listen to the dixie chicks’ “long time gone” which is an indictment of the industry (i believe it was written before 9/11 but my point still stands - the genre was on the decline and 9/11 was the major cultural event that hastened the decline).
maybe i am a curmudgeon - almost every generation of country music has had its own “country music is not what it used to be” anthem, but i really think something distinct happened with 9/11.
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