arabellaofsadness - Tumblr blog

arabellaofsadness · 3 months

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I think Our Flag Means Death is a very unique show in a way that they don't care to cater to mainstream media. And yes, by mainstream media I mean the general straight people.

I think it's very important that we have feel-good shows like Heartstopper. A few years back, a tv show about two queer boys in high school would be unthinkable. But its plot generally revolves around explaining queerness. Sure, it's nice. It's definitely the show I would watch with my family if I were a teenager and wanted to come out again (I had to watch glee with my mom to do that. not optimal). It's the show where teenagers find love and themselves, but sexuality is constantly discussed, explained, sanitized. It's the show straight people will watch. And that's good. We do need shows like that.

But Our Flag Means Death doesn't even bother trying. It's a show about mostly middle aged people, most of them not white, most of them queer in one way or the other. It's really a game of spot the hetero, like someone said. And the characters are not sublte about it. They have sex for fun, something most characters don't have in tv shows, definitely not queer characters. They make dick jokes. They are not all conventionally attractive and they know it, and the writing doesn't care. They are all people before they are queer representation.

Stede's storyline in s1 is in a part about discovering himself and his sexuality, but it's not obnoxiously repeated. Instead, it's played in a natural way. Stede's storyline is ALL about finding himself, yet it's not just about that. Just like Ed's storyline, it's about toxic masculinity and allowing himself to have fine things and self-hatred and finding his place in a world, something most of us can relate to. Hell, none of us were even sure the main characters were going to kiss and end up together, we were all so sure it's a queerbait. But this show doesn't bait its audience. It's not afraid of weirdness. It embraces it instead. There is a nonbinary character. No, they are not a mermaid. Call them jim. That's it. Yes, Lucius and Pete got engaged. Everyone there knows what mateolage is, congrats. Olu and Jim never break up and then Archie shows up, then Zheng, and we all know. We all know.

Two men nearing fifty have a deep, romantic moment where one of them appears as a mermaid, and it's treated as the profound scene it is without ridiculing it. This would never fly in a 'mainstream' media. It would have to be downplayed. Here, it saves Ed's life.

The show tells you racists suck, but it doesn't tell you in a condescending, finger-waving way catered to the white people. Instead, it sets your ship aflame and burns you alive, runs a knife through your hand, puts poison in your drink and kills you.

This is a show for adults, for queer people of all kinds, and it does not give a fuck if anyone else gets it. It's so rare to find a tv show that caters to us, yet alone a tv show that's genuinely good and caring and so well loved.

This is a show that basically straightbaited its audience in the first season, that's how much they don't care.

Idk, I just feel that it will take ages for another show like OFMD to exist in a world full of MCU and media that tries so hard to be liked by everyone it loses its personality and charm. Rant over

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arabellaofsadness · 3 months

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Hello!

You may know me from Twitter, a website so awful that I deleted my account of 7 years and disappeared into the sunset! Anyway, here's some OFMD fics you might know me for, with more under the cut

Linktree

Unhand Me or Bleed | 4.2k | E

Stede Bonnet has an “unhand me or bleed” moment and Ed can't not fuck him. Post reunion.

Rum and Linen | 5.6k | E

Usually when Ed gets drunk, he crashes on the couch. This time, he doesn't.

Glass Houses | 9.1k | E

With his head finally clear, Stede snatched his curtains closed and backed away from the window, panted as his heart rate slowly came down. But the image of Ed, spread over his sheets, was already burned into Stede’s memory in vivid technicolour, like the afterimage of the sun seared behind his eyelids. Stede sank onto his bed and stared up at the ceiling. “Shit.” or; newly divorced Stede Bonnet discovers a new kink.

Breakfast | 2.6k | E

Inspired by @rysiutokwiat's art series. A typical quiet morning between co-captains aboard The Revenge turns into a much spicier breakfast.

Bower Vine | 8.2k | E

Inspired by a Tumblr post by welcomemysentence. Stede has always loved flowers, but most of his memories of them involve being bullied as a child. Ed devises a plan to help him make new ones. or: Ed gently, lovingly fucks Stede in a wildflower meadow.

Lavender | 2.6k | E

Stede really likes it when Ed wears his clothes.

Later | 700 | T

Let's pretend Stede came back right before Ed's Kraken moment.

Last Christmas | 5.8k | E

For the first time in years, Stede doesn't have any Christmas plans and neither does his new co-worker, Ed Teach. As the last two people in the office on Christmas Eve, they make plans of their own.

take from me my lace | 4.5k | E

Stede has more than one pair of laced breeches and Ed definitely takes notice.

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arabellaofsadness · 3 months

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I am SO grateful that ed and stede exist as characters exactly as they are. I'm so grateful for these two men who are traumatized and messed up and struggle to even like themselves, who are terrible at communicating, who make enough mistakes between the two of them to fill an entire ocean. I am so grateful to watch them struggle and be seen and be loved and reach out for the things they want and are maybe starting to believe that they deserve. I'm so grateful that the show lets them fall in love and get together exactly as they are, that it doesn't say they need to wait until they've become some unattainably perfect version of themselves before they have permission to have that. i am so grateful for ofmd

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arabellaofsadness · 3 months

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not to be dramatic but our flag means death changed my life and made it a little bit bigger and brighter and i will never not be grateful for what it’s given me

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arabellaofsadness · 3 months

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not to bring up TikTok (sorry) but whenever I see all the Ed and Stede fanedit vids with “my love is mine, all mine” it brings me so much joy

what’s interesting is when mitski explained that song, she said the theme is that there are times when nothing feels permanent, and the only thing in the world that feels in your control, that can’t be taken away, is your own love—“my love is mine, all mine”. I really like that it’s a love song that’s not about another person, but about the act of loving itself

Ed, when he feels out of control and is ready to give up, all he can do is love Stede. but that act of love is his choice, his agency. in the moment of choosing to love, in the gravy basket, he chooses to save himself as well. I just like thinking about that!!!!!

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arabellaofsadness · 4 months

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I love that Ed and Stede always find such earnest joy in sharing things with each other and teaching each other.

It would've been so, so easy to write Ed being condescending about how much Stede doesn't know about piracy. Ed's the best in the game, it wouldn't have even been a bad reflection on his character. But he never, ever judges Stede for not knowing something. When Stede's assuming he's a lousy pirate, like two seconds after he wakes up and they properly meet, Ed's immediately assuring him that he's doing better than a lot of other pirates by virtue of being alive and that Ed's impressed with his originality. He mostly uses teaching Stede swordplay as an excuse to flirt but he just so obviously loves listening to Stede talk and tell him about his day.

Stede, too, just loves being with Ed and showing him things. He never judges Ed for not knowing any of the aristocratic shit he shows him, and responds with genuine sympathy when Ed doesn't know what passive aggression is. We're shown that Stede is so used to being made fun of for things he likes, but he never judges Ed for sharing his interest in a fine fabric and immediately delights in showing him his auxiliary wardrobe and library.

Their relationship feels so genuine and earnest. You really get the impression that these two could be locked in a room together watching paint dry and they'd still find a way to riff off each other and have fun.

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arabellaofsadness · 4 months

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all the people complaining about the ofmd fandom not doing enough for palestine are probably the same people who think posting about palestine on social media helps the cause. it doesn't. all it does is show your followers what your morals are. and they're mad that we're not showing enough receipts to prove our morals to them, irrespective of whether it would actually help anything.

also fuck that rumor about why guz was let go and fuck whoever started it and fuck everyone who spreads it. it's patently untrue and doesn't even make any sense if you think about the details for more than 30 seconds.

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arabellaofsadness · 4 months

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I am so tired of #fandomcritical tags. I am SO tired of people telling me what I can and cannot care about. I am so so so tired of people telling me I should invest my money into "real"causes. Yes, money is a finite resource. But you know what? People needing help and causes worth fighing for are f*cking INFINITE! I have only so much fight and disposable income on me to select the causes that resonate with ME and if a f*cking show enriched MY life my resources are MINE to fight for. I believe in art and joy and representation as tools for a better world. If you don't, go fight your battles but don't you dare to come here and shame me.

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arabellaofsadness · 4 months

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some people outside of fandom try to pretend they get the moral ground by not liking ofmd and taika.

calling it a racist problematic show. Except its cast, crew AND especially fandom are majorly made of queer BIPOC. Just tell me you can't separate morals in fictional worlds from real world and move on.

We know you all shop at starbucks and mcdonalds and shein and fast fashion and subsribe to disney+, there's no way to morally consume anything. and ofmd is anything BUT racist or problematic in its portrayal of queer poc.

just keep tweeting from your newest model of iphone that was had its battery core mined by slaves and stop pretending someone liking a show that uplifts people of all kinds and sends a positive message makes you a problematic person.

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arabellaofsadness · 4 months

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I'm not sure how to express everything I want to express, and I didn't get a lot of sleep last night, to this may be a disaster of words, but here goes:

I've been in Fandom since I was a preteen. I started writing fanfic in middle school with a friend, passing it back and forth over school desks. In high school I started publishing on ff.net. I've written fanfiction, watched AMVs, tried my hand at making gifs, done role-playing.

About 5... 6 years about, I stopped just about all of it. Depression hit real bad, the Tumblr exodus happened, and I lost the majority of my RP partners. I started to lose the joy I found in Fandom, and I couldn't find a show that sparked that joy again.

I curate content for one of the largest fan-run conventions in the USA, and I had no Fandoms to call my own.

And then Good Omens. And then Our Flag Means Death.

Good Omens was like my gateway drug, but OFMD was my addiction. I came back to Tumblr, I started reading fanfic again. Just the other day I had the idea for a crack fic for the first time in years. This show... this fandom... this community has breathed life back into me in ways I could not express, even if I was still just hovering on the edges of it.

I can't thank anyone enough for that.

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arabellaofsadness · 6 months

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Okay. I’m going to wait to do a second watch before I articulate most of my other feelings here, but I want to address one thing.

I’m seeing a lot of posts like, “I related to Izzy because I am also queer and older/disabled/depressed. By killing him off, the writers are saying that I deserve to die.”

Guys.

I’m not saying your feelings aren’t valid. I totally understand grieving a character that you relate to. But speaking as a writer, I just want to point out that trying to write with the shadow of “what is the absolute worst and most harmful way a reader can interpret this” will smother your ability to create. Twisting yourself in knots, trying to think up the worst-faith takes possible and scotch-guarding all your writing decisions against them is exhausting to the point of making you just not want to write anymore.

And we’ve seen the writers deliberately choose not to do this in Season 1. Remember all those terrible “Izzy is racist” takes that the writers and cast seemed completely blindsided by? That happened because the writers and directors and actors weren’t going over every scene with a fine tooth comb, ferreting out every shot or line of dialogue or micro expression that could possibly be interpreted as racist, and scrubbing it off. Because there comes a point where your story is what it needs to be, and you have to accept that some people will interpret it in ways you didn’t intend them to. And if you can’t accept that, you’ll never find the courage to put your work out there.

The point of diverse casts and writing teams isn’t to achieve a state of, “Nothing bad ever happens to a character from a marginalized demographic ever again.” It’s to achieve a status quo of these types of characters just being people in the world of the story. Not symbols, not representation boxes to tick, not tokens that you can point to so that you can say, “Here, we acknowledged this type of person exists, now where’s our woke points?”

OFMD is full of characters of color, queer characters, older characters, characters of differing body types. And in stories, things happen to characters. Some fall in love. Some make the same mistakes over and over. Some turn into birds. Some die.

Izzy’s character represents a lot of things, but he does not represent every older, disabled fan or fan who has struggled with suicide, any more than Jim represents all genderqueer fans, or Olu represents all black fans. That’s not how the writers were handling him. They were handling him like a character, because that’s what you have to do.

Again, I understand being sad. I am so, so fucking sad. But this idea of, “Any time something bad happens to a character I relate to means that the writer thinks I deserve these bad things to happen to me,” will poison everything you engage with eventually. Because stories are full of things happening to characters, and they won’t all be good things. And the more representation we get, the more often bad things will happen to characters we relate to.

But good things will happen too.

Queer couples get married. Disabled women run off with their favorite husbands. Middle-aged characters change careers. A multiracial polycule finds a home at sea. A fat man covered in tattoos stars in a drag show and all his friends cheer. All these things happened in the same show as Izzy’s death. This is what this world is.

Anyway. I know emotions are running high and I’ll probably get blocked or unfollowed by a few people for this. But I’m just trying to find my peace where I can, and if anyone else finds this useful, cheers.

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arabellaofsadness · 6 months

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OFMD S2 SPOILERS

Warning: This post contains non-explicit, brief implications of sexual assault/harassment and (explicit) invasion of personal space. The subject of consent is delicate and complex and I am no expert, so if any information/opinions in this post are evaluated to be erroneous, seem careless, or cause too much controversy, this post will be deleted and apologies given.

Constructive criticism is welcome.

That goddamn scene in episode 6. There are so many amazing posts that have painstakingly broken it down with various interpretations. So at the risk of another potentially controversial (and definitely extremely long) post, here's a summary of a few favorite observations complied together: The main thing to remember is that these two are still frickin' whim-prone. They don't think things through sometimes, and here especially they didn't let themselves think. One would assume they deliberately didn't stop to question any of this - Stede didn't just throw Ed over the couch for a ravishing, he took time to prepare the room as Ed waited for him on the bed.

Gif credit to @mermaidstede There was absolutely something also happening here on a more subconscious level, so here's a mixture of suggestions in one proposal: Ed came to comfort Stede, something that possibly no one has ever done for Stede before...

Gifs credit to @mermaidstede

Perhaps without even consciously acknowledging it, Stede is so touched. And he's conflicted and in shock and so filled with love for this man - he is an absolute mess. Stede grabs this wonderful source of love and comfort...

Gif credit to @mermaidstede

...and pushes him up against something solid to brace against. Stede is in something like a free fall, and he needs to feel something or someone is there to catch him before he crashes down...

Gif credit to @gay Ed's subconscious might be catching on to this; after the initial surprise of Stede's literal launch at him, Ed's nigh-supernatural instincts gauge Stede and the state he's in.

Gif credit to @gay Stede needs comfort and support desperately, something to show him that although he's killed someone who was a threat to the people important to him, he's not unlovable. So Ed gives Stede warmth...

Gifs credit to @gay

Ed shares in the good shit with him...

Gif credit to @nicostiel And Ed later tries to give Stede good food, like the marmalade he loves so much...

Screenshot credit to @piratecaptainscaptainpirates Ed is technically stretching his boundaries here, but he isn't unwilling to become physical; as much as he prefers to wait, he wants Stede as much as Stede wants him. And Ed’s also in a bit of a vulnerable state at this point; both he and Stede just had their personal space utlra-invaded (to put it mildly), by some creepy bastard who considered Ed scum.

But Stede (who just caused said bastard's death for crimes Ed himself has committed against him - damaging his ship, hurting his crew) loves everything about him. Ed reciprocates, and he's wanted Stede for a long while now. He missed Stede like hell when Stede left...

...and Ed almost just lost him again.

Moreover, Stede needs to know in this moment that he is loved, and that Ed is there for him. So Ed consents...

Gif credit to @gaywitchperson He lets Stede collapse against his body. He gives him his usual sign of affectionate - a rough slap on his shoulder - and quickly slides his hand up to brace around Stede's neck...

Gif credit to @gaywitchperson

...just like Stede had done to him.

Gif credit to @figmentof

Ed's touch is firm. The arm snapping around Stede's waist is firm as hell, as if Ed's giving Stede a combination of "I want you so much" and "It's okay, love. I've got you"

Gif credit to @bulletsangwich

Stede lets go, melting into the man he loves and surrounded by the strength of supportive arms. He more than likely snakes his own arm around Ed's waist, bringing his other hand up to gently cup Ed's head, and pulls this solid source of love and warmth closer. Maybe in some ways, Ed is still trying to protect Stede...

Gifs credit to @izzy-hands Now look at it more from (hypothetically) Stede's point of view- We all saw it, that bastard did indeed hurt his crew and damaged Stede's ship, but when Ned he blatantly disrespects and debases the man he loves...

Gifs credit to @eddie-redcliffe ...Stede snaps. But then, perhaps this is a rage that was building before, and not just out of protectiveness. Stede was the one who foiled Ned's plan, and yet it's Blackbeard to whom Ned asks about his punishment. We've all noticed how Stede longs to be respected as The Gentleman Pirate, and yet even when he's victorious he isn't taken seriously. He comments later to his Republic of Pirates fanclub how he and Ed take turns making decisions, and that is exactly what he wants. He wants to be Ed's equal. He's not Ed's pet...

Gif credit to @eddie-redcliffe

...anymore than Ed is Stede's plaything. Stede exacts his revenge, but it was an act that he can never return from. Olu and Jim told him in S1 - once you kill, it changes you forever. Ed's told him you can't come back from it. This is the first time he's intended to kill someone, and it leaves him reeling.

He needs time, he goes to be alone. Then his dearest Ed shows up, concerned and worried about him. On the surface, perhaps Stede's brain is overcompensating, making him feel confident rather than devastated. Stede could be feeling like he'd on the same level as Blackbeard now. Ed has deferred to him many times, but now others will do it too. And here's Ed/Blackbeard himself, sympathizing with him and just simply being the man Stede loves.

Gifs credit to @mermaidstede

Stede lunges. He anchors them both into a stable place, then switches to being being gentle, waiting to see how Ed will react. Maybe also he's thinking how he and Ed are on equal footing now? They can be true pirates together. Or maybe he's musing about how Ned was so wrong, and Ed is absolutely everything? In any case, he treats Ed tenderly when the permission is given, treasuring their closeness but not really recognizing just what his subconscious could really be seeking.

Gif credit to @moiirasketchup In any case, what we ultimately see this night are a pair kindred wrecks giving over to passion, spurred on from mutual desire and a deep need to show and receive love and comfort. Of course, there are numerous other ways to express these things to one's partner(s) rather than sexually (though it can be a method for some relationships), but for better or worse that seems the be what's happened here. Ed could have stopped it, pushed Stede away or talked him through it. He chose not to.

Stede could have just not initiated it in the first place. In fact, he probably shouldn’t have, and wouldn’t have in he were in the right headspace.

But the heat of the moment can be a bitch when emotions are running high. These overwhelming feelings are in addition to all their other traumatic baggage (which would take too long to analyze in this already-too-long-post), and again, these two are still frickin whim-prone. This really seems to be a moment when they're both just like "Fuck it."

So when Ed eventually calms down from basking in the afterglow, perhaps he realizes that yes, that could have been handled differently. He agreed to it, he wanted it, but was that really what Stede (or he) needed, and now what does it mean for their future? Ed panics, and true to his whimsy ways, he runs off to become a fisherman without really knowing anything about it.

Stede on the other hand is still running off a major high - he's destroyed a brief-time nemesis, gained infamy, learned pirating skills from one of the best, pulled off successful raids, reclaimed his ship, protected his crew, and made love to the love of his life. Then it all comes crashing down on him - his beloved leaves him, his crew are moving on to others things, and he gets his ass whooped while trying to separate lovers and pursuing danger as if he somehow wants to destroy himself.

To state the obvious - Ed and Stede need each other. To share in fun and happiness, and to be there when the other really needs him.

We see them struggling figure out the best way to handle these trying times, and while some of the regrets and the risks are unavoidable, we all suspect (ie know) the rewards would most certainly outweigh them.

And on that note, to sum it up...

It's just the same old song Nothing cruel, nothing wrong It's just two fools Who know the rules But break them all And grasp at half a chance To play their part In a light romance

-"Light Romance" from Blood Brothers P.S. Ok, there's definitely nothing light about their romance but dammit, there's a unshakable need to add a Blood Brothers reference in an episode where Con O'Neill sings like the goddess he is...

Gif credit to @mozarlin P.P.S. Some other sources/insights can be found here (made a list of 'research material' this time):

A couple of analyses of the 'night in question' and/with 'day after'-

And a wonderful analysis/subtext-translation of episode 7's 'last night was a mistake' conversation-

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arabellaofsadness · 7 months

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ok I can't believe Imma write a piece of OFMD meta without even getting to the end of the season.

I NEED to talk about Lucius and Izzy. like, a lot.

But before we get to the spoilers and stuff, I need to go back to first season. Be mindfull that I won't tell you again this is going to have spoilers from season 2, up to the 5ft episode.

It's safe to say that Izzy is Ed's right hand and Lucius is Stede's right hand. Or better saying, Lucius is the left hand.

Not only because Lucius is, indeed, left handed, but because the left side is associated with feelings.

Lucius is the one character to be wearing red from the begining of first season. He is feelings, he is the one who records Stede's thoughts and feelings. He is not "useful" in a practical way, he is simply the person who observes and helps people figure things out.

He is literally the first one to see that Ed and Stede are falling in love.

I mean, there is a second guy who notices, but can't understand what is happening. Izzy.

Izzy is Ed's right hand. He is the one who taught Ed what he knows, he is the one who kills people for Ed, he is the one who guarantees things are going acording to plans. He is practical. He doesn't have time for feelings and romance.

Izzy wears black clothes all the way. He is in no way in contact with his feelings.

And from start he thinks he is better than Lucius, but yet we see Lucius owning him in first season. We see Izzy showing his queerness in a very uncomfortable way to him in his "ohh, daddy" scene. (god, I love that moment)

Izzy sees Ed falling in love with Stede, but only sees a problem. A rock on the way of their sucess. Feelings are useless.

Lucius sees them falling in love and gets the role of a wingman or something. He helps them out.

And Lucius is protective of Stede in regards to Ed, we see it on Calico Jack's episode and more recently when he seats down with Stede in Zheng Yi Sao's boat and tells him to be mindfull of the cruel shit his boo has been doing. He is somewhat afraid Blackbeard will hurt his friend.

Just like Izzy was afraid Stede was going to ruin his Blackbeard.

In season one, Izzy simply wants to separate them. He wants Ed all to himself. He hates Stede.

In season one, Lucius was a bit afraid of Ed at the beginning, but learned how to deal with him and appreciate him. When Ed looses Stede, Lucius is there to help him.

There is a reason he calls for Lucius while at the blanket fort. Lucius is emotion, is feelings. Lucius is able to help him in a way Izzy would never be able.

Ed gets out of his cacoon, fully in red, and sings his feelings out.

Izzy freaks out an threatens Ed. Izzy gets Ed scared. Scared Ed gets rid of his feelings for Bonnet, he gets rid of Lucius, the feelings.

And the Kraken spiraling he gets into hurts both right and left hand.

At first, Izzy thinks he got what he wanted. At first, Lucius thinks he is dead.

And both get ruined.

Ed, without his feelings being heard by himself, proceeds to destroy himself. Which, of course, includes destroying his right hand.

He hates himself and he needs the others to hate himself. He tortures and hurt Izzy too many times. To the point where Izzy, the one "without feelings" is whining on Fang's lap, scared like a little puppy. Dirty, scared, powerless.

We understand from what's been shown that the rest of the crew supported him, and that's probably where he started thinking about going against Ed's madness. Not for himself, but for the crew. Izzy learned to care.

Lucius, on the other hand, was alone. He went through hell without a friend. He had to tough it up to survive and he is fucking damaged.

He lost hope and trust and he is bitter as fuck, just like Izzy used to be.

Lucius starts this season hating on Stede and Ed. He blames them for the things he went through, and he has right to do so.

He thinks, just like Izzy used to think, that Stede caused Ed's madness.

For Izzy, Stede made Ed weak. For Lucius, Stede made Ed unhinged.

And while in season one we have Izzy getting mad that Stede and Ed are hanging out, Lucius this time is outraged. How could my bestfriend replace me with some sissy? How can my captain wellcome back this guy who almost killed us all?

Both Lucius and Izzy dress a bit diferently this season.

The red is gone. Lucius wears basic clothes, not colorfull at all, as if he doesn't want to get attention. He wants to blend in to the back.

Izzy has gold now, on his unicorn gold leg.

Both almost died from infections "caused" by Ed.

Lucius is bitten by Buttons after Ed scared them with his theatre, the one he was showing to entertain Stede. Izzy gets shot by the Kraken after he dared to mention Stede's name.

Lucius loses his finger, which makes it a bit more dificult for him to write, for him to keep doing what he was doing.

Izzy loses his leg, which makes it a lot more difficult for him to fight with a sword.

And although they still can do those things, they're not that needed anymore.

Lucius doesn't write Stede's diary anymore. We've seen Stede writing by himself, which lead me to think he doesn't need Lucius that much with understanding his own feelings as well.

Izzy is not Ed's right hand anymore. He is still somewhat of a first mate, he helps the captain, but in a different way. He teaches Stede things, but he still haven gotten to actually doing things for him on screem. We had someone trying to hurt Stede twice and Stede saved himself before Izzy even got his sword out.

Izzy is learning to admire Stede's way. He felt what Stede's absence did to his friend, to the crew and to himself. He is learnng to talk it through.

Lucius is still bitter. Lucius is obsessed with Ed, but he has help from someone that was hurt in a similar way.

Izzy, the practical, is helping Lucius, the emotional, to deal with his trauma.

They are getting closer, just like their captains, in a new way.

The scene with the little shark absolutely broke me. Izzy made him an artpiece. This is the first time we see him doing something artistic, and he gives it to Lucius. He gives emotion back to Lucius.

I can't wait to see where they go.

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arabellaofsadness · 7 months

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Not to sound like I’m reaching (I’m not, as i was told in a vision from djenkins himself), but Ed is holding a fish during the kiss because of the whole point of the mermaid scene. He doesn’t have to swim to the surface, nor must he drown. He can meet Stede in the water and Stede can meet him. Him catching the fish, comparing them both to fish, he’s accepting Stede back, but he’s also changing into a mermaid too. They’re kissing over a fish because to love is to be changed. To love is to keep reaching for each other, to keep coming back to that intimacy, that halfway. Intimacy is a home you make, a place to return again and again, and they’re making their home in the sea

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arabellaofsadness · 7 months

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Man, I just put back on OFMD 1.05 (the fancy party episode), and I think one really worthwhile itemization of Stede and Ed interactions would be around how many times Stede appears horrified by Ed's actions, but actually, he might really be horrified for Ed.

And I only bring this up because one common, I think, misinterpretation of Stede was that he's horrified or put off by violence. Understandable, given the face he pulls when, for example, Ed tells Fang to skin the French captain with a snail fork.

But now that we've Season 2, albeit eps. 1-3, including that gorgeous moment where Stede immediately clocked that Ed's trying to burn down the world or die trying, thus signaling that he knows Ed better than anyone, especially Izzy, ever expected... I think we can firmly put the, "Stede doesn't really get Ed," interpretation firmly to rest. It's totally fair that it existed! His facial expressions of horror were often ambiguous and could be read either way.

But I think we can very firmly say: All those times Stede seems horrified at Ed? He's horrified for Ed.

Even in the moment where he sort of gulps when Ed wants the French captain skinned was sort of re-written in my mind as I watched it, in light of Stede getting Ed so well in S2. Suddenly it's not Stede taken aback by extreme violence, no.

Stede is realizing just how deeply hurtful the French captain's words were to Ed. He's not taken aback by the violence of Ed's orders, he's horrified to realize that the French captain's words hurt Ed so badly that this is a proportional response.

Stede doesn't give a fuck about the French captain, by the way. He doesn't lift a finger to prevent it, not because he's afraid, I'd argue, but because he legitimately does not care. The dude is more than a little bit of a sociopath himself, alright, he's adjusting to pirate life but he has also fully embraced pirate life.

And by the way, you don't have to take my word for it that Stede's reaction of horror is for Ed not at Ed, y'know why?

'Cuz of what Stede says in the very next scene, "Edward, are you alright? I could tell that captain got a bit under your skin."

(Haha, get it? Because you skinned that man alive. But I digress.)

No but seriously, Stede does not care about skinning that man alive, whether or not we believe Fang really did it. His priority #1 here, as it will be in Season 2, writ large, is to first make sure Ed is ok and then to help arm him against pain like that in the future.

And all I'm saying is, I bet if we went through each and every other instance of Stede "reacting badly" to Ed's "violence" in light of S2 and Stede getting Ed and only really caring about Ed unless reminded to do otherwise, that all of those reactions are actually Stede reacting with horror to learning what kind of pain Ed has been laboring under, or what kind of pain he's in that he would react with violence to verbal attacks like that.

Because that is something Stede can understand very well.

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arabellaofsadness · 7 months

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The only thing in my brain rn

Gif credit to @walker-scobell :)

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arabellaofsadness · 7 months

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okay i know the Discourse™️ has been going on for way too long at this point, but

i think some people outside of the OFMD fandom don’t actually get why we’re particularly annoying about this show

OFMD is not the first queer show to ever exist. if anything, it's a late entry in decades of queer media. over a year and a half since the first few episodes aired, everyone knows that OFMD is queer. that doesn't make it particularly special

but back in March? this is the trailer that dropped in February of 2022, 2 weeks before the premier. if you're used to seeing queer chemistry in shows that aren't intended to be queer, you might see the hints between Ed and Stede here. but to most people? it's just a silly little pirate comedy. just guys being dudes. the trailer doesn't even hint at the other 2 canonical queer relationships in the show -- the closest it gets suggesting romance is the music and the pink in the poster

so when people watched this show in March 2022, they went into it expecting subtext and nothing else. to them, it was like watching Sherlock or Supernatural or Merlin in the 2010s. if you were in any of those fandoms -- especially Sherlock and Supernatural -- you know what it was like; constant jokes at our expense, being mocked for creating explicit fanwork, made fun of by the creators and within the show itself. if we saw queer subtext, that was our problem. this was a time when you pretended NOT to be in fandom, for fear of ridicule. we kept our fanwork to ourselves, we DID NOT share it with the cast, and we accepted that our favourite ships would probably never be canon. maybe one day, if we were lucky, we'd have a show where the subtext wasn't mockery as much as deliberate foreshadowing -- but that had to be YEARS away

right?

OFMD was never billed as a queer show, not in the beginning. there was no LGBTQ+ tag on (HBO) Max, it wasn't on anyone's list of upcoming queer shows in 2022, it flew under the radar through most of its first season. this was a show about pirates, and sure, some of them were queer. but not the LEADS. if you think they're romantically involved, that's must be fandom brain poisoning

except the 9th episode aired, and they kissed. and the show said "you're not crazy for thinking they have chemistry because they really do. it's been a romance this whole time". and in the 10th episode, Stede realizes that he's in love

(not mandating you watch this clip if you don't care for the show, but there's something that feels particularly earth shattering about no one saying the word gay but knowing that Stede's realizing he is, that it's completely unambiguous and explicit in a way that only straight romances are usually allowed to be)

this is why people freaked out about this show. no one knew. even the creator, David Jenkins, was surprised when WE were surprised that it was gay for real -- he set out to write a love story, using all the tried and true beats of a rom com. he'd never even heard of the term queerbaiting. he looked at historical Blackbeard and Stede Bonnet and thought "oh, there's something here" and just...wrote that, with very little fanfare, like it was inevitable. like it was obvious. of course Jim and Pam end up together. of course Buttercup and Westley end up together. what kind of disappointing ending would it be if You've Got Mail ended with the main characters just going their separate ways?

so of course Ed and Stede are in love

look, i get it. we're annoying and won't shut the fuck up about this show that seems mediocre at best. i watched the whole thing back in march, thought "huh, that was cool" and was sure that i'd forget about it in a few days

an hour after looking at fanart on twitter, i was lost in the fucking sauce

there's just so much to unpack from a mere 10 episodes. it covers racism, toxic masculinity, gender expression, sexuality, trauma and abuse. and i don't think we should overlook the fact that the non-white characters in this show get to be fully human in a way i haven't seen in my favourite shows in recent memory

additionally, most OFMD are 25 or older. we're not people who've been spoiled by queer rep, who don't get how hard it used to be, how you'd have to grovel for scraps, how shipping and fanfiction was a way to find queer rep where we thought there never would be. we've been here. we're annoying about this show because for a lot of us, it's the first time we've been treated like our queerness isn't an anomaly that needs to be relegated to its own section, that needs to be praised for the bare minimum of acknowledging that we exist. it's not pulling punches to avoid scaring away a straight audience. it just is.

OFMD for me is like when i watched Black Panther for the first time and realized that this is what white people felt all the time. have there been other black superhero movies? of course! does Disney fucking suck? BOY does it. but that was the first time i got to sit in a movie theater and watch a mainstream film that looked at Africa and said "look at how beautiful you are, exactly as you are"

and idk. i think that's really cool

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