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anxious-raindrop · 9 hours
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there's just something so funny to me about shitty harvests
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anxious-raindrop · 15 hours
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Haikaveh recharge time: Kaveh ranting and Alhaitham collecting mental notes
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anxious-raindrop · 21 hours
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anxious-raindrop · 1 day
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this is sending me
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anxious-raindrop · 2 days
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he can infodump so deep inside me I'll have trivia running down my leg
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anxious-raindrop · 2 days
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Not people saying “Fandom has always been like this” in that vent post I made. No. It hasn’t always been like this. Fandom has NEVER been like this until recently and if you were in fandom pre-tumblr purge, pre-twitter, pre-netflix boom, pre-tiktok….then you would fucking know it was nothing like this.
We still had the drive to create. We still sold prints and charms and made zines…but it was never like this.
The introduction of streaming, binge shows that drop all at once, tiktok and vine RIP i still love u vine but you were the beginning of a particularly ugly era) creating this bite sized, quick paced ‘content’ era of creation and it bled out into fucking everything else.
Fandoms didn’t die down when the show ended or the season was over. You didn’t mass unfollow artist, writers or moots just because they changed fandoms. There wasn’t this need to please the algorithm in order for your posts to get seen by people and enjoyed.
Fandoms used to last YEARS. Star Trek is literally the oldest running fandom out there and you got people in there that could care less about the new stuff and still have been happily prancing through their fucking fifty year old fandom today. Hell, even SPN after all it’s fuckups and shitshows has a dedicated fanbase STILL creating tons of art and fic.
There is no patience anymore. No calm feeling of taking in fandom and friends at a pace that which doesn’t make you stressed and is still fun.
Do I blame fandom for this? Of course not, but people are complacent with it and start changing their vocab to accommodate and end up making the situation so deep it cant be fixed.
We call Art & Fic Content now, completely stripping the value of what it is to a level of consumerism instead of personal entertainment & community bonding.
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anxious-raindrop · 2 days
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i’m going to kdxjdhdjhddjjdhs
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anxious-raindrop · 3 days
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All of NoHo Hank's pop culture references in Barry (2018-2023)
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anxious-raindrop · 3 days
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By LabradoriteKing on Pinterest
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anxious-raindrop · 4 days
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rain photo study
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anxious-raindrop · 4 days
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why are you as a man "cocking" your gun ? so you can "shoot a load" into another man ??
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anxious-raindrop · 4 days
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Not to be a Boomer but your social media should be your own space, not something employers are allowed to look at to judge you beyond the qualifications stated in your resume and cover letter
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anxious-raindrop · 5 days
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jimin said no to toxic masculinity
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anxious-raindrop · 5 days
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🌸🌱🏛️🌸
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anxious-raindrop · 5 days
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might fuck around and drink the daily recommended amount of water
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anxious-raindrop · 6 days
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Ossan’s Craigslist Love
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anxious-raindrop · 6 days
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Hello Siiri! First off: I just yelled in delight that you're offering subs on Ossan's Love Returns -- thank you! I have not watched the previous series or OL movie, but I come to you after learning that EarthMix will cameo in this week's episode. I'm watching older Thai BLs to learn more about that nation's genre of BL, and I'm learning about the Thai genre's Japanese BL roots -- which makes the cameo extra sweet for me in my history project. In any case, I am wondering if you could offer a kind of overview of the importance of the Ossan's Love franchise in Japan. My very favorite BL of all time is Kinou Nani Tabeta? -- and I've been so thrilled over the years to get TWO seasons, a movie, and the New Year's special. Ossan's Love has even more content. Would you say it's a bigger BL than KNT? Is the audience for OL growing actively in Japan? I'd love to learn more about the context of its importance in the Japanese media landscape. I feel like I generally have a grip on these things in part due to the fame of the various actors that end up in BLs (like in Cherry Magic), but Ossan's Love has been around for so long, that I'm not sure how to quite contextualize its popularity against other JBLs. Thank you for considering my question!
Hello!
I don't want to make any claims on who's more popular without gathering actual data, but I can talk about the general context of the show.
OL actually precedes Nanitabe's live action, so they weren't in competition during their original airing. OL differs from most other bl live action outputs by being an original script. It's not based on a manga unlike pretty much all other Japanese bls out there, and as such, it pretty much single-handedly brought gay relationships to the mainstream when they had so far been mostly confined to the bookshop bl section: if you wanted to read a bl, you'd go to the bl section, but otherwise you wouldn't be exposed to it.
The first season of OL aired in 2018. There are all kinds of live action bls airing these days, at least one per season, but it wasn't like that back in 2018. Live action bl until recently was either typical age-gap uke/seme anime (Gravitation, Sekai ichi hatsukoi, Junjou romantica) or made-for-dvd movies with mostly unknown actors. My first bl movie was Ai no kotodama. I don't know who those actors were or where they are now. By comparison, the cast of OL is full of popular mainstream actors. Pretty sure at least one person fainted when Tanaka Kei was on the cover of An an's love & sex (was it me, you'll never know!).
Even now, at lot of the bl you'll find on Gaga or Viki actual airs in a specific bl slot or on a paid subscription service. You had to buy each episode of Old fashion cupcake on Rakuten to watch - meaning you need to already know what you're looking for. Nanitabe and Cherry Magic both aired in TV Tokyo's Friday midnight slot , but TV Tokyo is a local network. I had to watch both online because we don't get TV Tokyo in the prefectures. What we do get though is TV Asahi, the network producing OL. It's one of the major national networks and the second most viewed channel after Nippon TV (it's also the channel buying GMMTV shows for Japanese distribution).
What made OL such a phenomenon was the internet and social media. It was the most tweeted show in 2018 and Japanese people tweet a lot. It received the Popular Word of the Year Award. You read it right, Ossan's Love was the Popular Word of the Year 2018 with #MeToo and e-sports (for comparison: in 2022 one of the words was state funeral because of Abe's assassination, and one of last year's winners was boiling of the planet).
As for how OL Returns is doing - it's super successful! Last Friday even omutsu paatonaa/diaper partner was trending on the internet. Last time there was an update about viewership, the first two episodes had been viewed 4.5 million times. The Japanese fandom is super active, and people of all ages are watching. They're doing quite a bit of promo, too. Tanaka Kei & Hayashi Kento were on Geinoujin kakuzuke check, a popular new year's quiz show.
I know OL doesn't get a lot of love in western bl fandom. On one hand, I'm like huh okay fair enough. But on the other, much bigger, you could even say enormous, hand, I'm like you don't have all the facts! You don't even speak Japanese! Take a seat! But if you wanna trash the airline remake (was it really necessary???), I'll bring the snacks.
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