dropped the walrus vs fairy question on a group of psychologists today and not only did the majority agree the walrus would be more surprising, the one with the strongest background in research responded to the ‘but fairies aren’t real’ argument with “are your beliefs so inflexible that you’ve never considered you might be wrong about what’s real and what’s not?” and honestly i haven’t recovered
Scientists at UC Riverside have demonstrated a new, RNA-based vaccine strategy that is effective against any strain of a virus and can be used safely even by babies or the immunocompromised.
Every year, researchers try to predict the four influenza strains that are most likely to be prevalent during the upcoming flu season. And every year, people line up to get their updated vaccine, hoping the researchers formulated the shot correctly.
The same is true of COVID vaccines, which have been reformulated to target sub-variants of the most prevalent strains circulating in the U.S.
This new strategy would eliminate the need to create all these different shots, because it targets a part of the viral genome that is common to all strains of a virus. The vaccine, how it works, and a demonstration of its efficacy in mice is described in a paper published today in the Proceedings of the National Academy of Sciences.
“What I want to emphasize about this vaccine strategy is that it is broad,” said UCR virologist and paper author Rong Hai. “It is broadly applicable to any number of viruses, broadly effective against any variant of a virus, and safe for a broad spectrum of people. This could be the universal vaccine that we have been looking for.”
This is a phrase I use with myself to remind me that I don’t have to say yes to something just because I have white space in my calendar. The white space serves a purpose too.
Stills from We Are Lady Parts season 2, coming May 30
A NOTE FROM NIDA MANZOOR (CREATOR/WRITER/DIRECTOR/EXECUTIVE PRODUCER) IN PEACOCK'S PRESS RELEASE:
Making season one of We Are Lady Parts was immense for me. It was a trial by fire, but I found my voice, my style and my confidence in creating this show. Most importantly, I found my tribe - from actors and crew to producers and studio execs. So, coming to season two, I was galvanised. The characters, the world, the tone - it was all there, established, and ready to go. Now it was time to turn things up to 11. I wanted to go bolder, sillier, darker and deeper and that is exactly what we strived to do.
In season two, we explore the interior lives of each of the women in more depth. Each of them facing new, existential challenges with all the silliness, pratfalls and banter of season one. The music is bigger too - more wild original tunes (penned by me and my siblings) and dare I say it, even better covers. The season overall asks the question of success. What is success? For a punk band - is fame, stadium shows and major record deals the answer? I wanted to explore the uncomfortable tension between art and commerce and ask how much compromise is too much. I'm really proud of what we achieved, and can't wait to share it with old fans and new.