ALS-324. Monument for the Distribution of Land Deeds in Gorrë (Lushnjë).

Lapidar of Vojo Kushi, photo by Elvis Kazazi

Work by Iva Lulashi

ALS 683 in Palokastër GJ. Photographs by Elvis Kazazi.

Skënder Lako, “Peisazh nga Pogradeci” (1972).

Celebration of the 73rd Anniversary of the foundation of the 8th Brigade, April 28, 2017. 

Three stages in the life of a lapidar. Celebration – Degradation – Destruction. The lapidar for Shyqyr Ishmi and Muhamet Gjollesha  (ALS-2) has not survived Erion Veliaj’s “urban requalification.”

Lapidar in Progradec for Reshit Çollaku, presumably destroyed.

Lapidar in Pogradec (ALS-48). Photo by Michael Harrison

Restored lapidar in Manalat, Gjirokastër (ALS-682). Photo by Michael Harrison.

Very rare bilingual (Albanian–Greek) lapidar in Vrisera (ALS-681). Photographs by Michael Harrison.

Lapidar in Arshi Lengo (ALS-680). Photos by Michael Harrison.

Another double lapidar in Drashovicë (ALS-678). Great find by Michael Harrison.

ALS-677 (Varosh, Gjirokastër), h/t Raino Isto.

Lapidar in Radhimë (ALS-676). Sometimes you drive past the same lapidar without ever noticing it…

Proposal for a Work Entitled “Museum of Albanian History”

The artist or artists produce a project modelled quite exactly on Arseny Zhilyaev’s “MIR: New Paths to the Objects.” Rather than focusing on Russian (art) history, it focuses on Albanian (art) history. Rather than attributing all ideas in the Museum to Vladimir Putin, the ideas are attributed to Edi Rama. All artistic developments are attributed to Edi Rama. Even the idea of copying Zhilyaev’s project is attributed to Edi Rama.