I just want to remind everybody

Leverage gave us a middle-aged couple who impetuously fell into bed and had hot passionate sex, then cleaned up their acts emotionally before committing to each other in marriage.

Leverage gave us a young black man gently, wisely courting a non-neurotypical blonde white woman.

Leverage gave us a young black man whose two white male best friends both describe him as the smartest man they’ve ever known.

Leverage gave us a guitar-playing country boy, an ex-hitman and army vet, who puts his life in the hands of a geeky black man and his blonde girlfriend (till death do them part).

Leverage gave us Parker, Sophie, Maggie, and Tara; it also gave us female villains with as much cunning, ruthlessness, and agency as any man’s. 

Leverage gave us villains who were rich, powerful, greedy white people who had to have just a little bit more, and a clever, cunning, usually compassionate, occasionally terrifying white guy who beat them at their own game and robbed the rich to help the poor.

Leverage, gentlefolx.

Terminal Hanaki? Boring. Chronic Hanahaki? Exciting.

Found on twitter, going to adopt this now

Writer friends, tell me how many WIPs and how many UFOs you have. I have 2 WIPs and [redacted] UFOs (jk it’s around 16 across my three main fandoms)

"people show their true colours in life threatening situations" no, they show you what they act like when they're mortally terrified, an emotion notorious for literally turning your entire brain off to the point where people who go into those situations as a profession need to be literally trained on how to not have that happen

"he would not fucking say that" but its about a character being a leftist. he would not fucking believe that

i feel like the reason aang isn’t as adored and beloved as he should be is because he’s the protagonist but he’s also not an archetypal western classical hero. i don’t agree with the entirety of that “avatar aang: feminist icon” essay because i think the role of patriarchy and gender in atla is more complex than what that essay posits, but he definitely complicates the masculine ideal of heroism and generally does not conform to patriarchal notions of masculinity. which is very deliberate, especially as contrasted with sokka and zuko’s explicit struggles with the imperialist/colonial standards of an aggressive, militaristic, and chauvinistic masculinity. aang is subversive because he represents an absence of war in a world ravaged by it. through his link to a (somewhat more) peaceful and harmonious past, he represents a better possible future. as katara would say, he brings people hope.

but people don’t like that he’s not visibly edgy or tormented like zuko is (even though he’s a far more tragic character than zuko is, just fyi), that he isn’t “cool” (even though he’s literally the coolest kid ever, just fyi), that he “gets the girl” (even though if anything, she gets him) despite being twelve and bald and nice (the horror!). katara is the more classical hero of the narrative, as its narrator and its catalyst, the adventurous revolutionary who gradually learns to control and use her powers and eventually becoming a force to be reckoned with. zuko is the classical anti-hero of the narrative, his “redemption arc” constantly hailed as one of the greatest character arcs in television. so people expect katara and zuko, as very obvious narrative foils who parallel each other every step of the way, to be the obvious couple, because based on every romance narrative we’ve been inundated with throughout our lives, within our patriarchal society, they “just make sense together.”

but as much as katara is a protagonist in her own right, aang is the show. the title quite literally represents the central thematic tension of the entire narrative, the colon illustrating the implicit divide between his duties to this brave new world in desperate need of justice and balance, or his duties to his extirpated culture as the last true voice among them. aang is the central figure because this tension represents the crucial ideological battle happening across the entire show. aang is the avatar because he is the only person in the entire world whose values have not been shaped by war.

people constantly laud zuko, in particular, for being the most interesting, complex character in avatar. but i personally don’t even think that’s true. which isn’t to say that zuko isn’t fascinating in his own right, of course, but rather that he’s certainly not the only complex character this show has to offer. he just happens to monologue about his anguish constantly. but aang wasn’t raised as an imperial prince, and so he approaches the world, and his own pain, in a very different manner. the reason he immediately goes to ride giant koi on kyoshi island, mailchutes in omashu, and otherwise goofs around after learning of the shocking ramifications of his people’s genocide is because that’s how he copes with his pain. unlike zuko, who never stops talking about his aches and yearnings, aang represses his trauma and hides his tears behind a mask of upbeat cheerful goofy twelve year old antics.

until he can’t anymore. until he snaps. both katara and zuko wear their hearts on their sleeves, and that includes their rage. but aang’s rage is dangerous specifically because it represents that he has been pushed past his limits, that the conditions of this world in which he is a perpetual stranger, temporally displaced and dispossessed, are intolerable. that peaceful reconciliation is impossible. and the fact that he persists beyond that breaking point, over and over again, to firmly and resoundingly establish his ideals even as they conflict with everything he has learned about this world, a world that is not his own even as he can never return to the world he once knew, is what makes him so unique, so powerful, so beautiful.

i know that aang isn’t the typical hero, neither narratively nor aesthetically, but really, that’s the entire point. the world, our world, needs something other than what we have now. we need someone who will not succumb to the ideals of domination and victory through violence to assert themselves. we need someone who stands firm in refusing to kill the firelord, even as everyone he knows tells him otherwise. we need someone who knows that darkness cannot be vanquished through more darkness, but can only truly yield to purifying light.

and sure, aang is a child, and often acts childishly. sure, he’s not conventionally handsome and alluring. but one thing i will never understand is how that somehow negates his appeal to the masses. because even if you don’t appreciate how crucial he is to the themes of this narrative you all seem to love so much, how can you not love his adorable little face? his precious little laugh, his zest for life, the infinite well of love and kindness he holds in his heart? people who hate aang are crazy to me. because you are, quite literally, hating the world’s most precious baby boy.

If the only valid queer rep is explicit queer rep, that's a huge problem. There are lots of old books that simply could not include explicit rep. There are lots of new books that it wouldn't make sense for the rep to be explicit. There are a lots of settings where they're not going to take a moment and go "by the way, I'm bi, not gay."

There has to be room for subtextual and interpretative queerness, even when discussing a canon where queerness is never acknowledged as existing.

There also has to be room for people to disagree with those interpretations, and of course some interpretations will be more supportable, canonically, than others, and sometimes we simply won't be able to say "this character is that rep (as opposed to some other rep)" conclusively.

There has to be space in our readings of books to be comfortable with this ambiguity, and there has to be a minimum good-faith acceptance that if someone says "that book was queer to me," even if the book isn't explicit queer and doesn't read queer to someone else... that doesn't change the nature of the queerness.

Some of y'all really need to accept that there's not only one way to read a book, and there never will be, and that's okay.

Something I never understood growing up aro/ace is how it "ISN'T" acceptable to NOT be romantically/sexually attracted to ppl and/or not be interested in romance/sex but it's acceptable to pressure people into dating and sex 🤔

can everyone be normal about masculine presenting trans women. for the love of god can everyone please be fucking normal about masculine presenting trans women.

tired: mermaids are all women

wired: much like elves, merfolk are mistaken by sailors for being all women because they have long hair and are very pretty

Love is really dope when you find your person.

I've had a couple of messages over the last few days from folks saying things like, "Sorry, I can only afford to get your book through the library," and I need you to know I am gripping you by the shoulders, I am shaking you gently, and I am begging you stop apologizing for using library services.

After Amazon and Payhip, the quarterly checks I get from Overdrive/Libby are my biggest and most reliable source of income.

My readers have been nothing but feral in their quest to get Hunger Pangs into as many libraries as possible, and while library lending pays an exceptionally modest amount, if enough people do it (which many of you evidently are), those pennies add up.

I am guaranteed at least $20 a month in library lending royalties. That might not sound like much to some folks, but to me, that's my b12 supplements covered for the month. That's the thing I need to keep me alive paid for.

I will never resent anyone who uses libraries instead of buying books.

I'm a disabled author who lives month to month at the mercy of my medical expenses. Even though I have incredibly generous patrons and supporters, I know what it's like to not be able to afford things.

Use the library. Please.

Use it guilt-free. You're helping the library and the authors, probably more than you realize.

And if you're in the US and haven't signed up for a @queerliblib free library card yet, you should! it doesn't matter what state you're in, the Queer Liberation Library offers free access to their catalogue of queer media across the US.

And if you've got the means, maybe help them out with a little donation. They're only able to expand their collection via the support of their patrons, and the work they're doing is hugely important.

It's a lot healthier to go for a daily walk than to sign up for a gym membership you won't be using because you hate that kind of exercise. It's a lot healthier to eat a frozen meal than to skip a meal because you were too tired to cook something healthy. It's a lot healthier to take a quick shower than to procrastinate an elaborate routine for days. Don't aim so high that you won't be hitting anything!

Greetings bugs and worms!

This comic is a little different than what I usually do but I worked real hard on it—Maybe I'll make more infographic stuff in the future this ended up being fun. Hope you learned something new :)

If you are still curious and want to learn more about OCD, you can visit the International OCD Foundation's website. I also recommend this amazing TED ED video "Starving The Monster", which was my first introduction to the disorder and this video by John Green about his own experience with OCD.

The IOCDF's website can also help you find support groups, therapy, and has lots of online guides and resources as well if you or a loved one is struggling with the disorder. It is very comprehensive!

Reblog to teach your followers about OCD

(But also not reblogging doesn't make you evil, silly goose)

Folks have got to understand that they probably aren't messed up by some Secret Big Trauma that they just can't remember; but rather by a million tiny microtraumas that they do mostly remember but don't even register as traumatic because nobody actually understood that these things would cause trauma, much less stack on each other over the years.

this book is worth more than a dozen restaurants that grow their own microgreens on the roof

Thinking about the newer bats (Duke, Cass, Steph, Tim) speculating on Jason's age because he looks like a recently divorced 30 y/o but he's younger than Dick, and he acts like a 50 year old man (he still has a Nokia, out of the loop on Internet and pop culture, primarily listens to dad rock), and after they've exhausted all their guesses Dick breezes in, informs them he's like 24, and then leaves.

The bats then have to come to terms with the fact that Jason NINETEEN when he took over the criminal underground.