abronzeagegod
A Lost Bronze Age God
A terrible god, lost and abandoned amidst the sands of time only to be recovered sometime in the early 1990's when a new housing development was built on top of him. This out-of-time deity occasionally writes things of merit, but mostly wonders why the Void never returns his calls.
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all my advice about using real athletes to learn drawing bodies beyond hard abs, and my particular pref being wrestlers, also applies to women btw. you can draw women who r strong and not an hourglass shape. fucking do it.
kris statlander, rhea ripley (look at her SHAPE), willow nightingale, ruby soho, these r just four off the top of my head that have obvious musculature and different body types. skye blue and julia hart have more slim cheerleader style bodies as well, i REALLY wanted to put emi sakura who is fucking STOUT (adoring) in this post but i couldn't find a good demonstrative pic, the list goes on
DRAW DIFFERENT BODIESSSSSSSS
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here is a fun little star wars scenario that has been pinging around inside my head like a screensaver:
so let’s say there’s some very zealous, very low-ranking fresh young Imperial officer on duty the day they take the Senator from Alderaan into custody.
and he is very very nervous because a) he’s been here for like a week and b) none of that week required him to be in a room with Darth Vader. which he now is. so he is trying to focus very very hard on Doing Everything Exactly According To Protocol, as a means of not focusing on the seven-foot evil wizard standing fifteen feet away.
and part of the protocol for processing new prisoners is to make a new file for them in the prisoner database, and enter all their biographical details and vital statistics and a gene sample and their known associates and the nature of their terrible crimes against the Empire and so on. which he does! very meticulously!
except the computer keeps throwing an error message. the stupid thing keeps beeping at him, this awful grating little noise that makes his shoulders ratchet up tighter and tighter every time it honks at him, and he can’t fix it and Darth Vader is right over there—
except oh god oh fuck the beeping noise must be annoying Darth Vader, too, because he’s coming over here and our poor junior officer is convinced he’s going to die before he even lives long enough to send his first paycheck home to his poor widowed mother —
he stammers out an apology. Vader just stares at him. he swears he’ll figure out the problem right away, sir, it’s probably a bug in the system, it’s just that for some silly reason it keeps saying this gene sample doesn’t match the one on file for the Senator so he can’t get her logged as a new prisoner just yet —
“Dismissed,” says Vader. the poor kid flees, gratefully.
Vader considers the matter. in fact, his underling was correct: the gene sample, which he saw taken through his very own helmet lenses, does not match the official record of Senator Leia Organa, heir to the throne of Alderaan. so: perhaps the sample on record was falsified. not impossible, but very, very difficult. and ordinarily a crime attempted by the lowly and desperate. he cannot see any need for it, in the daughter of a queen.
another possibility presents itself. Alderaan has no history of using royal doubles, as some worlds do. but Bail Organa has worked closely with royal houses where the practice is long-established. perhaps he was inspired. perhaps the girl they captured is not Leia Organa at all.
Vader runs the gene sample against the ship’s database. it is woefully incomplete, of course, containing only a fraction of the Empire’s billions of citizens: the ship’s own complement, a selection of known criminals and Rebels they might encounter, high-ranking officials whose identity must be confirmed should the Emperor require their presence. unlikely that this girl, whoever she is, would have a record here, or even a partial match—
the computer beeps at him. it’s a cheerful beep, this time, not the error message that stymied the junior officer. the computer reports that the gene sample is a partial match for Pooja Naberrie, the Senator from Naboo. they are, with eighty-nine percent probability, first cousins.
and Vader just. kind of stands there. for a minute.
when he goes to Leia’s cell, there’s no interrogation droid with him. he goes in. he shuts the door behind him. he stands there, silent, for frankly a worryingly long time, until Leia has run through her entire stockpile of “how dare you, I’m a member of the Senate on a humanitarian mission” and “whatever you want, you can’t possibly think I would be of any help” and “well, if you’re going to interrogate me, get on with it already” and “are you even listening to me?” and falls silent herself.
Vader has been listening to her. he has also been listening to the Force, which seems to think that she’s not lying. obviously the humanitarian mission part is bullshit, that goes without saying. but the “I’m Senator Leia Organa” parts and the “I won’t help you” parts? yeah. he searched his feelings. he knows them to be true. the Force is singing in his head, bright and clear, in a way it hasn’t for nearly twenty years.
there’s still Tarkin to deal with, though. Vader turns and leaves the cell without a word.
Tarkin wants to blow up Alderaan. this is unacceptable, obviously, and Vader forbids it on the grounds that the Queen and the Viceroy possess vital intelligence, not disclosed to their daughter, that must be acquired. said intelligence being, not that he’s saying this out loud, how the fuck Bail got his hands on his daughter, and who else knows about it.
“the fate of the galaxy rests on it,” is what he does say out loud. from the way the Force harmonizes with his words, that might even be true.
so the Death Star just. parks there. in an incredibly threatening orbit around the planet. they issue a demand that the Organas surrender themselves, or else, but apparently the happy couple just left for a low-tech weekend retreat in the mountains, what awful timing, they’re sending someone to fetch them right away. Vader shuts himself up in his quarters, to seethe and watch the surveillance feed from Leia’s cell. he’s not really paying attention to much else.
and it’s not like a random freighter getting tractored in for being an incredibly obvious smuggling vessel is the kind of thing you’d alert Darth Vader over, anyway.
so he’s still sitting there, one great big thought filling up his whole entire head, watching Leia take a frustration nap, when her cell door opens.
and a trooper comes in.
and the trooper takes off his helmet.
and he says, “I’m Luke Skywalker. I’m here to rescue you.”
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original post
pls reblog for sample size etc
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Skunk Anansie - Weak
1996
Paranoid & Sunburnt is the debut studio album by British rockband Skunk Anansie, first released in 1995, and then re-released in 2005 with a DVD featuring the videos to the singles. The album, featuring a mix of controversial protest songs (mainly about politics and religion), peaked at number 8 in the UK Albums Chart.
"Weak" was released as the fourth and final single from Paranoid & Sunburnt. It is one of Skunk Anansie's well known releases, and often a favourite at festivals. Skin performs a slower, more ballad-like version at many of her solo gigs. The song has also been covered by Rod Stewart on his 1998 album When We Were the New Boys.
"Weak" received a total of 61% yes votes!
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ANYTHING FOR YOU JOSH
#i just hate card games in my videogames#if i wanted to play a card game i would play the card game#i don't i want to play fallout
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Billy Idol - Rebel Yell
1983
"Rebel Yell" is a song by English-American rock musician Billy Idol. It is the title track of his second studio album, and was released as the lead single in October 1983. Although it charted outside the UK Top 40, a 1985 re-issue peaked at number 6, and it reached number 46 in the US. The song received wide critical acclaim and in 2009 was named the 79th best hard rock song of all time by VH1 based on a public vote. It appears in a cassette tape in the video game Metal Gear Solid V: The Phantom Pain and can be heard during gameplay.
The song was co-written by guitarist Steve Stevens. The instrumental introduction, which sounds like a combination of electric guitar and electronic keyboard, is performed by Stevens on guitar alone, who intended it to sound this way. Stevens states that he was inspired by acoustic guitarist Leo Kottke's style.
"Rebel Yell" has been covered by many different bands such as Children of Bodom, HIM, Drowning Pool, Dope, Black Veil Brides, Adrenaline Mob, Bullets and Octane, Otherwise, Blue Stahli, and Queensrÿche.
"Rebel Yell" received a total of 85,3% yes votes!
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Destiny's Child - With Me
1998
"With Me" is a song recorded by American group Destiny's Child for their eponymous debut studio album (1998). The song was produced by Jermaine Dupri and Manuel Seal Jr., and contains elements of Master P's song "Freak Hoes". According to the group, "With Me" was written as an answer song to Usher's "You Make Me Wanna…".
"With Me" was released on April 20, 1998, as the second single from Destiny's Child. Critically acclaimed, it was a moderate commercial success, peaking at number 19 on the UK Singles Chart. In the US, "With Me" was ineligible to enter the Billboard Hot 100 and Hot R&B/Hip-Hop Songs due to its airplay-only release, as Billboard's rules at the time allowed only commercially available singles to chart. Consequently, "With Me" managed to enter only the R&B/Hip-Hop Airplay and Rhythmic charts, peaking at numbers 36 and 35, respectively.
"With Me" received a total of 41,5% votes.
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