abitofencouragement
Encouragement
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The people who police your gender will police your gender even if you're cis.
Eat them.
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one of the differences between good omens the show vs good omens the book that will always fuck me up is the post-bookshop fire scene. crowley goes from picking himself up, dusting himself off, accepting the loss of aziraphale and Just Driving Anyway to completely falling apart. i do get why people have gripes with it being changed so fundamentally, and i've thought about it a lot myself, but i've never been able to bring myself to get mad about it. i always circle back to how the book was written by two best friends. that drunken, wrecked, grief stricken scene was written in a post-pratchett world. he lost his best friend.
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Just noodling around with some scrap blocks, and I kinda like them!
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"Why does this 19th Century novel have such a boring protagonist" well, for a lot of reasons, really, but one of the big ones is that you're possibly getting the protagonist and the narrator mixed up.
A lot of 19th Century literary critics had this weird hate-boner for omniscient narrators – stories would straight up get criticised as "unrealistic" on the grounds that it was unlikely anyone could have witnessed their events in the manner described, like some sort of proto-CinemaSins bullshit – so authors who didn't want to write their stories from the first-person perspective of one of the participating characters would often go to great lengths to contrive for there to be a Dude present to witness and narrate the story's events.
It's important to understand that the Dude is the viewpoint character, but not the protagonist. His function is to witness stuff, and he only directly participates in the narrative to the extent that's necessary to explain to the satisfaction of persnickety critics why he's present and how he got there. Giving him a personality would defeat the purpose!
(Though lowbrow fiction was unlikely to encounter such criticisms, the device of the elaborately justified diegetic narrator was often present there as well, and was sometimes parodied to great effect – for example, by having the story narrated by a very unlikely party, such as a sapient insect, or by a party whose continued presence is justified in increasingly comical ways.)
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Do you need a sewing machine to start making shirts and vests? Is hand sewing an option worth considering, or should I invest in a machine, in your opinion?
That's really a matter of personal preference!
Do you need a machine? Absolutely not!
Every garment ever made before the 1840's was sewn by hand, and a lot of them after that too.
I've sewn many garments completely by hand, including the early 18th century tiddy-out-violinist shirt, these bright orange breeches, and this green waistcoat.
Is it nice to have a machine? I think so, but again, individual opinions vary!
One of the costumers I follow sews everything 100% by hand because she finds it meditative and isn't interested in using a machine at all.
Some people hate hand sewing and prefer to do everything by machine, with maybe a bit of hand finishing if they absolutely can't avoid it.
I do about a 50/50 split overall, maybe skewing a bit more towards hand sewing.
I like to do pants, shirts, and nightgowns mostly by machine with some hand finishing, but for jackets and waistcoats I usually do considerably more hand sewing than machine, because I like 18th century tailoring techniques and think they give a nicer looking result.
I do most of my buttonholes by hand, or I do them by machine first and then cover them in hand stitching.
Most people who sew do at least some of it by machine, but again, I don't know which way you prefer to work, so I'd suggest trying out both to see how you feel abut them.
For hand sewing, I suspect a lot of people hate it because they're using shitty needles and/or shitty thread, and perhaps haven't found good resources for hand sewing techniques.
Here's a post of hand sewing advice that I found quite helpful a decade ago.
Use good needles because the eyes of the cheap ones have jagged edges and will ruin your thread! Use nice thread because the wrong kind will be twisty and tangly and will fray more!
Thimbles are good and useful, and typically they go on the middle finger of your dominant hand, and you use them to push the needle.
I prefer metal thimbles and dislike using leather ones, but some people prefer the leather ones, or rubber ones.
The metal ones come in sizes, and I don't know how to find out your size aside from trying them on in person, but I know I'm a size 11.
One very important thing is that if you're hand sewing a garment, look for hand sewing specific instructions on how to do the construction techniques you're going for. A lot of the time when someone nowadays is trying to figure out how to hand sew a thing they'll just try and copy the machine sewn version, and a lot of the time that's inefficient and more difficult and the result looks worse, because machines and hands work very differently!
This is something I'm going to briefly discuss in the outro to the very long shirt video I'm working on, because it's so very common, and I've done it too!
On several of my earlier hand sewn shirts I didn't know to turn the edge in on the front slit and do a little narrow hem, so I instead sewed on a facing for the front slit and cut and turned it, just like I'd seen on machine sewn shirts. This made it about 3x more time consuming, and the result was much bulkier and looked worse.
I've got so many more things to say about sewing but it's almost bedtime and I don't want to make this post too long.
For machine sewing, again there's a lot of personal choice. Some people like newer machines, some people like vintage or antique ones.
I'm one of the ones who prefers solid metal vintage machines. I grew up using an old cast iron Singer, and the newer domestic machines just feel so plasticy and insubstantial to me.
I'm used to ones that just do straight stitch and can also go backwards, but some people are perfectly happy with ones that can't even backstitch.
I do think that for a beginner the vintage machines are a better deal, because if you're patient and look around for a while you can snag one for really cheap at a thrift store, yard sale, facebook marketplace, etc. Also they're mostly metal and therefore harder to break.
I recently got a Pfaff (from I think the 1960's?) at an estate sale for 25 bucks. The zig zag mechanism is stuck and needs fixing, but I cleaned & oiled it up and it works just fine for regular straight stitching.
There are SO MANY online resources for how to clean, oil, and fix vintage sewing machines, especially the more popular brands, and a lot of the time cleaning & oiling is all they need. Read the manual and get an oil bottle with a nice long pointy thing so you can reach all the parts, and get some compressed air to whoosh out the fuzz. If it's old and hasn't been used in years, turn the hand wheel and observe every single place where metal rubs against metal, and Make It Greasy There.
(If you don't have the manual, you can often find those online too. I even found the service manual for my new-old Pfaff! I have the original users manual, but this one's for the people doing repairs.)
Oh this post is getting much too long!
If you don't know yet if you like machine sewing, try seeing if you can use one without owning it, perhaps at a sewing class or in a makerspace. I know some libraries can loan out machines.
A sewing class would probably be a good idea actually, if there are any available where you live!
Much like how you'll have a bad time hand sewing if you've got shitty supplies and no proper instructions on good techniques, you'll have a bad time machine sewing if it's not oiled well and if the tension is uneven.
There are so so very many things to learn about sewing and I hope I'm not making it sound too overwhelming, because I promise it's not if you take it one step at a time!
Also, when someone who's been sewing for a long time says "You may think you can ignore (piece of sewing advice), but actually that's bad and you will regret it", they're usually right. Oh, how I regret not learning to use a thimble years earlier than I did...
Sorry this post is so long, I hope it's helpful!
Basically, there's no one best way to sew anything, and you should try different stuff and see what works best for you, because everyone has different preferences.
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@lgbtqcreators creator meme: [5/8] lgbtq+ celebs
"I had to free my own mind of what, at that time, what I felt like masculine adrogynous energy looks like. I was living in my own binary, and I was like there's no way that I can be androgynous with bigger boobs now. How I feel inside is the thing that I needed to work through." — JANELLE MONÁE
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Some design ideas need about 50 tries before they work, some just work right away. This idea for fingerless gloves is one of the latter - aside from a small sizing issue. I am really happy how it turned out.
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Hey shout out to every custodial/sanitation worker taking out and cleaning up literal hot garbage so that the rest of us can go about our summer days like it doesn’t exist
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Those who have seen both Star Wars and Stargate SG-1, time to ask the Important Question™
Please reblog for visibility and a bigger sample size, I need answers so I can die in peace
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Asking for all the fiber artists here, are you aware of the term "frogging" in fiber arts like knitting and crochet to mean "ripping out your work?" It's a pun on the sound a frog makes being ribbit because when you frog something you riiiip it rip it rippit. A lot of fiber artists themselves are unaware of this and their reactions to this knowledge range from exasperated sighs to utter delight.
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Glass of water (oil on canvas) Artist / Emma May Riley
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