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tartmorelikedont · 4 days
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tartmorelikedont · 5 days
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thanks for the submission!
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tartmorelikedont · 5 days
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this one made me giggle
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tartmorelikedont · 5 days
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Kaede, in her lab, fiddling around with the keys, plays just the g note by random after a moment of silence
Shuichi from across the campus: WHEN I WAS-
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He didn't need to hear it, he just FELT it in his soul
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tartmorelikedont · 5 days
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danganronpa brainrot.....
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tartmorelikedont · 5 days
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Sleepy Saiou—Don’t let go.
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The verdict for Redux wasn’t high enough, gang. Maybe I’ll continue it down the line but for now Saiou ride or die!!!!
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(Alt. Versions.)
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tartmorelikedont · 5 days
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fishies!!!!!!!
i love mermay it fills me with joy and whimsy <3
(closeups under the cut)
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tartmorelikedont · 5 days
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Agh. the guy
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tartmorelikedont · 5 days
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normal high schoolers with normal high school problems (such as dysphoria)
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tartmorelikedont · 5 days
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shuichi… saihara… *collapses*
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tartmorelikedont · 5 days
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its him !!!!!!!!! the!!!
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tartmorelikedont · 5 days
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shuichi. hes so pretty
this is my first finished human piece in a while LMAO
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tartmorelikedont · 5 days
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tartmorelikedont · 5 days
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Panic
Tried to play with style and forms a bit
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tartmorelikedont · 5 days
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tartmorelikedont · 5 days
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Obscured
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Version with no shadows- and some notes
I kept up with the running motifs I have for truth/lies/ and belief
Truth being blue circles
Lies being pink eyes
And Belief being purple stars.
I incorporated those three a lot into this drawing- for example Kaito has a lot of purple star buttons on his design. But a blue circle button on his right collar (just for funsies honestly) and a pink eye on his right sleeve. Which is the arm he uses to cover up his coughs.
For Kokichi hes got pink eyes on his stupid clown shoes. And one in the middle of his belt. But they're flanked by a purple star and blue circle as buttons. This is to show how he uses both of the others to make lies. Leaning into peoples beliefs and known facts to lie.
However Kaito has a pink eye symbol for his pupils and Kokichi a purple star. It's to show how they've switched roles and become eachother.
Shuichi and Maki are kind of flat in this drawing, and for a bit that wasn't on purpose. But it works a lot for what I think of them. At this point in the story they're still fully within the confines of the characters they're meant to be. They act exactly how the mastermind wants them to- as weapons against anyone who tries to break the killing game (see Maki shooting Kokichi, and Shuichi exposing Kaito). Which is why they're not only flat in how they're posed, but why they have such limited colors.
Maki also has pink highlights because she's a liar and tries to cover the truth. And Shuichi has a bright blue shadow because he is someone who finds and reveals the truth.
Also of course- since they're both weapons of the mastermind- some turquoise curls around them.
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tartmorelikedont · 5 days
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DRV3 Infinity Train AU
Some time ago I finaly watched Infinity Train. Guys it's so good, it's insane. I highly recommend watching it, it's very good, and not too long (you can basically finish it all in one day).
But, to the point of this post, obviously I thought about crossover fusion with DRV3.
I wasn't sure if it would be better to make it a separate AU or if the AU events would take place after the end of drv3. But I was interested in the last option, because I think there would be interesting dynamics in the victim-killer pairs of each chapter. Below I will write a little about my thoughts about this AU (and there are also drawings of each pair)
❗Spoilers for all DRV3 and also a bit for Infinity Train
So, to the AU itself.
The characters get onto the Train after the Killing Game (I don’t know if all simultaneously or by chapter). They come in pairs (or trio in one case) and are linked by the same number. In order to lower their number and get off the Train — perhaps thus getting a second chance at life (that's not how the Train actually works, but I rearranged the concept a little for the sake of this AU. And anyway, it's not like the Train isn't kinda a supernatural phenomenon already, so whatever) — they need to not only solve their personal problems, but also problems with each other. That is why they are paired victim with killer, they have a lot to think about. Different pairs are in different parts of the Train, but they can sometimes cross paths with each other.
They appear looking how they were in the moment of their death. They don't have wounds, but if some parts of their costume is missing or damaged it will stay that way.
I also gave everyone numbers according to their meanings (that I partially found on internet, partialy just made up based on vibes, so I can't promise accuracy). Characters' numbers don't have to have all the listed meanings, usually it's just some of them
Number meanings:
1. Positive: leadership, confidence, ambition. Negative: dominance, overconfidence, self-absorption.
2. Positive: cooperation, attentiveness, support. Negative: duplicity, cunning, cowardice.
3. Positive: optimism, creativity, sociability. Negative: childishness, superficiality, intrusiveness.
4. Positive: stability, calm, caution. Negative: dogmatism, passivity, mistrust.
5. Positive: freedom, sensuality, adventurousness. Negative: impulsiveness, haste, intolerance.
6. Positive: solicitude, responsibility, devotion. Negative: bossiness, overprotection, guilt.
7. Positive: analyticity, intelligence, practicality. Negative: cynicism, coldness, secrecy.
8. Positive: prosperity, independence. Negative: materialism, unwillingness to listen, intolerance.
9. Positive: idealism, benevolence, compassion. Negative: unrealistic, touchiness, selfishness.
0. Positive: integrity, infinity. Negative: isolation, cyclicality.
Now I'll go into detail about each pair
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First pair: Rantaro Amami and Kaede Akamatsu.
Quite an unusual pair. Kaede is not actually his killer, so their numbers don't match. However, they appear on the Train together and after discussion decide to travel with together. Kaede blames herself very much for Rantaro's death, so she immediately rushes to apologize. But after comparing and discussing versions of what happened, they both come to the conclusion that someone else is behind Amami's death. Someone who has control over the game. Therefore, Akamatsu will try very hard to find other victims of the Killing Game. She would like to believe that there will be few of them, but Rantaro warns her that they are dealing with a much more dangerous enemy than they previously thought.
To get off the Train, Kaede will need to stop taking responsibility for everything that happens and overloading both herself and those around her. Rantaro will need to learn to share his concerns and problems with others, to become less secretive and distrusting. Both Kaede and Rantaro would need to learn to rely more on others and not hide their worries behind a smile.
Kaede's Number: 391
Rantaro's Number: 407
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Second pair: Ryoma Hoshi and Kirumi Tojo.
I kinda think that, compared to other pairs, they don't have that much problems with each other. They, more likely, need to focus more on solving personal problems. Of course, Kirumi will feel guilty towards Ryoma, she is not a heartless monster. But I don’t think Ryoma will reproach her for killing him and trying to get out. He gave her unspoken permission, although he probably expected something quick and painless.
Ryoma's hancuffs and shackle on his leg would probably be removed. I wasn't sure what to do about Kirumi's apperance, but then got idea that she could have been given clothes similar to the one they used to dress passengers in before. Unfortunately I only got this idea after I've already drawn her, so let's just assume that she'll change into it herself after some therapeutic sitting on the edge of the car and reflecting on her life. On the picture this clothes lies next to her.
To get off the Train, Kirumi needs to stop perceiving herself only as a maid. To accept that she does not have to constantly follow orders/requests, to stop taking on the role of an “adult” among others, accept that she is a teenager like the rest. And to admit that she wanted to get out not only because she had to serve an entire country, but also because she really wanted to escape, she wanted to live.
To get off the Train, Ryoma needs to learn to see the reasons to live in the little things, to remember that he has something to fight for. To pay attention to the fact that there are those who care and will grieve for him, and there are much more of them than he thinks. His life is not over yet, he has a chance and time to start again. He would have to admit that dying was very scary. Admit that in the last seconds of his life he regretted his decision.
They both need to stop devaluing their lives.
Their number is 406.
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Third group: Angie Yonaga, Tenko Chabashira, Korekiyo Shinguji.
There are very complex relationships here. Everyone has both serious personal problems and conflicts with each other. Tenko is angry at Angie and will also just despise Kiyo. Angie will not be angry, but she may try to start imposing her God again and take position of a leader. Korekiyo will mostly stil be shaken trying to sort out his feelings and will shy away from Angie and Tenko as painful reminders of what happened. This trio will have many conflicts and difficult situations, but the fact that there are three of them will be more of a plus than a minus. This way, no one will be able to impose their opinion or take advantage of the weakness of another, because there is always a third person who will prevent this. Angie won't let Tenko drive Kiyo away; Tenko won't let Angie to take advantage of Kiyo's condition to lure him to her side; Kiyo can act as a mediator in conflicts that arise between Tenko and Angie. This way they can maintain some sort of balance.
To get a way out of the Train, Angie needs to learn to listen to others, not considering her decisions to be the only correct, simply because her God advises her. She'll have to admit that she is not absolutely right. Show yourself not as a prophet who doesn't make mistakes, but as a leader who is open to discussion and change of plans.
Tenko needs to reconsider her beliefs that all men are narcissistic and selfish, always looking to take advantage of others to benefit themselves. Also to recognize that sometimes she can be too pushy, and this can alienate even those she cares about. She needs to learn to be more accepting. Recognize that good and bad actions do not depend on gender, and girls can do terrible things too.
Korekiyo will have to accept that his sister is a bad person. That she used him, that she broke him, changing him forever. That everything he did for her was wrong. Because what she herself did was wrong. She did terrible things and made him do terrible things. And neither her illness, nor even her death is an excuse, and in no way diminishes her guilt. He will have to separate his sister from himself. Separate her from his hobbies, from his tastes and preferences, from his personality, from his speech, from his gestures... Fegure out what belongs to him and win it from her. Decide that she no longer has the right to influence his life. Let her go.
Their number is 348.
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Fourth pair: Miu Iruma and Gonta Gokuhara.
Of course, they will have problems and disputes, but mostly only in the beginning. Gonta feel very guilty and will apologize to her a lot, but Miu doesn't hold a grudge against him. They will most likely only argue about Kokichi and his role in this murder, but I don’t think it will be that serious. Miu, although she'll be somewhat angry at Ouma, still feels guilty. She understands that she was the first to betray him by trying to kill him, but even at that moment she was regretting it. She was driven to such an act by desperation and fear. She regrets this, but will still argue with Gonta, saying that Kokichi lied to him and was just using him to save his skin, and Gonta will refuse to believe it.
I think Miu and Gonta have quite an interesting dynamic and the potential for both a lot of funny situations and serious conversations.
Perhaps Miu, at Kaede’s request, will build or repair a device that will allow tracking numbers or even passenges (similar to Simon's and Amelia’s devices) and will help her looking for others.
To get off the Train, Miu will need to stop compensating for her need for attention and approval with overconfidence and loud words. Admit that she tried to sacrifice many lives due to cowardice. Admit how scared and unsure of herself she really is.
Gonta will need to learn to be less gullible and stop believing that everyone around him is always smarter than him, so he needs to listen and comply. He needs to stop belittling his intelligence and knowledge, and also stop blaming himself for everything, especially if he had control over what happened. He needs to learn to stand up for himself.
I think Gonta and Miu's situation at first will be a little like Jesse and MT's, where for a while Gonta will listen to Miu's advice, not always very helpfull, without realizing that this is exactly what he needs to stop doing in order to get an exit.
Their number is 265.
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Fifth pair: Kokichi Ouma and Kaito Momota.
The idea for this AU started with them, so, naturally, I have thought out for them the most. These two have so many personal problems and problems with each other, which is a constant source of conflict. This is made worse by the fact that Kaito is trying to impose his usual "I'm helping you, I don't need help myself" dynamic, and Ouma is obviously annoyed both that Momota is forcing his "heroism" and that he's lying in his face. It goes so far that Kaito declares directly to Kokichi’s face that he, Luminary of the Stars, has no problems, he's only here because of Ouma, because Ouma won't be able to deal with his problems on his own. All this even leads to them temporarily separating, Kokichi saying that he would rather stay on this Train than put up with Kaito, and Kaito that it would be easier for him to get a way out without such "companion". Later, they reluctantly return to each other and try to cooperate again, because this is the only way to get a way out.
Their situation is a lot like Ryan and Min-Gi's. In the sense that their number decreases then increases back, then decreases again, then increases once more, at times even becoming higher than it was initially. Because they still can’t figure out how to coexist with each other. They do eventually start getting along and get an exit, but it takes them a long time and a lot of trial and error.
To get a way out of the Train, Kokichi needs to stop treating everyone around him as enemies who are just waiting for the opportunity to take advantage of his weakness. He will have to learn to open up and trust people (and not only in situations where his life hangs by a thread). He'll have to learn to openly admit when he's wrong and to apologize. And to stop running away from the consequences of his actions.
Kaito will have to learn to talk openly about his problems. Not hide them from others, “so that they won't worry”. To recognize that he is not indestructible. Acknowledge that he, too, has worries and doubts. And to stop imposing his help when people refuse it.
They will both have to learn to show their vulnerable and weak sides. Stop trying doing everything alone, putting more on their own shoulders than they can handle. Learn to ask for help. Learn to talk openly about their concerns. Learn to work together and finally, to just understand each other.
Their number is 591.
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Sixth pair: Tsumugi Shirogane and K1-B0.
Honestly, I don't really know what their relationship dynamic will be like. Tsumugi will probably be angry at Kiibo for destroying the academy (and even angrier if/when she finds out that the remaining three survived). Kiibo will probably end up on the Train without his antenna, so he won't have any sympathy for Tsumugi. I don't know if he will have a number, but in theory he's not an inhabitant of the Train, so maybe? But if not, then he most likely will leave Tsumugi on her own to decide what to do and go in search of the others. If he will have a number, he might insist on working and getting out together, and then try to arrest her.
I'll probably stick with the "Kiibo doesn't have a number" option. He will of course be upset and offended, once again realizing how robophobic the world is different he is. But, most likely, he will try to help look for other classmates, and also try to help reduce their numbers. Once Miu figures out that Kiibo doesn't have a number, and without a number the way out of the Train is closed, she will do something similar to what Jesse did: to try to make it appear that Kiibo has a number. So most likely he will be allowed to leave with her.
When it comes to Tsumugi in this scenario... Regardless of whether she was trying to replicate Junko's real game or if it was actually a multi-season show, and whether she was an employee of Team Danganronpa or if she was also brainwashed and just made to believe that she was special... Whatever the case, I think that she won't really want to be with her “classmates” and won't try to lower her number. Rather, on the contrary, she might decide to stay on the Train. It reminds her of fictional stories, the ones she loves so much. What's the point of returning to the ordinary world? Especially with those who don’t want to see her. Especially if the consequences of her actions await her there. Therefore, she is more likely to resist if they try to convince her to start working on her mistakes. She might even try to prevent others from getting out or even try to kill them (especially Kaito, Kokichi and Kiibo, since it was their fault that the game ended, and not at all the way she wanted). As a result, her number will go up, and up, and up... I don't think Tsumugi will get off the Train.
Number (K1-B0): —
Tsumugi's initial number: 5300
(5 and 3 numbers are not exactly suitable in terms of meaning, but Tsumugi simply MUST have 53 in her number, and zeros as a symbol of cyclicity and movement in a circle)
Tsumugi number (alternative): 2870
I'm planning to sketch a couple ideas of this AU that I have so far, so stay tuned I guess
As always, I'm happy to answer any questions!
AU tag is #drv3 train au
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