Paula Rego, Pregnant Rabbit Telling Her Parents, 1982
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I prefer to remain obscure. I’m no sacker of cities! Let me keep my little life to myself.
Aiskhylos, Agamemnon, trans. Anne Carson (via pocketful-of-poesy)
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Ana Lupaș, Humid Installation, 1970
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Edna St. Vincent Millay
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vremena goda (1975), artavazd peleshian
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vremena goda (1975), artavazd peleshian
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vremena goda (1975), artavazd peleshian
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‘Flesh Wounds: The Culture of Cosmetic Surgery,’ Virginia L. Blum
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Antoine Monnier in Robert Bresson’s Le diable probablement (1977).
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Antoine Monnier en “Le Diable probablement” de Robert Bresson / 1977
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Almost every woman I have ever met has a secret belief that she is just on the edge of madness, that there is some deep, crazy part within her, that she must be on guard constantly against ‘losing control’ — of her temper, of her appetite, of her sexuality, of her feelings, of her ambition, of her secret fantasies, of her mind.
Elana Dykewomon, “Notes for a Magazine,” Sinister Wisdom #36 (Winter 1988/89)
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Jerzy Makowski
Muse
1980
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