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yuli-ban · 1 year
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Edited with NovelAI
Yulaan and Chale Jr Little Miss Savage is more than a bit similar to the Loud House now that I really embrace the fact that I all but stole Lucy's design for Yulaan (though I swear I just like mekakure girls in general). In fact, the more I learn about The Loud House, the more I almost want to reboot that whole concept. The show seems like it was horribly mangled and mismanaged in execution. As of 27 January 2023, Chale has five sisters: Valentina, Ramona, Esmeralda, Freyja, and Sigrun. But he used to have more. I'm on the edge of giving him more sisters as a result. So long as I can easily identify the differences between them, as the sisters Chale has are already pretty definable. Actually, I say that, but I was already committed to giving him at least one more, just so he'd have three older sisters with Hispanic names and three younger sisters with Icelandic names. I suppose the debate I'm having now is if I want him to have six, eight, or ten sisters. Six feels like it's coming up short, but ten feels too on the nose. Plus there's the fact that Little Miss Savage isn't actually supposed to be my take on the Loud House; it's Yulaan's story, not Chale's. Chale is the fun side-story more than anything. Decisions, decisions!
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yuli-ban · 1 year
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Yoshua/Yoshiya the Mazoku Warrior Generated with Stable Diffusion, specifically DreamBooth Finally managed to get it really working so that it can generate these specific characters a bit more accurately. I have loads of images of Yoshua, so prepare to see a bunch more. Yoshua, could also be rendered as Yoshiya, is Yulaan's mazoku rival/friend. They're not particularly chummy, but they aren't enemies, so they're practically dating by Yaban and mazoku standards. Yoshua was once a yōkai, specifically a shadow person conjured by humans, but over time he became a martial artist and developed his abilities until he ascended to the status of mazoku. He first met Yulaan when the latter was 10 years old, at a Makai Budōkai held under Planet Naraka, but little came of their meeting. They meet again when Yoshua encounters her on Planet Gorta, as he's nominally working for Demon Supreme Ozzy at the time, but he finds Yulaan more interesting to work with. So he follows her back to Earth, his home planet.
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yuli-ban · 2 years
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EVERYTHING EVERYWHERE ALL AT ONCE (2022) dir. Daniel Kwan, Daniel Scheinert
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yuli-ban · 2 years
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yuli-ban · 2 years
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Rendered by myself Rage of Angels is a future sidestory of Little Miss Savage and either the first or second story in the Demonoids series (depending on if I do Yulaan's backstory first or not). It most likely will come second due to being a major follow-up to the events of Yulaan's early life. The story centrally follows Yulaan's return to Planet Gorta after being directly visited by Drugatsko while on Planet Earth. Drugatsko is the Ultra-Khan of the Devastators, a blood-god-empress of Planet Suiza, and a prime bolloi who lives up to the more ultraviolent ideals of the Yabans. However, she has a proposition for Yulaan, who is a minor celebrity among Yabans as the Butcher of Gorta due to having cleared the planet of sapient life at only 12 years old. There's this breakaway group of Devastators who call themselves the Chaos Angels: a warlord named Yasimbata wants to overthrow Drugatsko and reformat the Devastators under his rule and the rule of his four generals, the Four Star Lords. By chance, they established their base of operations on Planet Gorta. Drugatsko offers Yulaan an opportunity to go on a brutal killing spree against these traitors on her old stomping grounds, and she obviously accepts. The order is to wipe out all life on Gorta once more. However, Yulaan discovers quickly that the Chaos Angels have brought off-world slaves and maidens to Gorta, and, stained by her time on Earth-Prime as well as her own Titanist warrior honor, she instead chooses against killing noncombatants. This complicates her journey but doesn't thwart it entirely. Along the way, a Devastator boy and budding martial artist named Skullcrusher tags along with her, eager to prove his own mettle and fight his own people (it's not unnoticed that Yulaan and Skullcrusher literally share the same name). So does Yoshua, Death's Shadow and the Swordsman of the Black Dragon. These three form a considerable power trio bringing death and brutal justice to Gorta. The story's basically Hokuto no Ken but even bloodier and with Yulaan as a morally-gray female Kenshiro as she wipes out the Chaos Angels. Skullcrusher would probably best be described as the Feral Child from Mad Max 2: The Road Warrior meets Toph Beifong, while Yoshua is clearly Legally-Not-Hiei with shades of Piccolo Jr. The names for the Four Star Lords are the best part: • Warmaster Kombaticus • Demon Supreme Ozzy • Killkamesh • Genocide Man Yulaan vs. Warmaster Kombaticus is a fight I've actually half-written out already just for fun because it's pure hypermasculine shlock, a one-on-one post-apocalyptic wuxia fistfight that'd make Gray Fox blush. The whole story reeks of hypermasculinity. In fact, despite the fact that the Chaos Angels bring alien maidens onto Gorta for a bit of the old ultraviolence, Yulaan is often the only female person for thousands of miles. It's a tale more sausage-flavored than a wiener factory in ancient Greece, or at least it would be if not for its lead protagonist. The homoeroticism is off the charts, and it's blatantly obvious with this fight because Yulaan and Kombaticus fight in the latter's kinky-looking death chamber, a place filled with whips and chains. Kombaticus is the one who orgasms to the thrills and joys of combat, speaking of how angry it makes him that a female could possibly share the same thrill despite also being elated to fight a bolloi, the universe's premier female warriors. He is a man who obsesses over what it means to be a warrior. He shares Yulaan's philosophy completely, and he steadfastly refuses to even consider the idea of calling for reinforcements or using a weapon. True warriors fight hand-to-hand, one on one. In this chamber, he considers Yulaan a man, so he also says man to man. He adores the idea of rippling muscle, torn and bloody hands, bleeding eyes, bruised and sweaty skin clashing, and iron wills throwing sparks. This is what all true warriors strive for. Yulaan vs. Demon Supreme Ozzy is a tougher one as Ozzy is a warmaster of great skill and power who leads his men to evil conquest. He's been in wars where the humans wound up being better orcs than the actual orcs all because of him. Demon Supreme Ozzy also summons demons and revenants, using necromancy to reanimate the men who are killed, both slain allies and vanquished foes. Every dead man will rise again. He who is killed will stand and kill. Those he kills will rise and kill! Hell Overwhelming!! The warp of ultimate chaos and madness drives these men wild with bloodlust and combat ecstasy. Ozzy can also impose Getavara's Laughter upon them, putting his men into a state of wicked nexcidious bloodfreaking. They are so sick with rage, they communicate in wrathful caveman grunts and violence, and, much like Feral Yabans and Vedar Mazoku, they are no longer even fully sapient, instead living 100% on ultraviolent impulse. Yulaan relishes such hordes. She's played loads of zombie video games and zerg rush games precisely because her own nexcidium gives her endless pleasure at the thought of a never-ending rush of enemies. As for the Demon Supreme himself, he's little else than a classic xianxia sorcerer/necromancer, which is always fun. Yulaan vs. Killkamesh is really a three-on-two battle and the closest the story gets to full-on wuxia as the Chinese would do it, since Yoshua leads this battle and Killkamesh is a swordsman as well, so there's a lot of qi-powered swordplay. Almost certainly, this won't be a Yulaan kill. This battle also plays with the idea of honor as well, as Killkamesh shares Kombaticus's warrior philosophy. Yulaan and Killkamesh don't really want their companions in their battles, but they wouldn't do as well as they do without them. But otherwise, as mentioned, this is a fairly standard wuxia fight, largely between a Mazoku and a dark-hearted human. Yulaan vs. Genocide Man is the craziest one of all. Genocide Man is downright loony. He's assaulted so many women and young boys that his privates became cancerous and he had to cut it all off, leaving him sexually unsatisfied for the rest of his life. But in becoming an unwilling eunuch, he's actually become even stronger. He is freaky, he's gone crazy. He does the Madman Dance we see with Arthur Brown, goes full "Liar," and wiggles and twists like he's on LSD. Plus he captures both of his eyes open with little claws, a self-inflicted Clockwork Orange. He moves fast enough to be a blur, like when he shakes his face. He can't sleep or rest anymore, and this permanent wakefulness has caused his mind to deteriorate further. He's gone full freak-o, and when he resurrects after his first battle ends badly for him, he breaks his hands to push the bones through the skin, and then uses his bone-skewer fists to beat up Yoshua. He does the same to his legs and feet, causing Yoshua to be bloodied up heavily. Despite Yoshua being stronger, he's still overwhelmed because Genocide Man is loco. He am become death. He can't take it. It's time for maximum over-violence. There's obviously a bunch of lesser lieutenants and common mooks working for the Four Star Lords that Yulaan/the trio take their time to dispatch, giving Rage of Angels something of a "fight of the week" quality in between the arcs against the generals, all leading up to the final fight against Yasimbata. It's a pretty tragic waste of life wrought by psychotic war lust all things considered, but it makes for a fun story! It's a horrible story about horrible people doing horrible things, and I can't wait to write it. Just to hammer home a point: Sol Yulaan is evil, she is a bad guy, she is one of the villains, she is currently acting as a henchman for the very evil Drugatsko, and the Yulaanverse of stories is essentially a subfranchise about a nameless henchman who does quote-unquote "good" deeds because she fancies doing them at that particular moment. She chooses against killing noncombatants out of her own personal honor, but still took on the job of exterminating the sapient life of an entire planet without hesitation. A planet whose sapient life she had already exterminated once before. She might be docile around Earthlings, but that’s because she has to be.
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yuli-ban · 2 years
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Ultra-Khan Drugatsko, by Salvamakoto Drugatsko, the Ultra-Khan of Suiza and leader of the Devastators.
Drugatsko is a terrifically ultraviolent person in her own right, persisting in a skullthrone she built herself. Drugatsko's skullthrone is decorated extensively in blood and gore, rotting and disgusting and replenished often. She crushes the skulls of any passerby with her bare hands and feasts on his brains. You even have Drugatsko's Sea— a massive body of blood and water. A sea formed from the blood of opponents Drugatsko herself slaughtered, so deep and mighty that it has its own weather where thunderstorms of blood wash the lands. Warriors are baptized in these bloody storms. She is the archetypal Chaotic Yaban, one who lives for the thirst of blood and battle day-in and day-out, except with the added trait that she's a god-empress of a planet of war freaks. In fact, Drugatsko did the impossible and cultivated a world even more war-obsessed than Kollidor, if that's even possible— and did it out of HUMANS no less. Humans are warlike, to be fair, but we have a variety of traits that keep us from crossing over into becoming the Space Orcs we believe ourselves to be. There are far more warlike races in the cosmos. There are more warlike races on Earth if you want to be technical, including felines, ants, and chimpanzees. Human violence is exaggerated due to our technology and stupidly-large social groups. Yabans are still exponentially more violent than humans will ever be. Still, the Devastators show just how brutal humans could be if we were purposed for war as an innate value. They live as if Khorne has released their Chaotic bloodlust, in a world where Khorne doesn't even exist. At a good bit over 400 years old, Drugatsko lives Yulaan's dream. Yulaan has dreamt often about turning Earth into a Suiza-like martial dystopia, a world where warriors are celebrated, honored, and rule, where hatreds drive conflict and war is an ever-present fact of life. Yulaan would love nothing more than to break Earth into ever-warring factions and ignite that human warrior spirit. But she is restricted by the rules of her arrest and has taken herself to respect what humans want and found a compromise: don't mess with the global order. Contrast this existence with Drugatsko, who eagerly conquered Planet Suiza as soon as she landed upon it and indulged gleefully in her Yaban battle tendencies to their maximal extent. And now, 400+ years later, she is living the Yaban dream, crushing skulls casually, killing thousands daily, and vanishing planets with powerful qi to the cheers of her bloodthirsty subjects, this ten trillion-man horde of insane warriors who call her their Ultra Khan. This hypermasculine mass of men wild with aggression and adrenaline living every day for war and combat. Vicious martial barbarians clad in road warrior death armor, freaking out on adrenaline-fueled internecine aggression, with proto-nexcidious berserker tendencies galore. Drugatsko is a classic Yeren bolloi, vicious and overwhelming, and she has pre-empted the New Libertines movement on Kollidor just by way of circumstance. She is allowed to endlessly indulge in her own base Yaban impulses nowadays thanks to her few centuries of planning and coordination, transforming Suiza from what was essentially Planet Afghanistan into a Mad Max Sparta in Space. She lives the high life by Yaban standards, one of pure slaughter, combat, and conquest. And it's an extraordinarily hypermasculine existence, with all that brings with it. (Warning: this next section gets a bit "gender studies-y") In that first Drugatsko post, I put it in no unclear terms that Devastators are a society ruled by male supremacy. So much so that they're unisexual— there is no such thing as a "female Devastator." And that's because Drugatsko herself killed them all when she first came to Suiza, long before they became the Devastators. When Yulaan returns to Earth to tell of her bloodsoaked adventures on Gorta, her description of Devastator society seems to run horribly at odds with the fact they have a female god-emperor. Drugatsko is, after all, a bolloi. And yet Devastators seem to be as hot-bloodedly macho as they come, even showing clear disdain and hatred for Drugatsko on the basis of her sex. Heck, the whole reason Yulaan even gets employed by Drugatsko is because a warlord named Yasimbata defected from Drugatsko's empire precisely because of his hatred over her rule and just so happened to set up camp on Planet Gorta. What confuses the Earthlings even more is why Yulaan agrees with Drugatsko's methods and ideology. But the answer comes back to the cold fact that Drugatsko is, again, a bolloi. She is a Yaban, a creature of war and conflict. Misogynistic hatred of herself is a form of conflict, one that she adores and always breeds hatreds and bloody desires. Devastators only ever get to enjoy the feel of the female body in battle and conquest (in horrible ways that need no description here) because Drugatsko took theirs from them long ago and, as a bolloi, refuses to offer herself as recompense. For those who aren't gay in this barbarian-BDSM-looking society, it's just frustrating to be under the bootheel of a not-unattractive dame forever closed and forever stronger than yourself while also being told that you, as a man, are superior to those weak pathetic females of the cosmos and should always indulge in your manly fighting spirit. It's a deliberate tactic by Drugatsko to keep the blood running hot at all times. The raw, powerful misogyny Drugatsko spread often blows back against her as many of her own subjects despise her for being female. They are raised to hate femininity and desire to dominate it in all manners. They are told from birth that they, as men and as warriors of power, are superior to the weak pathetic females who once infested this planet and arrested their collective manly fighting spirit. That females are to be penetrated, violated, dominated, mastered, and discarded when used up. That females are creatures of peace and passivity, kind and gentle sensitivity, of romance and delicate emotions, of sass and spice, of submission and vulnerability— and they are men of might and glory, physical force and war, of creative destruction and matters of steel. Let no king rule you forever. Plunge your sword into his neck when he looks the other way. Bang your fist against his skull and blind him from the impact. Seek power at all times. This is the rule of Male Supremacy! Scream it loud unto the heavens. Let the gods tremble before the men of war. Fight, feast, and fuck all you can, you mighty men! Seek and destroy, all ye mighty!! Oh, and your brutalitarian god-khan is female. And not even an ugly mannish one, besides her battle scars and muscles. Drugatsko is a she and she never hides this fact. In fact, she might very well be the manliest person on Suiza because of that, because she had to overcome her femalehood to achieve a brutalitarian iron fisted rule. On a planet that's basically "What if 1980s hypermasculine action movies, but in a timeline where the Fascists and Futurists won," her manly subjects despise her on principle. They must learn to disrespect and disregard her voice, put back into their place only by her use of bellicose force and her powerful will. But she and Yulaan both understand why that's the point. It's something humans might not be able to understand. A bolloi facing misogyny, a bolloi being disrespected and told to get back in the kitchen, is exactly what she wants. Of course she's not going to do it. Tell a bolloi to get back in the kitchen when she isn't intending on cooking anything and you're going to get punched in the throat. But it's not because she demands to be respected or wants equal rights with you— Yabans don't understand the concept anyhow. She openly welcomes your disrespect and hatred. It's what she craves. She is a bolloi, a Yaban, a monkey of war and battle. Your hatred and disgust of her has bred conflict, and Yabans adore conflict more than life itself. By delivering a bitchslap to a bolloi in your attempt to make her submit like a woman, you've only ignited her fighting spirit. (And let's be fair here, you're going to do the same with most women, though perhaps not to the same extent of battlelusted conflict). Silvio Sabatini suffered a psychotic break over things like realizing this: that a bolloi will never respond to threats of violence by submitting or displaying vulnerability and, in fact, misogynistic threats of violence aren't understood as anything but an opponent ready to throw fists— like a man. To men who only understand how to control women via threats of violence, bollois are walking Antichrists. And Drugatsko is no different. So for Drugatsko, this mass misogynistic hatred of her and widespread desire to turn her into just another nameless slut by many sexually-obsessed Devastators, scratches that ever-pulsating itch of warlust. Yulaan agrees with the sentiment. People in the 2020s and 1960s alike don't get why she likes being the victim of misogyny, especially when she strikes back. They think she has internalized misogyny or that she isn't being honest about her desire to have equal rights with men and other males. But that's not it. Misogyny, hatred for her form, appeals to her need for war and conflict. She wants to be hated because hate breeds conflict, and conflict is everything to a Yaban. Drugatsko gets it. Drugatsko lives it. All in all, Drugatsko is a pure Yaban warrior, one who lives for endless carnage. She came to Suiza by accident, conquered it in blood and destruction, and remade it the way she wanted it to be in the absolute most brutal manner possible, a reign of blood so thick and murderous that it could only exist in fantasy. She's everything old-school Saiyans were promised to be, which probably makes it fitting that her design stems back to Knife Lady. I figured it'd be as obvious as the picture on your screen, but she absolutely is supposed to look like Knife Lady from DBZ Episode 20 as I've been cripping Yaban designs from interesting-looking background Saiyans lately, especially the ones who look the most 80s and space-piratey and, thus, least likely to be represented in nü Dragon Ball with its Bart Simpson-haired monkeys galore. Just in case anyone argues that I didn't ripoff the look for whatever reason, here's Knife Lady and Drugatsko back to back.
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I know a few people thought that Yulaan was based off this character, and the "ancient Saiyajin" look definitely did stem from there. Hence why I went with straight up taking Knife Lady to use for Drugatsko directly since Drugatsko represents who Yulaan could have been under better (read: worse) circumstances. I mean for Christ's sake, the first ever image of Yulaan was of her eating a man's leg! Here's a Yaban who is most like a Saiyan. Hell, she outright looks like Knife Lady, but I mean she is otherwise exactly what we were told Saiyans were supposed to be: hypermasculine death machines, bloodthirsty space warriors, thermonuclear conquerors built to
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  AKA how Saiyans should be, not "humans but stronger" as they are now. Thank Getavara for Yabans. I don't know if she and Yulaan will ever come to blows, because otherwise Drugatsko would make for a great villain. She's already basically a classic xianxia warlord-type character, but in space.
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yuli-ban · 2 years
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The Devastators, drawn by Ishida1694
The Devastators were once a race of humans self-named as Shaeshens. Long ago, their world was fairly modern (similar to 1950s Earth). But a cataclysmic world war left only one country standing as the sole superpower right as that nation was undergoing a severe ultra-traditionalist revival that left a Taliban-like totalitarian regime in control. This country imposed their will on the entire planet, forcing their technological civilization to collapse back into a pastoralist and quaint theocratic society, vicious and totally repressing their women to the insane point that they even banned the depiction of female characters in fiction. Despite their fanaticism, they did these things and more out of a desire to live a pacifistic lifestyle opposed to war and conflict.
But one day, a mysterious female warrior arrived from outer space. She had been injured in a battle with a martial wizard and crashlanded on Suiza in a desperate attempt to avoid dying in space. This was Drugatsko, and she recognized Suiza as a world that had been visited by the Ultra-Khan Rahal. They had rejected the Ultra-Khan's message to prepare for the Universal Awakening Plan, instead turning away from the martial path and seeking peace. Indeed, ironically it had been Rahal's message of imminent total cosmic war that had triggered the fundamentalist uprising, for they presumed that Rahal had been an emissary of the Antichrist instead.
Now that Drugatsko was alone with this disarmed race of weak humans, even in her own damaged state, she managed to effortlessly crush those who attempted to impose their religious restrictions on her and get her to submit. So enraged was she by the Shaeshen's turn towards religious pacifism that she took her sweet time making sure the end of Shaeshen civilization was as slow, drawn out, and painful as she could make it.
How pathetic! To disarm yourself! To give up war! To turn away from combat! These weaklings were so pathetic that finishing them off would be too kind.
She didn't collapse the last standing nation until almost five years after she landed, all because she craved to soak in the raw despair and despondency of the Shaeshens. Oh how lovely it was to see these old grandfathers and their black-clad crones weep in despair over fallen icons and burning churches. How laugh-inducing it was to watch communities tear themselves apart over bread, starved by the collapse of agriculture, only to run in fear and horror at her very visage. Observe as political leaders and high-priests fall unto their knees, begging her for mercy forgiveness. HER. Not their god. Oh their God has forsaken them. She walks their God like a dog.
But she did not slaughter them all. Indeed, she even took some care to keep as many alive as she could. This because she had big plans for the Shaeshens. She was going to correct a mistake and turn these weaklings into a mighty warrior race, perhaps even one to rival Yabans. This sinister project was to be her monument to the Ultra Khan, a way to keep the spirit of the Universal Awakening Plan alive.
Drugatsko, a bolloi, a fellow female in this cosmic sorority, could have been the fem-Messiah for Shaeshen women and overthrow this wretched patriarchy. How could their star-sister not take pity on them? Could she not see how horribly her kind were suffering under the yoke of male supremacy? The women did nothing wrong except be born without dicks and with human emotions, and for that, they were abused so horribly, treated as defective property and not even allowed to have their own word. They weren't women— they were "the other kinds of people," a deliberately cumbersome moniker.
She, the space warrior, is just a wife and mother to be. She could be a competent warrioress who has laid waste to all planets in any number of galaxies, conquered trillions of civilizations, and defeated any great number of proud warriors, and the only thing they’ll care about is her answer to the question, “But can you cook and clean?”
Please, the other kinds of people begged, save them.
And she replied, “No.” The women were betrayed.
Drugatsko had every woman on the planet murdered. She made it so that they were often killed in front of their families, just to amplify the pain and horror and rile the men to greater hatred. Some misogynists and incels celebrated at first until they realized they were now forever without sexual satisfaction. And then they joined the despairing collective masses while Drugatsko watched on from afar, laughing and coiling her tail, her Yeren scimitar raised to the heavens.
Because as Drugatsko would say, Suiza is now a planet of war. It is a planet based centrally and completely around the triumph of the will over the forces of weakness, of the celebration of bellicose violence and manly pride. There is no longer any place on this blood-stenched planet for weaklings and the effeminate! The Shaeshens shall be warriors of power and might!
The technological regression was reversed, and Shaeshens were able to build breeding chambers and artificial wombs that Drugatsko further pruned to help engineer even more warrior-ready Shaeshens. Before, society was quaint, very much similar to the Amish or Mennonites in a Taliban-like society. Now it was something like a gladiatorial Airstrip One, except headed by a war-sick Yaban. Making things more processed, she brought in slaves and goblins from other worlds to do the dirty work of running society so that the Shaeshen men would not be distracted from their duties of infinite war.
And Drugatsko herself rechristened them with the delightfully boyish moniker "Devastators."
That was over 400 years ago. The Devastators today are a brutalitarian race of ultra-warriors. Mercenaries, barbarians, berserkers, space pirates, hypermasculine mildew distilled. The sudden shift into a unisexual race certainly became clear when they started adopting a BDSM look. Chains and leather, studs and laces, skull armor and facepaint, helmets and mohawks, glammy hair and lipstick, big muscles and battle scars, oh they look like freaks. They ride on hypermasculine heavy metal machines and scream through the night, always hunting for war and conquest. They're fairly well known for looking like road warriors and drag pirates, though with barbarian pelts and skullcrusher gear.  They'd all have horribly cheesy death metal names like Wolfmaster Skullcrusher, Killmaster Supreme, King Dick, Godric the Demon Raper, Megas the Heart Eater, Turbo Joe, Max Powersteel, and more.  
Drugatsko may wield absolute power, but she strongly encourages dissent. She demands conflict. She gleefully transforms them into rabid misogynists in the hopes they despise her, which greatly satisfies her Yaban lust for conflict. This is a society of strength and conflict, united only in the brotherhood of honor and battle. Only the strong thrive! Celebrate those of iron will. We Devastators are an empire of steel and blood. There is no place for femininity or the corruption of romance. Only battle and blood, steel and muscle! Pride and hate, honor and brotherhood. Is it homoerotic? Fuck yes, it is. We worship the male form and masculine power. There is no shame in doing so. Suiza is a planet of very macho and sweaty muscular men plunging swords into each other, beating each other bloody, obsessing over each other from grudges and honor disputes and rivalries of strength and ability. And fuck it all, we're proud of it. Women will never understand.
Their manly fighting spirit only burns ever stronger with every victory and battle. Drugatsko knows her time will come one day. These men don't need her. They need war and endless carnage. The mighty will of Yabans will live on through them. These pigs of war. These heroes of the will. Let heaven tremble before the might of the Devastators! Let the warp of Getavara's Rage drive them to battle and chaos! Let them bear sons of insane aggression and wild violence. And those who remain chained to carnal needs of the phallus, go take your spoils of war, those weeping and defeated women of your slaughtered enemies.
They've gone mad with bloodlust, black-eyed with ultraviolence, and crave nothing but war, murder, ruination, blood, destruction, and combat. Fight, maim, crush, kill, destroy! Fight, maim, crush, kill, destroy! Wash over planets home to the innocent and weak, fight the universe's mighty warriors, and bring forth ENDLESS CARNAGE!!
VICTIMS. THEY NEED VICTIMS.
ENEMIES. THEY NEED ENEMIES. They need opponents who will ignite their inner thrill of slaughter and combat. They suffer from pangs of thirst for blood. They hunger for fresh and the sensation of passing their slain foe's hearts through their bowels. They lust for the feeling of plunging their swords and spears deep into the bodies of the weak. And they value the thrill of challenging the strong. Only the strong will meet on the battlefield, and in their bloody fight, they will know who is the superior force! Go for the kill with your iron will!
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yuli-ban · 2 years
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Rose City ‘87 Also, Yokoshima ‘87
Drawn by Ishida1694 A poster for Rose City '87, a video game Yulaan commissions centering around her and Yoshua's illegal adventures in 1987 and 1988, specifically in the two cities of Rose City and Yokoshima, spoofs of Miami, USA and Osaka, Japan, very heavily inspired by her playthrough of Grand Theft Auto: Vice City. In this case, she and her Mazoku cohort involve themselves in a wuxia-fied drug war kickstarted by Yulaan's desire to form a martial arts school that rubs afoul of a network of mobs. It plays like if YuYu Hakusho got a Sleeping Dogs-type open world game, with martial arts-heavy combat, jacking cars, ki attacks, martial demons roaming around in the background, and otherwise being very 80s. It's part pastiche, part parody, and one big excuse to listen to loads of 80s music, see bits of 80s shows, play some 80s video games, and just generally be gratuitous about nostalgia for a time in which she didn't even know existed a few years prior. In the first one, she's riding a motorcycle through the countryside of Yokoshima, heading away from the city with 80s city-pop blaring.
For the second: Yulaan also being a metalhead and pophead, she gets the perfect opportunity to license out all this 70s and 80s music in a thinly veiled recreation of 80s Miami/Florida Keys (Rose City) and 80s Tokyo/Osaka (Yokoshima).
Adore the retro Zenith TV too!
As for the posters, it’s everything from AC/DC to the Buzzcocks because Yulaan has good taste. See if you can identify them all!
X-tra hard mode: what band is playing on the TV and which concert is it?
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yuli-ban · 2 years
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https://twitter.com/RespectableLaw/status/1472257371510652930
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yuli-ban · 2 years
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Drawn by Ishida1694
From left to right:
Seether Black, the Ringmaster
Hoody the Pig, the sick butcher
Bojo the Clown, the psychoberserker
Seraphine the Executioner, the gothic contortionist
Gungarus and Yulaan— the Skullcrusher Double— love Planet Naraka. They love the brutal, chain-linked underground fight clubs that have no rules. They love the explosive import-car street races and edgelord-gangsta kvltvr around it. They love the awful nü metal "jumpdafuckup" concerts from bands with names like Monkeynutz and Brayn Payne with musicians who use high levels of qi control for suicidal stage antics to show how mentally ill they are. They love the macho rugged space mercs with big guns and Y2K aesthetic military gear. And they love abusement parks.
Planet Naraka is absolutely a mess of late 90s/early 2000s edge, and one aspect of that edginess that lives on is that of evil circus freaks (probably best exemplified by Slipknot).
Naraka is nothing if not desperate to revel in that sort of Douche Age insanity. You have these Abusement Parks like Sevedy Mickette's Magickal Mephistarian Exhibition. The Abol people of Planet Naraka seem to love casual, wonton violence and psycho-exploitation, and abusement parks are the most "1998 edgelord" thing imaginable. You know how Marilyn Manson's musical style? A lot of his earlier/most famous music has this sort of demented industrial carnival swing and aesthetic to it.
Abolian abusement parks are the evil carnivals his music was set to. Condemned criminals and subabolians on death row are often paraded through these things to be victims of sadomasochistic carnies and psychotic circusfreaks. It's like if the PS1 game Thrill Kill and the arcade game CarnEvil were used as inspiration for real parks by someone who thinks Coal Chamber, Mudvayne, Insane Clown Posse, and Otep are the baddest badasses who ever walked.
You have Hoody the Pig. He comes in saying "I have the body of a pig," then snorts, "I'll eviscerate your ass!" and shoves a weird electric butcher's knife/chainsaw combo up a condemned's ass, destroying him from the inside.
However, the one the Skullcrusher Double saw first was sometime in the middle of their current Execution Exhibition, where this cute little goffik contortionist—Seraphine the killer contortionist— flipped and twirled with bladed shoes, decapitating one Abol and then stretching & contorting her body around a second before unwinding in such a way that he seemed lucky at first— her crotch right in his face— only for all his limbs fell off in a bloody mess and his ribs to burst through his chest. Neither Gungarus or Yulaan know how she did that, but she just did a bow and pranced off before the ringmaster waltzed on, smacking another condemned fool in the nuts with his skullheaded can, and announced the next set of events to a cheering and televised crowd.
Then you had Bojo. The clown. A goffik clown with Abolian schizophrenia. Mir (a goth girl Yulaan knows on Earth Prime) met Bojo during one of his docile moments before. Seemed nice enough, if a bit crazy and murderous. Despite his orc-like tusks, he could conceivably pass as a human well enough.
But once he's a clown? He becomes Bojo the Psychoberseker. Big, fat, twisted, and psychotic.
The ringmaster, Seether Black, was likely either a vampire or mutant. He was also one of the few "correctly proportioned" males, which made him a downright prettyboy compared to the orc-like beefcakes that Abolian males usually were. He was like crossing Alice Cooper with Charles Manson.
"Don't you mean Marilyn Manson?"
"I know what I said." Seether Black is edgelord supreme. He was a horribly abused kid whose bullies often tried killing him and forcing him to commit suicide, so eventually one day he snapped and crucified them, one by one. Their crosses still stand, and some of their bodies have rotted away, though for a couple he poured molten mercury down their throats to turn them into macabre statues.
Seether Black finds beauty in madness.
Seether Black literally killed the Goddess of Naraka, and keeps her body as an ornament. It's his vengeance against heaven, and he refuses to be a slave to a dead god or a society that doesn't care about him.
Yeah, Naraka is a world of 90s psychosploitation. Like that one kid, Maxxi Yazzi, who just wanted to be your friend. If he cut you open and ate your organs and lived inside you, you'd be friends FOREVER! But you rejected him, and now he's sad and psychotic and going to spill his organs out.
See more Yabanverse stuff here: https://www.deviantart.com/tag/yabanverse
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yuli-ban · 2 years
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Drawn by Trollfeetwalker Valley of the Godbreaker Also known as the Valley of the Starbreaker, Valley of Batzor, and Tath vos Satvagarath (lit. Yeren for "Valley of the God/Starbreaker") He whose strength shatter'd the stars The Thunder-Voiced Lord of War forever stands tall before a procession of warriors. Down unto the crags of Kollidor, deep in the wastelands of Subotai, there is an immortal mega-statue of Batzor, the legendary warrior of Yeren mythology. On the path to his might, eight immortal Yabans raise their scimitars and tails in a fascistic procession: four nagois, four bollois, all mighty warriors. The titanic constructs are beyond belief. Just one of the Eight Immortals of Satvyanism stands as tall as the Statue of Liberty— Batzor dwarfs them all, for the tip of his scimitar reaches above the clouds, not unlike the height of the pile of bodies he left behind in life. Just viewing the raw might of the Godbreaker inspires aggression and bloodlust. Batzor's sword is raised forever for war and ruination. Go! Fight! Kill! Kill! Kill! Spill blood! Die proud! Die angry! Give Getavara his fill! Tear the heart of Heaven itself! Let chaos reign!! Reign in blood!! The constructs are often destroyed and ruined by fights and skirmishes wrought by Yaban bloodlust, but the god Getavara always renders them standing and renewed. He will never let Kollidor be laid to waste, for the ultraviolence of His insane creation is too eternally amusing to Him. So swords may crumble, bodies may crack, and limbs may fall, but know that it's but a temporary ailment. Lore fact: "satva" (pronounced "satvya") is the Yeren word for both "god" and "star" due to their astrotheological folk religion. Hence why the Ido Yarboggesh is known as the Satvyan Ido, black holes are known as amotsatva (i.e. "dead gods"), and the Satvyan Eye is represented by a black star. 
Visually inspired very heavily by the Valley of the Dark Lords from Star Wars: Knights of the Old Republic
For more Yabanverse art, see here: https://www.deviantart.com/yuli-ban/gallery/80317575/yabanverse
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yuli-ban · 2 years
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Eiji Ohashi aka 大橋英児 (Japanese, b. 1955, Wakkanai, Hokkaido, Japan) - For years Eiji Ohashi has been capturing Japan through its lonely Vending Machines at Night and during Snowstorms.  Photography
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yuli-ban · 2 years
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Sol Yulaan stands against Colonel Günther Vocke, the fascistic leader of a PMC.
Dutch-American mercenary Colonel Günther Vocke (a blatant expy of Captain Bennett from Commando) leads a right-wing paramilitary group, Heaven's Devils, on Soley Island out in the Bahamas, where he gets to live his fascistic fantasy of creating a warrior society (Liquid Snake & Big Boss would be proud). But every warrior needs a worthy opponent, and what opponent exists more worthy than a Yaban? In comes Sol Yulaan, a monkey born literally for the express purpose of waging war, and the mightiest being to ever step foot unto Planet Earth.
Only issue Colonel Vocke has is that she's a chick, and thus he needs her to prove herself before he even considers fighting her. But that's no issue, as Yulaan already has experience with harassing the atomically misogynistic Silvio Sabatini over the gender politics of women vs. bollois. So before the epic struggle, she decides to become a Green Beret and passes by record-setting amounts before the two agree to wage their fight to the death. In this most dangerous of games, Yulaan suppresses her qi, instead opting to see just how physically capable she is on a secular level as well as to give the humans a fighting chance. This means she's vulnerable and can seriously die if she isn't careful— oh how the adrenaline flows!
If Yulaan were a human, Colonel Vocke be offended by a woman being so hypermasculine and obsessed with the thrill of raw, competitive battle. But she's not a human, and to face off against a bolloi of such iron will and adept training gives him a warrior's satisfaction  on a level he didn't think possible.
It's a battle of strength, wit, and will— an army and a madman vs. a bolloi.
____________________________________
Yulaan is driven by three things against Colonel Vocke:
1: Nexcidium, which drives her to a crazed lust for battle at all times and a mindset of war over peace
2: Vroda kvltvr, which worships tests of physical strength and wit and the excitement of danger
3: Respect for humanity, which she develops over time as she comes to recognize that humans are not to be underestimated despite their weakness compared to Yabans
Vocke is not prey; he and his men are worthy opponents.
Keyword there is "men." Something both recognize is that femininity has no place on the battlefield. And thus it can't be ignored that Yulaan is a girl. A Yaban girl, admittedly. And no, that doesn't make her "still just a girl." Not this time.
Vocke has fought a few women before. They all had his respect as warriors.
But this one— she's a bolloi, not a woman. And that has created a world of difference.
Vocke has fought women, but his ideals will have him admit he'd be perfectly fine never facing another ever again. War is a man's domain.
Women are not raised or expected to be warriors, and most aren't built for it. It's a dirty business that offers them no handicaps or comforts. The way we raise our girls, war goes against everything they live for. Women warriors are momentary delights to Vocke. A subversion, a twist to the tales written in blood.
Bollois are no such thing. They're forged in the blood war uses to write its own story. They don't struggle against it. They revel in it!
It's only unusual for him, not her. Bollois default as hypermasculine death machines.
Their feminine form is a feint, a distraction. To think as a bolloi, you must think more as a man. This is how some men met their end— assuming there exists a common feminine sorority between women and bollois. Trying to parse what a woman warrior desires offers zero insights into the wants and thoughts of a bolloi.
He's honored to be facing off against a female warrior of such extreme battle will. It's a dream he never had that has now come true.
Yulaan and Colonel Vocke understand each other and their primal, savage fight is essentially just a conversation between the two about the glories of combat and struggle.
Vocke says he's not surprised that his wife doesn't understand. He doesn't expect her to.
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yuli-ban · 2 years
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Drawn by Ishida1694 These two are from Planet Naraka. What's Planet Naraka? Oh, wouldn't you like to know. If Kollidor-Sarrat is trapped in the 1980s/early 90s (Kollidor being the heavy metal world with Sarrat being the glam/retrowave planet), Planet Nakara is the equivalent for the Douche Age of 1996-2006, with its frat boy sensibilities, ultra-edgelordism, psychosploitation, thuggish testosterone, juvenile sense of humor, mall goths, and urban scented grimdarkness. Planet Naraka is the hypermasculine teen angst hellworld of Slipknot, Biohazard, Static X, Disturbed, Marilyn Manson, Hoobastank, Linkin Park, Blink-182, Unreal Arena, Red Faction 2, Grand Theft Auto 3, Thrill Kill, Tony Hawk, X-Games, BMX XXX, Chronicles of Riddick, The One, Invader Zim, Need For Speed, teen sex comedies, gangsta rap, techno, and Korny sadomasochistic clowns. Imagine a planet ruled by God Emperor Fred Durst. That's Naraka. It's horrible, and Yulaan loves it. Naru and Mydella are prime examples of typical gender divisions on the planet. Naru is a badass, ugly hulking mass of muscles and scars clad in wicked edgy sci-fi armor, carrying enough berserker rage to end whole armies. Mydella is a beautiful & sexy but deadly bounty huntress, a killer with hot sex appeal, a pole dancer by night and a paid assassin by other-night. This is fairly standard on Naraka, though males do also come in a variety of shapes and sizes, like gothy androgynes and short bald street thugs. Females rarely fall outside the hourglass sexpot standard, at risk of being mocked or exiled. Though can still "go hard." For the most part, though, Naraka is deeply politically incorrect in its existence. It's every nasty aspect of late 90s/early 2000s grimdark frat boy/lad culture cranked up to 11. It's a place of underground bare knuckle fight clubs that play alien Crazy Town. Beneath the nü metal carnival of distressingly outdated depictions of mental illness, Naraka is another world of warriors. They are one category below Yabans, lacking the nexcidious impulsive ultraviolence, but still being highly warlike to an almost sexual level. Indeed, whereas Yabans are just blackly violent in a near-demonic fashion, Narakans seem to have some sort of sexual relationship with violence, with their engagement in violence even capable of bringing them to orgasm. Perhaps the hypersexualization of their society plays a role in it? Naru and Mydella ought to be on the cover of some OG Xbox third-person shooter.
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yuli-ban · 2 years
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