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xxkxxx · 10 years
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#me
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xxkxxx · 10 years
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a big fuck you to any person who gives shit to immigrant mothers for immigrating to new countries trying to give their children better lives
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xxkxxx · 10 years
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xxkxxx · 10 years
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John Galliano Fall Winter 2007 Ready-to-Wear
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xxkxxx · 10 years
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xxkxxx · 10 years
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xxkxxx · 10 years
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Say what you will about the Velvet Underground, we were never hippies.
Sterling Morrison  (via jemenbatslescoudes)
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xxkxxx · 10 years
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xxkxxx · 10 years
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Lou Reed
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xxkxxx · 10 years
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xxkxxx · 10 years
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“This is an ex-parrot.”
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xxkxxx · 10 years
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xxkxxx · 10 years
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John Waters and Iggy Pop - Sourced from the book American Originals: John Waters by John G. Ives
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xxkxxx · 10 years
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Andy Warhol on the cover
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xxkxxx · 10 years
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xxkxxx · 10 years
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xxkxxx · 10 years
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“You mentioned Beetlejuice just now. I love that main title. I don’t think I’ve ever heard anyone make a tuba do that, before or since.
That’s because I didn’t know what the hell I was doing! That was my fifth score, I think. Tim used to joke, because Pee-wee, Beetlejuice and Batman were my first, fifth and tenth scores, and Tim would say, ‘How are you doing four films in between each of mine?!’ I said, ‘I’m trying to learn how to score, so I can do scores FOR your films!’ Beetlejuice was one that was like, ‘Oh my god, this is unplayable,’ because… Finally it was, but I hadn’t realised how impossible it was for the brass. The tuba had it easy! The tuba was playing the downbeats, and every downbeat was followed by an upbeat on the French horns, and that’s really hard, to pay fast offbeats. The horns and the trombones had a really rough time. I realised at the first rehearsals that it was not working at all. But they’re amazing musicians, so eventually we got it. It was just hard.”
- Danny Elfman on “Beetlejuice“‘s main theme, on Empire
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