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thelittlestmushroom · 5 years
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friend: im so glad i met you… you’re so fun to talk to! i love talking to you…
me, to myself: no. you fool. its the other way around. i, in fact, am the one who is glad to have met you. i am overjoyed in your presence. do not say that you enjoy talking to me more.
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thelittlestmushroom · 5 years
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A girl straddling you is the hottest thing ever and no one can tell me otherwise
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thelittlestmushroom · 5 years
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self care is creating a life you don’t routinely have to escape from
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thelittlestmushroom · 5 years
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دختری در شب تنها به خانه می‌رود‎ (A Girl Walks Home Alone at Night) 2014 dir. Ana Lily Amirpour
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thelittlestmushroom · 5 years
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“Imagine a woman in the long skirts and high collar of the early 20th century standing in front of the painting she created. It is a massive piece—about 10 feet tall by 8 feet wide—and it is not a landscape, a portrait, a still life, nor a scene from myth or history. Dominating the composition is a bold yellow form reminiscent of a plant or sea creature, glowing amid colorful, biomorphic shapes and vigorous lines. This is just one of 10 such works that she has created almost entirely alone—sometimes walking on her work as she lays down the paint—and one of 193 radically abstract paintings that she has made in a few short years, between 1906 and 1915. None of these details fit with the story told in museums and art history courses. We know the first abstract painters so well that we often refer to them by last names alone: Kandinsky, Malevich, Mondrian. We know who is celebrated for doing “action painting” on giant canvases laid on the floor—Pollock. Each of these men has been lauded for opening a way into new territory. As it turns out, that territory had already been explored by another artist. Her name was Hilma af Klint.”
— Who Was Hilma af Klint?: At the Guggenheim, Paintings by an Artist Ahead of Her Time by Caitlin Dover
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thelittlestmushroom · 5 years
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Nobody gives two shits about an ENTIRE COUNTRY being hit by two cyclones consecutively. It’s displaced over 160,000 people and destroyed over 30,000 homes.
Yet no one cries.
No billionaires or other countries have talked about donating or helping the country out.
Please help by donating to charities and fundraisers dedicated to helping provide humanitarian aid to Mozambique!
https://support.savethechildren.org/site/Donation2?df_id=3241&mfc_pref=T&3241.donation=form1&cid=Social_Network:Twitter:Emer_Mozambique:Scus_Lp_Post2:031919&hootPostID=23abdd2d4250de3d6b684c68a4fb250b
https://www.allhandsandhearts.org/programs/mozambique-tropical-cyclone-relief/
https://www.msf.org/msf-response-wake-devastating-cyclone-idai-mozambique-malawi-zimbabwe
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thelittlestmushroom · 5 years
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Pan’s Labyrinth (2006) dir. Guillermo del Toro
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thelittlestmushroom · 5 years
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“What’s your spirit animal?” We’re white Rebecca we don’t have spirit animals ask me what my fursona is like you meant to ask u fucking coward
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thelittlestmushroom · 5 years
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thelittlestmushroom · 5 years
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Instead of making fun of people who do things at an older age that are normally done younger ( like getting their diploma or GED, learning to drive, even learning to read ) how about you:
don’t
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thelittlestmushroom · 5 years
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my mutuals:  *posts moomin*
me (has no idea what they’re talking about):  you’re so right
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thelittlestmushroom · 5 years
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don’t fuck with me i was born half rat
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thelittlestmushroom · 5 years
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drawstring bags, 18th and 19th century
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thelittlestmushroom · 5 years
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For real though.
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thelittlestmushroom · 5 years
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me consuming any piece of media that isn’t black sails: this isn’t black sails
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thelittlestmushroom · 5 years
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Brie Larson in hair and make-up tests as Envy Adams for Scott Pilgrim vs. the World
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thelittlestmushroom · 5 years
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Despite all obstacles, John Karborn
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