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the-tardis-in-221b-baker-street · 7 months

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Lord Flashheart's (Blackadder Goes Forth) Costume

I don't think it comes to many as a surprise that I was going to do some sort of Flashheart costume. I've had people ask me after my last cosplay "So what's next? Oh please say it's Flashheart!". For a character who only appears once a series, he is well loved amongst the Rik Mayall fans and I happen to be one of them. So, strap yourself in, go get yourself a cup of tea and a biscuit because we're in for a long haul flight. We're doing this a bit back to front, usually I'll release a photoshoot all in one go but as I ran out of time to photograph myself before going to the con I'm going to, I thought I would post them after the con. The photoshoot is in the works, keep your eyes peeled!

When deciding which era of Flashheart I wanted to do, I settled with the WWI era as to my knowledge pre research, it was going to be the easiest of the bunch to do. As much as my heart sings out to Elizabethan Flashheart, my sewing skills are nowhere near good enough for that yet. I knew I wanted to get this costume totally right so I gave myself a fairly big budget and indeed the biggest budget so far in my cosplaying journey.

Go big or go home, I researched into actual Royal Flying Corps uniforms people were selling and saw just how difficult they were to find. I visited a local war memorabilia shop armed with a few questions about RFC uniforms. When I explained what I was doing, they smiled and laughed fondly about Blackadder. They very quickly informed me that finding an actual RFC uniform that's not in a museum is extremely slim and they were totally right. I had a back up plan though, I had found a company that did tailormade historical re-enactment uniforms from all sorts of eras and rather perfectly, a RFC tunic and trousers. I got myself measured by my lovely tailor friend and purchased them. I actually purchased the drill trousers instead of the breeches as the colour looked more correct. (not pictured, you'll see those when I take proper photos of me wearing it.)

The breakdown of the costume: The Royal Flying Corps tunic.

The RFC tunic was going to be a huge part of the costume and in my eyes all of the tiny elements of the costume to bring it together had to be properly researched. The base of the jacket only came with the RFC patch on the right side of the jacket so everything else had to be found. For the first part and actually the first purchase I made for this project was the collar pins. These are original WWI RFC collar pins that came in perfect condition. I also went back to the same local war memorabilia shop again and very luckily, they had a full matching set of original WWI captain's shoulder pips, with metal pins. It makes this costume more special to know I have an actual piece of history on my shoulders.

As I was informed, all pips during WWI were as standard and the more pips you have, the higher the rank. As Flashheart is a Wing Commander he technically holds the rank of captain, meaning he has 3 pips on each shoulder. With both the collar pins and the pips, I had to attach these extremely carefully. I was told that either I would need to sew them on (meaning I would have to tack them on and they wouldn't lie flat to the jacket) or I would need to pierce holes and put them in. I opted for piercing. So with an extremely delicate hand (and because this tunic was expensive) I carefully measured each one out and cut slits with a scalpel. The length of the blade was perfect because I could poke the loops through and it be in enough that if a pin slides out, I won't lose the pip. The collar pins didn't come with pins to keep them in place but the lovely gentleman I bought the pips from gave me some to cut down.

The medals:

The medals I struggled to find for a bit of time. I had researched a bit and found that someone had identified a few of Flashheart's many medals which helped but my original plan was to find actual medal bars. However, I came across a gentleman who recreates medals and could do custom medal bars of any medals I wanted. I immediately messaged them and showed them the photo that had all the identified medals on. He said he was able to do it and whether I wanted the medal that someone hadn't identified yet that was just slightly poking out of the jacket in the reference photo. I couldn't believe it! And i'm so glad that medal was identified by him because it turned out to be a good addition to the bar. Now I know Flashheart has a lot more medals than what I've got here, but trying to get all of them would be a nightmare and rather expensive so I got the ones that are visible kind of when he wears his coat.

(top left) OBE, (top middle) Royal Victorian Order, (top right) Distinguished Service Order, (bottom far left) Military Cross, (bottom middle left) Ashanti War Medal, (bottom middle right) India General Service Medal and (bottom far right) 1914 Star medal.

I did research into them and what they all mean but this post will get even longer if I put all the info. I do encourage you to have a look into them if you're interested though! What I find fascinating is the level of detail Blackadder's costume designer went to. I found out that the Distinguished Service Order medal was apparently just short of being awarded a Victoria Cross (which is an extremely prestigious award) and were normally given 'for service under fire or under conditions equivalent to service in actual combat with the enemy'. However between 1914 and 1916, a number of awards were given to individuals, often officers, for circumstances not under fire. This caused a lot of resentment towards those who got it and especially from front line officers. Which to me, makes me think no wonder Blackadder didn't really like Flashheart! That did make me laugh a little bit.

The 1914 Star medal was awarded mainly to officers but approximately 1000 were awarded to members of the RFC which is another really good touch!

The tunic is attached with 5 buttons up the person's right side and attached with two hooks at the top near the shoulders.

The Sam Browne belt and gun holster were another important addition to the tunic. Often officers or higher would have worn a Sam Browne belt and there would be space to hook a gun holster and an ammo pouch could be added too. I didn't get an ammo pouch in the end but the gun holster was a must. Which leads me onto Flashheart's massive weapon (ooer!).

The gun Flashheart uses is a Webley MK VI. Now, I did look into these guns and there was no way on earth I was going to get a real one or an airsoft one for that matter. I looked into 3D printing instead! I had got a guy to 3D print me a gun but his printer unfortunately broke half way through meaning I had to find an alternative quick. A work colleague found me one on Etsy and it was perfect! It came in about 7 pieces that I had to carefully glue together but it was easy enough as I live in a tabletop household. Flashheart's gun has a loop on the bottom to attach a lanyard to. So me using my creative initiative, I salvaged a picture frame hook from an old frame, filed down a section in the middle so the metal part would lie flat, glued it together and bob's your uncle! a loop that looks like it was meant to be there!

The lanyard loop didn't fit in the loop so I used an old keyring loop to attach it.

The next bit after gluing was to sand the gun down slightly, prime it black and then dry brushed the metal part using Citadel's Leadbelcher silver paint. I also then used Citadel's Agrax Earthshade wash to dirty it up on the metal and then once dry, I did a couple of coats both sides of a matt varnish spray just to seal it all together and none of the paint will rub off.

Another fine detail is the hinge where, if it was a working gun, you'd pull the barrel down and load it. (I don't know the correct terminology for guns!) There was just a hole and I wasn't a fan of it. So I used the small screws from the frame I got the fixtures from and screwed one either side before priming black. It worked perfectly and looked effective.

I can't believe how much time I've put into this costume, loads of research and hard work finding and piecing everything together. I just hope I can do him justice when I wear it properly!

WOOF!

#Lord Flashheart #Blackadder #Blackadder Goes Forth #Flashheart #Flashheart Cosplay #Blackadder Cosplay #Rik Mayall #Rik Mayall Cosplay #WWI #History #Comedy #British Comedy

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the-tardis-in-221b-baker-street · 1 year

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What a lovely end to SM! You made me shead a tear, you bastard!

It's only fair, to you @scumbaganarchy:

Your dedication to this zine has been incredible and the stuff you churn out for each and every one is always on top form (even if you might not agree)! You're right when your blood, sweat and tears have gone into this, you've done so f'ing well! Although I've been here for well over a year and a bit, I still feel like a bit of a new kid on the block, but I feel 100% welcomed by you and the rest of the team. It's been so amazing to share ideas with you! I often tell people offline about our little zine and I've had no end of people say how amazing it was that something as small as The Young Ones has a large voice. (Highlight included my friend and renowned comedy photographer Andy Hollingworth laughing down the phone when he saw the cover for the pride edition of SM, commenting on the brilliant chaos and that Vyvyan was holding a giant penis statue! 😂)

It's wonderful I get to call you my friend Rebecca. You're an amazing, down to earth, funny, clever individual that never ceases to amaze me and the same goes for the rest of the gang. Thank you for keeping us all in line, you're one in a million.

✌️x

The Young Ones Were: A Final Word from Scumbag Monthly’s Editor 🖕💚

I was going to post this on 7th March – the birthday of the pan global phenomenon himself – but I think the emotion will be stronger tonight. Either way, I’ve chosen this post to say my last farewells to Scumbag Monthly and thank the people who helped make it what it was.

It was my decision as editor to end SM at Issue #25 and it was a difficult one to make. Although SM has come with both pros and cons, it’s something I’ve enjoyed creating and is something I’m very proud of. In a way, it would have been easier to carry on – sticking with the familiar is always easier – but I didn’t want our fanzine to drift off into nothingness. I thought twenty-five was a good number to end it at. Three years; twenty-five issues; three Rik specials; a zine for the fortieth anniversary – I think we’ve done alright, all things considered. More than alright! I’m so happy that we were able to add to the fandom in some small way.

I have a head for dates, so I can tell you with 99% certainty that I took on the reins of editorship at SM on 14th May 2020. It’s weird that that time feels both close and far away – international pandemics will do that to you. I’ve seen engagement and interest in this zine ebb and flow over the years. We’ve never really received enough submissions to keep us afloat long term. I used to ask my mutuals if I could add old art of theirs to zines to keep the Drawing Room full, and the amount of my fic that made its way into SM was not the result of an overinflated ego (I promise!), more the result of fic submissions falling even lower than art submissions. We’re a small fandom; that’s always been a problem for SM. While I’ve continually emphasised the importance of submissions to SM – how else would SM involve those not working behind the scenes? – the truth is that the end products simply wouldn’t have arrived on our website be it not for the so-called scumbag staff who dedicated their free time to making pages and content.

With a small fandom and ergo a small team, SM’s ambitions had to be realistic. We would all have loved to bring new segments out in every issue but, with a lot to do and limited time to get it done each time, this often wasn’t possible. I never wanted SM to become a burden to the people who made pages for it, as we all lead offline lives and SM was simply a passion project – we made this because we wanted to, because it was fun.

I won’t deny there have been points where SM burnt me out a tad. I think it was easy to lose sight of things during the lockdowns, or simply fall completely into one project. There are some zines where well over twenty of the pages were made by me because they had to be, and I’ve often feared that The People’s Poetry suffered because of this. I’m very pleased and grateful to point out that the page share became slightly less exaggerated after we found different people for each character, but (and I’m afraid I am going to have to be egotistical now XD) I’d be lying if I denied every zine since Issue #4 isn’t drenched in my blood, sweat, and improvised version of graphic design (not actually my passion, me being primarily a writer and all XD).

I hope this isn’t sounding too negative because SM really does mean a lot to me. I think it’s just that a mixed relationship is guaranteed with anything you give a lot of yourself to and I want to be honest here, at the end. It’s going to feel weird for me for a little while: no more new documents to set up, no more new pages to make, no more themes to discuss, no more Google Forms to collect. I will miss SM, but thanks to the internet it’ll actually still be here. We’ll be keeping the website up as an archive and the same with our Tumblr blog and Instagram (scumbag_monthly). For future runs of the Rik and Ade Fest, another blog has been set up (@rikandadefest). SM has also had a Redbubble on the down low for some time now and we’re planning on adding our designs of the lads there soon, if any of you fancy owning something with those on.

I realise this whole post comes at the risk of sounding pretentious and melodramatic… but sod it, you know? Here are the people I’d like to thank individually, on behalf of our fanzine.

@theevilesteviled -

First of all, the creator of SM: the reason you’re even reading this right now. During the period in which SM got going – that calm before the utter shitstorm of 2020 – we spoke nearly every day… though, living on different sides of the globe did limit our talk time to early mornings and late evenings. Ed is the reason SM ever launched. She did almost everything for the first few zines, often at the cost of her own sanity, and she inspired a passion for this fanzine within me.

In May 2020, when I found myself in lockdown limbo between college and university, Ed was struggling with the brunt of SM plus the new hell of online classes. When I took charge of Issue #4, I don’t think I realised the extent of what I was taking on – I certainly didn’t expect to still be editor nearly three years later! Even so, without Ed SM wouldn’t have gotten as far as Issue #4. I’ll admit when she initially proposed the idea for a The Young Ones fanzine, I didn’t assume it would ever actually happen. I agreed to take on Rick’s page, but never allowed myself to imagine we’d end up with a project that’d last three years. Surely, it was only other people who could pull off that kind of thing, right? Surely, a group of introverted young adults online weren’t really going to get anywhere with this, were we?

I’m not trying to make SM sound bigger than it is – I’m well aware how niche we are, have always been – but the point I’m trying to make is: thanks to Ed spearheading SM in the early days, I had the profound realisation that I can actually be creative and try new things and they’re not destined to fall completely flat on their faces. I think everyone involved with SM, be it through making pages or submitting their work, has experienced a version of this same realisation with the publication of each zine.

That’s thanks to Ed, so I’d like to formally express my gratitude. Thank you, ya bastard.

@xgardensinspace -

The lovely Deya! Deya has always been a big part of SM, right from the beginning. The portraits of Vyvyan, Rick, Neil, Mike, Balowski, and P that appeared regularly in our zines were drawn by them, as well as the ten portraits of our staff on our website. That’s not even mentioning the five exemplary covers they’ve whizzed up for SM!

Not only is Deya an exceptionally talented artist, they’re also an enthusiastic team player. From Issue #11 onwards, they’ve been our resident Mike. As most of us agree, Mike is the most difficult young one to characterise – Deya rose to the challenge with full commitment. Alongside taking on Mike’s Moments, for a period of time in late 2021 Deya posted as Mike to SM’s Instagram every Thursday, providing all of us with funny insights into Mike’s sense of fashion. There have also been times when my SM workload proved too much and they stepped up to write Comic Strip reviews for our Strip Tease – in fact, one of my favourite reviews is the one of Five Go Mad on Mescalin we wrote together for Issue #18.

Deya has always been passionate about SM, even when it seemed there were only a few of us who were. They’ve been incredibly supportive and understanding, often one of the first to volunteer to make art or write pieces for specials. To put it lightly, SM would be left severely lacking without their endless contributions and help and for that reason I’m incredibly thankful to them.

Last spring, I was lucky enough to finally meet Deya, when they visited the UK on holiday, and they were just as lovely in person as they are online. Thank you ever so much for your work on SM, you really are a cool person.

@drinkysketch -

I felt it only right to single out Julia here. Fandom spaces are ever changing and the individuals who’ve contributed to SM are no different. Despite this, Julia has been a constant cover artist for SM – not only did she create our first ever cover art back when SM was completely unknown, she’s since provided us with five more pieces for our covers. As the clever trousers among you will have worked out, that’s six in total. Almost a quarter of our regular zines!

There’s something instantly likeable about Julia’s art style: the shapes, the bright colours, the insistence on always giving Vyvyan one eye bigger than the other. The cover of Issue #1 especially is representative of SM – it’s the establishing shot – and I couldn’t imagine a better piece of art than the one Julia provided us with. I’d like to thank her for always being so eager to make art for us, even as the world’s gotten crazier and crazier. True scumbag style!

@codrington-road -

It was April 2020 when Haley first emailed SM with a fanfic submission and an offer to make pages for Neil. These were the early days of SM – Ed and I were just about keeping up with the zine’s Rick and Vyv content but were seriously struggling where Mike and Neil were concerned. It’s thanks to Haley that Neil is the only young one I’ve never had to make a page for… well, aside from that time we switched characters for April Fool’s in Issue #14… and she’s been a constant, reliable presence at SM since Issue #4.

There probably aren’t many people who could come up again and again with hilarious horoscopes on purpose, and I don’t know for exactly how many Wednesdays Haley manned Neil’s entries to our Instagram stories, but it was a lot. 9th June 2021 fell on a Wednesday – a little daunting for anyone. Yet, I think it’s that entry from ‘Neil’, a touching piece about missing people who are no longer here while still carrying the warmth they gave us within us, that sticks out to me the most.

Haley has always brought the exact right levels of surrealism, humour, and bloody hippie moping to Neil. She is probably secretly Nigel Planer. She’s helped keep the excitement for SM alive in me when I’ve been at my wit’s end with it and is in fact the main reason this fanzine didn’t fold after Issue #19. Honestly, she’s great. Have you read the fanfic she’s submitted? Pure brilliance. Her reviews of Rik Mayall's Bedside Tales and GLC were sublime.

Thank you, Haley, for encouraging not just me but everyone behind the scenes of SM and for being our resident Neil for so long. I know you’re a girlie, but I hope the seed of your loin is fruitful in the belly of your woman. Ta very much!

@martian-martian-martian -

Part of SM since Issue #18, Wisely is a person who truly deserves so much love. I first spoke to Wisely on Tumblr when they signed up to write about Rick and Kevin in our second Rik zine, in 2021. Needless to say, the results of their endeavours were some of the most memorable pieces in that zine. Rick still hasn’t recovered.

After that, Wisely only became more and more involved in SM, until they’d taken on the enigmatic fifth housemate, that scumbag named Petyr, as a regular in our zine. They did this despite the graphic design element being out of their comfort zone and even came up with a whole new page idea to spearhead. Cliff ‘sHits – as well as having a perfectly Young Ones-esq name – is exactly the kind of thing I always hoped would start happening with SM: that staff would strike out with new page ideas when they had the time. Wisely has a talent for twisting well known verses to fit the scumbag agenda and we thank them for it.

A keen promoter of SM – they could frequently be found suggesting submitting to our fanzine in the comments of TYO fanart on Tumblr – they’ve even written fanfic to keep zines full of content. I’d like to thank them for joining the team and enhancing the zine in the process. SM is all the better for having them.

@the-tardis-in-221b-baker-street -

Zoe already has a name for herself in Rik Mayall circles outside the scumbags; what fan wouldn’t go absolutely crazy at the sheer time and dedication she puts into her many cosplays? Zoe has a knack for morphing into the bastards she portrays… physically, at least. I’ve always found her to be as friendly as Alan B’Stard is devious. XD

It was during SM’s hiatus, when the spot of resident Vyvyan fell vacant, that Zoe immediately jumped at the chance to help SM out. Since Issue #20, she’s provided the voice of the beloved punk as well as producing a page of her own design, Top of the Plops. Zoe has also been quick to help out where reviews of Filthy, Rich and Catflap and of the music in The Young Ones are concerned, for which I am very grateful. Despite being the newest staff member at SM, she’s thrown herself fully into it and offered much needed reassurance and submissions whenever necessary. Zoe has been an optimistic voice at the fanzine: always up for new ideas and competitions, always there with schemes to boost engagement. Her DnD stats for the lads in Issue #24 were incredible.

We’ve had many scumbags writing for Vyvyan at SM over the years – more than we’ve had for any other character – and I’m thrilled we got Zoe in for our final run. She even made the cover art for our last issue. Thank you!

@aspinecone -

Aspen is someone I’ve shared online fandom spaces with since 2017. We’re both fans of Red Dwarf, but it was our shared enjoyment of The Young Ones that finally got us talking to one another. Last autumn, we finally met in person when we went to see Ade in A Christmas Carol - a brilliant day with a great friend that I'll always remember.

Aspen has had a presence behind the scenes of SM since the beginning, often submitting fanart and the odd piece of fanfic, until they took on the role of resident Balowski at SM from Issue #16 onwards. Creating content for the character most out of the loop with the others isn’t as easy as you might think, but Aspen has always produced insane, amusing pages for him. Aspen was also the original cover artist pencilled in for Issue #21, but graciously stood aside when they realised offline commitments were going to need more of their time.

During SM’s run, I’ve sometimes had hairbrained schemes such as making the badges several scumbags will be receiving very, very soon. I’m no design whiz – Ed and I always made SM out of Word Documents – and Aspen helpfully volunteered to remove the backgrounds from designs and clean them up. Like I’ve always said, producing SM has been a team effort. I’d like to thank Aspen for always being in my corner.

@cloubdustings -

Ava, the mad meme machine! If I recall correctly, Ava first popped up in scumbag circles in late 2020. She surprised SM with cover art for Issue #10 and kindly took on the role of resident Vyvyan from that same issue until Issue #19. 2021 was not a fun year – in fact, I’d argue it was worse than 2020 in some respects – so having Ava on the SM team to handle all Vyvyan content was a great help.

Ava has a very distinct sense of humour and you can usually tell which British comedian she’s most recently become obsessed with by checking her Instagram. XD Even with changing tastes, she’s still making content about Mr Mayall and her brand of whackiness is most definitely beloved by the fandom. Thank you for sharing it with SM!

@lumivarjo -

Lumi was around at the very beginning of SM and is actually responsible for the piece of grey tape bearing the zine’s name that became our logo. He was our original resident P, producing pages for us during the autumn of 2020. Lumi has always been more behind the scenes than at the forefront of SM, but has nonetheless also always been supportive. Being an artistic sod, Lumi is to thank for many of the key headers SM used, which were all vital pieces of the SM brand… if we want to get really pretentious. Thank you for being there for the zine!

@serenpop -

Pol was also around when Ed was proposing this insane new idea of a fanzine for The Young Ones and was our first resident Neil. Offline commitments saw them have to drop the role, but they reappeared again to help us out when we needed cover art at a pinch for Issue #9. A lot of SM’s Drawing Rooms have featured art from Pol, so I’d like to thank them for brightening up our pages!

Additionally, I'd like to thank the other scumbags who’ve made cover art for us: @frankenbolt (who made three(!) beautifully chaotic covers, including everybody’s favourite Modern AU); @whatacompletebastard (for the fab Breakfast Club parody that’s always been popular with the scumbags); @heinzpilsnerbloody (another talented artist who drew me a whole bunch of cool stuff in an exchange and kindly helped SM out); @colourshot-draws (our first anniversary zine cover artist and a genuinely lovely person); @postpunkpontypandyphantomthief (a massive Rik Mayall fan and integral part of the fandom); thedinodoodles (for being ahead of the curve and bringing us pirates before the Tumblr obsession); @rikhead (for the sheer dedication to detail on her cover and for her legendary skills in Rik Pic Hunting™); and @smashingblouses (for providing us with the brilliant TYO 40th anniversary zine cover art). I’ve said it before, but I’ll say it again: SM couldn’t have functioned without its cover artists. Thank you all. Big respec.

There are a few final scumbags I wish to mention and thank - SM's cheerleaders, if you will. These people have brightened up my day on various occasions and their enthusiasm helped make the zine what it was: @anglophobias, @my-blood-is-maple-syrup, @friedhofcreative, @shotsofnovacaine, @5gogh2, @mariigoldmayall, and @fourstarsandahamster.

Finally, of course, I’d like to say a quick thank you to the people who inspired this fanzine in the first place. Without the canon, there would be no fanon. They’re never going to read this thank Cliff but without the brilliance of Rik Mayall, Adrian Edmondson, Nigel Planer, Christopher Ryan, Alexei Sayle, Ben Elton, Lise Mayer, and all the recurring comic guest stars of The Young Ones, SM would have quite literally never existed.

We need comedy in hard times – to call out the shits in power, to keep us grounded, to simply make us laugh. I count myself incredibly lucky to have stumbled across fans of this anarchic ‘80s sitcom on Tumblr. Despite the time gone by between 1982 and 2023 and the changes in society and sensibilities, I think it’s an incredibly good thing that this comedy still connects with us. Most of the people I’ve spoken to on here, like me, weren’t alive during TYO’s initial run. It’s often assumed by certain bastards who shall remain nameless that the youth are trying to kill comedy, that we take offence too easily, that comedy classics are a thing of the past. To them I say: UP YOURS, UGLY! As long as there are people, there will be laughter; and among those of us laughing, there will be the young ones.

So thank you, scumbag reader, for downloading our zines and supporting our bastardly endeavours.

Signing off from Scumbag Monthly for the last time,

- R / @neil-neil-orange-peel <3

"This is it! It's really happening! Who needs qualifications? Who cares about Thatcher and unemployment?! We can do just exactly whatever we want to do! And you know why? Because we're Young Ones. Bachelor boys! Crazy, mad, wild-eyed, big-bottomed anarchists!!" - The People's Poet, 1984

#goodbye Scumbag Monthly!!#scumbag monthly #the young ones #tyo #fanzine

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