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iloveyou-writers · 1 year

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This is a bit of a dumb concern of mine. So i post bits of my wip sometimes, but i'm noticing the very unfortunate pattern of people interacting with just stuff i reblog and not the stuff i post. And like... i know it's not about the notes, i'm just sharing for fun, but idk if it's because people don't like my stuff or if they just don't see it or what but it's a little discouraging. I'm not even gonna lie, the thought, "what's the point of me posting if no one's reading it anyway?" has crossed my mind several times. Just not sure if i should continue posting my stuff or give up on that.

I don't think it's a dumb concern, and I understand it's discouraging. I also understand wanting people to interact with your stories, you're not wrong for wanting that. You ought to just remind yourself that lack of engagement doesn't mean your stories aren't interesting, or that they're bad. It can also be hard to gather traction online.

I don't want you to give up, but I want you to do what feels right. If you decide to ease off on posting online for a while, I hope you keep writing. ♡

// D

What Nisey said. Honestly, it took me like 5 blogs and hundreds of posts before I started getting noticed. Part of it is in how you tag things, part of it is in how you talk about your writing. Sad to say, the popularity of your posts isn't necessarily about the quality of them. Sometimes just making a silly meme that everyone relates to will bring attention to your blog or making an ask game everyone can enjoy.

That said, it shouldn't just be about the engagement. Of COURSE as a writer you want people to be reading your writing but at the end of the day, what matters is your own love of your writing. If not getting the engagement you want is taking away from your enjoyment of writing your story, maybe step back from posting them and come up with a posting plan.

Honestly, the running of your blog should be all about what YOU want out of it. If your goal for your blog is more engagement, maybe try looking at what bigger blogs did to get more engagement and figuring out how you can incorporate it into your own blog and ideas.

If your goal is to have your writing out there for the world to see, you're already doing it, even if people aren't necessarily seeing it.

But the OTHER thing I wanted to point out other than all of this is just because you're not getting notes on these things, it doesn't mean people aren't reading and loving the crap out of your works. A shocking amount of readers are shy to comment when they read or interact with things they read, so sometimes you'll have a ton of readers you don't realize you have until you do or say just the right thing to get the shy person out of their shell. For me, it's been when I've shut down my blogs or when I've been struggling with my depression and they came out of the shadows to sweetly encourage me. But what would bring them out of their shells really depends on the reader.

One fun way to get more engagement is to make an ask game based off of your WIP or characters. Ask questions that pertain to your OCs and use your OCs names instead of letters and numbers. Or use the names of the societies named in your WIP. Things like that. It can be a fun way for information to be subtly passed around writeblr without you having to infodump.

You could add a little blurb at the end about your wip and tag "if you wanna know more about this world/wip/these characters, follow me at [blog]" at the end.

Hope this helps and you feel more of a fire in your belly. I'm sure you're doing much better than you feel. It's always easy to ignore the victories when they're not in the areas we wish they were 🥰

🤍 H

(Sorry for the long ranty reply. I've never given all this advice to anyone struggling with engagement before, but with how many asks we get about it, I figured it was about time to give some advice outside of "don't worry so much about engagement!")

#writers of tumblr #asks #anonymous #writing engagement

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sas-soulwriter · 7 months

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Writing Motivation Text

In the quiet moments when you sit down to write, remember that this journey is uniquely yours. It's a path paved with your dreams, your experiences, and your voice. Every word you put on the page is a reflection of the world you see, the stories you've carried in your heart, and the emotions that only you can capture.

Writing a book is like embarking on a grand adventure, one where you hold the pen and the compass. It's a thrilling expedition into uncharted territories of your mind, where characters take shape and stories unfold. There will be days when doubt creeps in, when the blank page seems vast and intimidating. But remember, every beloved author faced that same emptiness and turned it into a world of wonder.

So, whether you're typing away on a keyboard or scribbling in a well-worn notebook, know that your words have the power to transport, to inspire, and to change lives. You're crafting more than just sentences; you're weaving a tapestry of imagination and emotion that will connect with readers in ways you can't even imagine.

In the realm of writing, there are no boundaries. Your voice is like no other, and your story is a gift that only you can bestow upon the world. So, dear writer, embrace the joy of storytelling. Let your inner bard take flight, and may your journey through the pages be filled with discovery, wonder, and the unwavering belief that you have something truly remarkable to share. Write on, and let your book be a testament to the magic within you.

---------------------

Sometimes its hard to just start. Let this text i wrote a while ago be your motivation! Start writing. Let me hear your voice!

For more text, poems or writing tips follow me.

And Remember to drink enough water.

#writeblr #writers on tumblr #writing #screenwriting #writing advice #writing encouragement #writing tips #writing motivation #writing inspiration #writing engagement

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mamillerauthor · 1 year

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"Do or Do Not. There is No Try." - Yoda

Star Wars can provide a great deal of inspiration of writers.

#writing #writeblr #writing tips #writing advice #writing engagement #writers on tumblr

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biggest-gaudiest-patronuses · 5 months

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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order #at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers #90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent #like his writing should have become obscure at the same level of his contemporaries #but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate #and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something #cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare #and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity #and variance in the way that we as individuals and members of different cultures/time periods experience any work of media #and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons #and explore the stories of marginalized/underappreciated creators #instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period #anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives #so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world #(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin #oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value #and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the #important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)

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magnusbae · 9 months

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To illustrate this post by @mayahawkse I would like to visualize to you the difference:

A post in 2023:

A post in 2014:

A zoom out of the same post:

This is what a community looks like.

See how in 2023 almost all of the reblogs come from the OP, from their few hours/days in the tag search. Meanwhile in 2014 the % of reblogs from OP is insignificant, because most of the reblogs come from the reblogs within the fandom, within the micro-communities formed there. You didn't need to rely on tags, or search, or being featured. Because the community took care of you, made sure to pass the work between themselves and onto their blog and exposed their followers to it. It kept works alive for years.

It's not JUST the reblog/like ratio that causing this issue, it's the type of interaction people have. They're content with scrolling and liking the search engine, instead of actually having a reblogging relationship with other blogs in their community.

Anyways, if you want to see more content you like, the only true way to make it happen is to reblog it. Likes do not forward content in no way but making OP feel nice. Reblogs on the other hand make content eternal. They make it relevant, they make it exist outside of a fickle tumblr search that hardly works on the best of days.

If you want more of something, reblog it.

#i said i wont ever rant about this bc it's unseemly but HONESTLY.#you simply cannot complain about not having enough of A or B or C and then never reblog / interact with the content you love.#If you LOVE something you cannot just leave a like and silently wait for more to happen #I know countless of content creators that simply stopped doing art/writing fic/making edits #You need to understand that fandom content is made FOR the fandom FOR the engagement FOR the entertainment and fun it makes.#If a content creator does not have fun IN the fandom-- why would they spend the scares free time they have on making this content?#And we're not talking about things that you don't like-- no one expects you to reblog things you don't like.#However I think it's safe to say that when a post has more than 5k it's not some random shitpost with no value.#tumblr issues #tumblr #content creators #buns.txt #something something please don't starve your local clowns

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lostlegendaerie · 9 months

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there's something deeply gutting about being a writer right now. watching studio execs brag about starving people like you out of your very house just to not pay you anything above the pennies you currently make. watching some people cheer over AO3 being targeted for a DDOS attack. the complete lack of profitability of writing commissions or writing in general in transformative spaces, especially in contrast to fanart. the pivot of so many social media platforms to be video and image based near-exclusively.

I don't know. it just makes me sad to know that the hobby that kept me alive while growing up homeschooled with dial-up internet and local antenna TV... is only ever gonna be a side job with minimal engagement. I know this site is good about supporting libraries and the concept of books but, do me a favor? Reach out to a writer friend you know. Leave a comment on your last five read stories on your favorite website.

Tell us you care.

#maybe that's why I've been so stalled on my novel #I keep trying to convince myself there's a POINT to it #but I look at how BRUTAL the publishing industry is and how I can't even consistently break ten reblogs on writing I post here #and I just. it hurts. and I have other hobbies I could fall back on!!! I could do art and cosplay and cater to the immediate engagement!!#but writing is my LOVE and my PASSION and I just wish. I wish the current climate CARED about us #TALKED to us the way we talk to cosplayers and artists and the chocolate guy #UGH. Wednesday blues hitting me NASTY today

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asexual-fandom-queen · 1 month

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not to be That Person but when people are like “why isn’t there a big fandom culture anymore?” umm…

maybe this is why???? That an author can spend hours (if not days or weeks or months) on something, have 1,800 people read it, and only have THREE people willing to take a few extra seconds out of their day to comment. Not even something as simple as “thanks for sharing” or “second kudos” or “❤️”

I’m not the internet police. You decide what you do with your time. Just don’t be surprised if the result is that creators leave your fandoms. I’m not writing to scream into the void. If that’s what I wanted, I wouldn’t bother posting. Fandom is a community. It’s an exchange of enthusiasm over this thing we all love. And who’s gonna keep showing up at your house with a goodie basket if all you do is take the basket, slam the door, and leave them outside to watch through the window while you eat?

#fandom #fanfiction #fandom etiquette #fandom engagement #ao3 #writing #fanfic #shipping #otp

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sluttypatrickstar · 5 months

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now would be an incredibly sexy time to support queer creators on youtube who cite their sources, read the work of the people james somerton didn't bother to credit, and - if you've got the time - do your own reading into the topics he talked about on his channel

#hbomberguy #james somerton #i would rly like this to be an opportunity for people to engage with the people behind the writing they enjoyed on his channel #or engage with the topics they found interesting

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shivroythinker · 10 months

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rewatching mass in time of war and the whole shiv-kendall interaction where they're arguing over whether she knew about cruises and she's like i never got in the pool with any of those creeps and he's like yeah because dad let a gang of creeps run cruises and she's like no kendall because i was fifteen is just so. like interesting to me. it feels like one of very few direct, in-your-face reminders that shiv was both the only girl with three brothers but it wasn't just her brothers, she was a girl SURROUNDED by mainly men for most of her girlhood. and i think for all of kendall's posturing in that scene and his maybe-partly-authentic interest in dismantling the sexist abuse in waystar he has probably not considered that his only sister had an entirely different set of experiences considering he thinks a fifteen year old girl not getting in the pool with a bunch of grown men must mean she knew that those men were involved in large-scale sex crimes,,, and like whether she or any of them knew or not as children is a different conversation but i just think that scene is interesting from the perspective of like. we hear so little about their childhoods and it feels like a glimpse into the isolation of a girlhood without a present mother or sisters or anyone to guide you or contextualize your experiences. materially you have everything you could ever want but still you are profoundly alone

#this is not saying anything new this has all been discussed i'm sure #but you cant stop me from writing it out anyway !!!!!!#like the show engages with this peripherally i feel #with little throwaway lines like that #to me to ME it is very fascinating and very sad #shivposting

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erwinsvow · 17 days

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i can see the trio dangerously driving to or from a party. they’re speeding down the empty road, the new future album blasting from the speakers of topper’s jeep. kelce is up front, and reader and rafe are in the back. reader is a bit drunk and rafe is high out of his mind and can’t control his feelings for reader so he starts getting touchy with her, maybe trying to kiss her. since you’re just starting this au out, i’m curious to know how do you think reader would react and if she did kiss him back, how would topper and kelce react?

the last line of coke was a mistake—it made him lose the last bits of his self control. it was clear that he was way too high to drive, even though it seemed like rafe always drove clear-headed or not, so you were assigned babysitting duty in the back.

top was on a rager today, even worse than his usual ones. whenever him and sarah started fighting, he got like this, currently blasting some future song at the highest volume possible, speeding through the streets of kildare. you would be a little scared, except kelce is driving while topper nurses yet another beer in the passenger seat. you're deliciously drunk, still gone from the drinks you had at the party, not a care in the world except making sure rafe doesn't keel over in the back.

you mumble along the words to the song, pretty much engraved in your memory from how often it was played. you don't know how it happens, your fingers just find rafe's hair, brushing it out of his face while he talks to top and kelce in the front, amped up and loud, acting as crazy as you've ever seen him. you giggle, continuing your motions.

topper begins some rant about his girlfriend, or rather, his ex, while rafe locks eyes with you. it's hard to keep eye contact, looking away the second rafe shuts up and focuses on you completely. you're never shy around them but this might be the closest you've gotten.

you feel rafe's hands on your exposed thighs, your tiny skirt ridden up in the seat. his touch feels good, in your drunken state you don't think there's anything wrong with it. he's just being friendly, being touchy, being rafe. he strokes the soft skin of your legs, running his hands down to your ankles, while you shift around in the back. all it would take is one look from the boys in the front to see that something's going on back here.

"rafe, listen to top he's talkin-"

"shh," rafe says, noise completely overlooked by the others, nothing audible except the thump of the bass. he takes your face into his hand, leaning in close. "shut up for a second." he kisses you, briefly, barely, lips touching together and your eyes fluttering shut, when kelce slams on the brakes. the two of you fly apart, your heart thudding for an entirely different reason now.

"what the fuck, kelce, my brakes-" top starts.

"it was a deer, you idiot. you guys okay?" he turns to look at you and rafe in the back, your face flushed and rafe's hands still on your legs.

"fine," rafe mumbles. the four of you head back to tannyhill, you crashing on rafe's bed like always while top and kelce take the guest room down the ball. the two of you are out before you can bring it up, but rafe doesn't forget about it.

in the morning, you stretch, the oversized shirt of his you'd put on for the night riding up. rafe doesn't wait another minute.

"so, about last night. in the car." he looks at you, waiting for your response.

"oh, rafe, don't apologize. it's okay. we were both pretty gone."

"m'not apologizin', i-"

"and i mean, who hasn't been there once or twice-"

"once or twice?"

"and i kissed kelce that one time, so i guess-"

"you kissed kelce?" rafe looks at you like you've committed a crime.

"what? it was new years."

"where the hell was i?"

"i don't know, probably sucking some girl's face off. i was busy making out with kelce, remember?" you laugh, getting up and looking for your clothes. rafe lays back down on the bed, deciding he's never leaving you alone with kelce ever again.

#this was... incredibly incredibly fun to write.#you are an ANGEL For sending this prompt i could picture it so vividluy #i hope you love <333333 thank you so so much for engaging and liking it!#📮 asks #rafe cameron #rafe cameron x reader #kook trio reader

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jdragsky · 28 days

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the curse of being best known for writing a cozy uwu-ass indie rpg at age 22 is that now i must forever deal with people assuming im celibate

#babygirl sometimes the same person writing about cozy rabbits going on hikes #is engaging in fucknasty transsexual orgies of a revolting style #you can never tell!

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corvidcall · 2 years

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None Of You Know What Haiku Are

I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.

If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?

Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!

First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.

For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.

In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).

Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?

Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.

(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)

Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.

Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.

Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:

古池や　蛙飛び込む　水の音 (Furu ike ya　kawazu tobikomu　mizu no oto) (The old pond — A frog jumps in The sound of the water.)

You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.

English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.

Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.

Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)

The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel

We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.

"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:

meteor shower . . . a gentle wave wets our sandals

When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.

"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?

I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards

a year at most . . . we pretend to watch the hummingbirds

Sources: (x) (x) (x) (x) (x) (x)