Based on the show's characterization of Mel and Viktor, I've applied the magnet theory. Magnets of the same charge/poles always repel each other, though they are the same. It is magnets of the opposite charge/poles that attract.
We have seen the MelVik parallels, and they have the same ideologies, a somewhat similar exposure to death, their bodies appear to be augmented, there is the feeling of not being good enough (Viktor because he is ill, Mel because she has been kicked out of the Medarda family), and there is the fact that they are strangers in a strange land (Viktor is from the Undercity, Mel is from Noxus). They are parallel lines that run alongside one another but never intersect. Jayce is where they intersect.
(I like to think that Mel has always been aware of Viktor, as they probably attended the university at the same time, but in some ways, he reminds her too much of herself from moments of observation, and thus she pretends as though he does not exist to the best of her ability.)
Perhaps they are never meant to intersect outside of Jayce, but I have no doubt that if they did, they would be a force to be reckoned with. While Jayce is a dreamer, Mel and Viktor are pragmatic, brilliant individuals, and they will stop at nothing to protect their home. Piltover is the home Mel has chosen, and Zaun is the home Viktor was born to.
We all know that eventually, Viktor will return to the Undercity, but when he does, it won't really be Jayce vs Viktor. Jayce, for all intents and purposes, relies heavily on Mel as his sounding board, because he needs her wisdom. Thus, the conflict will be Mel's mind vs Viktor's.
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i’m genuinely of the belief that the megamind sequel/tv show was meant to premiere on nickelodeon in like 2011 alongside their other spinoff shows, but then got shelved after the movie flopped financially and has been sitting around in some archive gathering dust until peacock decided to release it as “new content.”
like, can we just look at the visual evidence alone?
he fits right in with this lineup. peacock, i’m onto you
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I don’t usually say “skill issue” because I find gamerspeak obnoxious but like. how else am I supposed to respond to posts that are like “waaahhhhh nobody cares about female characters everyone on my dash only wants to talk about men and has no interest in women and their relationships with other women because they secretly do not find women’s interiority compelling and refuse to interrogate their own misogynistic biases” except to say “well maybe you should try following cooler, sexier lesbians, then.”
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whatever actually because hypothetically if the Island IS a simulation then does getting banned equal getting out of it? is Felps Out? is he demanding to go back in to tell everyone is he tellig everyone's families that they are as okay aa they can be in that situation is he clawing his way through whatever put them there to get Cellbit and the others out. is he missing Richarlyson
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No but could you imagine BOC doing only random BL’s with MileApo starring in all of them? I’d honestly watch any story where they play off each other - especially as love interests. That’s what the writers of KP don’t understand. It’s not their shitty novel that everyone is obsessed with, it’s MileApo’s chemistry and the rest of the cast and crew. Like these guys could sell me any BL at this point and I’d be hooked like a crack fiend and be fine with it.
boc very much is only doing random bls with mileapo and i'm not even kidding. like before kinnporsche they were just an agency that signed/represented actors but most importantly they were MILE'S agency, which is probably why they made kp at all. so with the news that they're doing another show with mile and apo, they have two whole shows. one is kinnporsche. the other is this new one. they saw how successful that dynamic was and went "guess this is our business model now!" they're just going to work through fanfic tropes until they run out.
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reading through all the theories and subtext and context posts on here well into 2am and getting overly emotional and super invested in every single one of them is making me realise that even IF “the many layers of the story/show” we tend to find in every nook and corner are not canon-approved, have not been taken into consideration while developing the series and are purely born out of our own imagination spiralling after each scene we have now overanalysed profoundly—
this is what, to me, a truly genius piece of work is supposed to result in. it doesn’t matter if neil gaiman and everyone else involved intended to stuff hundreds of layers of hidden meaning and context and throwbacks in every shot they took. the fact that we can all sit down and write essays upon essays, analyses on things we find fascinating and mindblowing, or simply put “i’ve connected the dots- you didn’t connect shit-”, is enough.
this is a masterpiece through and through and it goes so much more beyond the canon universe.
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