#wish I could get them :') | Explore Tumblr Posts and Blogs

confessedlyfannish · 19 days

Text

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

#i feel like I'm going to reread this and want to add other stuff #but I also just want to post it and get it out there #fun fact i scribbled a bunch of lines down at 2am bc i didn't want to forget them #im bad at multiple drafts #my writing #dp x dc #dp x dc au #dp x dc prompt #dp x dc crossover #danny phantom #batman #i live to make everybody dramatic #but also i subscribe to a world where clockwork doesn't know how NOT to be dramatic #lol he's a ghost from all of time he doesn't know how to speak to humans and tailor it to the century let alone the decade #and his favorite little girl who calls him clocky loves how he speaks so #he doesn't need to change for nobody #nor feels inclined to #also I feel like as god he's way more inclined to threaten to get what he wants than like...be vulnerable #jazz: let's unpack that #clockwork: we never do #jazz: are you saying that because it's true or because that's what you want to be true?#clockwork: ...#also I cannot take credit for BITCH I MIGHTWING #wish i could #that is cash money right there #shoutout to 11thsense

1K notes · View notes

transvampireboyfriend · 1 year

Text

Had this “Steve only hates impersonal nicknames” idea in my notes for a while and then after seeing @cholvoq ‘s wonderful art I had to turn it into a real thing for Valentine’s Day. This is 2.4k, i’m SO sorry edit: you can now read this on ao3 :)

Eddie’s a nickname guy. It’s always Dusty this and Gare-Bear that and JeffJeff here and Bobbie there and it’s Mikey and Maxxii and Nance-pants and Johnny and… big boy?

Him being a nickname guy makes it near impossible to hide his crushes. Thankfully, Steve had been really cool about it. Sure, he seemed a little stunned, but Eddie still had all his teeth in place by the end of that interaction, so he had called that a win.

He hadn’t known then that Steve was… different. Or he was starting to see it but what he thought was shocking then had really been just the tip of the iceberg. He hadn’t expected Steve to be nice. Or funny, or caring, or protective, or understanding.

He had learned all of that after everything. During chats on Hellfire nights while the kids cleaned up after themselves, during hangouts at the diner with Robin and Nancy, during Saturday afternoons when he went to pick out a movie only to end up talking with Steve, their conversation flowing until it was cut short by Steve’s shift ending.

After some time, Eddie had gotten to know Steve even more during long weekday nights when one came over to bring the other something they left behind, or to share a record, or to demand the beers the other owes or to show the other a stupid article in a stupid magazine only to end up making dinner together and watching a movie afterwards.

They stopped making excuses about two weeks ago.

Eddie had asked “do youuu… wanna come over?” on Saturday night, while nervously twirling his keys as Steve locked the front doors of the Family Video.

The evening chill had cut right through Eddie’s leather jacket as his keys clanged against his rings. But Steve had nodded with a smile and asked “pizza?” on their way to their cars, and Eddie had forgotten all about the cold.

Point being, Steve had been just fine with ‘big boy’ when it happened. Eddie’s a nickname guy. Him and Steve are hanging out more now, and so, Eddie’s been calling him more nicknames. Some of them are very intentional, others come completely without thinking, and it turns out, Steve takes issue with a few of them.

The first time it happens, Eddie’s underneath his van trying to get the damn thing to cooperate, the recent winter was tough on it, and it keeps dying out on him.

Steve sits nearby perched on a little stool, wearing his Family Video vest since he came by right after finishing his morning shift to see if they could make plans for lunch. Eddie suggested they grab something at the diner if and when he finally gets the van to start back up and Steve had agreed to wait.

He’s been telling Eddie about tonight’s basketball- game? match? super bowl? Is there such a thing as the major leagues of basketball? Eddie’s not sure, but he adores the sound of Steve’s voice and he’s kind of invested in the drama of players switching teams and retiring and whatever else Steve wants to tell him about. So, he’s been listening, not really bothering with asking for clarification for what he doesn’t understand yet. He’ll figure it out as they go.

He's blindly patting the floor around his legs for his rag, when he feels Steve put it right in his hand.

Eddie’s relieved. "Thanks, bud!" he says, the nickname just rolling off his tongue effortlessly, no meaning attached.

It gets kind of quiet all of a sudden. After about five seconds of Steve not talking, Eddie comes out to check on him, and finds him frowning at his legs.

"Don't call me ‘bud’" Steve requests, looking up at his face, his tone just a tad harsh. Eddie would think he ran into King Steve if he didn't know any better.

As it is, Eddie gets Steve probably thinks the nickname is childish or patronizing, so he doesn’t think twice of it, just gets a little sheepish and says "sorry, Stevie".

Steve smiles at that, a little cocky. He does his little mean girl shaking his head thing like he just got exactly what he wanted. Eddie feels his face twist a bit in confusion, but he likes it when Steve gets a little mean so he doesn't say anything about it and just dives back under his van as Steve resumes their conversation.

The second time it happens, they’re outside the supermarket. The kids shot out of the van as soon as it rolled to a stop, Steve calling out a warning after them while still listening to Eddie explain why Star Wars and Star Trek are actually very different but really good in their own way. Their conversation carries on as they hop out of the van, lock up and walk to meet at the front.

“I’m telling you, Star Trek is great. You would love it,” Eddie says, “you just have to give it a chance”.

Steve rolls his eyes at him, but Eddie can see his smile.

“Ok, alright,” Steve answers, “you can show me tonight then”, it’s almost too nonchalant. Eddie has to hide his grin.

Steve’s been suggesting they hang out more and more lately, and he can’t help but feel a bit hopeful. They clearly enjoy each other’s company, their time together is never dull, Steve seems to be really comfortable around him and maybe, just maybe…

“Should we get beers then?” Eddie asks, excited at the prospect of some more time alone with him. They haven’t had a weeknight hangout since Eddie fixed his van last week. He kinda misses the very specific color of Steve’s eyes in the Harringtons’ yellow living room lamplight.

“Yeah,” Steve says, his eyes get soft in a way Eddie only started noticing a couple of weeks back, “we can watch it at my place” he adds. Eddie thinks he definitely hasn’t seen him look at anyone else like that.

To shake himself out of the spell of the prettiest boy he’s ever met making the prettiest eyes he’s ever seen at him and ONLY him, Eddie grabs Steve by the wrist and starts marching them towards the supermarket’s front doors.

Without thinking, Eddie says "c'mon man," as they go.

Steve, who started easily following him (like he always does these days), suddenly stops in his tracks. Eddie gets pulled back and almost stumbles on top of Steve. He'd get flustered if Steve wasn't frowning at him like he’d just said the most insulting thing he’d heard this month.

"Don't call me ‘man’" Steve says. Eddie feels his eyebrows raise a bit.

He debates asking why but doesn't question Steve in the end. He’d rather offer understanding than judgement to him any day.

So, Eddie takes advantage of Steve's wrist in his hand, and squeezes there a bit, says "I'm sorry sweetheart" sincerely, looks into Steve's eyes so he can see Eddie means it.

Steve blushes a bit then, not really used to the nickname yet, Eddie just got the balls to start using it last week. Eddie himself is not really used to seeing Steve blush, and at something he says? It’s too much power for one metalhead.

But he gets distracted from Steve’s blush because it happens again, Steve basically preens like a peacock once Eddie switches nicknames. Looks smug, like he has Eddie wrapped around his finger and well, Eddie guesses he does, so, no arguments there either.

He just smiles back at Steve, really, has no other choice, it’s not like he can control how he reacts to the most gorgeous fucking face the universe could ever come up with. But he tugs him along again, Steve happily following this time.

The next time it happens, Steve’s leaning against his kitchen island, with Eddie leaning across from him against the counter.

The party is watching a movie in the Harringtons’ living room and at some point, Eddie got up to get himself another soda, Steve not so subtly followed after him, taking the empty popcorn bowls to the sink. He struck up a conversation and there they stayed.

Eddie’s been turning the small gesture around and around in his head. Clearly Steve’s not shy about seeking him out, and he’s obviously good with the party knowing, which means a hell of a lot because those are Steve’s people, that’s his family.

Eddie’s honestly running out of excuses to not ask him out. Seeing him reaching out to bump his sneaker against Eddie’s boot when he says something funny, laughing just a little too hard at Eddie’s dumb joke; seeing his eyes widen a bit when Eddie compliments him; seeing him notice when Eddie is holding back from talking too much, and not letting it go until he thinks Eddie’s shared all of his opinions on the subject; Eddie thinks maybe he can be brave, when it comes to Steve.

And this week might be the perfect time.

Here they are still, the movie long ended and several easy conversations floating from the living room to the kitchen, where they’re still engrossed on their own.

“I mean I taught the kid how to do his hair for god’s sake!” Steve is saying, Eddie’s laughing easily, and he has a slight suspicion Steve’s acting way more annoyed than he really is because he knows Eddie dies laughing every time Steve roasts the kids.

“Just, if he’s gonna give me hair advice, he should work on that goddamn tone. At the Very Least.” Steve finishes, Eddie giggling all the while at his Annoyed Mom tone.

"Yeah, dude!" Eddie agrees, wanting to egg him on, but Steve's face suddenly falls and whatever remark Eddie had locked and loaded just fades away.

Eddie blinks perplexed; he’s getting déjà vu.

Steve frowns at him, says "Don't call me ‘dude’".

It’s eerie, only he sounds a bit annoyed this time.

Eddie thinks, maybe someone called Steve ‘dude’ before in an unpleasant way, so he doesn't pry. Instead, he takes the chance to call him a nickname he likes more, and says "Sorry, pretty boy", his heart fluttering in the milliseconds he has to wait for Steve’s reaction.

And it happens one last time: Steve absolutely beams at that one, his smile so bright it makes Eddie want to jump in place.

He leans further back on the counter returning the smile, not noticing the common thread in Steve’s reactions to him switching nicknames.

But then the glint in Steve’s eyes suddenly brightens a dim corner of Eddie’s brain. He gets this feeling that reminds him of a perfectly set up riddle or finding that one perfect note for his latest song. It’s like everything suddenly just makes sense.

Eddie feels realization dawn on his face as he pushes himself off the counter to walk right into Steve’s personal bubble, grabs both of Steve's hands.

"Steve" Eddie says, not even caring that he sounds like the name is dripping in honey when it comes out of his mouth. With how sweet Steve is, it might as well be.

Steve just looks at him a little stunned, but doesn't say anything. Eddie draws circles in the back of his palms to reassure him.

"Why don't you want me to call you ‘dude’?" Eddie asks, trying to find out if this whole thing is what he thinks it is.

Steve looks down at their joined hands,.

"You call Nancy that sometimes..." Steve mumbles.

His answer would sound inconsequential to the unsuspecting, certainly would have to Eddie as late as last week, but Eddie thinks he’s finally getting it, and he hums his understanding.

"How ‘bout ‘man’?" he asks

Steve replies "You call Robin that sometimes..." his eyes still on their hands.

Eddie nods his agreement.

"I call everyone those things" he points out.

Steve agrees. "Exactly" he says, finally looking at him again, sounding annoyed and confirming Eddie’s suspicions.

Eddie feels his face split into a smile. He wants to grab Steve’s beautiful freaking face and just plant one on him.

"Can I still call you sweetheart?" he ventures instead. The nickname brings the hint of a smile to Steve's face but then he seems to realize something not so pleasant.

"Do you call someone else ‘sweetheart’?" Steve asks in return.

"No one" Eddie says, shaking his head, his tone vehement.

"Then yes" Steve finally answers. Eddie's heart wants to beat right out of his chest.

He interlocks their fingers to ground himself, Steve looks down at their hands and smiles at the sight.

"So, you don't want me to call you something I call someone else?" Eddie states, more than asks, calling Steve’s eyes back to his again.

"Anyone else" Steve confirms, holding his gaze.

Eddie lets out a small shuddering exhale and feels his heart fluttering in his throat, he really cannot believe this boy.

"Steve" Eddie drawls, dripping in honey again, his hands coming up to cradle Steve's face because he really can't resist anymore "Sweetheart" he says.

Steve's eyes grow a little wide and he starts blushing so much that Eddie can feel it in his palms.

"Steevieeee" Eddie sinsongs, squeezing Steve's face a bit "Pretty boy" Eddie calls him. Steve just keeps looking at him and a small smile blooms in his pretty, pretty face.

"Would you let me take you out to dinner this Friday?" Eddie finally asks him, his fingers curling to the back of Steve's head to play with his hair there. Steve's eyes get even wider.

" 's Valentine's this Friday" he points out. Eddie knows.

"Mmhm. Want you to be my Valentine." Eddie tells him, tugs his hair gently, "How's that sound?" he asks, bold in a way he never has been before. Steve blushing does things to him.

"Sounds nice" Steve answers. He smiles and nods while his hands hook on Eddie's belt loops.

"Then it's a date?" Eddie asks, trying not to sound too eager. He thinks he fails spectacularly but Steve beams and pulls him in to kiss his cheek.

"It's a date" Steve tells him, his breath ghosting on Eddie's cheek and making him shiver.

Steve pulls back, lets go of Eddie’s belt loops and tugs on a strand of his hair gently, smiling like the cat that got the cream as he walks back out into the living room.

Eddie’s gonna make this the best Valentine’s Day date Steve has ever been on.

3K notes · View notes