hm you know what I’m gonna be honest I don’t think Your Turn to Die deserved the danganronpa treatment

Golden Fleece

we as a fandom do not talk about this scene enough. what the fuck is this. why did he feel the need to install this? so he could stare at his boybestfriend all day without having to get up?

one thing that is fascinating to me about merrill's arc is the way narrative manages to convince a big part of the fandom that she's immature and irresponsible and overall stupid. what we know about merrill and what we actually see on screen is that she successfully avoids possession for 6 years while working closely with a demon, almost every time she participates in some magic/spirit-related discourse she acts calm and confident and has some interesting input, she actively uses her knowledge of dalish lore and tradition to reason with her keeper, and that she actually did make progress with fixing and studying an ancient long forgotten artifact no one knows particularly anything about. but then an old woman who's never been shown to be an undeniably wise and reasonable figure, a guy who got willingly possessed with no awareness of possible consequences and whose whole mindset is still deeply andrastian and a bunch of people who know nothing about magic start judging and doubting her and everyone's like. yeah. she's so fucking dumb.

Unforgivable

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Ominis is literally fave and bae <3

THEE audiodrama disguised as podcast

Arkngthand

heyyyyy have a dump of twitter ghg doodle reqs weeeeeee

The idea that GRRM is anti Tolkien is particularly funny because ASOIAF is sprinkled with rather intricate (and even passionate) homages to LOTR. And I can’t help but think of how Tolkien’s Fellowship, more specifically the Hobbits, may have inspired GRRM’s Night’s Watch. Jon Snow, for starters, is in many ways a combination of LOTR’s Frodo and Aragorn. And in the same way that Frodo, Sam, Merry, and Pippin are unexpected heroes in LOTR (because who looks to a hobbit as the face of an epic adventure?), Jon the bastard becomes the leader of a ragtag of socially disenfranchised men (in the form of the NW) who are anything but heroic. Sure there’s the odd knight or noble in there, but the NW is quite full of criminals and the very worst of the social order. The hobbits aren’t the strongest or the sharpest but they become the face of the fight against Sauron. And the NW, while being severely undermanned and under-equipped, has become the main force that stands against winter. GRRM even adds a love letter to Tolkien’s Sam Gamgee by adding his on Sam - Sam Tarly - who acts as a moral compass and counselor to Jon, in the same ways that Sam Gamgee is key to Frodo’s journey. And just like Frodo, Jon gets his very own pair of jokester friends, one of whine is even named Pyp. So it’s all very beautiful and nice, and we should talk about it more because it’s super evident that GRRM is a massive Tolkien fanboy. But I do have to say tho, GRRM’s take on Gandalf is exceedingly hilarious just because Melisandre is famously very bad at her job.

i think a lot of people should google datenschutz/gdpr and how it protects people who bring in a complaint to their workplace/place of study before you start calling for the investigation to be published

y’all out here saying Izzy’s death made no narrative sense because it’s a comedy show clearly haven’t seen the Shakespeare post…I’m sorry I really am but death immunity only applies to the romantic leads the genre has not changed babes

(I don’t mean this to be patronizing, but genuinely: critically analyzing and engaging with art is a skill, and an important one. it’s a tool that will help you in the real world, for real current events. use this as practice not to take everything at face value. sad art does not equal bad art!)

"US proxy war in Ukraine" Beating u with lead pipes

First & Sprite

—TWINS, Episode 1

tex red vs blue is insanely transgender but im the only one who sees it that way because im crazy in the head.

what if there was a past version of yourself. a woman, a wife, a mother, with long hair and a sweet smile. and she died long ago. and you are her. but you are not her. you're nothing like her, but the people who knew her desperately want you to be her, want to preserve the memory they have in their minds of the woman they loved through you. but you never asked to be her, never asked to carry the burden of someone else's expectation of who or what you should be. you have a new name. you prefer to go by this one. people remark on how weird it is that it's a guy's name. sometimes the people who loved [the past version of] you call you by your old name. they are not referring to you when they say it. you live in the shadows of someone who's long gone, and you're something different now, but you don't feel like you're ever allowed to define yourself on your own terms, to be your own person, to control your own life, because you exist solely through the memories people had of you. and the longer she has been gone for, the more desperately people try to get her back, the less you resemble her and the less you know who you are, or if you ever even got to be anything at all. what i mean is that transition could have saved him

Lal jumping Riker right after learning about dating is equivalent to booting up a game and immediately starting with the final boss

Usopp's constant negativity and anxiety are something useful and "positive" at the end of the day (eg: fight against Perona) because he doesn't necessarily need to change his views, he just needs to trust himself and his abilities more and he just uses what he has at the moment which is, you know, negativity. It is not something positive but it does keep him safe from danger and he will end up being proud of himself and stronger than he could ever imagine, but that doesn't mean he'll stop being negative. It's just another personality trait a lot of people have, and Usopp using it for his advantage is something great, I feel. He takes pride in being like that. He's loud and shameless about it.

Unlike Sanji, who dwells on his negativity on his own. Quietly. And lets it consume him without having any power over it. His self-sabotaging and self-sacrificing behavior often comes from a place of giving up out of fear of others getting hurt to save him because that's pretty much his core fear. Being a burden/Not being able to save the people he cares about from himself and his past. It's not something the manga shows that much in comparison to Usopp's negativity, but Sanji's pessimistic views are pretty much one of the reasons why WCI happens and why he puts himself in the worst situation in Wano.

And I think (this is why I'm writing all of this) that they're perfect for each other because Usopp could show him that being afraid and negative isn't something so bad. After all, at least Usopp is aware that if he can't do something, the crew will help him out no matter what. Usopp's negative, yes, but it's alright because he doesn't go through it on his own. Even if he does look shameless and "selfish" when desperately asking for help (he isn't, by the way. It's actually pretty reasonable to act like that). Sanji needs to learn to ask for help shamelessly too and he needs to stop putting all the weight of the world's negativity on his shoulders. They need to carry it together.

Like- There's just something so personal in Usopp going "Yes! I am scared. Frightened even. Please, help!" because he might not like that part of him and he's trying to be stronger and more independent every day, but he acknowledges that things can go south and his reaction is very fight or flight but pretty mostly flight to be safe. While Sanji's response is always to fight because he refuses to let others know he needs help in case something happens to them (and also because he feels ashamed of feeling weak). Usopp shares the responsibility and accepts that he's kind of a loser sometimes but Sanji refuses to do so.

This is just a thought about Sanji learning that being a coward and asking for help isn't bad because they're meant to do stuff like that, and Usopp growing to be stronger and independent but not necessarily stop being pessimistic because sometimes you just... Are like that. Sometimes you're scared. Sometimes you have anxiety. And that's alright. You can be strong anyway.