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#which im tagging just because
chelshiart · 2 years
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just a friendly round of sibling death match :)
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kaladinkholins · 1 month
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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clown-owo · 9 months
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I couldn't get this out of my head
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notsogoodangel · 5 months
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Guess who made a QSMP AU about Martyn being on the Island?!
This is just some barfing I did while dealing with Carpal Tunnel, so if you see some of them and think, "Why is the lineart so bad here?" That's why. I developed Carpal Tunnel and refused to stop and/or remove my brace.
Anyway, I still have no idea how Martyn would have gotten to the island within the logic on the island, like I'm sure Doc sent him there, but I have no idea if he would have being already there or was sent on a boat by the island or what. I do know that they will probably contact him because of his experience dealing with Watchers as someone who seemed to break out of their grasp, and the Federation thinks what they have on their hand is a Watcher since, you know, tricked a bunch of people into a secluded area and forcing to kill each other for its entrainment is all very Watcher-y behavior.
What they didn't know is that he seems close to the notorious Federation hater and anarchist Philza, like, sure, they look similar, but you can't blame them! All white men look the same!
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jestroer · 6 months
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There is a lot of things that are facinating to me about cletho dynamic, but maybe the funniest thing to me is the progression of it all, because I remember Cleo saying that they didn't really interact a lot with Etho before Last life, so really most of the whole dynamic developed just in the last two years and it went through so much so fast.
First their Last life alliance which was a whole thing on it's own, then it was the whole thing of Etho being deathly afraid of Cleo, then they went to being extremely mean to each other in a very funny way and just the way they were while playing TCG is it's own beautiful thing, then Limited life divorce happened, and now we have whatever Secret life presented us with. They literally have done it all,
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hmmbo · 8 months
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can't stop thinking about this post by @8o8o8o8o8
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peaceandlove26 · 1 year
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silly… silly little dog
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modernbaseball · 1 year
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do you think kendall and stewy ever...u know...Smith College Girls for i-D Magazine 2004?
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victarin · 8 months
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done for the weekly prompt in Dca enjoyers discord :) sun and moon watching The Last Unicorn (their first movie outside the pizzaplex) bc i kept thinking abt it
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realbeefman · 7 months
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stacy is sooo interesting because she's in love with house but knows that they will never ever be able to have a healthy, stable, sane relationship because they're too similar so. she finds house-lite instead and marries him and. essentially moves on with her life! and is successful in this because she's a moderately well-adjusted person!
wilson, in contrast, never manages to escape the inevitable, in spite of his best efforts to find a house-lite of his very own, because he's an absolute fucking freak and ends up glued to house to the bitter. bitter end
#yeah im too sleepy to revise this. UNFILTERED posting wooahh#some may b shocked but i do actually read thru most of my posts several times to make sure i didnt accidentally write mein kampfe 2#recently ive come to the realization that i am in fact not an incredibly chill person#and that the constant paranoia and fear in which i live my life is actually PROBABLY a symptom of severe anxiety#like damn. ive always known that im pretty prone to depression but ive preetty much always been aware of that#my mom is a chronic depressive so i know the symptoms i know the signs i have a pretty good arsenal of healthy coping mechanisms#UNFORTUNATELY mommy's mental health problems did not help her not abuse me as a child#so i ended up being a terribly anxious kid who was constantly being screamed at and told i was overreacting (because i was. because i had#a severe anxiety problem that was making me react irrationally.) to everything all the time#which is you know. it is VERY difficult to deal with a mental health problem when you arent aware you have a problem!#its incredible how much. better. my life has gotten since i figured this out and started actively trying to work out what triggers it#and being able to like. realize 'oookay. there is an Issue here and it needs to be overcome'#instead of just beating on myself constantly for not being able to do things without feeling sick or getting breathing problems!#anyways. trauma dumping in tags is over now!#house md#hilson#greg house#james wilson#stacy warner
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spamsandsuch · 4 months
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collection of (most) sweet capn cakes stuff ive drawn these past couple of months
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moeblob · 28 days
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Sorry I forgot Hanneman suggested Byleth undress after they show up with a different hair color. And I miss Hanneman. And also while swapping between Houses and Hopes and seeing Hanneman pop up to help in a Hopes paralogue is just devastating since he doesn't ever actually join you at all and I am denied my old man rights.
So I had to draw this. Thank you for understanding.
#fe three houses#byleth#hanneman von essar#i like that Byleth just kinda stares at him and he realizes WHAT HE SAID and the implications and is like#step back uh forget that I said that#like man so zoned in on research he blurts that out and has to backtrack mentally to AH socially bad to say that my bad#if i need to tag this as anything lemme know even though it is a conversation in game basically (minus the marriage)#also if you have never married hanneman i genuinely enjoyed his s support and was VERY surprised and hes just#honestly one of my favorites overall in 3h ?? and im still bummed i cant play as him in thropes like thats just mean#also i think if byleth was like oh well if its awkward to see someone undress randomly#then marriage would solve the awkwardness this is truly the best deduction#which is really funny that i can see it happening with both leths despite my hc of them#with fyleth as bi and myleth as ace i think both would just be like AH cool we can avoid awkwardness by marriage#and hanneman just wants to go lie down in a ditch because he said something like that#and and byleth doesnt even know about religion while working at church school they dont know about school regulations#that wasnt really on their mind to check ok just saying you could tell byleth no to something#and then they just go oh school policies i understand unfortunately#and the person is like no we just meant its frowned upon to do archery practice in the tea garden its not technically illegal just dont??
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fantasykiri5 · 8 months
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BEHOLD! Smallidarity
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sonknuxadow · 3 months
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am i the only one who still thinks that they didnt do enough with rouge in sonic prime. and not in a "she didnt get enough screentime" sort of way but in a "they didnt seem to be putting as much thought into what they were doing with her as they were with the other main characters" sort of way
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sparring-spirals · 8 months
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im still thinking about that moment last episode where they're planning how to approach dancer and we got:
Ashton: "yeah we should go in with a ginger approach, make sure she doesn't run"
Imogen with complete sincerity, immediately: "so should i just go and calm her emotions right away?"
Ashton with zero judgement or concern: "that, or i was going to pin her down, but that's cool too."
and then when FCG naturally panics over why are we attacking dancer they both turn in sync to be like! No!!! not attacking. restraining. 👍 :) like what. you're both. mildly messed up on exactly the same wavelength here. i love them both so much. what do you mean overkill. this IS my ginger approach. I'm Doing The Job By Whatever Means Necessary Why Are You Yelling.
Something something two people who have spent their lives learning to suppress their flinch/doubt reflex when in a crisis. Out of a horrible necessity. Those two Problem Solving together with a casual sort of callousness. and looking at each other like 👍? 👍 meanwhile FCG is in the background going "wait we're talking about attacking her???" "no of COURSE not, just restraining!" god i adore them.
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jestroer · 10 months
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late night Wels in a cute outfit
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