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teamwagnermoura · 9 months
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Wagner Moura in Wasp Network
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alex6186 · 2 years
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My WCW aka Woman Crush Wednesday Cuban-Spanish Actress Ana de Armas
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#WCW #WomanCrushWednesday #WCE #AJBWCW #Actress #AnadeArmas #CubanSpanishActress #CubanSpanish #KnivesOut #DeepWater #NoTimeToDie #BladeRunner2049 #TheGreyMan #WarDogs #BlondeMovie #OverDrive #TheNightClerk #ChinesePuppy #TheBoardingSchool #Corazón #porunpuñadodebesos #Madrigal #TheInformer #Sergio #WaspNetwork #SpiesInDisguise #HispaniaLaLeyenda #BeautifulWoman #BeautifulActress #HandsOfStone
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seakclauswinkler · 2 years
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Dna Guck Loch & Dna Cook Loch and Dna Cook Loch end Dna Guck Loch . He who hesitates mastrubates. If you hang these paintings up your mansion, estate, town house, iceberg home, super yacht, villa, you will be the bull, the tough lover from your wife, nda girlfriend, mother of your children, and the artist will be the cuckold, the weak providing beta male. You the grand art collector will be the lion hunter, the slayer of dragons, the Hannibal, the Alexander the Great, the Ulyssses S. Sherman, the Carl Martell, the Simon Bolivar, Marc Anthony, Longstreet, Grant, Lee, Dien Bin Phu, Marshall Ney, Hero of the Sowjetunion, Knights Cross holder with oakleafs, Formula One Racing stable Owner, Kunta Kinte, Kapo de tutti Kapi, Sir Arthur Wellsley, Sealord Nelson, King Salomon, Sir Henry Morgan, Sir Francis Drake, Etc, etc etc. Among of course there peers, but, a little higher, better, grander. Of course your not like that. All good. I understand. Anyway these masterpieces will give you the ease, the quiet, the inner peace, you deserve. First output. These paintings, are work in progress. Subscription waiting list. By international famous german artist SEAK Claus Winkler. Painted from both sides. Hnwi and above. One side shows the artists typical way of painting, his letters, with in his unique style, saying the word ‘ Seak ‘. The other side for your eyes. From this rare format he just did circa these paintings. He is too busy painting although all the other usual surfaced formats. The paintings when ready will be detailed abstract futuristic realism. In his style. #redpillrevolution #Masterpieces #conciergetravel #seniorconcierge #concierge #superyachtworld #superyachtinteriors #longpainting #longart #longartwork #kürzer #Shorter #shortpainting #shortart #slimart #unusalformat #longcanvas #SEAK #ClausWinkler #SEAKClausWinkler #trustfundbeauty #trustfunds #waspnetwork #affluentlifestyle #highnetworthindividual #art #artist #gallery #Firstoutput #erstausgabe 🧬 (hier: Nassau Bahamas, Coco Cay, Royal Caribbean, Navigator of the sea) https://www.instagram.com/p/Ci4nLRqoVmR/?igshid=NGJjMDIxMWI=
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weekendwarriorblog · 4 years
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The Weekend Warrior Home & Drive-In Edition June 19, 2020 – YOU SHOULD HAVE LEFT, BABYTEETH, MISS JUNETEENTH, 7500 and More
We’re three weekends into June and New York City is still in Phase 1 of reopening (movie theaters will presumably be in Phase 4), but I’m already hearing that movie theaters will continue to reopen over the next few weeks with New York and L.A. finally opening on July 17, which is when we’re supposed to get some new theatrical releases. We’ll see if that happens or not.
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In any other week, the Blumhouse psychological thriller YOU SHOULD HAVE LEFT (Universal), which reunites Stir of Echoes director David Koepp with that film’s star, Kevin Bacon, would be getting some sort of theatrical release, probably in 2,500 theaters or maybe more. Instead, it’s going to the same PVOD platform used by Universal for Trolls World Tour and last week’s The King of Staten Island, which is kind of shame. Not that I can say whether I liked the movie or not since I’m under embargo, but I can at least say what the movie is about, kinda.
Bacon and his significantly younger actress wife, played by significantly younger actor Amanda Seyfried, move into a house in Wales with their young daughter Ella (Avery Essex), and then all sorts of strange things start happening… and that’s probably all I can say about the plot without spoiling stuff, although I will say that if you like high concept mind fuck movies, as I generally do, this is a doozy!  [I’ll add my mini-review for this here once the embargo breaks on Thursday morning, and also I’ll have an interview with writer/director David Koepp over at VitalThrills.com around the same time.)
Mini-Review: When you come into a movie like You Should Have Left after having seen David Koepp’s previous movie Stir of Echoes with Kevin Bacon, you might imagine that would have been a tough act to follow. In fact, Stir of Echoes, while it still has some cool ideas,  hasn’t aged particularly well, especially when you realize that it opened just a month after M. Night Shyamalan’s The Sixth Sense. As it were, You Should Have Left has a few similarities beyond Mr. Bacon, but it’s also a very different movie that benefits from fitting into the mold of some of the better recent Blumhouse movies.
In this one, Bacon plays Theo Conroy, a man with a troubled past an an extremely attractive and significantly younger wife, aptly played by Amanda Seyfried. There are already problems in their marriage when we meet them, but soon afterwards, they’re renting a house in a remote part of Wales in order to get away with their young daughter (Avery Essex). Conroy is still being haunted by the death of his previous wife, for which he was blamed but this new abode starts giving him horrifying nightmares as well as odd circumstances with the house having all sorts of nooks and crannies that should not be geographically possible. (I’m trying to be vague as possible with the plot since there are definitely some nice plot twists and definite spoilers.)
It’s a fairly simple set-up as we watch things get worse and worse for Theo as he discovers that his wife has been cheating, and the house starts getting more threatening with Theo worrying even more about his daughter. But this isn’t a cheesy horror movie like House, and maybe at times, it couldn’t even really be thought of as quote-unquote “horror,” because it isn’t particularly scary until the third act when it does start getting VERY scary.
Of course, Bacon’s performance is going to be something eyed carefully to see how he’s grown as an actor in the 21 years since Stir of Echoes, and he certainly has, but it’s often his youngest co-star, Avery Essex, who not only steals the scenes but also pushes him to even greater heights with her own ability to keep things grounded and real even when things start getting crazier.
You Should Have Left is another fine Koepp chiller that frequently leaves you guessing about what is happening with its suitably claustrophobic mind-fuck esthetics and another well-nuanced performance by Bacon. It’s eerie and disturbing but also has an epilogue that somehow comes across as surprisingly sweet and even somewhat sentimental.
Rating: 7/10
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Fresh from its much-lauded premiere at Sundance comes Shannon Murphy’s directorial debut, the quirky Aussie comedy BABYTEETH (IFC Films), which stars newcomer Eliza Scanlen as Milla Finlay, a teen girl with a disease that’s killing her, who falls for a drug dealer named Moses (Toby Wallace). Ben Mendelsohn and Essie Davis from The Babadook plays Milla’s disapproving parents, lecherous psychiatrist Henry and manic-depressive Anna.
Apparently, Murphy’s movie is based on a play written by Rita Kalnejai, which played a sold-out run in Sydney back in 2012, and while there are elements that make it seem obvious it’s based on a play, what Murphy has done with the material takes it far beyond its source material. I especially enjoyed the way it deals with young first love in a fairly sweet way but also in a very realistic way.
At first, Babyteeth is a little strange, maybe not quite on the level of strange of some of Miranda July’s work or the movie Lemon (which I hated) in that it’s actually watchable, but more like Taika Waititi’s Hunt for the Wilderpeople. Incidentally, all of those films premiered at Sundance just to give you some sense of the programming there, but it also reminds me more positively of Me and Earl and the Dying Girl, which not only premiered at Sundance but won both the Jury and Audience Award that year, so yeah, Sundance is nothing if it’s not a little predicable.
Eliza Scanlen and Toby Wallace are both great, but it’s all the quirky characters surrounding them that makes you unsure where it’s all going, but don’t be fooled by the film’s earlier quirkiness, because it does go to a few rather dark and dramatic places. Again, I liked it in a similar way as I liked Earl, and it’s a really strong directorial debut with fantastic musical choices, and I’ll be really curious to see whether people discover it right away or it becomes a cult favorite over time.
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Channing Godfrey People’s new indie drama MISS JUNETEENTH (Vertical), starring Nicole Beharie, is probably one of the more relevant releases of the weekend because Friday is the annual Juneteenth celebration. Beharie plays Turquoise Jones, a woman who won the town’s annual Miss Juneteenth pageant decades earlier who now has a teen daughter Kai (Alexis Chikaeze) entered in the pageant.
I will freely admit that a few weeks back, I had no idea what Juneteenth was or what it represented, although I kept seeing it listed in my ICal every June 19. Then I heard about this movie and shortly after, I saw it referenced in Ava DuVernay’s Selma on a recent rewatch, so I looked it up – thinking maybe it was more of a Southern thing, which it is – and sure enough, it’s the date when Texas abolished slavery in 1965. I’m so glad that was settled.
Okay, back to the movie. I definitely was interested in it since like Babyteeth, Miss Juneteenth debuted at Sundance, but as expected for a festival mainly attended by critics from New York and L.A., it didn’t get very much attention, so it was probably always going to get a VOD release.
It mainly follows how Beharie’s character comes to term with not achieving some of the greatness of past Miss Juneteenth winners and hoping her daughter will achieve more than she did by winning the pageant.  Kai really isn’t too interested in achieving greatness in the way her mother wants, as she would rather be a dancer. (Since it’s implied that Turquoise spent many years making money by stripping, it would make sense she wouldn’t that for her daughter.)
I kind of wish the movie did more interesting things with the characters but People’s screenplay is decent but not great, and it’s elevated by the talented Ms. Beharie and others. The interesting thing about Miss Juneteenth is that not only did the movie grow on me as I watched it, but it also oddly really stuck with me after it was over, even though it’s more of an intimate personal story about one woman rather than a bigger exploration of the holiday itself.
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Joseph Gordon-Levitt makes his return to the screen (just not the big one) in Patrick Vollrath’s action-thriller, 7500 (Amazon Prime), playing the co-pilot of a German plane that’s hijacked by terrorists. I wish there was more to say about it beyond that simple plot, but there really isn’t, and the majority of the film takes place in the cockpit as Gordon-Levitt’s Tobias Ellis watches other activities taking places on monitor screens.
I’ve always been a fan of Gordon-Levitt as an actor but this material generally seems below his talents, and his performance falters suitably while trying to make more of what’s a fairly dated and tired script. On top of that, it’s just brutal to watch at times, and that’s not necessarily a good thing, despite the film’s intent at being a thriller. (One plot decision pissed me off so much I almost stopped watching.)
Honestly, I’m not even sure why they called this movie 7500, since there was already a horror movie called Flight 7500 a few years back, and that isn’t even the number of the flight in the movie, so this whole thing left me rather puzzled, not only how and why it got made but why it couldn’t have been even just slightly better.
Netflix got the rights to Olivier Assayas’ latest, WASP NETWORK after it played a bunch of festivals last fall, including TIFF, Venice and the New York Film Festival, and the streamer will premiere the spy-thriller starting Friday. It reunites Assayas with his Carlos star Edgar Ramírez, who plays René González, a Cuban pilot who flees Cuba to defect to the United States, leaving his wife (Knives Out’s Ana de Armas) and daughter behind. Once in Florida, he joins a group of exiles called the Wasp Network, led by undercover operative Manuel Viramontez (Gael Garcia Bernal) and becomes part of a pro-Castro spy ring infiltrating Cuban-American terrorist groups. I wasn’t hugely interested in the subject matter when I tried watching it at the NY Film Festival, and part of that was maybe because like Carlos, it requires a lot of patience and concentration that I’m sure I didn’t have last October. I hope to have a chance to rewatch it this week, and if I get all the way through it, I’ll add some sort of actual review.
Ross Boyask’s action-thriller sequel I AM VENGEANCE: RETALIATON (Saban Films/Lionsgate), once again stars former WWE wrestler Stu Bennett aka “Wade Barrett” as ex special forces John Gold who goes for justice (and vengeance and retaliation, if that wasn’t clear from the title) against the man who betrayed his team on their final mission, Sean Teague, as played by Guy Ritchie regular, Vinnie Jones. Haven’t had a chance to watch this in time to write about it for the column, but I also never got to watch the previous I Am Vengeance, but hopefully I’ll have more time before its digital debut on Friday.
Another film opening in Virtual Cinema (which is definitely the “new normal” these days) is Yonatan Nir and Dani Menkin’s documentary PICTURE OF HIS LIFE about acclaimed underwater wildlife photographer Amos Nachoum and his greatest challenge to photograph a polar bear while swimming with one in open waters sans protection. Another movie I wasn’t able to get to before writing this column – noticing a trend there? -- but it certainly sounds interesting, especially if the cinematography is as good as I’m expecting from watching the trailer.
I will freely admit that I’ve been a bit hit or miss on the recent work of multi-Oscar-nominee Agnieszka Holland and her more recent work, and her new film MR. JONES (Samuel Goldwyn) is another drama set during WWII as with her previous film, In Darkness. Thus one is written by Andrea Chalupa and stars James Norton as Gareth Jones, an ambitious journalist who goes to Moscow looking for the truth behind Stalin’s Soviet propaganda machine that is trying to sway the Western World in its battle against Hitler.  Apparently, this would later inspire George Orwell’s Animal Farm, but honestly, this subject didn’t really interesting me, and neither could the presence of decent actors like Peter Sarsgaard and Vanessa Kirby. Either way, it will be released on digital this Friday then On Demand on July 3.
I’ve heard good things but haven’t had a chance to see Theodore Collatos and Carolina Monnerat’s documentary, Queen of Lapa (Factory 25), which is about influential Brazilian transgender activist Luana Muniz, which won the Grand Jury Prize at the 31st edition of New Fest, New York’s LGBTQ Film Festival, as well as a selection of a number of other film festivals.  Muniz was a cabaret performer, sex worker and activist who helped humanize Rio’s transgender sex workers.
Related to this, Netflix will also debut Sam Feder’s doc Disclosure this week, looking at the way trangender men and women have been depicted in film and on television with leading trans creatives and thinkers like Laverne Cox, Lilly Wachowski, Yance Ford and others being interviewed. I haven’t watched it yet but will check it out when it debuts this Friday.
Hong Sang Soo’s 2006 film Woman on the Beach (Grasshopper Films) is premiering as part of Film at Lincoln Center’s Virtual cinema, which is actually one of my favorite films by the director.
Downtown at the Film Forum’s Virtual Cinema, you can watch Matt Riddlehoover’s doc My Darling Vivian (The Film Collaborative) about the relationship between Vivian Liberto and one Johnny Cash, who had a three-year long-distance relationship while the classic country singer was stationed in Germany and got married when he returned and became a household name.
This week’s rep stuff being added to Film Forum’s Virtual Cinema include Robert Hamer’s original 1960 comedy, School of Scoundrels (Film Forum/ Virtual), starring Alastair Sim – part of the trilogy of Sim films which will be available for rental through Film Forum -- and Jean-Pierre Melville’s 1953 noir, When You Read This Letter… 
Apple Plus will be debuting Bryce Dallas Howard’s documentary Dads (just in time for Father’s Day!), which looks at fatherhood through a number of well-known fathers including Will Smith and one Ron Howard.
Other films that I haven’t had as much time to look into include Mope (Quiver Distribution) and  The Pollinators (1091).
This week begins two more annual festivals, both of them going virtually with the  AFI Docs Film Festival (done in conjunction with NBC’s “Meet the Press”) running from June 17 through June 21 and the Lighthouse International Film Festival, based in New Jersey, which will run from June 16 to 20. The latter’s opening film is Rod Lurie’s military drama The Outpost, which I’ve been looking forward to seeing for quite some time, while the Centerpiece film is Summerland. This week’s Oxford Film Festival offerings include the narrative feature, The Killing of Kenneth Chamberlain, will debut on Sunday. Unfortunately, you’ll have to live in Mississippi, Tennessee or Alabama to see the The Rabbi Goes West, presented by the Jewish Federation of Oxford.
Next week, more movies not in nearly as many theaters as usual… including (finally!) My Spy!!!
By the way, if you read this week’s column and have bothered to read this far down, feel free to drop me some thoughts at Edward dot Douglas at Gmail dot Com or drop me a note or tweet on Twitter. I love hearing from readers … honest!
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insomniacwland-blog · 4 years
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www.anadearmas.net
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infinitividades · 4 years
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giorginodj · 5 years
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#Repost @penelopecruzoficial • • • • • Thank you so much! @ralphandrusso @atelierswarovski @gregoriastylist @pabloidbeauty #waspnetwork #venicefilmfestival https://www.instagram.com/p/B17OJKOI-cL/?igshid=wq2jd00a90ku
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gaelgarcia · 5 years
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edgarramirez25: Los 🐝pones #waspnetwork #tiff
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penelopecruzarg · 5 years
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Penélope Cruz, wearing Atelier Swarovski, attends "Wasp Network" photocall during the 76th Venice Film Festival in Venice, Italy.
Photo by Vittorio Zunino Celotto/Getty Images
#PenelopeCruz #VeniceFilmFestival #WaspNetwork #ralphandrusso #venicefilmfestival2019
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tradefx09 · 1 year
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Penélope Cruz Sánchez
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antonioscarinci · 5 years
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#Repost for @ralphandrusso with @appreposter Spanish beauty @penelopecruzoficial turning heads in #RalphAndRussoCouture on the #RedCarpet of #WaspNetwork at the #VeniceFilmFestival. Video courtesy of @bazaaruk https://www.instagram.com/p/B19n7f0AuHL/?igshid=s4bwlmvok5o9
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julianflynnactor · 4 years
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Julian Flynn in #waspnetwork Kudos to #olivierassayas #edgarramirez25 #cast and #crew it was an honor to be part of this incredible #film . . . . . . #laredavispa #cubannetwork #netflix #netflixfilm #actor #entertainment #cast #cinema #movie #rtfeatures #memento.films #orange_studio_fr #cgcinema #cuba #habanacuba #films #movies #moviescenes #filme #cine #tv #peliculas #edgarramirezit #webofedgar (at Aeropuerto Internacional Juan Gualberto Gómez, Varadero, CUBA) https://www.instagram.com/p/CB4uILUJcSW/?igshid=36osixpfmii2
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brendanmcnamee · 4 years
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‘Wasp Network’ surveillance clip. 
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estebanrafaeljr · 5 years
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#elnuevoherald ・・・ 🇻🇪 ¡Orgullo venezolano! El actor @edgarramirez25 tomó un momento para compartir su bandera con las cámaras y la audiencia del Festival de Cine de Venecia. Video Crédito: AP & Orange Studios. Haz click en los stories para saber más de la película que promociona. #venezuela #edgarramirez #thewaspnetwork #waspnetwork #elnuevoherald #penelopecruz https://www.instagram.com/p/B18C6_uFyIU/?igshid=11idk287bc01r
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ramascreen · 4 years
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Watch Penelope Cruz In This New Trailer For WASP NETWORK #Netflix has released this trailer for their new movie #WaspNetwork which had previously premiered at last year's Venice and TIFF festivals.
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twitter2020netflix · 4 years
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Germany Hints at Sanctions on Russia Pipeline After Alexei Navalny Wakes From Coma
Germany Hints at Sanctions on Russia Pipeline After Alexei Navalny Wakes From Coma
BERLIN—Germany signaled it is prepared to reconsider its Nord Stream 2 gas pipeline project with Russia in light of the poisoning of Russian opposition figure Alexei Navalny, who was roused from an induced coma on Monday.
Chancellor Angela Merkel, who has been a champion of the pipeline project, couldn’t rule out including Nord Stream 2 in possible sanctions against Russia should Moscow fail to investigate Mr. Navalny’s poisoning, a spokesman for the German leader said.
Germany’s reaction would depend on Russia’s actions in the coming days, the spokesman said.
Berlin’s Charité hospital said Monday that Mr. Navalny had been awakened from a coma and was responsive. German scientists determined last week that the opposition figure had been poisoned with Novichok, a Soviet-era military-grade nerve agent.
Mr. Navalny, who was flown to Berlin for treatment with the help of the German government on Aug. 22, could still suffer long-term damage, the hospital said. He is now being weaned off mechanical ventilation as his condition improves, according to the clinic.
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