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hopelesslysleepy · 13 hours

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Maybe I just need to rewatch the first 30 minutes of Hard Times and then everything will feel better.

#good omens #through the ages #crowley #aziraphale #ineffable husbands #ineffable idiots #good omens s1

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feralbutfluffy · 6 months

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Give a Man a Mask

The man who caught Aziraphale’s eye was lounging rather indecorously on one of the many benches lining the walls of the ballroom. He (because despite every inch of them being covered, Aziraphale was sure it was a he) wore a well-tailored black velvet suit jacket that fit snuggly over a black waistcoat intricately embroidered with gunmetal filigree. Underneath the waistcoat, Aziraphale could just make out a black shirt and a flash of burgundy lace at the man’s throat. Black leather gloves laced up around his wrists, and matching knee-high boots fit snuggly over the man's fitted black trousers.

Aziraphale sighed with envy. He could never pull off something like that.

Of course - he told himself - it wasn’t the man necessarily that had caught his eye. It was the clothing; he had always noticed and admired fine clothing, and his outfit really was exquisitely made.

Besides, it was hard not to notice someone who had dressed in such stark contrast to the rest of the guests. It seemed everyone else was dressed to excess, resplendent in feathers and lace, gemstones and pearls. This man’s costume, by contrast, was downright modern; minimal but striking, yet still in keeping with Carnivale. The handstitched leather Plague Doctor mask beneath a black tricorn hat completed the look. It should have looked offputting, really...

It did not.

The man looked less like a man, Aziraphale thought, and more like a long black shadow curving against the wall. Aziraphale popped a fritelle into his mouth and chewed it slowly before swallowing.

If he was honest with himself (which he would prefer not to be, all things considered) he knew what had really attracted his attention; there was something about him - the lazy confidence evident in the way he was sitting, or the dark clothing perhaps - that made him think of Crowley. He hadn’t seen the demon in a few years, and although he was absolutely loathe to admit it even within the privacy of his own mind, he did rather miss him.

Well. He missed him and worried about him in equal parts. Handing over the thermos of Holy Water a few years before had certainly ramped up his anxiety.

He was extremely glad of his full-face volto mask as he watched the figure out of the corner of his eye. He popped another fritelle into his mouth under the mask, chewed, and swallowed with a little groan of pleasure. They really were delicious.

The Plague Doctor swiveled to face him as if he had heard him, and although there was no possible way the stranger could have heard anything of the sort from across the crowded ballroom, Aziraphale blushed ferociously. The heat of it was almost unbearable behind his full-face mask.

He turned his body away from the man, staring down at the sweet delights laid out on the banquet table, and tried very hard to ignore what felt like a heated stare. He gazed down at the galani, his mouth suddenly dry.

Although he was almost expecting it, the dark presence at his elbow a moment later made him start.

“Buonasera, come sta?” said the Plague Doctor in perfect Italian, tipping his hat in a quick formal bow.

Aziraphale had been right about it being a man.

He jerked back at the greeting, startled by the man’s sudden proximity, and scrambled for a reply.

“Oh! Buonasera!” Aziraphale could think of nothing else to say. He cringed behind his mask and wondered if he could miracle his way out of a conversation that was embarrassing before it had even begun.

The Plague Doctor was wearing a zendale beneath his tricorn, and the silk hood concealed every part of his head not covered by mask or hat. He tilted his head, looking like a curious raven, and rested both his gloved hands on top of a cane Aziraphale hadn’t noticed before. His tight grip - Aziraphale could see his knuckles straining against the leather of his gloves - obscured most of what looked like a beautifully carved gunmetal handle.

He looked up. The large eyesockets of the mask were filled with dark glass lenses, revealing absolutely nothing. Aziraphale smoothed down his more traditional costume. The cream and white concoction with gold embroidery and an abundance of lace ruffles had rather delighted him when he’d stepped out this morning, but it felt quite indulgent next to this austere creature.

“I trust you are enjoying yourself?” said the Plague Doctor in an extremely thick Italian accent, leaning forward on his cane so that the beak of his mask almost punctured his bubble of personal space.

“Oh yes, very much so!” Aziraphale nodded, wondering what had drawn this man to his side and how he could possibly reverse it. For all that he had been intrigued before, he hadn’t intended to actually engage the stranger in conversation. There was something extremely unsettling about him up close. Perhaps it was the costume, or the way he was standing; it was patient, watchful, almost… predatory.

Aziraphale shuddered, and the Plague Doctor’s head tilted the other way, making it clear he had noticed.

“Va bene, Signore?” Are you well?

Aziraphale nodded quickly. “Oh yes… Sto bene!” I am well. There was a brief pause while he summoned up formal Italian and hurriedly added a thank you. “La ringrazio!”

The Plague Doctor nodded. “How did you come to be here?” The words came low and slow, and Aziraphale felt the hair on the back of his neck stand up, his skin prickling with awareness.

He had always had a bit of a weakness for the Italian accent.

“It was suggested to me by the concierge at my hotel,” he smiled, even though the man couldn’t see it. “He thought I might enjoy it, and he was right! I am enjoying it tremendously! The food alone...!" He made an appreciative noise. "How did you…? Are you local to the area?”

A slight tilt of the head as if the Plague Doctor were considering his question. It was surprising how demonstrative he was able to be without a single facial expression.

“Not exactly,” he said, and Aziraphale thought he could hear a smile in his voice, “Although for tonight... Certo. If you like.”

The man swept into a much deeper, more theatrical bow than before. The black feather in his hat almost grazed Aziraphale’s chest. “This is my palazzo - my festa - and I am your host for the evening. You are…” he said, and straightened, holding out his hand. When Aziraphale hesitated, the man crooked his fingers impatiently and for some reason Aziraphale obeyed, quickly placing his white silk-gloved hand in the man’s leather-clad grip.

“... You are extremely welcome here,” the man finished, bringing Aziraphale's knuckles to his mask.

It didn’t seem to matter that there were no lips there to brush against his hand; Aziraphale felt it as if the man had kissed his knuckles open-mouthed. A dart of something hot and unutterable shot through him, flared up and burnt out, thankfully vanishing before Aziraphale had time to recognise it and panic.

“Yes. Well. Thank you. La ringrazio,” he said, feeling flustered.

“No need for such formality, Signore,” the Plague Doctor said warmly, tugging his hand without warning to bring them shoulder to shoulder. He tucked Aziraphale’s arm into the crook of his elbow and patted his hand as if to reassure him that it was alright.

Aziraphale thought that it was probably not alright.

Surely it was not alright to walk arm in arm with a total stranger? Surely there was something morally grey about taking a turn with a mortal Italian dandy who apparently owned a palazzo and, by extension, the many sweet treats Aziraphale had been helping himself to throughout the evening?

If nothing else, surely he should feel some guilt or shame about enjoying the closeness of a stranger who reminded him so much of Crowley?

#good omens fic #good omens fanfic #ineffable idiots #crowley and aziraphale #aziraphale x crowley #mutual pining #they're morons your honour #happy halloween #good omens fanfiction #good omens oneshot #through the ages #aziracrow #not halloween but close enough #oiche samhain #because I'm struggling #Aziraphale in Venice #why not #ineffable #good omens

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aziraphales-library · 6 months

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Hi! I can't for the life of me find a fic in which The Arrangement has become sexual over the years that Crowley and Aziraphale have known each other and they are at one point taken to the same city and they live for bit as a married couple (with fantastic vag sporting Azi action) and then they keep the rings and everything hurts and ??? Help?

Hello my dear! You're looking for:

You, Soft and Only by thehoyden [9400 words, rated E]

He hadn’t expected a sudden lapful of angel.

“Very sorry about this,” Aziraphale said, and kissed him.

Please do enjoy!

-Mod AB

#ineffable husbands #crowley #aziraphale #fic rec #adult omens #Good Omens through the ages #through the ages #Good Omens #Good omens fanfic #Good omens fic recs #good omens fanfiction #mod ab

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fuckyeahgoodomensfanfic · 27 days

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Good Omens Fic Rec: Oh, Maker

"The humans are strange and graceful as they explore the garden, explore themselves, explore each other. The trouble is, the humans stare back, which makes him uncomfortable; there’s nothing particularly interesting about him. And, though he rarely admits it to himself, the humans make him lonely; he has no Other to explore." Or: how many times can you take a bath with your best friend before you kiss him?

Length: 57,034 words

AO3 Rating: Explicit / Spice Level 🔥🔥🔥

Best for: Mostly Safe in Public, At Home, Angst, Romance, Slow Burn

Triggers: None/ Religious Trauma themes

Read it here, fic by voluptatiscausa

*Minor Spoilers* I've had this fic bookmarked for months, I love this author and all the stories of theirs I've read. But my ADHD often has me piling on more without diving into what I already have saved. So, when I was about to begin the author's latest fic, I paused. I realized I needed to prioritize this story first, and appreciate it fully. And now, I want you to do the same!

This is a pre season 2 "through the ages" story, visiting some of the historical settings we're familiar with and adding new ones as well. We watch as the weight of the world hangs on Aziraphale and Crowley’s shoulders. The impossibility of alleviating human suffering, the pain of being abandoned by their Creator, their Mother, and the lingering desperation for her approval. So when they've burnt out, they turn to each other. They comfort each other with warm intimacy through baths, manicures, brushing each other's hair, each taking care of the other and showing us how holy love can be. It's gorgeous and heartbreaking all at once. Their love is so true, even if they have trouble believing they're worthy of being loved and desired. “It’s because love can’t be earned, sweetheart. It’s given.”

The beauty of fanfic is that it can exceed the canon. This is not just in character; to me it's more in character than the canon itself. The book and show are comedies; they don't have time to dive this deeply into their characters' motivations and histories. And, of course, that's not a bad thing, especially since it brought us all here. But when I read something like this, something that brings a real depth and understanding to the characters, I'm amazed. This isn’t the only fic I’ve felt this way about, but it’s a prime example of that feeling. It’s just that, when I read a story that specifically focuses on their entire 6,000 years together and all the history they’ve gone through, I get frustrated that those moments are played for laughs in the book/show. The Flood, the Crucifixion, the Spanish Inquisition all throw away lines that don’t stop to dive into the wealth of story that’s possible there. I get why it doesn’t linger, I do, but fic narratives are so much more interesting to me than what the canon alone can provide.

This is a deeply moving and powerful story. Full of musings on shame, desire, religious trauma, and the beauty of the world we live in. Life is a terrible and wonderful thing. While this is mostly safe for public, I really suggest making this an at home read. It's a bit heavier, something you want to be in the right headspace for, and it features very rich prose. Never dense or hard to follow, but very beautiful, and you'll want to give it your full attention. I realize I may have made this seem like full angst, but it’s not! There's some wonderful loving fluffy moments to be found as well. Be sure to check out the other works that belong in this series! They are devastatingly good as well. Pair with some fruit for the full effect!

Read it here, fic by voluptatiscausa

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ineffableeraszine · 7 months

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"Let there be Eras!"

Help us decide which journey through the ages lies ahead for this Good Omens zine.

Ineffable Eras Vol. 4 Interest Check & Era Voting now open. HERE!

If you're as excited to see this volume happen as angel!Crowley is to jump-start the Universe, please help us spread the news: we need to know the interest is there. 😇😎 THANKS!

With enough interest, Contributor apps and Era reveal will occur on Oct 20th!

#good omens #good omens zine #ineffable eras #good omens 2 #through the ages #crowley #aziraphale #ineffable husbands #ineffable spouses

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fogdraws · 1 month

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Crowley and Aziraphale at the crucifixion

#current wip #good omens #gomens #aziraphale #crowley #fanart #innefable husbands #art #gomens fanart #good omens fanart #through the ages #wip

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snarky-synesthete · 4 months

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"Re-Canonized" ~ A Good Omens Fic

New chapter is up! Chapter 3: "Complicated History"

From Eden to Uz to Rome...through Wessex and Egypt and Paris and London...until his promotion to Supreme Archangel of all Heaven, Aziraphale tries to keep his distance from Crowley. Predictably, he does a fairly dreadful job of it.

I think this one might be my favorite chapter! Angst lovers, come get y'all's juice...

Read it now on AO3, as part of the Ineffable Idiots Big Bang 2023!!!

A thousand thanks to @theboredbori for his ineffably beautiful artwork!!!

#good omens #good omens fic #good omens fanfiction #ineffable idiots big bang #ineffable husbands #crowley #aziraphale #good omens fanart #aziracrow #crowley/aziraphale #aziraphale/crowley #through the ages #good omens fic rec #my fic

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theonevoice · 5 months

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Two halves of the same being

Ok friends, it had to happen sooner or later: I wrote a thing. I was stuck in a train station yesterday evening and this thing was screaming to be put on paper, so I did it. I wrote it all down directly as a post, over 3-4 hours of total estrangement, therefore I don't even know exactly how long it is, and it is probably encrusted with typos and titanic grammatical errors. It is also written in a language that I don't master at all, and it is my first attempt at narration since - I kid you not - the year of our lord 2006. This is really less then a draft, it's a test-drive of the storytelling side of my hyperfixated brain. If someone feels like skimming it and pointing out mistakes and things that sound wrong, I will be very grateful! Anyway, as far as fanfic genres go, I guess this would qualify as historical-minisode one shot: Aziraphale and Crowley are in Rome in 1509 and get more or less accidentally involved in the creation of a certain Renaissance masterpiece.

November 1509, Rome.

The heavy robe swooshed quietly as a white-blonde bishop entered the chapel door with a satisfied smile, like a man who had just escaped boredom for fun.

A man in a leather apron full of pockets and stained all over was standing at a cluttered table by the wall, staring gloomily at the figures sketched on a large sheet of brownish paper.

- Maestro!

The man raised his curly dark-haired head and pointed a pair of firey eyes on the newcomer. The dark circles around his eyes gave out the strange impression of a feverish man on the verge of collapsing mixed with a feral beast ready to jump at its prey. It was freezing in there, but he was wearing a shirt with sleeves rolled all the way up to his elbows, and his hairy forearms were covered in white dust and paint dribbles. He was a rather short man, but well-built and muscular, and even if the bishop was considerably taller and not thin himself, he felt that he could have easily knocked him down in one move.

- Monsignor Fell, back again...

The man didn't sound pleased, but he didn't sound displeased either. Considered his well-known temper and given the circumstances, his reaction was relatively welcoming. One could have even called it encouraging. After all, noone was ever really at ease in Rome. Especially not in that part of Rome.

- I was eager to see your progress. - Aziraphale said with a honest smile. - I hope I'm not disturbing your work. Please don't mind my presence.

They both instinctively looked up.

The enormous vault of the Sistine Chapel was looming over the empty hall as a giant shield, halfway covered in massive figures. Those bodies looked so real and heavy that they felt like they could plummet any second all the way down to the floor and crash the unfortunate bystanders. It was like a threatening storm of colors and shapes slowly covering the old starry sky.

- Not much progress to see. - Growled Michelangelo, turning back to the sketches and tossing a piece of reddish chalk on the table. - I'm bloody stuck.

Aziraphale moved his eyes across the ceiling, down to the farthest end of the vault, where the golden stars were still dimly shining on a deep blue background, on the two sides of the large ugly crack, now filled with bricks, that had scarred the old affresco when the south wall had shifted. It was a sad spectacle. He had liked the starry sky. It was beautiful.

- Stuck? How do you mean?

Aziraphale forced himself to look away from the ceiling and gently stared at the painter, who had turned his back on him and was angrily standing over his desk with his stained hands on his hips, like a severe father in front of a misbehaving child.

- I mean stuck. - The artist repeated drily, throwing an annoyed look at monsignor Fell. The bishop offered him a sympathetic smile, a strangely maternal smile that seemed to be saying that he took his worries very seriously but at the same time he was sure they were not insurmountable.

Michelangelo sighed forlornly. He didn't like priests, but he didn't mind this one. He curiously seemed very little concerned with church matters and a lot more interested in random things like paintings and statues and choir rehearsals. He had even spotted him more than once in a couple of his favourite osterie, and he meant the good ones, those small half-hidden godforsaken places that only the locals knew, ignored by travellers and definitely not visited by clergymen. And he had seen him sitting there in plain sight, amidst the common people of Rome, as if noone could tell that he was a bishop - and God knew if bishops were a hatred species in the streets of the Holy City. It was truly a miracle that he could just walk in there, eat and drink like he were any carter or boatman, and not end up robbed or stabbed or poisoned. He had even seen Teresina at the Gatto morto pour him the good wine once, the one that the innkeeper kept only for himself and his closest friends. Furthermore, he had a nice eye for drawing: in the past few weeks he had been visiting the chapel almost daily, and had dropped some genuinely good remarks. Some of them even brilliant. He relaxed his shoulders and continued with a softer tone:

- This is not working and I'm not putting this up there, con tutta la fatica che costa.

Aziraphale looked up again, this time at the wooden structure that was stretching upwards like a dark solid cobweb. It took indeed a lot of effort, to climb up there, dragging along the large cartoni with the refined lineart to transfer on the plaster, standing hours and hours arched backwards to paint over your head, seventy feet above the ground, with the colors running down the brush and dripping on your face...

- Do you mind me seeing the sketch?

The painter made a vague gesture to let him approach the table and eyed him with a certain curiosity when the bishop let out a little gasp and a peculiar nostalgic expression settled on his face. It was the sketch for the campata of the Original Sin.

Aziraphale felt a warm mix of emotions filling his chest, not all of which he dared to name. He focused on the drawing. Michelangelo was right: it was wrong, even if he could not imagine how wrong.

In the sketch, Adam and Eve were sitting at the center, under the Tree, Eve reaching up for a fruit, Adam following her movement with a concerned look. On the right half of the piece, in a stretch of desert, the confused shape of an angel was roughly outlined: he was standing all straight and rigid with his sword raised above his head and a threatening finger pointing at the first humans. The left side was mostly filled with a generic looking garden, too lush and too earthly at the same time, and the only other presence was a little, ugly dragon-like creature, with a grotesque charcoal snut, sharp teeth and a biforcated tongue sticking out.

Aziraphale at first didn't pay it much attention, but after a second he suddenly realised what he was looking at and his jaw dropped.

- Is that supposed to be the Serpent of Eden!?

He asked in a high pitched voiced, sounding somewhat scandalised.

Michelangelo frowned and pulled out his most intimidating look.

- What else should it be?

- But that's not how it looked at all!

The bishop exclaimed, entirely unfazed. "Here it comes," thought to himself the painter, letting out a huff of resigned annoyance, "another punctilious catechist who wants me to stick to some stupid half line in the Bible." But, much to his surprise, monsignor Fell did not bring up any biblical reference. He looked vaguely offended and at the same time, for some reason, deeply amused.

- And how did it look? - Michelangelo asked sarcastically, posing like someone who is interrogating an eyewitness. But the bishop didn't seem to get the hint, and instead answered with a focused face, as he were actually about to recount him old memories.

- Well, it looked... - Aziraphale paused, searching the right word. He found himself suddenly assaulted by a number of adjectives that he had not anticipated. - He looked... - his tongue ended up picking one before his mind had time to evaluate the implications - ...seductive.

- Seductive. - Michelangelo looked at him with an incredulous face and his eyebrows were all the way up to his hairline.

Aziraphale stumbled.

- I mean... He- he was the original tempter... - He tried to regroup. His thoughts were strangely tumbling in his head. - You see, in order to be effective in his... tempting, he couldn't have look like an ugly little monster. - Yes, that was reasonable, it was a logical explanation, just a sensible thing that nobody could disagree on. - He had to look... - but then again, Aziraphale felt a sense of warmth of unclear origin raising to his face, and his voice cracked in a weird way, - ...beautiful. Charming. He had to be so, so fascinating, that you couldn't help listening to him, considering his reasons... I mean, the poor, naive humans, that is. They couldn't help...

His voice trailed off mid sentence. Michelangelo was still staring at him with a certain look, but the words of the bishop were not completely absurd.

- And he didn't crawl. That was not what he was. - He finished with a sort of fond determination.

- You make it sound quite impressive, for the one who damned humanity.

- Oh but he didn't mean to! - Once again, Aziraphale ignored the astonished expression on the other's face. A deep, obscure feeling of injustice was tugging at his soul. He didn't mean to have them damned. It was an overreaction. His voiced lowered ever so slightly, sounding somewhat sad. - From his point of view, he was... freeing them. He was giving them a choice, he didn't force them. He was letting the door of their cage open to see what they would do.

- Does the Pope know that you go around spreading this sort of ideas?

- Pah, what should he know.

They both startled as that last sentence echoed in all its outrageous blasphemy on the high walls. They looked around in the empty chapel tucking their heads between their shoulders, like two kids who had just inadvertently laughed out loud during the silent bit of the mass.

A moment of embarassed silence fell in the room. But the words of monsignor Fell had already stirred the painter's imagination.

- Beautiful, you say... - He repeated, almost speaking to himself, squinting at the left corner of his sketch as a different version of the scene started emerging in his mind. - Not crawly...

The chapel door opened suddenly and a very alarmed young seminarist run inside.

- Monsignor Fell! - He cried. - I've been looking for you everywhere! The assembly started half an hour ago.

- Did it indeed?

The bishop replied, looking like someone who knew perfectly well when the assembly was scheduled and had deliberately made sure to miss it. Michelangelo found himself wondering once more where on earth had they found such a singular minister of the church, who was now tenderly smiling at the seminarist, visibly moved to pity by his distressed expression.

- Well then, I suppose I will be coming right away. - He gave one last look at the sketch as he stepped away from the table. - Thank you for your time, maestro. And forgive me for... - He hesitated, as if trying to free himself from some last string of thought that was keeping him tied there. - ...for my suggestions.

The painter watched the white-blonde head disappear beyond the door that the alarmed seminarist closed after them, and all of a sudden the vast chapel felt colder than it was moments before. In the silence he could hear that it was raining outside. He took a deep breath, felt the freezing air filling his lungs and a shiver running down his spine, but his mind was on fire: an entirely new image was coming to life, one that the pope would probably not appreciate, and that was the best part.

He decided to take the rest of the day off to work on his idea and run to the Gatto morto, where he knew that Teresina would free the little corner table near the fireplace for him, with a light good enough to draw and a wine good enough to keep himself inspired.

- Now that is quite the progress since the last time I saw it!

The man had approached him so silently that Michelangelo almost spilled his jug over the new sketches.

- What are you doing here, Antonio? Aren't you supposed to stay away from the city after the ban? Se ti prendono gli svizzeri ti fanno la festa.

- Oh come on! Do you really think anyone would notice me? - The man threw himself on the chair on the opposite side of the table and crossed his long legs, unwrapping himself from his large black cloak.

- Yes, I do. - He replied, expressively pointing at the man he knew by the name of Antonio, all clad in black, with his exotic smoked spectacles and his bright red hair brushing his shoulders.

Crowley raised his glass with a bright white smile, like he had just been complimented.

- I thought you were in Florence.

- I've just come back from a lovely visit to your dear friend.

- He's not my friend.

Crowley's smile grew even wider, and the painter suddenly felt ashamed and annoied. He had spent the last several years convincing everyone including himself that he did not consider Leonardo his rival, that he was perfectly indifferent to his achievements and was not at all vexed by people talking about him, and it had took all of ten seconds to this man to make him snap without even naming the other one.

- He is making some formidable machinery, these days. Oh, and some really masterful portraits. - His irritating grin was unbearable. - You should see them.

Draining all his will power, Michelangelo managed to keep his mouth shut and focused all his attention back on his new sketches.

- I'm busy, what do you want?

- I've come to see your progress! - Antonio said cheerfully, grabbing his drawings before he could stop him. - Quite impressive, indeed...

His expression became imperceptibly more serious as he was examining the small piece of paper where the painter had sketched a new version of the Original Sin campata. Michelangelo knew that he had not liked the first version: months before, he had come to his shop all swagger and cockiness as always, and after seeing the initial sketch of the Eden had left without saying a word and somehow had earned himself a ban from Rome. Not that it had stopped him from coming back on a whim just to mock him with news of Leonardo's incredible machinery, apparently. And after all, the swiss guard really seemed to ignore him to an impossible degree, as he were invisible. Michelangelo had a certain suspect that Antonio was having an affair or more than one with someone inside the Curia, earning the protection of a dame or two. Or a monsignore or two. Or both, whatever. Now he seemed struck by the new version of the scene.

The sketch was nothing more than a bunch of thick lines on a small piece of paper, but you could make out that the Serpent was no longer on the ground, but wrapped around the Tree, had no monstruous features but a human-like torso, and his head was towering higher than all the other characters in the scene.

Michelangelo watched him staring intentely at the drawing, with an unreadable expression on his face, until he put down the piece of paper with a careful movement.

- You're good, good job. - He said, trying to make it sound casual, but with a weird note in his voice.

- I know I'm good. - The painter said, grabbing the drawing angrily. - But this change is throwing off the entire composition. Now I have three characters in the middle and this one over here. - He muttered, pointing all disgruntled at what was supposed to be the Angel of Eden, who was sadly standing alone on the right side of the image like a piece of a column that someone had built there by mistake. A tentative detail of his profile, stern and scowling, was sketched sideways on the margin of the sheet.

- Why did you draw him so angry?

Michelangelo raised his head from his composition puzzle, not quite understanding what Antonio was talking about, until he saw his finger tapping over the profile.

- He's the Angel. - He said with a tone indicating that the implication was obvious. But the man sitting in front of him didn't seem to get the point. - He's the Angel who delivers the fucking wrath of God. He has to look angry!

- No he doesn't!

The painter straightened up in disbelief. What was with everyone that day? Why did every last person in that damn city had opinions on his work, all of a sudden?

- Oh sorry, should I make him all cheerful and smiling?

- Why would he be smiling?

- And what would he be?

Antonio took a second, and then aswered, deadly serious.

- Heartbroken.

- Why heartbroken?

- Because! - Crowley was not sure how to explain it, but he felt outraged at the idea that in all those century mankind had assumed the Angel was angry that day. - Because he was the Angel assigned to guard the garden of Eden, the first living bit of the creation! They left him there alone, to watch over the first humans, didn't give him istructions! Didn't tell him what to expect! And then he blinks and bam! they're damned, out of the garden, off you go struggling and suffering, you and all your kind for the rest of time!

Michelangelo was staring at him in utter surprise. He had known him for the kind of man who never loses his cool, and now here he was, losing it over the Book of Genesis.

- You didn't strike me as a man who would get heated over some biblical minutia.

Crowley leaned foreward, gripping his jug of wine so tightly that the painter could have sworn that he heard the glazed ceramic handle made a worrying crackling noise. The painter felt the instinctive urge to pull back on his chair.

- He was there, you see? Watching it happen, struggling to understand wether he had failed them or it was all part of God's blasting ineffable plan.

- He's the Angel of Eden! He would know the will of God!

- How would he know? - Crowley rebutted, now visibly enraged. - He's just an angel! And God doesn't speak to anyone. He's just an angel, he was there alone, scared to death... - he paused for a moment, like he had been struck by his own words, - scared to death because they were punishing the humans and making him deliver the sentence, but maybe they would punish him as well... for letting the Serpent get in.

He ended the sentence on a broken tone, and immediately after draw a small breath and gulped down his wine, all in one go.

Michelangelo wasn't sure what to make of it. Antonio didn't seem drunk, but that had been a wild rant. And yet, it could be interesting to draw an Angel of Eden that was not, for once, the usual severe messanger of death burning with God's divine rage, but a sad, sorrowful pal who had messed up his job. He thought of the merciful expression of monsignor Fell, earlier that day, when he had looked at the poor seminarist knowing that he had possibly gotten both of them into trouble by skipping the assembly.

Now he was starting to resent his composition, leaving that forlorn Angel out there, all on his own, while the others were grouped together under the Tree, as if they were having a pick nick. The humans and the tempter...

- The poor, naive humans... - he muttered, repeating the bishop's words.

- Well, - Crowley objected, apparently back to his usual composure, but still with an indefinible shadow on his brow, - they were naive only at the beginning. But after they became quite quickly aware of how the world runs.

- Well too bad, it has to be one or the other, I don't have two squares for the Eden scene.

But as he was saying that, a new image clicked in his mind, and he stared down at the piece of paper that he had been torturing for the past several hours, trying to solve his composition issue. The Tree was there, dead-center on the campata, dividing the space in two perfectly symmetrical spaces. The Serpent was already up there, in the branches: he could put the Angel there as well, and make the time flow from left to right, from happy but naive humans to desperate but aware ones, the two emissaries of Good and Evil standing in the middle as the two-faced needle on the scales of human destiny... no, not of Good and Evil, rather of Law and Chaos, of Safety and Freedom.

He raised his head with excitement and looked at the man in front of him. He was now sitting inhumanly still, and somehow Michelangelo could feel his eyes piercing through the smoked spectacles. He froze.

- Oh I know that glare. - Antonio said with a voice that he had never heard him before, a ghostly whisper, almost a hiss coming from another world. - That shine that sometimes burns in the human eyes, a spark from the forge of Creation itself...

Michelangelo felt an icey feeling gripping him from the inside, but he could not look away. He was hypnotised by invisible eyes, and even if the physical body of the man in black was still perfectly motionless, for a moment he believed he could see a different body, in a different shape, slowly swinging side to side with only his head fixed in the same spot, yellow pupils cutting through his soul like sharp knives through warm butter.

He wasn't sure how it had stopped. Next thing he knew, he was staring at Antonio who was looking at his drawings again, absorbed in his thought, with a sort of distant nostalgia in the curve of his mouth.

- I shall go. - Michelangelo said with a husky voice, as if he had been asleep for a long time. But he didn't get up.

- You shall. - Crowley repeated, looking back at him, this time with nothing strange happening. - That was a lot of inspiration to process for a human in just one day.

He launched his lanky body out of the chair with a movement that didn't seem possible, draped himself back in his heavy cloak, gave him a quick last look, and strode away, the light of the fireplace caught in his bright red hair. It was still raining outside, but there was a promise of snow in the air.

July 1510, Rome

The two corner doors of the antechamber opened at the exact same time and two hurrying figures rushed in and stopped just a split second away from running into each other.

For a moment they stood there, staring at each other, locked in place, the hem of the white robe and the flap of the black cloack swirling happily together like two puppies eager to meet again despite their owners.

- Good Lord!

Aziraphale gasped, finally stepping away from Crowley.

- Ah! What in Hell are you doing in here, dressed like that? - The demon snorted with a mocking grin, moving his gaze down Aziraphale's episcopal outfit and back up again, lingering on all the lacy bits with the most overtly suggestive motion he could perform. The short black capelet made a rather dashing contrast with the fair curls.

- I am on a diplomatic assignment. - The angel answered primly, ever so slightly blushing at the base of his neck, looking in turn at Crowley's tight fitting black attire under the cloak, all velvet and metalwork and shiny damasque. And then he lowered his voice and added, in a deliciously indignant tone, - What are you doing in here? We are on consecrated ground!

- Not quite yet. This is only an entryway and you should know damn well that nobody here is saint enough to make a single tile sacred outside the chapel.

Aziraphale tried to hoist an outraged expression, but it was hard to pretend that he didn't actually know damn well Crowley was right.

- Anyway, - the demon continued looking at the door on the other side of the entryway, - I was just passing by to take a look at the famous ceiling.

- It's not completed yet. - Aziraphale pointed out, immediately regretting it. He caught himself thinking that he didn't actually want the demon to leave. Not that he wanted his company, of course. But it would have been unpolite, with him being in the hosting party, so to speak, to send him away like that.

- I know, but I hear the last bit has made quite the impression around here.

- It has indeed! - The angel exclaimed, smiling and muffling his excited voice in a goofy way that made something twitch somewhere in the demon's chest. - The cardinals were utterly scandalised! I was going to take a look myself!

The angel moved to the door of the chapel and opened it cautiously, peeking inside.

- There's noone in there! - He whispered visibly thrilled, like the silliest conspirator who ever lived. Crowley stepped closer, thinking to himself that there was no end to the angel's childlike enjoyment of those little innocent transgressions. Not that he enjoied them too, of course. But it would be unworthy of a demon not to appreciate such evil deeds.

They both peeked out from behind the door. The chapel was empty, pleasantly crisp in contrast with the hot roman summer. A choir of cicadas was relentlessly chirping outside. The wooden structure had moved foreward since the last time Aziraphale had been there. A giant curtain was draped between the already completed campate and the ones still in progress.

Crowley managed to chart himself a path across the room, using the spare planks left on the ground as safe spots, holding his arms out to keep his balance, jumping from one board to the next and taking only a couple of quick steps on the floor when the distance was too great. Aziraphale was observing his movements from the corner of his eye and thought the demon looked like one of those large water birds that you could see flying by the river during winter, so big and yet so light and graceful.

The new part of the ceiling was hidden by the curtain. Without saying a word, they both moved to the ladder on the side of the wooden structure and climbed almost all the way up to the top. A strange expectant silence had fallen between them, and neither of the two wanted to break it. They knew exactly what they were about to see, but for some reason they were both pretending that they didn't, and the higher they climbed, the more they were steering their thoughts away from a certain shared memory that now, all of a sudden, was becoming inexplicably significant. A moment that had always been there, tucked away in their minds, but now seemed too bright to look at, too hot to touch, too heavy to handle.

They finally reached the main platform, the last large surface before the precarious scaffolding that brought the painter in reach of the ceiling, all still cluttered with buckets and rags and dried out palettes.

They stood by each other, breathing in the pungent smell of the paint, and with a synchronized movement looked up.

There it was. There they were. Their first meeting on Earth, as Michelangelo had envisioned it, channeling what the angel and the demon, unbeknownst to each other, had unintentionally lead him to imagine. He had turned the Original Sin into a backdrop, Adam and Eve into little more than extras on scene, leaving the center stage to them.

There it was. Their very first meeting as they, a recalcitrant demon who didn't mean to do anything properly bad and a doubtful angel who couldn't figure out what God wanted him to do. They were emerging from the Tree, the Wily Old Serpent stretching his beautiful androginous torso to the left, no man nor woman but both, passing Eve a fruit; the Angel of the Eastern Gate floating next to him, holding his arm out to the right, a disheartened look on his face as he used his sword not so much to threaten the humans as to direct them toward their earthly new existence.

- Look at you! - The angel smiled, - You're...

But the words died on his lips and he couldn't finish the sentence. Something heavy and mournful was tied to that part of his memory, like an iron anchor holding it under the surface of his conscience.

Aziraphale focused on the affresco, trying to distract himself with shapes and contours and brushstrokes... he felt a sudden burst of heat burning the skin of his face as he was studying the Serpent's coils spiraling up the Tree, and was startled when the demon spoke.

- He did make you sad.

The angel examined his supposed representation.

- I was sad.

- Yes, I remember.

- I felt so bad... so guilty...

Aziraphale felt Crowley's gaze settling on his face and lowered his eyes, feeling slightly overwhelmed.

- Guilty? Why? - The demon asked, with a hint of wonder in his voice.

The angels shrugged, twisting his hands and biting his lips with a tormented expression on his face.

- Because they were being punished, but I was the one who had failed them. - He looked up at the picture, but he was looking past it, rewatching a different scene. - And... and... - His eyes started stinging and watering, the effect of all that fresh paint no doubt, - And... had I spoken up for them...

He suddenly turned to look at Crowley, who was staring at him with his golden eyes wide open.

- They were only being curious... - the angel pleaded, and the effect of that paint was really terrible because an entire teardrop rolled down his cheek as he was speaking. - They only wanted to know things. And I let them be cast out and didn't say anything. - He took a short breath and his voice came out thin as a whisper - How will I be forgiven?

Crowley stood there without breathing, transfixed. His brain was struggling to process the angel's discourse, that pain for the humans, for their fault and their fall, and beyond that another pain, older, deeper, bleeding through his words like ink through thin paper. But the pain on the surface was easier to grasp and the other one was tangled in too many frightful thoughts, so the demon pretended that he had only caught the human part of that lament.

- I was the one who tempted them into that. - He said quietly after a moment of silence that could have lasted a second or a century. He felt like he was slightly suffocating. That paint smell truly was unbearable. It was even making his voice crack. - Do you still hate me?

A shocked expression darkened Aziraphale's face, and something behind his blue eyes seemed to crumble. There had to be a cloud hiding the sun, right in that moment, because up there under the vault the air became suddenly darker and colder.

- I never hated you. - He murmured. And then, with a wounded tone, - How could you think that?

The cloud moved away.

- It was my fault.

- I don't think it was.

They stood in silence again, and their confusion was so deep that a moment later none of them was able to tell anymore who had said "It was my fault" and who had replied "I don't think it was".

- We should get down, this smell is making me hazy. - Said the angel, sniffling.

- Yeah, this was enough church attending for me.

- Would you like... - Aziraphale paused, suddenly interested in a dented tin bucket who was draining all his attention, - Would you like to have lunch? I know a place.

Crowley opened his mouth and closed it again without making any sound, then opened it again and let out a couple of stumbling syllables before finally managing: - Well, I don't suppose that would hurt.

They exchanged a hesitant look and turned their eyes up at the two towering figures in the Garden of Eden one last time.

Michelangelo had given them two identical faces, the identical hair color, a shade that had been mixed somewhere in between a pale blonde and a bright red, and had put them up there, looking in opposite way but close to each other, almost hugging - the right arm of the angel almost around the serpent's waist, the right arm of the serpent almost around the angel's neck - as if they were twins, or lovers, or rather the two heads of the same chimerical creature. Two halves of the same being.

#good omens #good omens 2 #good omens fanfiction #go fanfic #fanfic draft #good omens fic #through the ages #ineffable husbands #aziracrow #good omens in Rome #bishop Aziraphale #canon according to Furfur's guide

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davrosfan23 · 2 months

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a true masterpiece

#legacy of kain #Kain #Raziel #art #game #through the ages #vampire

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ineffablebookgirl · 2 years

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psychoanalyzing Aziraphale and Crowley through the ages instead of doing my research project that's due next week. pt. 4: ROME

If the Crucifixion was a turning point, when we get to Rome just 8 years later, Everything Is Different.

They have completely reversed roles.

Aziraphale approaches Crowley for the first time.

Aziraphale is happy to see Crowley for the first time.

Crowley is standoffish and rude for the first time.

For eight years, Aziraphale has not been able to stop thinking about Crowley showing Jesus all the kingdoms of the world, for no reason other than to do something kind for a poor carpenter from Galilee.

Aziraphale is Ready to Rumble. "Oh! Do mine ears deceive me? Is it that devilishly banterful demon I hear?" Crowley always starts with a jab at Aziraphale, but he's not doing it this time. So Aziraphale takes a wild stab at it. Az is Ready to Banter. "Still a demon, then?" Except that he just so happens to hit upon the one thing Crowley is now extremely sensitive and bitter about and it does not land.

[Side note. I read that post with the idea that because of the Crucifixion changing the game for the humans, Aziraphale thinks that maybe it has changed the rules for demon absolution as well, and therefore his question, "Still a demon, then?" is totally sincere and hopeful. I am not sure I accept this headcanon personally, but I can. not. stop. thinking about it. No, there's no point to this sidenote.]

I guess my take is that Az is just really, really bad at flirting / positive interactions with equals, since his only practice is with the other angels, who terrify him, and humans who are, well, not on his level.

Aziraphale makes this sincere and ham-fisted attempt at asking Crowley out, asking Crowley for what he, Az, wants. Making the approach, making the first move. And Crowley is so over everything, over humanity, over God, even possibly over Aziraphale. Or over taking the first steps towards Aziraphale. Presumably he knew Az was there -- they seem to have that sixth sense for when another celestial / occult being materializes. But he just goes to get a drink, not to poke fun at the angel. But the angel pokes him instead. And he accepts. "I've never eaten an oyster." "Okay, I'll bite. Show me oysters, angel. Show me there's still something worth getting excited about on this sad earth."

And then.

"Oh, well, let me tempt you to--"

Every other interaction they've had, Aziraphale has made sure to remind Crowley of their roles, directly or indirectly. "You're a demon, it's what you do." "You can't question the Almighty." "I'm not consulted on policy decisions."

But this time. This time, whether it's a laughably bad attempt at a joke or the first Freudian slip in history, Az flips the script on him, reverses their roles. If the Crucifixion was the first time Aziraphale sees Crowley's kindness, maybe this is the first time Crowley sees Aziraphale's inner bastard. Hard swallow.

#good omens #good omens meta #meta #long post #aziraphale #crowley #ineffable husbands #through the ages #gomens #rome #ancient rome #hard times #good omens 1x3

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aziraphales-library · 2 months

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hello <33

i love this blog sm i get so many recommendations that are absolutely amazing<33 thank you all for your hard work

lately i want to read a series but can’t remember

its a series of fics that explore aziraphale and crowley throughout history

the name of series is “[something] records”

and one of the fic is about Sodom and Gomorrah and Sandalphon smiting

i remember there is a lot of aziraphale whump

it was amazing series but i never finished it

please help me T_T

I believe you're looking for...

Akashic Records by PeniG (G-T) (Series)

It starts in Eden and ends the spring after the Notocalypse. Friendship! Romance! They get to have fun! And then they get chewed up physically and emotionally, I don't make the rules, that's just life! Job satisfaction porn! No smut! Abusive work environments! Weaponized customer service!The Guardian Angel of Queers, and Soho, and Crowley! Perfect for downloading and reading when you have the flu! Author writes well but cannot write dust jacket copy to save her life!

- Mod D

#good omens #ineffable husbands #through the ages #mod d

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fuckyeahgoodomensfanfic · 2 months

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Good Omens Fic Rec: Pray For Us, Icarus (series)

For three centuries, Crowley has been reincarnated over and over as a human with no memory of his past. Aziraphale has tried to find a way to restore him to his true self, but all he seems to do is hurt them both. This time, he only means to steal a brief moment when he walks into Crowley's flower shop. But Crowley can't let it go...

Length: 65,836 words

AO3 Rating: Teen and Up

Best for: Safe in Public, At Home, Human AU, Canon AU, Angst, Romance, One Sitting

Triggers: Temporary Character Death

Read it here, fic by Atalan

*Minor Spoilers* There's nothing I can say about this story that probably hasn't already been said. It is one of the most popular and well-known Good Omens fanfics, and for excellent reason. I know for certain that I'm not the only one who has wept while reading it. Today was my third time with this story, and, whoops, I cried again.

I've tried to express my thoughts in this post in a few different ways. I can't wax poetic about how much I love this story—my writing skills just aren't there. And much of what I've tried to say feels redundant. I even had a whole paragraph comparing it to the themes in this art by chernozemm which is how this story feels to me.

What I've settled on is that you should read this story because it is intrinsically Good Omens Fanfiction. This series only works as Aziraphale and Crowley, and you could not repackage or retell this story for any other fandom, or, God forbid, traditional fiction. All the emotions we feel reading this come from the intimacy we already have with this world and these characters. The story, and the author, know we can read between the lines. Thus, it can drop a simple line and have us crumple because we already know the subtext behind it. That's why I am so addicted to fanfiction! I'm not saying this is the only story that has accomplished this. But I do think it's one of the most successful.

This series, in my opinion, must be read all the way through. In my eyes, this is a singular work and no one should be skipping any part of this saga. It bothers me that the hit counts between the parts is not equal. The first part has 99k hits and the final 47k. The drop off is criminal! Every section of this story is important and critical to the full picture. So if you read the first part, Flowers for Anthony, and did not proceed to the rest of the story, please get on this!

Completely safe in public, but if you can, I really suggest you read this one at home in one sitting. You'll want to devote all your attention to this story. If, for some reason, you haven't read this one yet, please make it a priority! This is one of the most heart-wrenching and romantic stories I've ever read, and it deserves its spot as a fandom classic.

Read it here, fic by Atalan