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A-Z hermit index
hermit summaries: looking for a hermit? here's some (all 26)
bdubs: perfect redstoner. artist. he'll build the most beautiful house you've ever seen as a backdrop for a joke he's doing. he'll see a rake lying on the floor and ask 'is anyone going to step on that so it hits them in the face?' and not wait for an answer. he'll shout at horses and hermits alike (don't tell etho). he's painting with blocks for fun rn
cubfan: he's insane. he takes on massive projects and completes them. he'll build a wall out of ancient debris if the aesthetic calls for it. he knows the game like a master, he'll use it to bemuse you. he's invented biomes, he's invented machines, he looked at parkour and decided it looked like fun. he'll drop anything to help a friend out
docm77: cower before this croc wearing dad. he really wants to be scary. pranking people makes him laugh so hard he snorts. he has the technical world in his ear and mojang's dev team on his heels. he doesn't know how to make a video shorter than an hour. he loves to roleplay to the sound of heavy metal. he'll rap at you. dork
etho: minecraft god. menace. interiors only. does what he wants. speaking of llamas... he won't turn up if it's work. he will if it's hanging out. his block palettes make a regular minecrafter cower in fear. he made a google-searchable storage system for fun. he avoids minecraft tax like the plague. has his own minecraft update
false: queen of heads, hearts, and body parts. the server's designated pvp-er. master builder. will dig down to bedrock. it calls to her, she can't help it. a little quiet, a little shy. dry sarcasm. mayor of falsewell, sheriff. always down for an unsuccessful shop if there's a pun
gem: gem is great! do you want a birch tree with that? people look at her and find themselves doing redstone for her and bringing her things. she's very sweet. she'll kill you. she's building a birch tree in someone's base right now, i can feel it. she's a landscaper, a builder, an artist
grian: this man is Trouble. half builder, half mischief machine. if he sees something he's not supposed to touch, he's got his fingers in it. he's stealing diamonds. he's starting wars. he plays the long game with his lore. he's desperate to resist authority. he will not build the back of anything. he'll break redstone. if he thinks something will be funny, he's convinced to do it
hypno: cryptid. menace. he's a little quiet because he's off figuring out how to get the others to sell him their souls. he's in charge of the website. he'll build a nice little home. he's great at hiding things
impulse: this man is in charge of villagers and sorting systems. he is rich with emeralds. he'll redo a build if he doesn't like it. he joined the server to build them a witch farm. buy his totems of undying. he is kind and generous. he's always willing to play along with whatever nonsense is happening. he loves to laugh
iskall: iskall has a whole catalogue of noises. he likes to montage them. he wants to build a big farm. he wants to say hallo to a block of gravel. he wants to laugh at mumbo. his shops are not about the profits, but about the redstone experience. he likes to domesticate biomes. he built a villager cannon. one day he'll finish a pvp arena. IskallMAN is hermitcraft's superhero. his hobby is making stress laugh
jevin: he covered a megabase with buttons once. jevin goes hard. he has a habit of building fidget spinners. he wants chaos. he will antagonise cleo. he has the energy of a small yappy dog whilst also being determined to help his friends and have fun
joe hills: poet. the guy who conquered death. it's fine. joe's channel is like watching a comedy of endless disasters. next problem. he's building block for block replicas of buildings. he's the original new guy. he's in charge of Hermits Helping Hermits. he'll label nether hubs and give out boats. he'll fight a war with poetry and prank with de-escalation. howdy y'all. keep adventuring
keralis: he's got those big eyes. he's building things too realistic to be in minecraft. he'll pull out his miette voice and make the joke about the German coast guard. need money? papa k's got you. want money? no he's got no diamonds. he's broke. so sorry. he wants to win everything. xb always beats him. he refuses to call anyone by their screen names. shashwammy and bubbles and brian and princess and bumbo
mumbo: it's quite simple, really. he wants to build redstone doors and industrial districts but people keep dragging him into trouble. he's got grian and iskall to drag him into mischief. he loves massive storage systems and control panels. he keeps ending up in charge of things. he will not come to meetings. nothing makes him happier than looking at redstone circuitry on coloured lines
pearl: running on not enough sleep, always. here to cause trouble. she'll turn things upside down. she's a master landscaper. she'll build something massive like it's nothing. she'll commit to the bit. what if the base was bigger? what if she turned it around? she likes doing interiors. she'll build a mountain for fun. unhinged
rendog: head of the drama club. he loves cinematic effects. he loves lore and using his brother's music. he's got a whole dressing up box of characters to play. he can sniff out a story happening and will dive over to throw himself into it. he'll build wonders off camera and pretend it was someone else. he's in charge of the log business, always
scar: landscaper. trouble maker. he doesn't know how to do things in moderation. every build has a story. his cat is in the game. he builds beautiful things and flies into them. he doesn't light things up. he dies again and again and again and again. he loves to put on the costumes and play a part. he's a conman. he'll buy your attic. he's ready to cause trouble. he's shooting people with his bow
stress: she's a builder. she makes things gorgeous. her favourite colour is magenta and her favourite volume is loud. she's shouting at her villager geezers. she's laughing at iskall. she's afraid of the nether. everything she does has an edge of unhinged-ness. she's bright and loud and happy
tango: he's a technical player. i'd call him a minigame maker, but they're bigger than minigames at this point. the tangler, boom box, decked out, among us. he looks at minecraft's mechanics and makes them fun. he launches anvils and builds piglin ferris wheels. he's in charge of iron farms. the rule is that they have to be funny. he wants to help his friends. he wants to make them laugh
tfc: he's deep in the mines. he's the server's hermit. he has a rumbling laugh. he's left in shock by the overworld when he rises. he plays slow. he indulges the others. he died laughing at cleo's ingenuity during demise when he could have easily saved himself. the hermits sent him a new computer. he's got prox mod now
beef: he likes to make maps!! he's very cheerful. nobody bought eternal sunshine. he's a NHO member: etho, beef, bdoubleo, doc. he's a determined builder. he'll make a story. he'll run from the mobs spawning in the city he's left dark for the aesthetic. he sells wool. he collects records
wels: he's a builder. he's a knight. he bites off more than he can chew. he takes his time and builds beautiful things. you think he's in hiding, he's just biding his time. he'll build medieval houses and rant about tennessee's driving conditions. he's cheerful and kind
xb: he's building shapes again. he's beating keralis at minigames. he's kind and helpful. there's gore in his bunker. he's moved so far away he's living on a whole other server. the world is ending but he's built a post-apocalypse anyway
xisuma: he has opinions. he's the admin. he's a little strange. he wants to design his own farms and buildings. he wants to have fun. cleo is going to bully him so bad at HHH. evil x turns up sometimes ¯\_(ツ)_/¯. he wants to unravel the game and make new things and learn things. he watches over the others with fond confusion. cleo hasn't forgiven him for the fish
zedaph: mad scientist. he looked at minecraft and then decided to do his own thing. minecraft is the tool for his madness. he wants to fling objects. he wants to build gunk tanks. he wants to stare into the eyes of sheep. he'll build redstone machines that are effectively ineffective. he'll build a working clock. he'll study his friends like bugs. he'll build a golf course if the mechanics demand it
cleo: queen of puppets. the armour stand book is hers. she demands heads. she'll break joe's legs. her dioramas are in high demand. betray her and she'll burn the world down. she's soft really. she's always helping. she wants to build gore and monsters and laugh. joe is living in her base again. she'll kill him (she joined the server hiding behind him)
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enderscribbles · 2 months
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Dunmeshi request, Chilchuck and Marcille interacting? 🥺 Or standing next to each other that works too. Could be hugging, or sharing a meal/food, or…
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Got a bit out of hand with the prompt XD I ended up doing a scene inspired by this fic! Based on that time Marcille Izutsumi and Chilchuck were sharing a bed in chapter 47. It felt very memorable so I tried to recreate it but I kind of went offscript because I was basing it on my recollection of the fic lmao
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^Obsessed with this guy and how he lets Izutsumi use him like a hot water bottle bc it's comfier.
I think he'd hardly ever act this soft + tolerant of physical affection unless it's situations like this: When the others are too sleepy to remember it LOL
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wherewolf · 10 months
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the responses i’ve seen to shiv’s ending seem very quick to write her off as just another sad victim of the cycle, which isn’t without truth BUT!!! that is not even remotely the summation of shiv’s story.
i don’t think she votes yes to “save kendall” or to try to finally set her brothers free. and i don’t think her main concern was that ken was becoming their dad. she absolutely noticed and didn’t love it, but that was not her motivation in betraying him. she was thinking about herself.
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it’s tempting to make a martyr out of her as she is the only female child and we see her suffer the onslaught of misogyny that comes with that. but to make her into a saintlike figure who got beat takes away the power and intelligence behind her decision.
at this point she’s stuck between two non ideal choices, but she recognizes that they have accidentally made her the single most important player in the game. because while she can’t have the outcome she’d prefer, she has the power to decide the fates of everyone else. the written off lone woman now holds in her hands the fate of every man in her life.
so she thinks about the long term benefits of both options and realizes that one side leaves her completely without any leverage.
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her brothers have proven to her multiple times in the last few days alone that they will cut her out and walk all over her the first chance they get. siding with them leaves her nothing to bargain with. she would just have to hope that ken would actually take care of her. and that level of vulnerability is not only unacceptable to her, it’s stupid. and shiv fuckin roy is not stupid.
so she thinks about the other side and about what she actually wants for her life. and against her better judgment, it’s becomes unfortunately clear that she wants tom. the way she wants him is not altogether loving or even good but it is necessary to her. she sees relationships as having winners and losers and she chose this man specifically so that she could be confident in her ability to win. except now he’s grown some balls and made himself unavailable to her.
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she may not like the way her husband is evolving but she already placed her bets on him, so she’s sure as hell not losing to him now. there’s also a part of her that feels intrigued by this new man she’s married to. it’s interesting to have a sparring partner in him instead of having to looking for excitement outside of their marriage.
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so for maybe the first time ever, she processes what tom has said to her and thinks about what he actually wants.
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he needs her to prove that she cares. he needs to know that she is capable of sacrifice. if she can’t find it within herself to do this for him, then she will lose him, and by extension, she will lose.
siding with tom gives her the opportunity to once and for all make a grand-stand gesture of love, but more importantly, it creates leverage for her. never again will he be able to hold the moral high ground over her head. never again can he say she doesn’t love him. never again can he call her selfish or uncaring. above all, he can never betray her again, because she just removed all of his moral justification for turning on her. he doesn’t realize it yet, but she’s just taken back all the power in their relationship. just in a more subtle way than she’s used to operating.
and just like that, she has the ceo of a multi billion dollar company in her pocket, while situating herself as the only descendant of logan roy to still be playing the game, having removed her brothers from the equation permanently. she may still be far from the top but she’s creating a path for herself to climb.
so yes, she’ll let tom play king for a day, and she’ll have his baby and say “congratulations,” and play the gracious wife, but tomorrow is a new day with lots of room to maneuver. and when her husband puts out his hand, she’ll place her own on top. but she won’t grasp it because she doesn’t need to.
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gejnialnie · 27 days
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hi I don't think this duo gets enough love, so here are my fave screenshots of Raph and Leo mirroring each other! :D
+bonus:
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look at this frame! don't their poses look similar, even though they're in totally different places?? well, there's a simple reason for it! we can see raph in the driver seat, his left hand on the wheel, while the other one's searching for someting, it's symbolising his active role as leader, while leo stands alongside him, his left hand on a handhold while he gestures with the other, showing him being less active and more of a passive presence, but he's ready on his feet, it's symbolising his potential as raph's co-leader but also him not yet being ready, still gripping the safety rails instead of the driving wheel-
(nah i'm kidding- like, was it just artists drawing similar poses in one scene? oh yeah most definitively! will that stop me from over-analysing? nope! :D this basically wrote itself!)
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wispscribbles · 4 months
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why are you and your drawings so cool 😭🙏
afdsasdfasg thank you !! irl ppl would laugh at me being called cool lol - Have a ghoap as thanks <33
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hugs-and-stabbies · 8 months
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👊👊💥💥!!
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dailyastarionpics · 1 month
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On your knees, darling.
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The Gypsum Maw - Tintin's relentless attempt to rescue a caver isn't as straightforward as first anticipated.
the second snippet! previous is here (I skipped ten pages between the first snippet and this one)
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skunkes · 6 months
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something silly and badly formatted
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rwrbmovie · 6 months
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Red, White & Royal Blue + media
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lurkingteapot · 10 months
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Every now and then I think about how subtitles (or dubs), and thus translation choices, shape our perception of the media we consume. It's so interesting. I'd wager anyone who speaks two (or more) languages knows the feeling of "yeah, that's what it literally translates to, but that's not what it means" or has answered a question like "how do you say _____ in (language)?" with "you don't, it's just … not a thing, we don't say that."
I've had my fair share of "[SHIP] are [married/soulmates/fated/FANCY TERM], it's text!" "[CHARACTER A] calls [CHARACTER B] [ENDEARMENT/NICKNAME], it's text!" and every time. Every time I'm just like. Do they though. Is it though. And a lot of the time, this means seeking out alternative translations, or translation meta from fluent or native speakers, or sometimes from language learners of the language the piece of media is originally in.
Why does it matter? Maybe it doesn't. To lots of people, it doesn't. People have different interests and priorities in fiction and the way they interact with it. It's great. It matters to me because back in the early 2000s, I had dial-up internet. Video or audio media that wasn't available through my local library very much wasn't available, but fanfiction was. So I started to read English language Gundam Wing fanfic before I ever had a chance to watch the show. When I did get around to watching Gundam Wing, it was the original Japanese dub. Some of the characters were almost unrecognisable to me, and first I doubted my Japanese language ability, then, after checking some bits with friends, I wondered why even my favourite writers, writers I knew to be consistent in other things, had made these characters seem so different … until I had the chance to watch the US-English dub a few years later. Going by that adaptation, the characterisation from all those stories suddenly made a lot more sense. And the thing is, that interpretation is also valid! They just took it a direction that was a larger leap for me to make.
Loose adaptations and very free translations have become less frequent since, or maybe my taste just hasn't led me their way, but the issue at the core is still a thing: Supernatural fandom got different nuances of endings for their show depending on the language they watched it in. CQL and MDZS fandom and the never-ending discussions about 知己 vs soulmate vs Other Options. A subset of VLD fans looking at a specific clip in all the different languages to see what was being said/implied in which dub, and how different translators interpreted the same English original line. The list is pretty much endless.
And that's … idk if it's fine, but it's what happens! A lot of the time, concepts -- expressed in language -- don't translate 1:1. The larger the cultural gap, the larger the gaps between the way concepts are expressed or understood also tend to be. Other times, there is a literal translation that works but isn't very idiomatic because there's a register mismatch or worse. And that's even before cultural assumptions come in. It's normal to have those. It's also important to remember that things like "thanks I hate it" as a sentiment of praise/affection, while the words translate literally quite easily, emphatically isn't easy to translate in the sense anglophone internet users the phrase.
Every translation is, at some level, a transformative work. Sometimes expressions or concepts or even single words simply don't have an exact equivalent in the target language and need to be interpreted at the translator's discretion, especially when going from a high-context/listener-responsible source language to a low-context/speaker-responsible target language (where high-context/listener responsible roughly means a large amount of contextual information can be omitted by the speaker because it's the listener's responsibility to infer it and ask for clarification if needed, and low-context/speaker-responsible roughly means a lot of information needs to be codified in speech, i.e. the speaker is responsible for providing sufficiently explicit context and will be blamed if it's lacking).
Is this a mouse or a rat? Guess based on context clues! High-context languages can and frequently do omit entire parts of speech that lower-context/speaker-responsible languages like English regard as essential, such as the grammatical subject of a sentence: the equivalent of "Go?" - "Go." does largely the same amount of heavy lifting as "is he/she/it/are you/they/we going?" - "yes, I am/he/she/it is/we/you/they are" in several listener-responsible languages, but tends to seem clumsy or incomplete in more speaker-responsible ones. This does NOT mean the listener-responsible language is clumsy. It's arguably more efficient! And reversely, saying "Are you going?" - "I am (going)" might seem unnecessarily convoluted and clumsy in a listener-responsible language. All depending on context.
This gets tricky both when the ambiguity of the missing subject of the sentence is clearly important (is speaker A asking "are you going" or "is she going"? wait until next chapter and find out!) AND when it's important that the translator assign an explicit subject in order for the sentence to make sense in the target language. For our example, depending on context, something like "are we all going?" - "yes" or "they going, too?" might work. Context!
As a consequence of this, sometimes, translation adds things – we gain things in translation, so to speak. Sometimes, it's because the target language needs the extra information (like the subject in the examples above), sometimes it's because the target language actually differentiates between mouse and rat even though the source language doesn't. However, because in most cases translators don't have access to the original authors, or even the original authors' agencies to ask for clarification (and in most cases wouldn't get paid for the time to put in this extra work even if they did), this kind of addition is almost always an interpretation. Sometimes made with a lot of certainty, sometimes it's more of a "fuck it, I've got to put something and hope it doesn't get proven wrong next episode/chapter/ten seasons down" (especially fun when you're working on a series that's in progress).
For the vast majority of cases, several translations are valid. Some may be more far-fetched than others, and there'll always be subjectivity to whether something was translated effectively, what "effectively" even means …
ANYWAY. I think my point is … how interesting, how cool is it that engaging with media in multiple languages will always yield multiple, often equally valid but just sliiiiightly different versions of that piece of media? And that I'd love more conversations about how, the second we (as folks who don't speak the material's original language) start picking the subtitle or dub wording apart for meta, we're basically working from a secondary source, and if we're doing due diligence, to which extent do we need to check there's nothing substantial being (literally) lost -- or added! -- in translation?
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bedknees · 5 months
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"It's impossible for a piece of media to have a perfect, thematically flawless ending."
Arcane:
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hcmoeroticisms · 5 months
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Moiraine Damodred & Rand Al'Thor, The Wheel of Time
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iristial · 7 months
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Welcome to the Desire Grand Prix!
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poorly-drawn-mdzs · 6 months
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Fishing Interlude
[First] Prev <–-> Next
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coquelicoq · 1 year
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if you're wondering what the big deal is about the louis-philippe sentence in les misérables, it is, in the original french, 760 words long. the subject of the sentence doesn't appear until 95% of the way through, at word #711; the main verb is word #712. the sentence contains 91 commas and 49 semicolons and is almost entirely a list of laudatory adjectival phrases describing the erstwhile king of france. this is perhaps especially notable because les mis is, shall we say, not known for being particularly gung-ho about the monarchy.
this sentence copied and pasted into Word takes up more than one page single-spaced. in the 1800-page folio classique edition, it is fully two and a half of those 1800 pages. that means that les mis is 0.14% this single sentence. more of les mis is made up of this sentence than earth's atmosphere is made up of carbon dioxide (0.04%). if the page count of les mis stayed the same but every sentence was the length of this one, les mis would consist of only 720 sentences total.
incidentally, guess who named hugo a peer of france 17 years before the publication of les mis?
#he also goes on for another six pages after this but by then he has remembered the existence of the full stop#the endnotes say that hugo 'se devait de faire [ce portrait] aussi favorable que possible à la personnalité de l'homme#qui avait favorisé sa carrière' (had to make this portrait as favorable as possible to the character of the man who had favored his career)#in fairness to hugo it's not like louis-philippe was alive to read this. so he wasn't just sucking up to get something out of it#he says at the end of the chapter that this description is 'entirely disinterested'. which like on the one hand i get#bc like i said louis-philippe was not in power and reading this. but otoh victor 'ancien pair de france' hugo u r not exactly unbiased. lol#les mis#lm 4.1.3#i just looked up the english translation and gasp! hapgood turned it into four separate sentences!!!!#so i think y'all who are reading it via les mis letters (which uses hapgood i think?) are gonna miss out on the full experience :/#my posts#linked to#syntax#idk if i got this across but the worst part is that the subject of the sentence - the beginning of the independent clause -#doesn't occur until the very end. so for the first 95% of the sentence you're just waiting for the bass to drop!!!#like reading it out loud you have to raise your pitch at the end of every dependent clause because you haven't gotten to the subject yet#AND THERE ARE SO MANY CLAUSES!! 49 SEMICOLONS PEOPLE!!! FORTY-NINE!!!!#victor hugo would be TERRIBLE as a hype man. he would take so long that the crowd would tear him to pieces with their fingernails#before louis-philippe could come out on stage. and then they'd be so mad at louis-philippe for inspiring him that they'd tear LP apart too#actually i think i'm using hype man wrong. i'm thinking of the guy that gets the crowd hyped up for the main guy before the main guy#makes an appearance. a hype man is the guy who makes interjections during a song. victor hugo would be bad at both of these#like just imagine the announcer at the beginning of a basketball game. and now...your starting lineup...at power forward...#and then he just says the 760-word louis-philippe sentence.#dead. murdered at the hands of the fans. microphone shoved down his trachea.
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