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ohnominamino · 3 years

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An Essay on Love in Evangelion: 3.0+1.0 Thrice Upon a Time

Evangelion: 3.0+1.0 Thrice Upon a Time is a movie about love in all its forms. From the love of family, friends, and neighbors, to the compassion we feel for people we have never met. The movie reminds us that love is something we continuously gain, lose, and choose, again and again. Which love is greatest? In my opinion, the answer to that question is left up to interpretation. In this essay, I will give my own personal interpretation on certain character interactions and what I believe we are meant to take away from their Rebuild portrayals.

The character I will start with is one I’ve noticed the most outrage over from people who haven’t seen the movie and read out-of-context spoilers: Kaworu Nagisa.

Kaworu is a beloved character among many Evangelion fans, especially those who are members of the LGBT+ community. He is a canonical love interest of Shinji Ikari and I want to reassure people that this final movie does not change that fact. However, it does not make the couple blatantly endgame either. This skirting around the couple might make some fans upset, and while their feelings are completely valid, I do not think they fully understand the difficulties faced by LGBT+ people in Japan, nor do they understand the way that romance is typically conveyed in Japanese storytelling. (I recommend watching “Is ‘Yuri On Ice’ Good Gay Representation?” by James Somerton for more about storytelling nuances.)

What have we been shown about Shinji and Kaworu’s love? The good news is, anything you read into the original TV series and End of Evangelion is completely true for the Rebuilds— because Kaworu is the same Kaworu. This movie proves Evangelion is a single universe set on repeat, and that Kaworu and Shinji meet each other every loop, and in each, Kaworu is trying to make Shinji happy. Within the final movie, Shinji becomes aware of the loops and chooses to break the cycle and free Kaworu from his pain.

What does the relationship between Shinji and Kaworu teach us? I believe the purpose of their love is to show the audience that first, in the words of Kaji, “love has no gender.” Second, I believe Kaworu’s love in particular is a warning about basing your own happiness solely upon another person. There are parallels drawn between Gendo/Yui and Kaworu/Shinji. Gendo could not exist without Yui, and so he was willing to destroy the world to be reunited with her. For Kaworu, it was not the destruction of humanity, but the destruction of himself that defined his tragedy. What’s important within the final movie, in my opinion, is that Shinji does not reject Kaworu’s love. With the insight he’s gained from remembering past loops, he sees Kaworu’s love and appreciates him, but he also sees his suffering and wants to ease it. He helps Kaworu into a new world where he can seek his own happiness and find balance in his life (something his father did not have).

While Kaworu and Shinji are not seen as an explicit couple at the end of the movie, it’s significant to note that, when he sets Kaworu free, Shinji holds out his hand to Kaworu as a promise to stay together. Over the course of the movie, Shinji comes to accept his connection to others through accepting touch (in the form of hand holding and hugs from Rei, Misato, and Gendo); however, Kaworu is the only character in the movie who Shinji initiates physical contact with and that speaks to how much Kaworu means to him. This simple gesture, in my opinion, keeps the door open for Kaworu and Shinji to be a couple one day, after Kaworu has found more balance in his life.

If I were to write an entire essay about Kaworu, it would be titled, “Out of the Coffin: How the Resurrection of Kaworu Nagisa Buries the Tragic Lovers Trope” because this movie truly does just that.

Another potential love interest for Shinji for many years was Asuka; however, unlike with Kaworu, the nature of this relationship is not left up to interpretation by the end of the movie. Before her big final battle, Asuka tells Shinji, “I think I loved you back then” (regarding their time in middle school) and Shinji, during Instrumentality, tells Asuka, “Thank you for saying you loved me. I loved you too.” It is past tense.

What does this relationship teach us? It’s a beautiful way of showing that we can love people, and grow and learn, and let go when we no longer fit each other. Letting go is an integral part of life. Whereas other Instrumentality scenes involve touch, Asuka’s, mirroring the ending of End of Evangelion, has a distinct lack of touch. Shinji sits with his arms around his knees and Asuka turns her body away from him. He gives her his thanks and he sends her off to find her peace. Asuka and Shinji teach us that it’s okay to grow out of relationships. You can appreciate what they were to you at the time they happened and move on.

What about Rei? To be honest with you, this movie is less about Rei’s relationship with Shinji, and more about her relationship with the world. Rei teaches movie viewers about the simple pleasures of living. While Shinji is in mourning for the first quarter of the movie, Rei (as “Sokkuri”) is learning about crop growing and community, the wonder of babies and kittens, the joy of the bath after a long day of fruitful work, and the power of words and picture books. At the end of her life, she only regrets not having more time to spend with the people she loves. In Instrumentality, Shinji accepts her hand when it is offered to him, which I hope signifies he is ready to see life as she had come to during the final movie.

Rei teaches us that we can love living and to not take our limited time for granted.

Next, we move on to parent figures: Gendo and Misato. I think they both represent people ill suited to the role, who do the best they can despite it. Gendo, as mentioned for Kaworu above, is a warning about defining yourself by your relationship to another person (Ikari, afterall, is Yui’s name). He is also a lesson in how people mourn and how they can lash out. Misato, like Gendo, felt herself a poor parent, and while mourning the loss of Kaji, she gave up her child to be raised by other people, but, unlike Gendo, went forward to put all her energy into protecting humanity. Both of them reach out to hug Shinji within the movie and he accepts them where they are.

While I wouldn’t say the movie shows that Shinji forgives Gendo, it does show his making an effort to understand and make peace with what others have done. For Misato, it is fair to say we can still hope for a better future, even when it feels like everything is crumbling around us. Her self-sacrificing love for her son and the whole of humanity is what enables Shinji to then save the people he loves (via the spear of Gaius).

In the movie, we are also shown friendship. Touji, Hikari, and Kensuke are important members of their community who maintain open communication with those around them and respect others’ boundaries. They are patient and kind and represent the importance of being present. They teach us to meet people where they are and support them how we can, whether it’s giving them a warm meal or giving them space when they need it.

There are many more characters that could be talked about, but today I am going to end on Mari. Mari’s love is physical. She enjoys being in people’s personal bubbles. She cuddles Asuka and helps trim her hair, she gets into Gendo’s space at college, and at the end of the movie, she reaches out her hand to Shinji to help him stand up from his seat. Upon first glance, some viewers might take Mari and Shinji’s final scene to be romantic, but the reality of it is this: We do not, and cannot, know what kind of love she is meant to represent in his life.

We do not know Mari’s relationship with Shinji because they hardly interact in the movie. She clearly cares about him, but in my opinion, it comes from a place of duty and compassion— Mari was friends with Gendo and Yui. She has been there since he was born. (If we take the manga to be canon, then Mari even had romantic feelings towards his mother. Her hairstyle and glasses are from Yui. At the end of the movie, Mari has changed her hairstyle, which to me implies she has moved on, and “getting” with Shinji would be a thematic break.)

Additionally, their conversation, while flirty, is very much one that implies they haven’t seen each other for a while. Mari is someone who is very physically affectionate. With everyone. If someone ignores that and focuses on the fact she gets into Shinji’s space and claims that’s romantic, they better acknowledge it’s possibly romantic with Asuka, who we see far more intimacy with. When Mari flirts, Shinji flirts back and her initial reaction is surprise, “Wow, you’ve learned to talk back!” Her purpose is clear. She is there to remove the DSS choker from his neck.

Personally, I love that Mari is the one to close the movie, for the exact reason that we do not know her relationship with Shinji. For Mari to have an assigned role would be to say, “This kind of love is most important,” when the entire movie was spent showing us each love is of equal importance in the balance and building of our lives. (It’s wonderful to see those types of love embodied across the platform from Shinji at the end of the movie: Rei and Kaworu, who, just like in End of Evangelion, could signify the ability to connect with others and be loved.)

If you view Mari as a romantic love interest, then I think it speaks to the value that you as an individual give to romance rather than what the characters themselves are feeling. To me, Mari, the character who was created to “destroy Eva,” is a symbol of all love. When Shinji takes her offered hand and then pulls her to run into the new world, it’s a symbol of balance. The give and take of any kind of relationship.

We are the product of every relationship we have ever had, from our parents to the people we once loved, from our friendships to any other person we want to stay connected to. Evangelion: 3.0+1.0 Thrice Upon a Time is a story about these relationships. It is a story about love.

#rebuild of evangelion #kaworu nagisa #shinji ikari #asuka shikinami #mari makinami #rei ayanami #misato katsuragi #gendo ikari #thrice upon a time #kawoshin #essay #movie review #shinkawo

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oh-my-moomin · 3 years

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NGE: You Deserve Love

This is an analysis based solely on the og NGE anime series and not the movie or rebirth series so I won’t be mentioning those.

NGE is a psychological horror/apocalypse story dressed up as a mecha. This farce is only totally dropped in the last 2, even 3 episodes. This can make the ending jarring and seem in cohesive, but ultimately my understanding is that none of the ‘plot’ really matters. Seele doesn’t matter, where the angels come from doesn’t really matter, and the final battle doesn’t matter. This is a story exploring loss, the need for connection, loneliness, and humanity. We see this through not only the interactions of the human characters but also through the angels.

THE HUMANS

The Children

A defining trait of all the characters is that they are lonely. The isolation from human connection is brought on both by the high stress apocalypse they all live in, as well as the personal demons they face. The characters all attempt to create bonds with other people, but are held back by their insecurities, fear of vulnerability, and past traumas.

Let’s start with Shinji, as the main character. Having lost his mother at a young age, and being abandoned by this father, he was never able to feel secure. Therefore he takes on a people pleaser attitude, constantly apologizing. His want for validation (particularly from adults in his life) causes him to continue to take action that he doesn't want to, including piloting the EVA. His self hate and insecurity makes it hard for him to make and trust his own choices. So he relies on others to guide him. When this fails, when he doesn't get the love and validation he craves he tries to quite entirely. But this often leads to the people he cares about being hurt. He's trapped between a rock and hard place.

Asuka was also abandoned, however rather than craving support like Shinji, she chooses to live for herself. She craves independence. She needs to know that she is no longer a child that can be hurt and vulnerable. This is largely shown through both her overt sexuality, and her piloting the EVA. She must be in control of the EVA, she must have power, she must be able to prove herself as the best, the strongest. Because inside she still feels like that hurt desperate child, and that is what she hates most about herself. Unlike Shinji, Asuka is brash and rude, and she expects others to give her the same. She barks and expects you to bark back, but can’t always handle it.

Both of these characters are constantly looking for connection, with both their peers and adults. While Asuka often pushes herself on to people, out of a need to be seen. Shinji cannot take active moves to make meaningful connections, and will shy away from people trying to connect. Asuka hates herself and needs to prove that others love her. Shinji hates himself and cannot imagine that people love him.

The Adults

One of the running themes in the show is motherhood. Typically it is the mother that is expected to love and care for the child, to raise them, show unconditional love, give unwavering support. None of the characters have had this, Shinji and Asuka search for validation that they lost in adults in different ways. Unfortunately for them, none of the adults present are suitable to be parents.

The show makes a point to show that the adult characters are all more complex than the children. They have lived longer and therefore had more time to make mistakes, to get stuck in toxic ideals, to ‘be problematic’. They are not concretely good or bad people (mostly), but rather the result of people who grew up in a post apocalyptic world, trying desperately to stop the salvage it, while also trying to make their own connections. Like the child characters, their past traumas make it harder for them to be more open, vulnerable, and weak, to form that human connection.

I am going to focus on Misato and Ritsuko, since they act as foils when it comes to human connection.

Misato being left as a lone survivor to a terrible accident has left her scared both physically and mentally. Before this she had issues with her parents, as her father seemed to abandon his family in favour of work, leaving her mother devastated. Misato doesn't want to become like her mother, abandoned by a loved one, and she also doesn't want to be her father, a slave to work. To counter this she looks for easy connections, but she never wants to get too close.

When her relationship with Kaji was beginning to feel too real, she began to find flaws. His resemblance to her father was terrifying, so she broke it off. Similarly, when in scenes with Shinji, talking about his insecurities or his want to give up, she is hidden by shadow. She cannot be seen as weak, she cannot offer comfort, she cannot be a mother figure to Shinji. Other ways her searching for easy connection is her drinking beer, or eating take out. She searches for the most basic ways to fulfill her needs, so that she can focus on her main goal of defeating the angels.

Ritsuko is also desperate to find human connection without vulnerability. By fully closing off the whole world she can have no weakness, something which she resents in Misato. She views herself as above the need for connection in that way, and would rather follow in her mothers foot footsteps as a scientist and a woman.

She loved and admired her mother, and hated her. She wants to follow in her footsteps but also would hate to fail in the same ways. She saw how her mother failed to actually mother her, and chose to completely reject that part of herself. Instead she cares for cats, and uses those as a surrogate to having a child. She continues her mothers work as a scientist, constantly striving to improve. And when it comes to the ‘woman’ that her mother was, she knew a stubborn woman who focused solely on one man. So Ritsuko also focused on him, to the point of giving up her cat to her grandmother. Both women tried to create an easy connection with him, both felt that they were his equal, and that they found the one connection that mattered. When it was proven to them that they were a second (third) woman this caused them both to break down. For Ritsuko this meant that even though she closed off the whole world, except for one man, she was still too vulnerable. And her only response was to completely shut down. Because she had no one else.

All of the characters are constantly searching for this connection, trying to show affection without getting hurt. Trying to make sense of the end of the world while also making sense of interpersonal relationships. Their own inner demons getting in the way of honest connection.

Rei

As a clone Rei is a particular case. She is aware that she is not a ‘person’, she isnt meant for human connection. Her isolation is so ingrained into her, planned before she is even ‘born’ so she feels no need to care for anyone except Ikari. She latches onto him, would do anything for him, and has no value in her life because she is aware that she is not real.

However, she still has a human source, Shinjis mother. A human person, who also needed human connection. Rei, when given the chance, does care for people. Shinji is the first person to see her as a peer, and to treat her with kindness. With this start of forming connections, she begins to feel more human, to develop a further need to connect. Even if it's hard to fully separate from the man who created her.

THE ANGELS

The angels act as a foil to the human need for connection. While all of the human characters are lonely and searching for connection with each other, the angels are also lonely and trying to learn what that even means.

There is no scene where the angels are working together, they are solitary, all having the same goal of reaching Adam, but incapable of planning together to achieve it. They instead try to create connection to humans, trying to bond and understand them, without knowing that their methods are harmful.

I believe this can be first seen with the 12th angel. When Shinji is absorbed into the EVA, it is safe to say that the angel was able to understand the merging of human and EVA. This connection allowed Shinji to control the EVA to break free of the angel's shadow. The following month where Shinji is trapped within his EVA, is our first insight into what the human instrumentality project will be like, as well as the goals of the angels.

Since angels cannot connect to each other, the 15th angel attempts to create connection by forcing itself into Asukas mind. It wants to understand her, her emotions, her thoughts, her connections, her love. For her this is a painful experience, akin to rape. She feels dirtied after it. But the attack is a beam of light, with holy music playing, what should be a calming experience. I believe it is fair to say that the angel cannot understand that it is putting her through pain, as it cannot understand any human experiences. Angels are incapable of understanding their own feelings/experiences/wants, and try to use humans as a study from which they can learn.

The following angel confronts Rei about her loneliness. Instead of breaking into her mind through light, it directly entered her body. While talking with her, it questioned what loneliness was, trying to understand its own pain and isolation through understanding hers. Its solution is to merge with Rei, as it believes this would solve both problems.

However, when she refuses, the angel then tries to find another source of connection. Rei cares about Shinji, as both a clone of his mother, and a friend as her own person. The angel can see that this connection is something that she finds precious and tries to take it for itself, as it cannot understand why Shinji wouldn’t feel the same. It cannot understand how complex human connections are, that it cannot simply take Reis form. However, it has learned what pain is, and how to communicate its own pain. As seen when Shinji attacks it. Whether this pain is physical or emotional doesn't matter, because it is the first pain that the angel could express.

The angels discovering what loneliness is acts as a way for the human pilots to begin to explore their own isolation in more depth. For better or worse.

THE FINAL MESSENGER

Our introduction to the final angel is him singing. He takes a human form, can fully communicate to other humans, and doesn’t immediately attack them. This is such a contrast to all other angels that it isn't immediately clear that he even is an angel. Kaworu's first words are (as per the netflix english subtitles)

“Arent songs great? Songs enrich the heart. They're the crowning achievement of Lilin culture”

He loves humans, human culture, human lives, and the human world. He is the first angel who is able to show this. His ability to understand humans allows him to form human connections, and he does so with Shinji.

Kaworu loved Shinji. He would seek out Shinji, take time to bond and communicate with him, and help Shinji open up. He wanted to be close with Shinji, and knew how to be gentle in ways that no other human or angel could. He was patient, because he had time. And Shinji was able to open up to him more than with any other character. Shinji was able to take the initiative to ask to stay with him, to try and form that connection.

All the human characters are struggling with their own demons, with an apocalyptic world. The whole earth is at war and Shinji is in the front lines, surrounded by adults who may want to help him but ultimately can't. Saving everyone is a higher priority to saving one kid, especially when that kid is your strongest soldier. Throughout the series Shinji is given conditional love. It is only when he pilots the EVA, defeats the angels and saves the day that people give him validation. Then comes this boy, who is gentle and kind, who listens. And it's easy, its comfort, its understanding and unconditional love, and its exactly what Shinji has needed for the whole series.

But as a messenger he could never stay, he's temporary and by the end of the episode he understands this. He still is driven to ‘Adam’, he has a mission, but instead he is confronted with Lilith. Kaworu understands that humans and angels cannot live together in harmony, only one can survive. Both Adam and Litlith were made in god's image, but only Adam could stay in the garden of Eden. Death and Life hold equal value to Kaworu, so he doesn't mind the sacrifice, he would rather die to protect humans, to protect Shinji. He can also understand that this is difficult, this is murder, this is killing a friend. So he says “thank you” and he waits.

In other episodes when in a battle, Shinji is constantly being yelled at, told what to do, under constant pressure. But here there is just the same patient understanding that Kaworu has always shown him. No rush for him to take action, just time to process and grieve. Because Kaworu knows Shinji will make the hard choice and he waits, and he smiles, and he continues to love Shinji.

The final angel came down as a messenger and said

“You are important.

I want to talk to you, to know you.

You are in pain, you are fragile and should be protected.

You are worthy of my affection.

I like you. I love you. I was born just so that I could meet you.

Our kind cannot survive together, one of us must die. And you deserve to live.

I will take this burden of death because you deserve a future.

I am glad I could meet you, thank you.

I know this is hard, and I know you need time. I will wait.

Thank you.”

That was the last message to humanity.

And because Shinji is human he says back

“We are the same. I love you too. If only one of us could have lived it should have been you. You are better than me. You should have survived.”

#nge #neon genesis evangelion #shinji ikari #nge analysis #asuka langley sohryu #misato katsuragi #rei ayanami #ritsuko akagi #gendo ikari #kaworu nagisa

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immaturityofthomasastruc · 3 years

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(Accidental 150 Follower Special) IOTA's Top 10 Worst Episodes of Miraculous Ladybug (Part 1)

If you saw one of my earlier posts, an anon asked what my favorite and least favorite episodes of Miraculous Ladybug were. So, I decided to make a little list explaining the best and worst this show has to offer.

A few quick ground rules here. I'm not going to list any episodes I had previously talked about in some of my other posts. This includes “Kung Food”, “Animaestro”, “Syren”, “Reflekdoll”, “Chameleon”, and most of the episodes relating to Chloe's “damnation arc” that Astruc planned since he first created the character (“Despair Bear”, “Queen Wasp”, “Malediktator” and “Battle of the Miraculous”). Also, I'm not counting the specials, mainly because aren't listed as episodes, and because I don't want to talk about them.

Other than that, anything goes, so let's get things started with the worst list.

These are the Top 10 Worst Episodes of Miraculous Ladybug (in my personal opinion because your opinion is also valid)

#10: Stormy Weather 2

“Stormy Weather” was the very first episode of the show, and it really made a good impression on new viewers. So naturally, when it was announced that Stormy Weather would return, fans were excited. Then when the episode aired, Hawkmoth gave her even more powers, including the power to create a volcano big enough to potentially knock the planet out of orbit when it erupts. So Ladybug and Cat Noir have no choice but to stop the villain once again.

What does this plot lead to?

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Yep, this episode is nothing more than a clip show. I understand that clip shows and bottle episodes are a necessary evil, but why would you set up something this awesome with a fan-favorite Akuma like Stormy Weather, and then not even bother to show it?

This episode is yet another attempt at showing that the show totally has character development. The whole reason Aurore is Akumatized into Stormy Weather again is because Chloe says that people can't change because Astruc (who was one of the four people writing this episode) is determined to make you hate this teenage girl more than the main villain of the show.

So of course, everyone spends most of the episode talking about how much they've changed, which is represented through clips of past episodes that do a horrible job at actually conveying any development.

According to Marinette, Adrien has “become a friend she can talk to about anything, except when it comes to her feelings for him”. Ah yes, you can tell they're friends by the fact that they barely hang out together, much less share a conversation because the writers are going to drag out the whole “Marinette stammering in front of Adrien” until they get tired of it. So basically, never.

All Alya and Nino talk about is how Ladybug helped them become a couple, and become superheroes, even though neither of those are actually related to character development. Though that is a fitting metaphor for the way both of their personalities have basically devolved to “the couple”.

Chloe talks about how nicer she's gotten, while footage of her doing awful things is played. I wonder who wrote that part in...

Even Ladybug and Cat Noir talk about how much they've grown and how stronger they've gotten, as opposed to focusing on STOPPING ANOTHER ICE AGE FROM HAPPENING. How can Hawkmoth even think this will get him the Miraculous? Yeah, sure I guess he can get them from the frozen corpses of our heroes, but what then? He still doomed humanity, and I don't think he can reverse the damage like Ladybug.

Towards the end, the clip show becomes slightly interesting, as Adrien mentions an unsigned card he got for Valentine's Day in “Dark Cupid”, and how similar the handwriting looks to Marinette's.

Does this lead to Adrien figuring out Marinette has feelings for him? Is the sky bright red? Both of these questions have the same answer.

Yeah, out of nowhere, Adrien just mentions Luka, who wasn't mentioned at all in this episode, and immediately thinks Marinette is in love with him. And that's how the episode ends.

I put this at the bottom of the list because I don't think it's completely fair to judge clip shows, but even some clip shows at least try to put in some effort and justify the clips, like what The Legend of Korra and some seasons of Power Rangers did. And the fact that the whole point of the episode is a poor excuse to claim that there's character development in the show only makes it even more infuriating.

Oh my God, this is only Number 10...

#9: Oblivio

While I already talked about “Cat Blanc”, this episode shares a similar theme as that episode: Giving viewers what they've wanted for three seasons, Marinette and Adrien finally learning each other's identity and starting a romantic relationship... only for the reset button to be once again slammed, making the entire episode pointless.

The only difference is that unlike in “Cat Blanc”, where there was an actual love confession that made sense, here, Marinette and Adrien find out the other's identity when they get their memories wiped by the Akuma of the week, Oblivio.

From then on, it's just fanservice. Instead of actually developing the relationship between Marinette and Adrien, the writers just decide to cram an entire episode worth of Adrienette content into a single episode just to tide fans over. Marinette and Adrien seriously fall in love despite only knowing each other for like, an hour at most. And the fact that the writers undo all the romantic progress of the episode makes it come across as pointless.

But the ending is what really cements this episode's spot on the list. As soon as Oblivio is defeated, Alya takes a picture of Ladybug and Cat Noir kissing without their consent and then rubs it in Ladybug's face.

Even though Ladybug doesn't know the circumstances (she has no memory of the events of the episode), this was still an invasion of her privacy, and she looks horrified by the picture that Alya is obviously going to post on her blog.

And of course, Cat Noir is more than happy to see it, ignoring how Ladybug feels and claims that they'd make a great couple. Because everyone knows good couples are formed by someone gaslighting the other into going out with them.

But wait, it gets better! In the next scene, we learn that Alya and Nino were akumatized into Oblivio... because they were caught in an embarrassing situation by their peers.

Alya: Remember when we visited Montparnasse Tower? Well, we went and hid to play Super Penguino, but Ms. Bustier caught us, and...

Nino: And you guys made fun of us for playing that game, saying it wasn't our age and all.

Alya: We were totally embarrassed at getting caught.

This was my thought process when I first heard Alya and Nino's explanation.

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How can Alya claim to take a compromising picture of Ladybug, ignore how she feels, and not realize the similarity from when she and Nino were akumatized? This is what completely killed Alya for me in canon. This was the point where I couldn't care less if Marinette was friends with her or not. Sure, there are still fanfics, but those actually portray her with some kind of conscious. So to summarize, Fanon Alya is awesome, but I hope Canon Alya's 4G plan runs out.

This episode is just forgettable, but the ending made things worse. Apart from, I guess the action scenes and some funny jokes, this episode has no redeeming qualities. Like, literally the best thing to come from this episode was @miraculouscontent‘s LadyBugOut AU, as it actually addressed the hypocrisy of Alya's character, among other problematic aspects of the show.

#8: Oni-Chan

Just a heads up, most of the episodes on this list are from Season 3. Just want to give you an idea of what to expect.

This episode is about Lila tricking Adrien into helping with her homework, when she is only doing it to get closer to Adrien. Marinette tries to spy on the two and stop Lila from hurting Adrien... even though she knows Adrien is aware that Lila is a liar, and is visibly uncomfortable around her.

And because the episode spends so much time on Marinette following Adrien and Lila, the buildup to Kagami getting akumatized is incredibly rushed. Seriously, she gets a single line of dialogue before she gets akumatized, and the motive is ridiculous too. Lila sends a picture of her forcing a kiss on Adrien, and Kagami immediately bursts into tears at the sight of it.

But wait, it gets better! When Kagami is akumatized into Oni-Chan (the writers know that's a term used for males in Japan, right?), she turns into a psycho hellbent on killing Lila because “Adrien doesn't deserve her”. Most of her dialogue is her saying how much she loves Adrien, making her come across as, for lack of a better word, a yandere.

This episode just destroys Kagami's character, making her as unlikable as Katie Killjoy in the process. If it wasn't for “Ikari Gozen” actually treating her like a human being (obviously Astruc's planned character development from the beginning), I'd completely hate her.

It also shows how much of an evil genius Lila is, as she has the brilliant idea to convince Oni-Chan to kill the only person capable of saving her from the Akuma's wrath. And this somehow gives Hawkmoth the idea to forge an alliance with Lila. It's also another reason why I believe in Darwinism.

This episode is low on the list because it does have a few redeeming qualities, like Lila facing consequences for lying, however brief they may be, and it has a great character moment with Adrien realizing on his own how terrible Lila really is, a far cry from what he was like in “Chameleon”.

Other than that, it's pretty bad, and still deserves a spot on this list.

#7: Antibug

HA! I said MOST of the episodes involving Chloe's “Damnation Arc” wouldn't be on this list, but not ALL OF THEM, so this one counts! Take that, convoluted rules I made up for some reason!

What was I talking about again? Oh right, “Antibug”. Oh crap, “Antibug”...

This is one of of several episodes in Miraculous Ladybug that really should have been a two-parter. It tries to be daring and includes two Akumas in one episode, but both of them are poorly executed.

An invisibly entity starts harassing Chloe, so Ladybug and Cat Noir start an investigation. It turns out to be Chloe's lackey Sabrina, who was akumatized after a falling out between the two. Well, I say “falling out” lightly, because what actually happened was that Chloe and Sabrina were cosplaying as Ladybug and Cat Noir, Chloe pretended to be the real deal while crashing an interview with Jagged Stone before Sabrina accidentally blew her cover, causing Chloe to be humiliated on TV and end her “friendship” with Sabrina.

Ladybug learns this from Chloe's butler, while Chloe never mentions the incident. So when Ladybug and Cat Noir engage the Akuma, Ladybug ignores Chloe's advice on where the corrupted object, naturally not trusting her judgment. And this is portrayed as a bad thing.

This episode is the start of a long-running trend in Miraculous Ladybug: Marinette needing to learn a lesson, while Adrien/Cat Noir is the one to help teach that lesson.

Chloe did nothing to help, only made things worse, and lied about why Sabrina got akumatized. It's kind of obvious why Ladybug wouldn't trust her word. The whole point of The Boy Who Cried Wolf wasn't to trust the liar after all.

But if that was all the episode did, it wouldn't be on the list, because now, the narrative wants to make the audience feel bad for Chloe before she gets akumatized into Antibug... who is just a lazy palette swap because new character models are expensive.

This part of the episode isn't nearly as bad as the first half, but like “Oni-Chan”, Chloe's akumatization is incredibly rushed, and we don't really get a chance to sympathize with her before she goes full Antibug.

Even Antibug herself isn't that interesting of a villain. The whole idea of an evil doppelganger is that they're a perfect match for the hero, but we only see Ladybug and Antibug fight for a few seconds, while Cat Noir does most of the fighting with her while Marinette's Kwami recharges. I like that Ladybug and Cat Noir show their teamwork to defeat Antibug, but I feel it would have been more interesting to see Ladybug and Antibug duke it out before Cat Noir helps turn the tide.

Again, this episode really needed to be a two-parter to better expand on the story presented here, because it had a really interesting premise. I'd personally read the version of “Antibug” in @justanotherpersonsuniverse‘s “The Adventures of Panthera Noire” (an AU fanfic where shy girl Juleka gets the Cat Miraculous instead of Adrien). Not only does it have two separate chapters for Vanisher and Antibug, it also does a good job of setting Chloe on an actual redemption arc, unlike Astruc's “damnation arc”.

#6: The Puppeteer 2

As much as I've ragged on Adrien/Cat Noir in some of my other posts (and will continue to do so in this list), that doesn't mean I think Marinette has problems too, and this episode is a prime example.

Marinette and Adrien go to a wax statue museum with their friends (and Manon), but because of a poor choice of words by Nino, Adrien thinks that Marinette hates him. So he does something that everyone loves, practical jokes.

Adrien seriously thinks that pranking Marinette will improve her opinion of him. Even the prank is ridiculous, pretending to be a wax statue to make her laugh. And it leads to... Oh God... This is easily the contender for one of the worst moments in the entire show. Marinette goes up to the statue and... gets close to it. Yes, we, the audience know that this isn't a statue, but putting that aside, just look at what Marinette does to the “statue” (AUTHOR’S NOTE: I made a gif from the episode, but it wouldn’t go through, so I recommend you check out the episode and watch the statue scene for yourself if you don’t value your sanity). Even Adrien, as dense as he can be, is a little unsettled by what Marinette does.

If the scene was about Marinette talking about her feelings for Adrien, I'd be more lenient on it, but this? This is just uncomfortable to watch.

Even the dialogue makes Marinette sound incredibly creepy.

Marinette: Wow... it looks so... real. The wax is nearly as hot as skin. It even smells exactly like him...! Oh, beautiful statue of Adrien, your wax is so soft! Your yak hair is silky. Your eyes are so green. Oh, shall I be a statue, too! Everything would be so much easier. Why haven't we been molded together in the plaster of destiny? Marble to marble, wax lips against wax lips, entwined for eternity...

I think Gilbert Gottfried said it best.

youtube

This scene alone put this episode on the list, and the Akuma doesn't make it better. I really liked “The Puppeteer”, and I thought her ability to control past Akuma victims was incredibly fun to watch. And when she returns to take control of the wax statues of past Akumas they... don't use their powers (with the exception), and serve as cannon fodder for Ladybug and Cat Noir to plow through, making the return of the villain very underwhelming.

Even the end where Adrien tells Marinette that he is in love with someone and only sees her as a friend. This should devastate Marinette, but in the next scene, thanks to some fortune cookie nonsense from Tikki, she's still unsure about her relationship with Adrien, and that's how the episode ends. Seriously. Because just need to keep the status quo consistent, right? It's not like Marinette doubting her crush on Adrien and worrying that she's just wasted her time would have been interesting to see, right? Play that happy ending theme already!

Of all the episodes on this list, this is the one I was dreading talking about the most because of some of the moments here. And yet, there are still episodes that are worse than this one...

Here’s Part 2

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jackcinephile · 3 years

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LO Fans: "I love Lore Olympus because it deals with serious themes, like sexual assault, abuse, gaslighting, trauma, and mental health issues!"

Me, who spent my life discovering and obsessing over masterpieces like this:

"You're gonna have to try a lot harder than that to impress me."

Yeah, I never understood that kind of praise. For one thing, people act like LO is groundbreaking for that reason, despite there being countless movies, books, tv shows, comics, and video games that also deal with the same themes. That isn't to say there can't be more stories like this, however. I, for one, am begging for another video game that comes close to the emotional resonance of Silent Hill 2, or for a faithful adaptation of Dracula and/or Phantom of the Opera, or for a horror movie as unsettling as The Howling! But to say any new story that deals with these themes is unique for doing so, is just simply not true. Lore Olympus is no more unique than any of these stories. Also, I don't understand the praise that Lore Olympus is great just by virtue of having these themes in the first place. Just because a story has serious themes, doesn't automatically make it good. Far too often does LO use its themes as a crutch for a plot that is standard issue among romances, as opposed to stories like The Howling, which has a very intriguing, outlandish plot that serves as a catalyst to explore themes of very real and relatable horror. Lore Olympus, without its intense themes, is just another story about the CEO falling in love with his intern. And don't get me wrong, I LOVE those kinds of stories, but Lore Olympus just doesn't really do it for me. And the poorly executed themes just hamper it even further for me.

If it wasn't already apparent, has anyone noticed a pattern between these titles? All but one are horror stories. In my opinion, that is one of the key differences between them and LO: Horror! The themes within, are ones that illicit terror, and the stories reflect that (even Phantom of the Opera--don't listen to anyone who says it's a romance). Starting with Dracula, one of the scenes that horrified me the most in the book was the one where Count Dracula sneaks into Mina's bedroom. The book describes him slitting open his own vein and forcing her to drink his blood. Mina then expresses feelings of violation, much akin to what rape survivors feel. It doesn't pull any punches in its shocking, horrific portrayal, but it never comes off as exploitative. That's because the best horror stories rely on the audience's empathy. In this case, nobody wants to feel violated, so we feel as horrified as the characters do when we read about this grotesque event. And because it is about illiciting fear through empathy, Dracula succeeds where Lore Olympus fails. Lore Olympus, before all else, is a romance. And rape should not be in a romantic story. Especially not when the narrative of LO uses this trauma to validate the relationship between the two leads. I'm not a fan of stories that use trauma to validate a relationship between romantic interests, and I think that partly stems from reading the Phantom of the Opera.

If you ask me, Phantom of the Opera is one if the best books to discuss abuse and gaslighting ever written! Despite misconceptions generated by the popularity of the musical, PotO is very much a horror story with hardly any romance at all. And it's one of the best examples about why using trauma to validate a romance is a very bad idea! You see, all the conflict of the story begins with The Phantom and his trauma. He was born with multiple physical deformities that cause him to look like a living corpse. Because of this, he is despised and rejected by the world in order to escape the hatred of the world, he commissions the construction of the Paris Opera House, complete with intricate catacombs where he can live out the rest of his miserable days. Then one day, a woman named Christine comes to work at the Opera as a chorus girl. She is sad and alone due to her being orphaned, without a friend in the world. She too is emotionally damaged and the Phantom thinks this means she'll understand him. The trouble begins instantly when he claims to be a character from a folktale that Christine's father used to tell her. This is when the manipulation and gaslighting begins. Part of what makes this so effective is how we see it from an outside perspective. The protagonist, Raoul, is in love with Christine and we get to see his confusion and growing concern when he starts realizing Christine is showing signs of an abusive relationship. What makes the relationship even worse is the fact that Christine actually does understand The Phantom. So she doesn't run away not only out of fear, but also compassion. She knows what it's like to feel isolated and dead to the world and The Phantom uses that against her. The more I describe this, the more parallels I begin to see to Hades' and Minthe's relationship. Yes, Minthe abused Hades in much of the same way as The Phantom abused Christine. Notice how Minthe keeps convincing Hades that they're the only people who understand each other, even going so far as to say, "We're the same." The funny thing is, that's exactly what the narrative uses to validate Hades' and Persephone's relationship! It tries to establish that Hades and Persephone relate to each other and they say, several times, "We're the same," to each other. But this is exactly how Hades got stuck in a toxic relationship with Minthe, so why is it suddenly okay now? Relationships that use shared trauma to validate themselves are almost always doomed to become toxic, in one way or another.

So what about the healthy relationship in Phantom of the Opera? Well, it's kinda interesting actually. You see, Christine eventually comes to realize that she needs help, so she turns to the protagonist, Raoul, to get her away from the Phantom. Raoul has an interesting character arc because he starts the novel being pretty immature and kinda selfish. He doesn't really take Christine's feelings into consideration. It's more like a boy chasing his childhood crush (actually that's exactly what happens). However, over the course of the story, as he becomes increasingly concerned with her well-being, he learns to care more about her feelings and her needs. This culminates in the climax, when he's willing to crawl through hell itself for her sake. I bring all this up because I wanted to compare Raoul with Hades as well. Hades is a very consistent character. He doesn't need an arc like Raoul because, from the very beginning, he's willing to put all of Persephone's needs before his, to a fault! That is his entire purpose within the narrative of LO. He exists to serve Persephone. Raoul didn't exist to serve Christine. He had his own journey of growing and maturing. And Christine didn't exist to serve Raoul either. It bothers me that a novel from 1910 has a more well-rounded relationship than a modern comic! Actually, now that I think about it, isn't Persephone's entire character arc supposed to be her learning that she shouldn't exist to serve others? Well, that totally contradicts Hades' role in the story, doesn't it? He exists to serve her! I guess, in the eyes of LO, it's only okay if men serve women, but not for women to serve men. Newsflash: neither is okay.

Now Dr. Jekyll and Mr. Hyde (1931) remains, to this day, one of the most terrifying movies I've ever seen! That's all thanks to its brutal depictions of domestic abuse. So Dr. Henry Jekyll believes the solution to enlightening the human race is to separate the good and evil in our souls. He solves this problem by creating a drug to do just that, which transforms him into Edward Hyde, but he becomes addicted and starts terrorizing a woman who was once a former patient of his. I think what makes this so effective, when compared to LO, is one simple factor: Fear. I am terrified of Edward Hyde, but whenever Apollo shows up, I'm just annoyed. That's because Hyde isn't being used to sell an agenda, while Apoll is. Apollo is all about making a statement about toxic masculinity, which always bothered me from the very beginning! Being an abusive cunt who rapes women has nothing to do with masculinity! It doesn't matter if you're masculine or feminine, anyone can be a cunting abusive rapist. If you are a rapist, it's because you're a monster who lacks empathy, not because of masculinity. And if you think masculinity has something to do with a lack of empathy, fuck off! Dr. Jekyll and Mr. Hyde is not about toxic masculinity. It's about how drug addiction can often hurt other people around us just as much, if not moreso, than ourselves. It also doesn't use rape to validate a relationship between characters. I'm sorry, but that is just the laziest storytelling technique. When the antagonist is a rapist OF COURSE the male love interest is going to look better by comparison! But when you take Apollo out of the equation, Hades stops looking like a desirable love interest real fucking quick.

So yeah, I think Hades makes for a bad love interest. That's mostly because he's so much like Shinji Ikari from Neon Genesis Evangelion. Yeah, the one title from the list above that's not a horror, but is no less relevant. The thing is, both Hades and Shinji have a lot in common, such as hating themselves, having a bad relationship with their father, and not caring at all about their own wants and needs. Oh, also Asuka's a better written character than Minthe, but that's a whole other topic. What makes Evangelion work, in my opinion, is that Shinji's whole journey is about learning to love himself, while Hades is portrayed as being perfect the way he is. Hades in LO is like a flawless beacon of virtue, solely because he worships the ground Persephone walks on. But the guy just doesn't care about himself at all! Like I said earlier, Hades guilty of the same self-destructive behaviors as Persephone but he's praised for it, while Persephone is encouraged to look after herself more often. Compare this to Shinji, whose life only gets worse the more he neglects himself. The only time Hades does something beneficial for himself is when he breaks up with Minthe, but immediately after that, he starts devoting every ounce of energy to Persephone! All that matters is her! He doesn't give a single fuck about himself. Sorry, but that's not good qualities in a male love interest. In all fairness, this is a problem with the romance genre as a whole. Most romances give priority to the protagonist (in this case Persephone) while neglecting the love interest (Hades). It's why I have a serious problem with the entire genre.

Now what could Silent Hill 2 have that is in any way relevant to Lore Olympus? Two words: Nightmare Fuel. Personifying trauma as literal demons is one of the smartest ideas anyone's ever had, because speaking from personal experience, that's how it feels. I just don't feel like the trauma experienced by the characters in LO is a waking nightmare like it is in real life. For one, the characters' trauma only pops up when it's convenient for the plot. Like whenever Persephone starts experiencing ptsd, it happens when she's with Hades so we can get a scene with Hades cuddling her. After that, it shows up in a scene to make her look badass by confronting Apollo. No, just no. The Howling did it better too, by making the protagonist's trauma such an inconvenience in her life! I never felt that way in LO. When you uss traumatic encounters to make your character look like a badass, kindly fuck off.

#lore olympus

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ancientevangelions · 3 years

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I need you: Asushin and how it impacted my relationship

Summary: Asushin, my relationship and initial reactions to spoilers/ Evangelion final

I wrote this to sort out some feelings so... have fun!

WARNING POTENTIAL SPOILERS FOR EVANGELION FINAL 3.0 + 1.0

As many of you know I like to ship. Shipping is complicated and means many things to many different people. Some people take it very seriously, others don’t. There are random ships and ships based on evidence, ships as stand in for thoughts and feelings, and sometimes there is a lack of shipping/ no ship. Sometimes it is casual and always for fun, but some ships run deeper than others. For me most shipping is just a fun byproduct of fandom, but I do have an important ship. For me my primary and most important ship is Asuka Langley Soryu and Shinji Ikari from Neon Genesis Evangelion. A series that ran in 1995/96 with a movie in 1997, it is heartbreaking and visually pleasing, full of depression troupes. The characters are messy and awful, but also real and interesting. To me they are more than just fictional characters that I love and enjoy drawing together, they are also a representation of myself and Roachor and the relationship we share.

Let me back up a bit, a lot of you aren’t going to understand what’s going on with me without a bit of context and some history. Roachor and I started dating in October of 2009, and Roachor introduced me to Evangelion and the Rebuild series soon after we started dating. Later I would go on to watch NGE and EoE and fall in love hardcore with those but first came a few episodes of NGE and Rebuild 1.0 and 2.0 (if I remember correctly). Now the rebuilds have always been love/hate for me with regards to the direction and how Asuka is handled (Rebuilds is Asuka Langley Shikinami not Soryu and she is very different but that’s another rant). NGE/EoE are my loves and what I always come back to, especially because of the Soryu/Ikari dynamic. I related to Asuka, especially the younger versions of me. She’s fiery, tough, speaks her mind and she has many issues, but she is also kind and brave and 14. Asuka to me was therapeutic to watch, it was interesting for me discovering I had depression/anxiety at 22 to see a teenager going through a lot of the same thoughts and feelings I had at the time and in high school. I can’t speak for Roachor’s experiences, but I know he relates to Shinji Ikari because he told me so. In this way I started to see the both of us in them and eventually their relationship as relatable to our relationship. Some of you may yell “BUT ASUSHIN IS TOXIC/ABUSIVE”, and yes well it is unhealthy at times but again this is my story not yours. I see Asuka and Shinji as the endgame ship/couple of NGE/EoE, damaged people that relate to each other and can understand each other with some work and effort. That’s how I felt when I was younger, damaged and looking for someone to understand me. Roachor and I had arguments, fights, unhealthy coping mechanisms, and many other things we had to overcome on our own and together. Just because our relationship isn’t perfect and smooth all the time doesn’t make it less meaningful/valid. To me a relationship that grows and struggles is meaningful and relatable. Yes, Shinji makes some very, very bad mistakes and Asuka isn’t always kind and caring, but I still see the potential in the little moments, the exchanged glances, the message of “I’m the same as you”. Soryu/Ikari is something I will always love.

Never

Now for the Rebuilds. I know Anno said they would be different and he would destroy Evangelion but maybe I never believed him? I find that I still thought Asuka and Shinji would be endgame, maybe I was misled because so many other spin-offs and the manga end with him coming back to/ finding Asuka, maybe I was projecting too much and wanted to believe something that wasn’t likely. Ultimately it doesn’t matter. I had my heart broken by the Rebuilds if the spoilers for 3.0 + 1.0 are true. “Don’t ship anyone in Evangelion, they are all terrible/ you’re gunna be disappointed” things I have said before/heard and yet here I was, hoping desperately for Shinji and Asuka to connect yet again, enjoying the romantic tension in 2.0/ the hints of remaining love in 3.0. And then the Final came out yesterday and the spoilers were shocking. Shinji chooses to leave for the real world with Mari, Asuka stays behind to rebuild her world with the others, Asuka and Shinji confess their love for one another and then decide “but it would never work out”.

“It would never work out”

Wow… how final and heartbreaking. We are too different now, we grew apart, we’re not the same as 14 years ago, I am more mature, we are different people. My 10 years with Roachor suddenly felt like it was being shattered and tested by a Japanese show I have yet to view or experience. The relationship I had hoped for was being yanked away from me. Something I related to was being stated to NEVER work. How could Anno betray me like that?! How could he say something so cruel. They are mine, not his! How can he just take away the beautiful ambiguity and decide that fans aren’t allowed to have this? Mari endgame? HAH and yet… the spoilers keep coming in and it doesn’t seem to be changing. Mari as Anno’s wife? Shinji is Anno? How could he do this? How could he change the direction and the people involved? WHY!!! Asuka and Shinji are supposed to come back together always. But then I remembered “Shikinami” not Soryu not Asuka Langley Soryu, daughter of Kyoko and her unnamed father, not college graduate and Miss Piggy-esq personality.

Shikinami… she’s not MY Asuka. That’s not MY Shinji.

I am reminded of the idea that a different you exists in the minds of others, there are many versions of Asuka, Shinji, Sigma, Roachor. This isn’t my Asuka, this is Shikinami, this is a new Asuka, this is a new Anno. This isn’t mine… So… It’s not mine, not for me but for Anno and how it ends and the journey is his and he is sharing it with us. But where does that leave me? Will I like this new movie? Will it rip my heart into pieces? Does it even matter anymore?

It’s okay to be sad, but don’t let it destroy you. No I won’t let it destroy me. And yet… I lost? No, no one lost, there is only change and a differing message. At the end of the day it doesn’t matter, I still have my relationship with Roachor. I still have Soryu and Ikari (regardless of anything others or Rebuilds may say). I have my merch, fanart and other fan made items. I have a lot to confirm what I love and know. It’s okay, it’s not my story, it’s not my ending, but that’s okay.

Edited at 3:07 PM

After thinking a while I think I will be okay with this/ it is okay that Evangelion and everyone is moving on. I think we all need to move forward in the end. Also it sounds like it was less harsh of a scene and more just two people acknowledging they grew up and changed and not being all ARGH TOXIC. That seems to be interpretation not intent.

#evangelion spoilers #evangelion 3.0+1.0 #personal #essay #asushin #neon genesis evangelion #shinji ikari #rebuild of evangelion #asuka langley shikinami #asuka langley soryu

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plotbnuy · 3 years

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KarpReviews - Neon Genesis Evangelion (1995) and End of Evangelion

It took me a good while to really get into anime. Well, maybe that’s technically not true, as I grew up with the Pokemon and Yu-gi-oh anime series. That’s really where my exposure to the medium stopped for a long time, though. There was scattered influence, such as an ephemeral viewing of Spirited Away on Cartoon Network, and access to one of the Naruto fighting games. Ultimately, though, I hardly knew what anime was until high school. It was around this time that I would occasionally stay up late to watch Toonami on Saturdays. Toonami provided me with several of my first and favorite anime series, including Cowboy Bebop, Deadman Wonderland, and Soul Eater. One night, however, I found myself treated to something completely bizarre.

I can’t say for sure exactly what I had watched, though my current knowledge suggests it was one of the Evangelion recap movies. These are abridged versions of the series that tell the story in a more condensed format, though it’s possible I just caught a few episodes of the regular series. The show itself was overwhelmingly confusing and bizarre, with concepts my teenage mind struggled to grasp, and characters that seemed strange and depressing. It certainly didn’t help that I was watching this show in the dead of night while sleep repeatedly attempted to pull me down. I was mesmerized regardless, and the images I saw never left my mind.

It wasn’t until now that I decided to finally watch the series in its entirety. I was excited to figure out exactly what I’d seen, why the robots in the show looked the way they did, why the “monsters” had such abstract and strange designs. Most importantly, I wanted to experience one of the major pieces of Japanese animation that had influenced so much of popular media. Thankfully, Neon Genesis Evangelion did not disappoint.

To briefly summarize for those who still haven’t seen the show, the main premise is that, for one reason or another, Earth has become assaulted by powerful beings known as Angels - strange monsters that threaten humanity with their otherworldly power. An organization called NERV, led by Commander Gendo Ikari, plans to protect humanity and destroy the Angels with mysterious and strange humanoid mecha named “EVAs.” They can only be piloted by particular children, one of whom is the main character and Gendo’s son, Shinji. The Angels themselves, as well as their lore, hearken to Christianity, though in the same way that American media loosely uses Greek mythology. While the premise of the show seems to match that of other mecha, such as Gundam or Macross Saga, Evangelion is more about it’s heavy, layered theming as opposed to mecha and kaiju battles. Evangelion’s storytelling is rich and layered, yet I never found it to be overwhelming or poorly paced. Even though it’s dark tone is prevalent throughout, the battles between EVAs and Angels are still exciting and enjoyable on their own, each encounter building the stakes higher and higher, until it almost feels that everything will suddenly explode. Almost.

Visually, I think Evangelion holds up phenomenally. The animation style is instantly recognizable while still carrying the same charm that many 90′s anime have. Characters are expressive and animated when they need to be, and backdrops are detailed and colorful. I was blown away especially during the show’s numerous fight scenes. Unlike the bulky mechs featured in most media at the time, the EVAs are nimble and powerful, often performing acrobatic feats or creating stunning displays of destruction. I was absolutely captivated by the designs of the EVA’s and Angels, just like I was in high school. The EVA’s are both incredible and sinister, immediately intriguing just from their design alone. Just looking at one makes you want to know more about them. The character designs are simple but still memorable, which matches their personalities well. What I love most about the visuals of this show, however, isn’t the fluid action or expressive characters, but the implementation of long shots and surreal visuals. Several times throughout the series, the show will linger on a single frame for an extended period of time. There’s no dialogue in these segments, just ambient noise or background music. These moments are some of the most engrossing, trapping the viewer in a single uncomfortable moment, such as the gruesome aftermath of an Angel attack, or a long elevator ride following an argument between Asuka and Rei.

Speaking of, the characters in this show are truly fascinating. Nearly every character is layered and interesting, and each one has their own ways in which they deal with the pressure and terrors of the world around them. I was surprised with how much I ended up liking Shinji (during the main series that is, but we’ll get to that) whose awkward and conflicted personality can be easily polarizing to viewers. I thought Asuka was a nice foil for Shinji, and an entertaining character on her own. She is a bit rough around the edges, and her loud and often self-centered personality can be grating at times, but ultimately her presence is a positive one, and I feel she inadvertently pulls other characters out of their shells. Rei, the third part of our pilot trio, is quiet and mysterious, and she adds to a lot of the show’s intrigue. My favorite character is easily Misato. On top of keeping the younger character’s intense personalities in check, her own story is one that the show graciously gives a lot of attention to. Watching her start to work through her demons was thoroughly compelling to me, and I felt that even through her faults she always tries to be mindful of the people around her. Ryoji was another character that I was a bit worried about after his introduction, but thankfully he had much more going for him than his flirty, aloof attitude. The one person that I never got totally sold on, though, is Gendo Ikari. While he’s certainly integral to the plot, his character was too nuanced for my liking, and it dampened his impact on the story. He’s also one of the characters who I can confidently say isn’t a good person, making his presence even more distasteful. Important for sure, but generally unpleasant.

Perhaps the most memorable piece of this show is it’s music. Truly, every single track within this anime screams “iconic.” The catchy drumming of “Decisive Battle” constantly plays within my head, a track that helped every Angel encounter feel like an elaborate chess game. “Angel Attack” has a memorable, intense melody that felt appropriate for the show’s surreal and powerful monsters. Of course, nothing needs to be said about one of the most iconic anime openings ever, “Cruel Angel’s Thesis.” By far my favorite, though, has to go to “Komm, süsser Tod.” Playing during the finale of End of Evangelion, this hauntingly beautiful song fits the show perfectly, from it’s use of choir-like vocals to the chaotic mess of strings towards the end. Every song in the show’s OST is wonderful, and I often listen to various tracks while I’m working. Even if you don’t want to watch the show, I strongly urge you to check out the soundtrack anyway.

Deep within these varied, elaborate pieces, behind the catchy music and incredible action set pieces, Neon Genesis Evangelion is a show about depression. Each character struggles with this in a different way: Shinji keeps his distance from those around him, despite needing more than anything to connect to another human being. Asuka searches for validation from the people around her, becoming angry when anyone takes attention away from her, afraid that she’ll be ignored or forgotten. Rei struggles in general to feel like a real person, to become more than her birthright and her purpose. Misato tries to drown herself in her work and in alcohol, keeping herself in denial while she tries to distance herself from her past. In some ways, the EVAs represent the responsibilities of everyday life, highlighted by Shinji’s struggle to fully commit to his obligation of protecting mankind. The characters in this show are broken, messy husks, and for almost the entire show these struggles seem impossible to overcome. These themes and motifs become especially true starting with episode 16, where the show begins to slow down and focus on its characters as the final Angel threat is thwarted. Ultimately, however, the message of the original series is a hopeful one, sending the viewer off with the message that only when you’re able to help yourself can you finally start to truly connect with and help others. It’s a poignant message and one that I think the show earns by weaving it’s theme of depression throughout the entire show, not just focusing on it near the end.

The end, however, is where Evangelion becomes a truly fascinating piece of media. Part of what makes this true is that, actually, Neon Genesis Evangelion has two endings: the final two episodes of the show, and the movie appropriately titled End of Evangelion. The series has separate endings for a couple of reasons, actually. While I won’t explain it in depth here, the summarized version is that the latter episodes of Evangelion, starting with episode 16, are subjected to a bit of a paradigm shift following production issues and budget cuts. These later episodes are where the various characters’ faults take the forefront of the narrative, and the action scenes become scarce. The final two episodes take on an especially bizarre nature, analyzing the characters within the context of the show, using abstract visualization and disjointed dialogue to do so. Personally, I’ve grown to appreciate this ending. As I mentioned before, while the focus does change towards the end, I still believe the show was always more about the heavy themes than it was about the robot fights. Many, however, do not share my opinion. When the finale originally aired, many viewers were incredibly unhappy. Unreasonably so, as thousands sent angry letters and death threats to the studio, griefing the creator for his vision. They called for a different ending, one with a more satisfying conclusion, with more action and a clearer sendoff for Shinji and the other characters.

Needless to say, creator Hideaki Anno obliged them.

Releasing in 1997, End of Evangelion is perhaps the most spiteful piece of artistry ever conceived. While the original series ended with a message of hope, this film turns the series on its head and creates a narrative that simply reeks of despair. Junko Enoshima could only dream of creating something so explicitly hopeless. While Shinji takes his first steps towards healing in the original ending, this film features a Shinji who has completely and utterly given up. He’s succumbed to his base desires, numb to the world around him in a way that’s turned him into a monster. His thoughts and actions are violent and abusive, he becomes completely deaf to the needs of those around him, and in a few short minutes of this film, he becomes almost completely irredeemable. He knows he’s become a despicable shell of a human being, but he almost seems to revel in that fact. This version of Shinji is utterly useless, and his actions - or rather inaction - causes the complete destruction of everyone he loves. This film is depressing, it’s uncomfortable, and it’s absolutely unconscionable...

And I loved it.

In context, it’s hard not to imagine that End of Evangelion is a deliberate slap in the face to the fans who so ruthlessly tore apart the original ending of the show. It completely reverses the progress that was made in the original series, opting to create an ending that is more intense and action-packed, but at the price of turning Shinji, the audience surrogate, into a complete bastard. Watching the film for the first time is almost infuriating, especially as Shinji repeatedly destroys everything in his wake through his own self-loathing. Yet, after letting the film sit in my mind for a while, I found it to be a truly unique piece of art. It’s hard to stomach, and I don’t think I can recommend it, especially on its own, but End of Evangelion is a truly fascinating film.

As a whole, I’m extremely happy I decided to go back in time to watch this old classic. I believe it holds up incredibly well overall, and it has so much to say in just 26 episodes. Watching it reminded me a lot of Samurai Jack and Cowboy Bebop, especially with its use of masterful long takes and thick atmosphere. If you haven’t given this anime a shot, I strongly recommend checking it out on Netflix or wherever you can get your hands on it. It may not be for everyone, but for this kaiju-loving gal, it exceeded every expectation.

#anime #anime review #movie review #neon genesis evangelion #shinji ikari #end of evangelion #review

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hufflepotato-18 · 2 years

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Y’ALL, I’M DYING

https://www.salon.com/2021/11/14/eternals-love-story-captain-america-winter-soldier/

THIS ARTICLE IS EVERYTHING.

HERE’S SOME HIGHLIGHTS:

- “Moore acknowledges the love stories of Tony Stark (Robert Downey Jr.) and Pepper Potts (Gwyneth Paltrow); Steve Rogers (Chris Evans) and Peggy Carter (Hayley Atwell), a relationship that Steve gave up everything for in the final moments of "Endgame"; and the unnecessary romantic subplot between Natasha Romanoff (Scarlett Johansson) and Bruce Banner (Mark Ruffalo).”

- “Have we forgotten the entire "Captain America" trilogy, people? Or the whole plot of "Captain America: The Winter Soldier," specifically? And, no, I'm not talking about Steve and Peggy, or even Steve and Natasha, though sparks may have flown between the two in "The Winter Soldier”. I'm talking about Steve Rogers and Bucky Barnes (Sebastian Stan), the Winter Soldier himself.”

- “Steve and Bucky's lives are inextricably bound, forever intertwined through what can only be described as fate. Decades, lifetimes, wars, Nazis, mind control - nothing can separate the two.”

- “When Steve repeatedly rejected Bucky's offers for help all those years ago, Bucky leaned in close to tell him, "I'm with you 'til the end of the line, pal." In the final minutes of "The Winter Soldier", Steve repeats these words to Bucky just before Bucky nearly kills him while under mind control by Hydra. The words - and the enduring love between the two - are enough to liberate Bucky from decades of mind control and brainwashing.”

- “This is all fair enough - being ghosted is as valid a reason as any to move on from someone, start seeing someone else, and stop waiting around or looking for your ex. But not for Steve and Bucky.”

- “Fanfiction.net, Wattpad, Tumblr and other popular fan platforms are brimming with "SteveBucky" fan art and fan fiction, some of which is arguably better written and more logical than actual MCU plotlines certainly more logical than Steve bailing on his closest friends and all of humanity to travel back in time and be with a woman he kissed once 80 years ago in "Endgame”.”

- “Sure, unlike Ikaris and Sersi, Steve and Bucky don't get an (onscreen) sex scene. But Steve and Bucky's intimacy was arguably portrayed in even more passionate and intense ways than the two seconds of joyless missionary that Ikaris and Sersi share in "Eternals”. Much of "The Winter Soldier" features endless montages of Steve and Bucky just going at it, throwing each other against walls and choking each other, all while sweating, writhing, and trying to catch their breaths. Yes, "Eternals" is the first ever MCU film to feature an openly, canonically gay superhero, but "The Winter Soldier" was two hours and 16 minutes of pure, undeniable homoerotic tension.”

- “[…] no matter what anyone says, Steve × Bucky was the first great MCU romance, and "Captain America: The Winter Soldier”, the first MCU love story.”

#marvel #mcu #eternals #ikaris #sersi #sersi x ikaris #captain america the first avenger #catfa #captain america the winter soldier #catws #steve rogers #bucky barnes #stucky #stevebucky #IDK BUT WHOEVER WROTE THIS DESERVES A FUCKING RAISE

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geekmedium · 3 years

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S-rank Fanfiction Recommendations

Because fanfictions can be a valid source of good stories if you’re willing to look for them.

1.) Stucco Hearts - A Percy Jackson soulmate au, but instead of the characters just falling in love, it explores every stage of their relationship as they grow from essentially awkward roommates to devoted lovers. Also uses the soulmate premise for some thoughtful worldbuilding and discourse on love.

2.) Nobody Dies - A Neon Genesis Evangelion story where the premise is, as the title suggests, one where Shinji’s mom, Yui Ikari, doesn’t die. But it’s so much more than that. If NGE proper is a Lovecraft story about humans dealing with an alien threat they don’t understand, Nobody Dies is Lovecraft Lite. The aliens are still a legitimate threat, but they are now a source of awesomeness instead of nightmare fuel. The characters while still having problems are relatively more stable, and much more competent as a result. Except Rei, who is more awesome because she is so much more unstable than canon. Honestly if I had to compare it to anything, I would say it reminds me heavily of The Vorkosigan Saga. It’s not exactly a comedy, but it has tons of funny moments and the characters can go from enjoying a school dance to fighting zombies in a chapter. And it has plenty of relationship drama that leads to incredible heartwarming moments. Highly recommend, though I will say the quality drops off around chapter 72 and the author isn’t writing more chapters so it’s incomplete. Still, if just for the first 60 chapters alone, you should give it a try.

3.) Advice and Trust - Another NGE story, this one more canon based. It’s basic premise is what if the story had happened exactly as before, until episode 15 when THAT scene is changed to Asuka and Shinji successfully getting together. The consequences as it turns out become huge. It’s an engaging story on its own, but what makes it 10x better is if you want a much more optimistic NGE where the heroes have way more success. Believe me, however, when I say it isn’t at all a fluff piece. New problems show up as well and the young lovers must rely and trust each other as they work to prevent the end of the world. Would gladly recommend this to fellow NGE fans, especially fellow Shinji/Asuka shippers.

4.) Perpendicular - A great Spider-Man romance story. Taking place ostensibly in the Andrew Garfield Spider-Man movie verse, the story came out before the second one and follows the planned but unused Mary Jane, thus giving it a feel removed from the movies. We follow MJ as she grows use to a post-college life of applying for acting gigs, all the while her best friend Gwen lives with her, along with Gwen’s annoying boyfriend Peter. I think I especially love the emotional complexity of this. MJ must slowly come to terms with her growing feelings for Peter, all the while wondering if she should settle with billionaire Harry Osborn who takes a liking to her. I should mention that this Mary Jane Watson is not like the one from 616 continuity, but she is still incredibly human and engaging to read about.

5.) Spidey’s got a Girlfriend - A fun story in the Marvel Adventures Spider-Man universe. It is about Peter finally hooking up with MJ and her coming to the Avengers’ mansion. Chaos and comedy ensue. It isn’t a super emotional or serious story, but it has the feel of a classic Spidey misadventure ala “The Commuter Cometh.”

6.) Webslinger - It only lasted for two chapters, but this is a Spectacular Spider-Man story that truly fits the name. Since it is only the beginning of the story, not an awful lot happens, but you can tell the author was trying to make a continuation of the series that fit the tone and style. I especially love the descriptive action. It can be very hard for prose to convey the kinetic dynamism of comics and comic shows, but I loved the clear descriptions of webslinging and fighting. You understood what was happening and could clearly imagine what poor Pete was going through. Small warning that it is rated T for a reason. There is a little bit of cursing and suggestive language.

7.) Super Stories of Samuel Hawkins - A series of Superboy stories meant to invoke the silver age style. If you like a more old fashioned super story where Clark can lift planets and adventure with the Legion, this is for you.

8.) Partners in Crime - A Batman/Catwoman story taking place in the DCAU. It goes over why these two love and want each other so much in a fairly quick read leading up to them establishing a new family. If you want a nicely paced story of how Selina goes from criminal to partner and co-leader of the batfamily, definitely recommend.

9.) Cat-Tales - Quite possibly the best Batman/Catwoman story I’ve ever read. I have a feeling whatever Tom King’s gonna try to do won’t even hold a candle to this. What I think sets it apart from other BatCat stories is it is less a sexy romp and more a character study of these very dysfunctional people, and shows how that dysfunction works to make a weirdly functional relationship. There’s no will they, won’t they plot and it tries to involve most of the Batman cast at some point, even giving them their own engaging subplots and relationship problems. But at its heart is a story that can make anyone a BatCat shipper.

10.) Endangered Species - Honestly my favorite story about the relationship between Black Canary and Green Arrow. It has them investigating an attack on Dinah’s mom that slowly reveals a much bigger scheme. It involves the two leads at their snarky, loving best. Equally devoted to and irritated by each other, you understand that under all the banter and annoyed glares is a special connection that makes them perfect for each other.

#fanfiction #recommend #Romance #S-rank #multiple IPs #listicle

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arlakos · 4 years

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Marinette’s list of Parisian Warcrimes (Or why I need to vent about all the bad stuff Marinette has done)

Yeah, I’m doing this.

People be talking on Tumblr about why Marinette is the best character in the show and talking shit about every other character, from Adrien so I think I'll do what I do best and piss off people.

You want another Adrien salt Fic about why he’s a stalker to validate your sensitivity to everything that triggers you?

You want another AU where Chloe goes full-on villain and asshole mode so that you can be just another Astruc stan?

Do you want another Lukanette fanfic because Luka is the ‘Better Adrien’ even though all he does is play a guitar?

TOO BAD! THIS TIME WE BE DOING SOME MARINETTE SALT AND WE GOING IN HARD! WE ARE GONNA BE RUNNING THIS BLUE HAIRED GIRL INTO THE GROUND THE SAME WAY THE FANDOM TREATED THE OTHER CHARACTERS!

THIS IS PAYBACK FOR ALL THE SALT FICS THAT HAVE BEEN FORCED TO SEE THAT DON’T EVEN BOTHER TO USE NATURAL LOGIC!

(And I'm gonna love every bit of it)

So without further ado, Marinette is sentenced to be salted on the following charges:

Having a planner that tracks Adrien's every location/activity so she can stalk him at all times and actively uses (Stormy Weather).

Using her powers to prevent Adrien from dancing with another person (yes, even if that person is Chloe) (Bubbler)

Stealing Adrien's phone (Copycat)

Reading other peoples letters, even if they did throw it in the garbage (Dark Cupid)

Abandoning Paris (Ladybug Origins) (Yes I know people are going to be angry at me especially for this one, but if Everyone gives shit for Chat Noir for doing the same thing in Syren, then Ladybug gets it as well. No double standards on this post)

Literally destroying Max’s hopes and dreams by beating him in a game entering a tournament just so that she could be with Adrien. I don’t care who was better in the game or won, Marinette had no prior interest in the tournament and even knew how much Max wanted to enter, yet still done it anyway the second she realized Adrien was there. Yeah, others will say its cute that she wanted to be with Adrien, but if she really wanted to spend time with him, all she had to do was, you know, ASK LIKE A NORMAL PERSON!!! (Gamer)

Ladybug not listening to advice on where the akuma is all because she didn't like Chloe. who made a small lie before to her. Yeah Ladybug, someone making a little lie to save themselves embarrassment is really valid enough of a reason for their opinion and advice to be worth nothing. And it caused another akuma, good for you. (Antibug)

Oooh, a big one...Marinette stalked Lila and Adrien pretty much all day, under the guise of ‘not liking liars’ (yeah right) and once she had a ‘valid’ excuse to pretty much ruin Lila’s chances of wooing Adrien (whether or not she had an actual chance is irrelevant) she transformed into Ladybug and ABSOLUTELY EMBARRASSED HER AND HUMILIATED HER right in front of Adrien, when she could have just pulled her aside and just told her off in private and quietly so that she wouldn’t do it again. When Adrien questions her says she did it with the excuse of ‘not liking liars’. (Volpina)

Not telling Fu who the book belonged too when questioned on where she got it. I get that this was an excuse to prolong the shows run time, but if you were going to bring this up in the show and pretend that what Marinette did wasn’t a big deal, then they shouldn’t have added it in the first place. (The Collector)

Not bothering to tell her grandmother the truth and sneaking off to hang with her friends. (Befana)

Ladybug leading on Chat Noir. If she really didn't want to go, she could have just outright said No and be done with it, instead of just a ‘maybe’. (Glaciator)

Ladybug Literally not telling Chat Noir about the Guardian or where the hell all these heroes are coming from. There was literally no excuse, Adrien didn’t need to wait ‘until he was ready’, he literally became a hero the same time as Ladybug, it wasn’t like he was ‘the new guy’ and Ladybug was ‘the more experienced one’. I can give this to Fu as well, but I still feel that Ladybug should’ve told him regardless from the get go, she trusted a man she hadn’t properly met until 1 season later more than her own partner who stuck with her since day one. (Syren)

Taking pollen away from Chloe... yeah this really doesnt count. I just simply liked Chloe’s face in Malediktator when she saw Pollen again.

Talking shit about Chloe behind her back then acting all friendly to her as Ladybug when she needed her to become Queen Bee. Not really bad, it's just incredibly rude. (Maledictator)

Again, the same shit as Stormy Weather, instead of being punished for having the planner that details every bit of Adriens day to day activities, she gets rewarded by the writers. Not so much a Marinette crime as it is and ASS-truc crime. (Troublemaker)

Snooping through Marcs Private book, annoying him when he wanted to be isolated, and just straight up not having Marc give him the script himself. She could have tried just bringing Marc to Nathaniel and showing him the script together. (Reverser).

Making a lie about organizing a party when she definitely didn’t plan one. Yes, even if she was going to do it afterwards and planned to make the pastries herself for the party. She really is a hypocrite when she comes to lying, even though that’s a personality trait the writer's press is the reason why she hates Lila. (Season 2 Finale-Catalyst and Mayura).

Sabotaging Kagami’s attempts at being with Adrien. (Animaestro)

Marinette telling her Grandpa that rice bread is better than wheat bread. Anybody who has tasted bread would say otherwise. Although to be fair I blame Tom for this and this isn’t really as bad as the others (Bakerix)

Marinette throws Chat under the bus by pretending she loves him and leaving him to face Tom when the entire thing was her fault. I know she did it to protect her identity, but it still was an ass thing to do, and Chat found Marinette in her own house, Marinette could have used any excuse, including but not limited to, baked goods. (Weredad)

Marinette... LITERALLY... TRIED TO BREAK INTO ADRIEN’S HOME... ALL BECAUSE LILA WAS THERE...if the fireman was smarter than most other characters in the show he could’ve literally called the cops on her, leading to her getting arrested and Gabriel (or even Adrien) filing a restraining order against her. That and she steals Juleka’s bike. Not cool dude. (Oni-Chan)

Marinette not making it very clear to Chloe that she can’t get the miraculous back under any circumstances due to her exposed identity, especially after Chloe claims she’ll need them again. (Miraculer)

Marinette sneaks into the boy’s party despite wanting bro time, all because she wanted another botched attempt to confess to Adrien. (Party Crasher)

THAT CREEPY SCENE WITH THE ‘ADRIEN WAX STATUE’. I dont want to talk about it. You know which one I'm talking about. If you don’t, thank god, but IF YOU THINK THAT WAS CUTE IN ANY WAY OR THAT ITS ADRIEN FAULT BECAUSE HE STOOD STILL, YOU NEED TO GET YOUR HEAD CHECKED. (god i still have nightmares) (Puppeteer 2)

Not really a crime, but talking literally all the miraculi when you only needed a few. What would happen if she screwed up and Hawkmot got all the miraculous, or lost a few for the Akuma to obtain? (Kwamibuster)

Marinette (or Lady Noire) being an absolute dick to Misterbug during the entire time they were fighting Reflekdoll, insulting Misterbug for misusing his power when she does the same thing and claiming Misterbugs usual job is ‘easy’. Yeah...no. Fuck you Lady Noire, go eat a cataclysm to the face (Reflekdoll)

Marinette sabotaging Friendship day for Kagami just because she didnt want the latter to see Adrien.. at all. (Ikari Gozen)

Claiming Adrien is a good guitarist when Luka is an actual one. Not a crime, just dumb (Desperada)

Giving a Miraculous to Adrien when she can’t even control herself around him and could be distracted (Desperada)

Being too cute in that picture Marinette and Adrien sleeping together on the train. Yes i know this isn’t a crime, i do like some stuff about her, i just think the pic is really cute. (Startrain)

(Look at it, they’re adorkable. Awww....)

(Wait, aren’t I supposed to be salty?)

NOW, for the biggest crime of them all...

Literally not confessing to Adrien even once. Aside from the fact its turned the ‘romance part’ of the show into a joke, Marinette not telling Adrien the truth already or lying about her feelings is the reason we have the ‘Marinette is just a good friend meme’. No wonder he thinks you are ‘just a friend’. THAT’S ALL YOU HAVE BEEN TELLING HIM.

My evidence? EVERY SINGLE EPISODE!!!

...

Ahhhh. Much better.

Well, now that I have successfully gotten rid of all that anger and salt and manifested it into a physical memento of my anger for this show and its main character, I’m going to relax while people get mad and triggered that I insulted the ‘Perfect Marinette’ and leave me angry messages. For all those that listened and don’t hate me or even agree with what I have said, thanks for reading my large amount of vented writing. I hope you have a pleasant day.

Let's hope for season 4 of Miraculous to be better now that Zag is back. The fandom knows we don't need another salty season.

#Miraculous Ladybug #Season 1 to 3 #ML salt #A lot of salt #Marinette salt #Probably a lot of Marinette hate #AND FOR GOOD REASON #A bit of writer salt as well #A lot of ASS-truc Salt #Miraculous Ladybug salt

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sidsinning · 5 years

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Salty ask list 😎 1-5 & 20-25 😎

I’m pretty sure this is for Miraculous mostly so here I go

1. What OTPs in your fandom(s) do you just not get?*

-Chloe x Luka. When I saw just how popular this ship really was, I was shocked. They haven’t even met in canon. Their opposite personalities just don’t clash for me in a good way. Luka is such a selfless and nice guy while Chloe is selfish and narcissistic. It feels like a ‘Luka fixing Chloe’ type of situation to me, which I’m not into.

2. Are there any popular fandom OTPs you only BroTP?*

- (Hope this doesn’t get me killed.) Luka and Adrien. I really think of them as just friends. I am just not interested in shipping them.

3. Have you ever unfollowed someone over a fandom opinion?

-I don’t think so.

4. Do you have a NoTP in your fandom? Are they a popular OTP?*

-Adrien x Kagami. I do not find their relationship well developed in the show, romantically or platonically- it just sort of happens out of the blue with no explanation or chemistry. It doesn’t feel good to watch them because most of the time, it’s just to make Marinette anxious. Whenever they have a scene together, it isn’t to develop their connection as people, it’s to make Marinette jealous and upset. Their romance, heck their whole relationship, isn’t theirs.

-Okita x Nobume. They are too similar in personality for me. Not popular but I still see stuff occasionally.

5. Has fandom ever ruined a pairing for you?

-Dramione. I read some fics for it that took 3 years off my life.

20. What is the purest ship in the fandom?

- Luka x Marinette. Wow are they just wholesome and sweet. Being around each other makes them feel happy and at ease. They have each others’ backs. Marinette isn’t surrounded by stupid girl drama around him, which is a big reason I dislike the show these days. She also acts like a normal girl who likes a boy instead of a crazy stalker. Episodes with him don’t make her out to be a klutz, or in the wrong for everything. Luka’s presence helps her relax and “go with the flow” as he says.

21. What are your thoughts on crack ships?

-Have a good time and keep doing what you’re doing mad lads.

22. Popular character you hate?

-Chloe Bourgeois. Redemption arc was a flop. She’s still mean and hasn’t apologized to any of the people she’s hurt. Feels like everyone just forgave her for the plot. Having a sad backstory does not excuse what she’s done. I do not like how her Miraculous was given to validate her instead of earning it through self improvement. She shouldn’t be a hero just so she can feel good about herself.

23. Unpopular character you love?

-This would have to be between Luka and Kagami because I see hate for the both of them. Luka has some hiccups in terms of character development but I still like what he brings to the show. I like Kagami’s base characteristics, but hate her role/portrayal in the show (until Ikari Gozen).

24. Would you recommend XXX to a friend? Why or why not?

-Here’s where I’ll branch off Miraculous a bit and say EVERYONE NEEDS TO WATCH GINTAMA. One of the most unique experiences I’ve ever had watching a show. It is truly unlike anything you’ve ever seen. You feel like the characters are your friends, and are deeply connected to them as if they were real. WATCH IT PLEASE IT’S HILARIOUS AND TEAR JERKING AT THE SAME TIME.

-As for MLB, I’d give people a disclaimer first and let them decide for themselves.

25. How would you end XXX/Would you change the ending of XXX?

-Bleach. Have Ichigo remain a Soul Reaper, because he himself said it was something that gave him meaning in life, and gave him the power to protect those around him. Just becoming a dad that runs his family’s clinic in the end is so random and anticlimactic. Also have no one end up with each other. Even though I shipped Ichiruki, it simply wasn’t the type of show to develop that sort of thing. Having everyone remain close friends would’ve been the best choice, especially with how rushed the ending was.

(And Chad shouldn’t have ended up as a professional boxer bc WTF that goes against your whole character???? Don’t use your fists unless it’s to protect your loved ones right???)

#ml #mlb #miraculous ladybug #gintama #ml salt #anti adrigami #kagami tsurugi #luka couffaine #lukanette #marinette dupain cheng #adrien agreste #sakata gintoki #ichigo kurosaki #anti lukloe #anti chloluka #anti bleach ending #ask #rike-with-love #sidrabbles

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translationandbetrayals · 4 years

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Evangelion: Shinji Ikari and Jesus in Gethsemane.

38 “The anguish that overwhelms me is such that I feel like dying,” he told them. Stay here and stay awake with me.

39 Going a little further, he fell on his face and prayed: “My father, if possible, do not make me drink this bitter drink; But it is not what I want, but what you want.”

40 Then he returned to where his disciples were and found them asleep.

Matthew 26, 38-40 (NIV)

Neon Genesis Evangelion is considered a true cult series, with discussions and reinterpretations always present, before an ever wider and more varied audience. The creation of theories is varied and rich in debate, with supporters and detractors in equal numbers. For my part, I accuse not being a great connoisseur of the vast magnitude that this series represents, not denying that I would love to know more about the symbolisms that we can find. References of all kinds can be found in the series, from Jewish traditions, such as the names of angels and the tree of life, as well as from other religions, such as the Buddhist, Islamist or Christian. Regarding the latter, certain similarities are found in certain scenes and what is explained in the current biblical canon. Above all, I want to focus on one: on the similarity of Shinji’s attitude and that of Jesus in his prayer on Mount Gethsemane, on the brink of his betrayal and his subsequent passion.

Respecting the obvious barriers that must be had when comparing two very different themes and with different messages and origins, such as Evangelion and the Bible, certain notions of “similarity” can be had between certain scenes in both. Let’s first look at our anime character: Shinji Ikari. Being the main character of Evangelion, he is a fundamental part of the personal development of each of the characters in the series, of the development of the rough plans of certain organizations and of himself. His character evolution is clear to those who saw the series, in broad strokes: from a founded shyness, it gives way to certain bits of bravery and even vanity, ending in new fears and abandonments; He is not necessarily a “hero” seen from the western point of view of the one who overcomes his fears and individually saves everyone, but is presented to someone as human as we all are and we do not want to accept. It is an example of that, in spite of all the propaganda that is made to us that we are capable of changing the world, it is not possible alone, or if you want to do it without the help of something; We are very weak, and each of us has the fears and traumas, to varying degrees, that Shinji may have had. It is not surprising that many times we feel compassion for him, and still feel anger about him - remember that we are taught that it is wrong to feel fear. Despite everything, Shinji rescues the most human and primal feelings that we can have: fear, doubt and, in the moments of greatest tension, the survival instinct, along with the desire for acceptance.

Above all, it is inevitable to think of Shinji in one scene: the doubt of his own abilities and his mission. It is at this point that my mind leads me to compare the reality of Ikari with what happened on Mount Gethsemane. Let us give a context: Jesus, after his entrance to Jerusalem with cheers and praises, the realization of the Last Supper, of his betrayal and subsequent crucifixion, he is alone, praying at night, asking why, if his heavenly father wanted him that way May the heavy burden that is placed on your being be removed. At that moment, the pain felt by Jesus is brutal, since he knows his destiny and is only humanly, since his companions sleep. Three times Jesus asks that his heavy burden be removed; three times he shows that he is tired and afraid: that he is as human as anyone.

At this point, our two characters present that immovable distinction of the human condition: its fragility and uncertainty regarding what is to come. Our natural quality that is as real as it is our certainties that this can generate a greater evil. Denying our fears is what drives lunatics to act against what is considered moral, since the mere fact of being weak allowed the existence of our species as social beings. That is why Hideki Anno’s interpretation of Shinji is so important, since it breaks with that individualistic thought that we are all powerful; and that even the most capable being is susceptible to falls and doubts. That is why the comparison given is not arcane, much less childish. Representing humanity is what frames Jesus as a being so special for many: his subsequent overcoming of this humanity is the step that places him on other people. and that attempt goes through each one of us. Shinji still wants that, and will try to achieve it, failing in the attempt, but gradually growing in a spiral of emotions that is no less valid for being a child: this is what happens to all of us. And that attempt is what allows us to call ourselves “living beings”.

Esteban Pérez Santana

#Anime #essay #submission

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