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#this is the last illustration I worked on
lyrablack1883 · 1 day
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I was late (you were early)
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These was commissioned by @dodgerkedavra for her fic “I was late (you were early)”
These scenes took place in two different time, the first and second one when they were 19 and the third one when they were 29. A portrayal of a ten years story. I’m really happy with the way the colors turns out and finally drawing the auror robes I had in my head haha.
The three small part of the fic that I used to illustrate these scene was
Malfoy pulls Harry’s other hand away from his ear and places it over the buttons of his jacket, his fingers warm over Harry’s shaking ones. His chest rises and falls under Harry’s palm, and he can feel Malfoy’s heart beating even through his uniform.
One second his hand is flat on Malfoy’s chest and the next it’s a fist. One second he’s against the wall and the next he’s crumpled forwards into Malfoy’s arms.
One last stroke, and Harry leans into Draco with a contented sigh. He inhales the scent of roses and early summer heat and Draco’s soap. Birds titter in the branches nearby. Draco’s heart beats against Harry’s back. The rhythm never falters, never stops.
There’s a second part to this story which was told from Draco’s pov which is angsty as well 🥹. It was “I’ll find you again (I always do)”
Working on these reminds me again how I loved drawing with red colors. I hope these illustrations manage to brings out or at the very least showed glimpse of the emotion these two portray in dodger’s wonderful fic ;-;
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narsh-poptarts · 2 days
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Do people like wips? idk, i like my wips. have some wips <3
they're all for class but it's an excuse to work on my oc stories <333
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neevblanc · 3 days
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„curious” ♡
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a/n —hey all! hope ur doin' well, drink water if you haven't! have this as a treat. it's 2k and some more but i cant be bothered to check for specifics. (p.s sorry if the tarot aspects of this are wonky! i did my best to research and i pulled reference from my sister's experience with tarot cards/reading.)
૮꒰ ˶• ༝ •˶꒱ა ♡
-ˋˏ’✄┈┈┈┈┈┈┈┈┈┈┈┈┈┈
Dazai Osamu x GN!reader
Tags— 22/ada dazai, flirting?, pre-slash, don't question why reader's given a key, reader works under ango but he's also they're dad figure, it's a whole thing, mentions of sskk though not explicitly platonic or romantic, take that as you wish, dazai's infuriating habit of burying feelings and then one day he'll die
CW/TW— dazai. (/j, none i can think of.)
note — reader's ability in this is based on one that my friend chose for our self-ship au. "Teacher of Truth by Saneatsu Mushanokoji: The user can employ tarot cards to gain insight into the past, current, and possible future situations. The user needs to know what each of the cards mean in order to properly interpret what they say." it's from a post on tumblr, but I couldn't find it for the life of me! i'll credit if i can. anyway, it's been tweaked a little so i'm here to explain. in this, reader can choose to use their ability during a reading or not, but the tarot cards are always personal to them. people they know will sometimes show in the cards if they're important to them.
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The next time Dazai sees you, it’s well before the ADA opens for the day. He’d admittedly had a rough night—sleep evaded him like always, and he hadn’t had dinner because of his own laziness. His futon was impossibly comfy. How was he meant to part with its loving warmth?
The Door to the agency creaks open, the sound not unlike the groan of the cafe floorboards only steps away. One of Dazai’s favorite activities was purposely seeking out the creaky floorboards and dancing on them so loud Kunikida would have to berate him, of course. He was intimately familiar with the annoying sounds this old building could make.
The office is darker than during working hours, but he notices the meager amount of lights still switched on. Distantly, he knows Kunikida would’ve blown a gasket about the electric bill if he had found them still on. He takes a step into the room-
Something rustles. Downstairs, an old radio plays a song he does not recognize. Pigeons flutter and coo from outside the window.
Somebody was in the agency, and had it been any of his fellow detectives, he’d have known.
“Hmmm, what’s this,” he mutters absently, volume low enough to alert whoever it was had decided to trespass.
”Dazai-san?” a soft voice calls, and Dazai pauses for a moment. A short, hollow sound follows—cards shuffling. He bites the inside of his cheek. How curious.
”Last I checked, you don’t clock in with the rest of us measly agents. Surely Ango’s fuming by now?” He hums, stepping into view of you. you’re sat at Atsushi’s desk, bag perched on top of Atsushi’s empty report trays. Dazai almost smirks at the sight— silly Atsushi, always rushing to complete everything in a timely manner. One day, he’d get him to turn them in later, hopefully months later- like he did.
”Hm, no. I clocked in earlier, but Ango wanted me over here early. Something about a mission I have to hand over to Fukuzawa-dono. I got a key from him last time, so I just let myself in.” you explained. Dazai pulled his own chair out and collapsed into it, peering down at what your hands were busying themselves with.
He realizes they’re tarot cards. Thick and sturdy under your fingers, you set them up neatly in front of yourself. The backs are a matte purple, decorated with silver details that glint as the sunrise light hits them for just a fraction of a second. The illustrations seem to flicker with movement, almost like snapshots of time shifting through an old camera, frame after frame.
”What’s got you so busy?” he asks, exaggeratingly leaning over to look at the cards. You laugh and smile, expression wobbly. He notes the change. You briefly shake out the bracelet laying on your wrist, almost nervously. You lay the last card on the desk’s surface. Atsushi’s cute cat clock ticks from where it’s placed near his report trays.
“I do readings for the day early in the morning, just in case. Sometimes, I don’t even use my ability.” You explain, keeping your voice low so as not to break the morning peace. Dazai glances at the cat clock. Soon, the secretaries and Kunikida will clock in and begin their work day. He focuses back on you and grins, intrigued.
“Anxious, then? I guess the ability to see the future will do that to ‘ya.” Dazai sighed, crossing his legs and resting his chin on his hand. He was content to watch you finish setting the cards down in a formation he admittedly did not understand.
” What does that one mean?” he says, pointing to one of the cards. Its flickering surface shows a woman with mint-colored hair pulled up into a bun. Behind her, there’s a black mass, and she seems to be standing in a graveyard. There are two Xs at the top of the card. You redirect your attention to the card he’s hovering his finger over and smile.
”That’s Judgment—renewal, reflection, awakening, or reckoning. For a personal reading, it would mean going through a period of self-evaluation or maybe even trying to understand the people around you and your situation more.” You explain, seemingly done with the spread and setting down the other cards nearby. Dazai purses his lips.
”Sounds gloomy. Lame!” He huffs, upset by his choice. you gasp and narrow your eyes.
”Don’t call them lame! You’ll piss them off, Dazai.” You hiss, smacking him on the arm. Dazai grins and leans closer, smile growing coy.
”Really now? And how exactly does one do that?” Dazai prods. You stick your tongue out and cross your arms.
“Not telling. Now shut up and let me do my reading.” You grumble, eyes flicking over the cards. Dazai whines and throws himself forward, almost shoving you off of Atsushi’s chair.
”Dude!” You yelp, hands scrambling to grasp his coat as he rights himself. Dazai grabs you by the shoulders and shakes, intent on being the biggest possible nuisance.
”That’s boring! Do your reading laterrrr; it won’t matter, right? Ne- do a reading for me! I wanna know my future,” He begs, grinning. You blink and scowl, pushing him away.
”First off, it would matter. Doing a reading later would be a completely different outcome. Just wait. All I have to do is interpret these. I’ll do yours after.” You grumble, adjusting their sleeves and settling back into the chair. Dazai harrumphs but settles into his own chair to watch you silently read the cards.
You focus back on the cards, and Dazai settles himself by watching you idly. You’re dressed in what you always wear to work, but it’s casual enough to know doubt have been breaking the dress code had you not been working under Ango for so long.  There’s a small scrunch to your nose as you focus on your task, and Dazai can spot how you run your tongue over your teeth in thought. Dazai looks away pointedly. Taking a few breaths, he forcibly clears his mind. How odd.
”Okay, done.” You hum, straightening and starting to pick up the cards. He shifts so his whole body is faced toward you. You take gentle care of the cards, putting them back into the deck.
”Why do they flicker like that? You aren’t using your ability,” he asks, curious about the shifting images on the cards. You shrug.
”Don’t know. It happens no matter what deck I use, though I prefer using this one. The images just shift into the same ones most of the time, though some have changed over time.” You explain, shuffling the cards. Dazai reaches out and hovers over your hand before poking the back of it gently. You let him despite knowing the outcome.
The images on the cards still lying on the table flicker, completely uninterrupted, even as Dazai feels the shiver of his ability eating away at yours. He hums and pulls away. He hadn’t been paying attention when he jostled you earlier, but you were right- they were unaffected.
”Strange, but not unheard of. Some ability effects aren’t considered active enough for my ability to erase.” Dazai says, allowing you to continue. you finish and present him with the deck, pulling away when he goes to take them.
”Don’t be mean to them. They’ll be mean to you. You can’t even think anything negative; they’ll know. You’re gonna cut the deck in 3, okay? We’ll do a simple reading.” you explain, and only once Dazai agrees (crosses his heart and hopes to die!) is he gently handed the cards.
”What do you want to read? We can focus on love, or money, or your career, things like that.” You say. Dazai ponders for a moment before sniffing, mouth settled into a pompous pout.
”I want to know if someone will finally be interested in a double suicide with me.” He huffs. You scoff.
”You’re insane. Okay, so love. Think about that while you cut them.” You nod, giving him the go-ahead. He runs his fingers over the well-loved edges and slots his thumbs through the deck where it feels right, setting the individual cuts down on the desk before them. He tries to take it as seriously as possible, though thinking about love has always made him squirm and itch beneath his skin.
You reach over once he’s done and clear your throat, carefully picking the top cards on each deck and laying them out in front of him. On the left, the first card flipped is a wheel, seemingly in the sky and surrounded by clouds. The clouds float by calmly, though Dazai can’t find anything particularly personal to you the way some of the other cards would show.
It’s made a little more difficult considering the card’s orientation- upside down.
You hum at it before moving on. The card in the middle is revealed, and this one piques his interest. He grins a little at the image. Two figures hold goblets in their hands, strings of power rising from the cups and meeting above their heads to form a Yin and Yang sign. The figures are startingly familiar- one dark-haired, the other light-haired. Accents in their hair match each other, silver and black clashing and melding nicely. This one’s facing right-side up. The image flickers to show the energy that swirls around, occasionally circling their respective holders.
The last one flicks onto the wooden desk with a hollow sound. The image is soft, not unlike the first one with the blue sky. A sun takes up the upper half, rays pronounced against the sky. Ttheire’s a little kid in the illustration, their beaming face scrunched up in happiness. There’s a flag clutched in one hand, with the other gripping onto the mane of the white horse they’re perched upon. Sunflowers frame them, peaking over the illustrated garden wall behind them.
It’s an endlessly endearing picture, and from the smile, he has a feeling he knows who it is. Like the last one, it’s right-side up.
You settle your chin against your palm, leaning on the table with a hum.
”That’s….a really nice reading, actually.” You move to point at the cards. Dazai sits patiently with his hands on his lap. Nothing more fascinating than seeing someone in their element, he supposed.
”That first one is The Wheel of Fortune. Upside down, it’s a little darker. It represents your past,” you pause, looking at him for a moment. “I think for you, it’s focused on the feeling of helplessness—lack of power or control…like you had love but couldn’t control how and when you lost it,” you say, your voice soft. Dazai fights to ignore the discomfort building in his throat.
”Well, what can I say? My dark past haunts me,” he bemoans, and you huff a soft laugh. You move on to the next card- the cups. You look a little embarrassed by this one.
”This one is the present. Two cups represent…well, partnership. More specifically, the realization of a new partnership. This one can be pretty romantic. I guess you’ve got something to look forward to soon,” you say, pointedly ignoring the images of his two kohais. He grins, sparing you of the teasing. He didn’t know how well you even knew Akutagawa- but it was amusing to see everyone could see what those two denied vehemently.
”The last one is the future. You got The Sun, which is actually really sweet.” Through your embarrassment, Dazai watches a sweet smile grow on your face. He matches it easily.
“It means joy and success, for you in particular. It means…whatever or whoever your two cups is for, you’ll be very happy together.” You say, and Dazai sighs wistfully.
”Maybe someone will finally want to commit suicide with me! This news might keep me alive a day longer just yet,” Dazai coos. You groan and take a deep breath, seemingly ignoring him as you duck your head down and then start to put the cards back.
”You better hope you didn’t piss this deck off, Dazai.” you huff, glaring. Dazai pouts, cradling his face in his hands.
“What?! I followed all your rules; I would never,” he whines. You flip him off and busily tuck the cards into a soft leather pouch. He lets his hands drop and watches for a moment.
”Thanks for the reading,” Dazai says, his voice back to normal. You glance at him and smile.
”Yeah, no problem. It’s nice to read without my ability once in a while,” you admit, expression soft. He grins. Something stirs in his chest.
”You can read me whenever you want, lovely.” He purrs jokingly. You startle, flushing. You glare and kick him with your foot.
”Don’t say shit like that,” you mutter. Dazai whines out a laugh, having settled on teasing you until he could see the smoke coming out your ears.
Before he could continue, the door creaks open, and the overhead lights flick on. Multiple people come shuffling in, and Dazai can hear Kunikida conversing lowly with Fukuzawa. The secretaries also file in, chattering contently amongst themselves. Fukuzawa and Kunkida pause only to greet them both. you wave politely, and Dazai salutes them both.
you blink your eyes to adjust to the light now flooding the room. Dazai huffs and stands with a groan.
”Alright, I’ve got five minutes to get out of here. You’ll be going in to see Shachou, right?” He asks, stretching. you stand and nod, giving him a look.
”Where are you going?” you ask, picking up your bag. He groans at the way his back pops as he rights himself from his stretching.
”Home. I only came here 'cause I was bored. But in the long run, it’ll be a lot funnier if Kunikida’s mad all morning when I don’t show up~” He snickers. you shake your head, a smile pulling at your mouth.
“You’re so lame. See you, then.” You sighed, heading down the hall Kunikida and Fukuzawa had disappeared down.
”And yet you love me. ‘Till we meet again,” he calls, pointedly ignoring the yell you let out.
”Whatever!” you yelped, and Dazai let the agency door click closed behind him.
He grins. Curious indeed.
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note — can you tell i love brothers! atsushi and dazai? also, the woman in Judgement is Mizuki Tsujimura, who I headcanon is pretty good friends with reader in this one. :) please let me know if there are any pronoun inconsistencies! this was originally written with she/her pronouns, and i did my best to fix it to match the gender neutral style i like to use for tumblr stuffs.
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©neevblanc 2024 // do not plagiarize or repost
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monsterblogging · 1 day
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Fuck JKR: How To Create A Harry Potter-Esque Aesthetic Without Any Harry Potter In It
So I saw a few posts from people mentioning that a reason people might be into Harry Potter is because of the aesthetic or atmosphere, and ya know what? I can't even argue that, because if there's one thing about HP, it's that it Sure Does Have Aesthetic And Atmosphere.
So! I'm gonna tell you how to STEAL ITS LOOK! Because:
JK Rowling considers ANY support of her work to be support of her politics.
Fan content/fan merch is still free advertisement for Rowling's work. YOU might not choose to give her money, but you can't be sure you won't pull people into the fandom who will.
Everyone should create more things that aren't tied to corporate-owned IP, period.
So. Most things in these films have an aged, antique look. You'll see a lot of brown hues, both on sets and on people's clothes. There's a lot of near-blacks (especially charcoals and walnuts) and lighter grays on the sets, especially from the third film onwards. (Wood is more often than not stained dark, while lighter hues are often provided by bricks or plaster.) The last two films use a lot of stormy blues and grays. Prisoner of Azkaban also emphasizes contrast between tones, which heightens a sense of texture. True black also appears throughout the films, such as on students' uniforms and many Death Eaters' outfits, and on the chairs in Malfoy Manor. White appears occasionally, especially on Hedwig, students' shirts, or during winter scenes, but pure white isn't otherwise really common. Paper or parchment is usually warm beige. There's also a lot of silver, gold, and brass, often appearing on things like dishware, tools, trinkets, Christmas baubles, and so forth. Bronze also comes up occasionally.
Reds, yellows, blues, and greens are pretty common throughout the films, even outside of Hogwarts, though you'll see just about every color somewhere. For example, orange is often found around the Weasleys, and orange, maroon, and purple feature in the divination classroom. Teal features prominently in Grimmauld Place (contrasted with saffron yellows).
Most colors aren't really super bright; a lot of the time they look a little faded, or like they're colored with natural dyes. If you use medieval illustrations to source your colors, or aim for earth tones and jewel tones, you'll be about right for a lot of what you see in the films. Bright colors are pretty rare; some of the brights we do see are in Honeydukes, Weasleys' Wizarding Wheezes, and certain magical effects, such as Floo fire.
A lot of light is provided by candles, torches, or fireplaces, which cast a warm yellow/orange light. Moonlight is represented by blue light in the first and second films. Blue light is also used for the Goblet of Fire and the penseive.
Another thing you gotta have in there is clutter. It should look kinda antique and give off a kind of magical or mystical atmosphere. Think books, storage jars, orreries, crystal balls, old lamps, antique clocks, vintage glassware, antique mirrors, old teapots, and little metal trinkets. (If you're trying to decorate a physical room, your stuff doesn't have to actually be antique, of course; antique-styled is fine.)
Texture is also very important, which can be represented with full or top grain leather book covers, stone walls, dents and scratches, cracks, embellishments, and embossing. Additionally, all damage and wear gives a sense of oldness to things. Stains and variegated colors also add interest. (If you're decorating a physical space, you might look into aging/distressing/antiquing techniques.)
If you want a space to look cozy, you don't really want bare or blank walls. Shelves, paintings, tapestries, and wallpaper can all help with that. Again, use brown, rather than black. Warm, yellow lighting will also help. If you lean toward blacks and cool lighting, you're going to have a colder-looking space.
Fashion in the wizarding world is extremely all over the place, ranging from stereotypical fantasy witch and wizard clothing, to pretty normal vintage clothing, to some wacky vintage-inspired looks, to the kind of fashion that would be put under the cozycore umbrella, to ordinary modern clothing. One thing that's absent is subculture fashion as we know it. (Bellatrix Lestrange does look kinda goth, but it's less a subculture thing, and more a "yeah we're putting our bad guys in fancy black stuff" thing.)
If you're trying to lean into the whole quirky/eccentric/old-fashioned kinda thing, you'll want to pass over the more modern and obviously synthetic type stuff. Also, patterns, textured fabrics, knits, mixed colors, lace, and other embellishments can add interest to outfits.
Architecture is also all over the place. Hogwarts is pretty medieval, while places like Diagon Alley give more Victorian vibe. The main thing is looking old fashioned and quaint.
To try and summarize all of that:
Browns. Lots and lots and lots of browns. Blacks and grays, too. Contrast between light and dark browns and blacks/grays.
More beige and gray than pure white; more charcoal gray and dark walnut brown than true black.
Among other colors, mostly earth tones and jewel tones. Very limited brights.
Polished metal and glass also add shininess.
Old-fashioned. Vintage. Antique.
Clutter, texture, patterns, variegation. Minimalist/clean aesthetic avoided.
Aged and distressed.
Lighting often yellow/orange due to coming from fire. Blue/teal light often coming from moonlight and certain magical light sources.
Now, here are some things we actually don't see. I'm not mentioning them to discourage you from using them if they're what you really want, but to inform you about them so you can consider whether they might throw off the vibe for you:
Green/purple/black combos.
Purple/silver/black combos. Pink/purple/teal combos.
Pink/black combos.
Orange/black combos.
Green/orange/purple combos.
Red/black combos.
Basically a lot of combos commonly associated with Halloween, witches, or vampires.
Big raw crystals. We see crystal balls now and then, but that's it.
Other natural items used as decorations - feathers, pinecones, sticks, etc. The one exception I can think of are the shells embedded in the walls of Shell Cottage.
Crushed velvet. Lots of fantasy uses this, HP films don't.
If you need inspiration, go look up medieval and renaissance diagrams and illustrations of stuff like the four elements, the zodiac, the solar system, and all that. Go look up alchemical symbols and emblems. Search up pre-WWII vintage ephemera. Go look up Victorian clipart. Look up stuff like botanical, zoological, and astronomical books and art from the 17th-19th centuries. Look up vintage wallpaper and fabric patterns. Look at vintage-style crafts. Research period architecture and fashion. Research European heraldry.
If you're wondering what exactly you're going to design around without Hogwarts and the Four Houses, here are some suggestions:
The four classical elements (earth, air, fire, and water)
The four seasons
Card suits - Tarot, French, whatever you want
Holidays - Halloween, Christmas, whatever
Fairy tales
Flowers
Mythical creatures
Bugs
Birds
Any other animals you like
Ecosystems
Your own original worldbuilding
So yeah, there ya go. You don't need to keep participating in HP to indulge in the aesthetic.
[NOTICE: Anybody who clowns on this post by making this about them and their childhood, patting themselves on the back about their chosen means of "ethical" participation, praising the fandom, or adding any other form of irrelevant bullshit is getting blocked. Also, I don't want to hear about PJO or Earthsea again for the millionth time, either.]
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apoostrophe · 2 years
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🗡 ECLIPSE 🌑
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aakiwa · 5 days
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Yes I’m an Azula apologist—she deserved better; she deserved therapy and love and support and patience 🫶
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kayleerowena · 9 months
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🥀 this barbie won't stay buried! 🥀
🫀 tip jar 🫀 patreon 🫀 horror barbies series 🫀
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buttercupshands · 6 days
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can you even call it a warm up if I'm going to bed without drawing anything big
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and a sketch I made while sitting in the park today
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puppyeared · 9 months
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Big cat
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chiliger · 2 months
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Cody - Kote - Glory
For Cody Day 2/2/24
(Closeups under the cut)
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dr-paint · 1 year
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It doesn't matter how much you push the envelope, it'll still be stationary!
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suntails · 3 months
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💙 best friends 💛
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alicenpai · 5 months
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⭐🌛🌞 november trick or treating... spooky season can be anytime if you aint a scaredy cat!!! flynn, terence, nate - from my series Lost & Found Children
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some WIPs!
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^ some theatre costume designs that inspired Flynn's outfit. originally I wanted more of a pierrot motif, but I went with a sortof celestial angel to match nate's fiery devil. I do want to draw them all as pierrots one day...
my friend asked about the "costume" part of this - terence is not wearing a "halloween costume" per se, because he thinks he's too mature for costumes (haha). hence the star moon and sun theme to unify all of their outfits. he IS a piano player in the story, who wears a similar outfit to concerts, so you can see him as being a sort of astronomical musician for the occasion. i think these designs turned out pretty rad and since they're not "stereotypical" halloween fare, i would like to use them again...
tumblr killed my drafts... and unfortunately I am too tired to type out more of the description that got lost.
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0yorixu · 17 days
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smoleefo
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fattylime · 4 months
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The Pale Elf
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soildweller · 8 months
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Been liking the idea of brent as a werewolf being kind of a buster wilde situation where its an entirely different personality to him as a human
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